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Orchestra - Digital Download SKU: LX.30-2619L Arranged by Lloyd Larson. Conductor's score. Sacred Anthem, Christmas. Orchestral Score and Parts. 63 pages. Lorenz Publishing - Digital Sheet Music #e30/2619L. Published by Lorenz Publishing - Digital Sheet Music (LX.30-2619L). UPC: 000308126273.Lloyd Larson deftly weaves four manger songs together in this arrangement of traditional carols. Lush choral textures are exploited to help convey the majesty of Christ's birth. This ideal selection for Christmas Eve services is made even more versatile by the availability of an optional orchestral arrangement by Michael Lawrence. (From the cantata Rise Up! A New Light A-Comin' SATB -- 65/2009L; SAB -- 65/2010L) Instrumentation: 2 Fl, Ob, 2 Cl, Bsn (sub B Cl), 3 Tpt, 2 Hn (sub 2 A Sax), 2 Tbn (sub T Sax/Bar TC), Tb, 2 Perc, Hp, Pno, Vln 1 & 2, Vla, Vc, Db (String Reduction included).
Manger Songs - Orchestral Score and Parts
Orchestre

$39.95 34.04 € Orchestre PDF SheetMusicPlus

Piano Solo - Level 2 - Digital Download SKU: A0.532844 Composed by Antoine Tisne. 20th Century,Children,Concert,Contemporary,Standards. Score. 3 pages. Musik Fabrik Music Publishing #59649. Published by Musik Fabrik Music Publishing (A0.532844). The suite of 14 pieces is intended to be used for students with 1-5 years of piano. The titles are all inspired by poetic images and the music is very drescriptive, but uses atonal and polytonal vocabulary. A great introduction to contemporary music for students! 1. Par les sentiers du Jardin (From the garden paths) 2. En écoutant le ruisseau (Upom Listening to the Stream) 3. Là-bas, un petit train passe (Over there, a little train is passing) 4. Ce qui dit la fée des bois (That which the woodfairy says) 5. Dans la clairière bleue (In the Blue clearingFrom the garden paths) 6. Les diamants de l'étang (The Diamonds in the Pond) 7. Dans la pénombre du chateau (In the shadow of the castle) 8. Ballet des Cigales et des lucioles (Ballet of the crickets and the fireflies) 9. Le marchand de sable d'or passe (The Sandman is going by) 10. Sous le grand chêne endormi (Underneath the big oak tree asleep) 11. Au clocher lointain, l'heure sonne (In the far steeple, the clock strikes) 12. La Montagne enchantée (The enchanted mountain) 13. Le Lutin chez la sorcière (The dwarf visits the witch) 14. Sous le regard, un cœur veille (Looking on, a heart watches).
Antoine Tisné : Les Contes de la Lune Bleue : Suite of 14 pieces for intermediate pianists
Piano seul

$12.95 11.03 € Piano seul PDF SheetMusicPlus

Piano - Digital Download SKU: LV.9315 Composed by Henry F. Volmer. African Americans, Couples, Dancing, Ethnic stereotypes. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.9315). A Jolly South Carolina Cake Walk. March and Two Step. By Henry F. Volmer. Published 1899 by J.F. Bellois, 321 N. Ninth Street in Philadelphia. Composition of da capo with trio with piano instrumentation. Subject headings for this piece include African Americans, Couples, Dancing, Ethnic stereotypes. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
A Jolly South Carolina Cake Walk. March and Two Step
Piano seul
Henry F Volmer
$5.99 5.1 € Piano seul PDF SheetMusicPlus

