2 Picc. · 0 · 0 · Es-Klar. · 1 · Bassklar. · 2 · Kfg. – 0 · Cornet à pistons in B · 0 · 1 · 1 – S. (4 Ring-Tamb. o. Schellen) (1 Spieler) – Str. (0 · 0 · 4 · 4 · 4) violin solo and large chamber orchestra - difficult - Digital Download SKU: S9.Q21078 (Violin Concerto). Composed by Paul Hindemith. This edition: study score. Ernst Eulenburg - chamber music - Score. Eulenburg Miniature Scores. Downloadable, Study score. Op. 36/3. Duration 23 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q21078. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21078). German • English.The chamber music works are among Hindemith's most successful instrumental works of the 1920s. At the world premiere of Chamber Music No. 1, the audience even demanded a repetition of the third and fourth movements. But the title is misleading: The individual pieces rather have concertante soloistic features than bow to chamber music traditions. Not least the epithet Violin Concerto in the title of Chamber Music No. 4 refers to that fact.

Violin Duet Violin - Level 2 - Digital Download SKU: A0.1251506 Composed by Johann Sebastian Bach. Arranged by P. R. Frederick. Baroque. 2 pages. P. R. Frederick #845795. Published by P. R. Frederick (A0.1251506). The iconic minuet from Bach's Notebook for Anna Magdalena Bach.  Arranged for two violins.Check out my other violoin duets here

Large Ensemble Cello,Clarinet,Double Bass,Euphonium,Flute,Oboe,Tenor Saxophone,Trombone,Trumpet,Tuba,Violin,Voice - Level 2 - Digital Download SKU: A0.851116 Composed by Johann Sebastian Bach. Arranged by Sophia Johanna. Christian,Classical,Contemporary,World. Score and parts. 13 pages. Sophia Transistor #3511437. Published by Sophia Transistor (A0.851116). English description:Originally I played this arrangement on trombone together with my little brother who played violin at the funeral ceremony of our grandma Ruth (see live recording).Core-theme is from the orchestral suite #3 in D Major, BWV 1068 Air by Johann Sebastian Bach. This arrangement is presented as a duet between two solo instruments. Both instruments have leading parts.3 different movements are included in this arrangement.They can be combined ad lib and can also played as stand alone pieces.Total playtime with all movements and all repetitions: 5 min 33 sMovement 1 as stand alone: 42 secondsMovement 2 as stand alone: 1 min 14 secondsAir Movement as stand alone: 3 min 37 secIncluded Key Notations of the piece:- treble clef and bass clef in C- both voices as treble clef in C- both voices as treble clef in Bb- treble clef in Bb and treble clef in C- treble clef in Bb and bass clef in C- both voices as bass clef in CFollowing Instruments can be covered by this:Violin, Cello, Trombone, Trumpet, Clarinet, Vocal, Flute, Tenorsaxophone, Tenorhorn, BassWhen playing the notes as if it was written in Eb or F, both players should have the same instrument with the same clef tune notation.Playalong Youtube-Video can be watched here:https://youtu.be/Iiy48Yik2FwGerman description:Dieses Arrangement habe ich zusammen mit meinem kleinen Bruder auf der Auferstehungsmesse für unsere Oma Ruth gespielt. Er spielte Geige und ich die Posaune.Kernmelodie ist die berühmte Suite Air, Aria oder Ayre von Johann Sebastian Bach. Dieses Arrangement ist ein Duett für zwei Soloinstrumente. Beide Instrumente haben Melodiestellen.Dieses Stück umfasst 3 verschiedene Einheiten.Die können alle hintereinander oder alleine für sich gespielt werden oder frei kombiniert werden.Spielzeit insgesamt mit allen 3 Movements mit allen Wiederholungen: 5 Minuten 33 SekundenMovement 1 als Einzelstück: 41 SekundenMovement 2 als Einzelstück: 1 Minute 14 SekundenMovement 3 als Einzelstück: 3 Minuten 37 SekundenFolgende Notationsformen und Schlüssel sind in den Noten mit enthalten:- Violinschlüssel und Bassschlüssel in C- Beide Stimmen als Violinschlüssel in C- Beide Stimmen als Violinschlüssel in Bb- Violinschlüssel in Bb und Violinschlüssel in C- Violinschlüssel in Bb und Bassschlüssel in C- Beide Stimmen als Bassschlüssel in CDamit können folgende Instrumente abgedeckt werden:Geige, Cello, Posaune, Trompete, Klarinette, Querflöte, Tenorsaxofon, Tenorhorn, BassRein theoretisch könnten auch F und Eb-Instumente das spielen, dann sollten bloß beide Spieler ein Instrument der selben Stimmung spielen.####Have fun and leave a comment, so that I can improve!Visit my publisher page: https://www.sheetmusicplus.com/publishers/sophia-johanna/7814My YouTube Channel with contact information: https://www.youtube.com/channel/UCm10wB_bmSJHgf4cEnHNtQQ/about

Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.983170 Composed by Craig Wadley. 20th Century,Concert,Contemporary,Standards. Score and part. 29 pages. Wadley Publications #3434687. Published by Wadley Publications (A0.983170). Commissioned by Dr. Brent Bristow of Arkansas State University (Beebe), Temporal Physics is a single-movement sonatina for alto saxophone and piano. Featuring a cornucopia of meter changes, the piece explores various stylistic treatments of two brief melodic motifs. Temporal Physics drops hints of different musical eras while remaining a truly contemporary display of soloistic virtuosity.

Concert Band - Digital Download SKU: AX.00-PC-0015875_TMP Timpani. Composed by Victor López. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015875_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015875_TMP). UPC: 038081459677.The composer's inspiration for this piece came from his visit to India in the summer of 2012. With vivid musical imagery, there is ample opportunity for soloistic performance combined with characteristic energetic drive. The Papier-mAC/chA(c) masks created for festivals and performances in the region are musically displayed throughout the piece while adding decorative tone colors to the entire composition. Highly recommended for contest and concert performances throughout the year! (4:30)Concert/Contest; Festival.

3 octaves handbells                                           - Level 2+ - Digital Download SKU: C7.CGB180 Deep River/ Swing Low, Sweet Chariot. Composed by Kenneth Loiacono. Lent. Score. 4 pages. Chorister's Guild - Digital #CGB180. Published by Chorister's Guild - Digital (C7.CGB180). UPC: 749193004227.The lyrical melody and warm, expressive harmonic treatment create a feeling of serenity which characterizes this piece. The notes are easy to play, but what will give the piece its special quality will be attention to dynamics, phrasing, and melodic line.

French Horn Solo - Level 3 - Digital Download SKU: A0.597879 By Anna Kendrick. By A.P. Carter, Heloise Tunstall-Behrens, and Luisa Gerstein. Arranged by Kevin Busse. Film/TV. Individual part. 2 pages. Kevin Busse #3094671. Published by Kevin Busse (A0.597879). This is a transcription of Cups by Anna Kendrick for Horn in F. This sheet music can be played along with the official version of this song in its entirety.

Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1365116 Composed by Socrates Arvanitakis. 21st Century,Contemporary. 84 pages. Socrates Arvanitakis #949422. Published by Socrates Arvanitakis (A0.1365116). GENERAL PREFACE – ΓΕ�ΙΚΟΣ ΠΡΟΛΟΓΟΣThis edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.The total collection is centred more on the music from mainland Greece and less in that from the Islands.The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.TECHNICALSeparate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.Thematic Index with active internal links for ease of navigation have been added.Audio file (mp3) has been addedCONTENTS97   ΚΛΕΦΤΟΠΟΥΛΑ ΤΑ 1 (The Kleftic Lads 1)98   ΚΛΕΦΤΟΠΟΥΛΑ ΤΑ 2 (The Klephtic Lads 2)99   ΚΟΒΩ ΜΙΑ ΚΛΑΡΑ (I Cut One Branch)100 ΚΟΛΟΚΟΤΡΩ�ΑΙΟΙ ΟΙ 1(The Kolokotronis Clan 1)101 ΚΟΛΟΚΟΤΡΩ�ΑΙΟΙ ΟΙ 2 (The Kolokotronis Clan 2)102 ΚΟΛΟΚΟΤΡΩ�ΑΙΟΙ ΟΙ 3  (The Kolokotronis Clan 3)103 ΚΟ�ΤΟΥΛΑ ΛΕΜΟ�ΙΑ (Short Lemon Tree)104 ΚΟΡΗ Α�ΤΡΕΙΩΜΕ�Η (Brave Maiden)105 ΚΟΡΗ ΚΑΙ ΒΑΣΙΛΙΑΣ (Maiden and The King)106 ΚΟΡΗ ΜΑΛΑΜΑΤΕ�ΙΑ 1 in A (Golden Maiden 1)107 ΚΟΡΗ ΜΑΛΑΜΑΤΕ�ΙΑ 2 in E (Golden Maiden 2)108 ΚΟΣΤΙΛΑΤΑ (Kostilata Water Springs)109 ΚΟΥΚΟΣ Ο (The Cuckoo)110 ΚΟΦΤΗ� ΕΛΕ�Η ΤΗ� ΕΛΗΑ (Helen, Cut Your Beauty Spot)111 ΚΡΗΤΗ Η (Crete)112 ΚΥΡΑ ΔΑΣΚΑΛΑ (Η)  (Mrs Teacher)113 ΚΥΡ-Α�ΑΓ�ΩΣΤΑΙ�Α Η (Mrs Anagnostena).

Violin, viola, cello, bassoon and double bass - intermediate - Digital Download SKU: S9.Q46585 Für Violine, Viola, Violoncello, Fagott und Kontrabass eingerichtet von Hans-Eberhard Dentler. Composed by Johann Sebastian Bach. Arranged by Hans-Eberhard Dentler. This edition: score. Downloadable, Score. Schott Music - Digital #Q46585. Published by Schott Music - Digital (S9.Q46585). Much has been speculated on the instrumentation of this contrapuntal masterpiece since Bach's death. For a long time, the fragmentary work was regarded as a piano work but since the early 20th century musicians have experimented with various instrumentations. This arrangement by Hans-Eberhard Dentler, who has carried out scientific research on the Art of Fugue for decades, manages through the choice of instrumentation not to use any kind of transposition. It also ensures the best possible transparency and faithfulness to the score through the soloistic rendering of the individual parts: the combination of bassoon and double bass as well as the assignment of the violoncello to the tenor part are the key to the faithful reproduction of all parts without any intervention of the arranger.

Jazz Combo - Level 2 - Digital Download SKU: A0.1499268 By Socrates Sixtinic Bongoloids, Siebenphoniker. By Arnul Kohlweiss. Arranged by Josef Peter Traun. Jazz. 37 pages. Traun #1075322. Published by Traun (A0.1499268). An arrangement for jazz combo (JCO5). Parts: Flute, Alto Saxophone, Bariton Saxophone, Trumpet, Violin, E-Guitar, Rhodes Piano, Bass, Drums and Full Score.See also other arrangements of tjis title!

Full Orchestra - Level 4 - Digital Download SKU: A0.1284734 Composed by Ennio Morricone. Arranged by John Langley (at Studio Orchestrations). 20th Century,Broadway,Chamber,Film/TV,Musical/Show. Score and Parts. 14 pages. Www.studio-orchestrations.com #875911. Published by www.studio-orchestrations.com (A0.1284734). This is one of Ennio Morricone's most evocative and yearning themes from the Kevin Costner and Sean Connery classic THE UNTOUCHABLES directed by Brian De Palma.  The theme comes where Malone has been brutally/mortally shot and wounded and gives Elliott Ness, his friend, the critical information to enable him to arrest Al Capone's bookeeper before dying.  Malone's murder is one of the most unexpected and shocking moments on celluloid when it happens but Morricone's theme is full of pathos and lament for a much loved character.For your event/concert of film music, this is a short but always moving piece that hopefully will fit around your other programming ideas.  In a market where loud film music is all the rage, this offers a beautiful sorbet to an evening of movie classics.This arrangement is written for Solo Alto Saxophone (Default solo instrument)Solo Alto Flute*  (alternative solo instrument)Acoustic guitar (or Harp)*Strings* Morricone does use Alto Flute to play a version of this theme earlier in the soundtrack and this can make a contemplative and quiet version of the same music so your group can choose instrumentation, esepcially where no saxophone is available in your group or concert; also if your group doesn't have a guitar then this can be played by Harp as well.