Full Orchestra - Level 3 - Digital Download SKU: A0.921074 Composed by Michael D. Blostein. Contemporary,Patriotic. Score and parts. 11 pages. Michael D. Blostein #2846149. Published by Michael D. Blostein (A0.921074). In response to the terror attacks in their city beginning on 2013, the citizens of Paris – joined by world leaders – staged a march, nicknamed The March of Defiance on Sunday, January 11, 2015, to show the world they stood in solidarity against terrorism and hatred.Premiered at Carnegie Hall, this work is designed to embrace and exploit, in a minimal way, this same concept.Each new idea, often presented in a new voice, is introduced by a disruption in the 6/8 pattern, only to return to the original feel. As a new idea is introduced, it is layered upon the previously stated ideas, introduced by the additional disruption of an additional beat, always to return.The formal structure is a relatively simple contrapuntal exercise, eventually expanding to 6 layers/species, from which the piece, while still growing dynamically, begins to thin out horizontally while adding a bit more harmonic interest (often through dissonance).Eventually, as the tessitura of the orchestra rises and the mass of sound and layers becomes simply too much to tolerate, the march repents into a peaceful ending.The work includes parts for Alto, Tenor and Baritone Saxophones, as well as Euphonium.This selection is the score only. For the score and parts, please select the other work title.
March of Defiance (score only)
Orchestre

$10.00 8.52 € Orchestre PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1141903 By The New Seekers. By Adam Ficek, Drew Mcconnell, Graeme Anthony Hall, Mick Whitnall, Peter Doherty, Steve Wolfe, and Tony Cole. Arranged by Liz Garnett. A Cappella,Barbershop,Pop. Octavo. 5 pages. Liz Garnett #742262. Published by Liz Garnett (A0.1141903). The New Seeker's made this famous as the UK's entry in the Eurovision Song Contest for 1972. It is an archetype of the genre: cheerful, catchy, susceptible to vocal barmonies - everything you want from a barbershop song really. The arrangement was commissioned by a mixed barbershop chorus in which both the baritone and lead lines had both male and female voices, and so can exploit both the brightness of the upper voices and the the richness of the lower bass range. It is notated in the clefs traditionally used for male barbershop (treble bassa, bass), but is vocally better aligned with SATB voicings. Vocal ranges: Tenor: C4 - D5 Lead: F#3 - B4 Bari: G3 - G4 Bass: G2 - D4 www.HelpingYouHarmonise.com.
Beg, Steal Or Borrow
Chorale SATB
The New Seekers
$2.99 2.55 € Chorale SATB PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1141383 Composed by Robert W. Padgett. Baroque,Classical,Contest,Festival,Instructional,Traditional. Score. 3 pages. Padgett Music Llc #741707. Published by Padgett Music Llc (A0.1141383). This three-part Invention No. 2 in D minor was composed in the summer of 1991. I shared it with my modal and tonal counterpoint instructor, Professor Richard Wilson, and he responded favorably to my venturesome modulations and use of the Neapolitan chord. Similar to my first invention in A minor, the motive is announced by the upper voice before it is restated an octave lower by the lower voice in bar 2 to form a stretto. In bar 3, the middle voice states the motive in the dominant key of A minor with the lower and upper voices playing the first and second countermotives respectively. An episode ensues and arrives at a half cadence in bar 8. The opening fragment of the motive is exploited in conjunction with a pedal tone and a variant of the second countermotive to navigate through a series of contrasting keys. At bar 14, the motive is reasserted in F-sharp minor layered over itself in stretto with a C-sharp pedal tone in bar 15. The voices from the episode in bars 5-8 are reshuffled in bars 18-21 as another exercise in invertible counterpoint. In measure 16, the motive and two countermotives are reprised in C-sharp minor, a half step below the tonic key. Starting in bar 18, the episode from bars 6-8 is reprised in F-sharp minor with the first and second countermotives exchanging positions. This is followed in bars 16-27 by a varied restatement of the episodic sequence from bars 8-17 that cadences in bar 27 before a restatement of the subject in bar 28 in G minor with slightly embellished countermotives. Bars 32-35 present a restatement of the episode from bars 5-8 with the motive relocated to the lower voice and the two countermotives in intimate proximity in the two upper voices. An unexpected descending scale in a series of compound harmonic 10ths forms an inversion of the second half of the motive and sets the stage for a perfect cadence to a Picardy Third in D major. After so many years, I remain especially pleased with the effect of that ending.
Invention No. 2 in D minor for three voices
Piano seul

$3.99 3.4 € Piano seul PDF SheetMusicPlus






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