Piano Solo - Level 3 - Digital Download SKU: A0.597080 By The Commodores. By Lionel Richie. Arranged by Nigel Jefferies. Rock,Soul. Score. 5 pages. Nigel Jefferies Music #6197985. Published by Nigel Jefferies Music (A0.597080). Loinel Richie's Easy arranged for piano solo.

Brass Quartet Cornet,Horn,Trombone - Level 3 - Digital Download SKU: A0.1347230 Composed by Philippe De Vitry. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Medieval. 10 pages. Jmsgu3 #932030. Published by jmsgu3 (A0.1347230). The motet O canenda/Rex regum by Philippe de Vitry is significant as it represents the emergence of the classic isorhythmic motet, which simultaneously sets a pair of texts in its two upper voices. Philippe de Vitry, a 14th-century French composer, is considered a leading figure in the changes that occurred in French music around 1325. His motets, including O canenda/Rex regum, are regarded as strikingly individual, exploiting unique structural ideas. They are part of the early development of the ars nova style of composition, which introduced new rhythmic and notational techniques. The structure of Philippe de Vitry's motet O canenda/Rex regum is characterized by the classic isorhythmic motet, which sets a pair of texts simultaneously in its two upper voices. This composition represents the emergence of the ars nova style of late medieval music, introducing new rhythmic and notational techniques. The repeated rhythmic patterns of the tenor do not necessarily accord with melodic ones, and the motet is known for packing symbols and thematic subtleties into each short piece. Philippe de Vitry's motets, including O canenda/Rex regum, are strikingly individual, contributing to the evolution of musical forms and representing innovative trends in 14th-century French music.The text of motets from this period often contained religious, secular, or courtly love themes. The words rex regum et dominus dominancium from the motet evoke the notion of an earthly king who emulates Christ on his heavenly seat as he assumes his throne. The text likely reflects the religious or secular themes commonly found in motet compositions of that era. Philippe de Vitry, a French composer, poet, and music theorist, was born on October 31, 1291, and died on June 9, 1361. Philippe de Vitry's O Canenda/Rex regum was composed around 1320. He was appointed Bishop of Meaux on 3 January 1351 and held this post until his death.

Brass Ensemble - Level 2 - Digital Download SKU: A0.1086154 By Anna Kendrick. By A.P. Carter, Heloise Tunstall-Behrens, and Luisa Gerstein. Arranged by Blechmaxx. Pop. Score and parts. 10 pages. Markus Dag #690349. Published by Markus Dag (A0.1086154). Easy Version of the song Cups - When I'm gone. I've included a piano score with chords for you.

3 violins and basso continuo or string orchestra - intermediate - Digital Download SKU: S9.Q24135 Composed by Johann Pachelbel. This edition: set of parts soloistically. Concertino. Downloadable, Set of parts. Duration 3 minutes. Schott Music - Digital #Q24135. Published by Schott Music - Digital (S9.Q24135). Key: D major.With this work, Pachelbel, who was born in Nuremberg, created one of the most popular orchestral pieces of the baroque period. In the canon two of the strictest contrapuntal forms are combined: The three violin parts form an extensive canon with entries of two bars distance. To this, a ground bass (basso ostinato) has been added repeating its two-bar tone formula 28 times. The technical mastery of the piece can be ad-mired just as much as its effect lies in the melodic and sensuous power of its string tones. The modest technical demands on the musicians are diametrically opposed to the compositional -level: They do not go beyond the third position.