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Concert Band - Level 3 - Digital Download SKU: A0.1259521 By Kensington. By Casper M Starreveld, Eloi Youssef, Jan R Haker, and Niels Van Den Berg. Arranged by Joop Derks. 21st Century,Pop,Rock. Score and Parts. 56 pages. Derksarrangementen #852823. Published by Derksarrangementen (A0.1259521). Uncharted from the Dutch band Kensington. Arrangement for Concert Band added with Guitar, Piano, Bass Guitar and Vocals.Full Score, Flute, Oboe, Bassoon, Clarinet (Eb), Clarinet (Bb 1,2,3) Bass Clarinet, Alto sax (1,2), Tenor sax, Baritone  sax, Horn (1,2,3) in F and Eb, Trumpet (1,2,3), Trombone (1,2,3) In C, Bb TC and Bb BC, Bass trombone, Euphonium in C, Bb BC and Bb TC, Bass Tuba in C and Bb BC, Bb TC, Eb BC and Eb TC, Mallets, Drum set, Percussion, Piano, Guitar and Bass Guitar. For more information please contact Derksarrangementen@home.nlAbout the arranger: Joop Derks is a musician, conductor and arranger from the Netherlands. He has been working for the Dutch Military Music for years and also conducts a number of civilian concert bands.
Uncharted
Orchestre d'harmonie
Kensington
$80.00 68.17 € Orchestre d'harmonie PDF SheetMusicPlus

Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise and Worship,Religious,Sacred. 12 pages. Stuart Brown Music #782616. Published by Stuart Brown Music (A0.1182868). Re-published specially for Easter 2023, this is a profoundly beautiful piece for 6-part choir and piano. The composer writes:'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that. One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only â??crimeâ?? was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were â??Oh men who dare to call on gods to justify your hatred â?? of this be sure â?¦â? and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. â??Of this be sure â?? I love you still, my cross your salvation from all the sin of man.â?It doesnâ??t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isnâ??t. He created them, he sent his Son to die for them â?¦ and he is even now ready to save them, as he is you and me. Thatâ??s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
On That Cross
Chorale SSATBB
Stuart Richard Brown
$3.00 2.56 € Chorale SSATBB PDF SheetMusicPlus

String Orchestra - Level 1 - Digital Download SKU: A0.928383 Composed by Thomas J. West. Contemporary. Score and parts. 11 pages. Thomas J. West #6425705. Published by Thomas J. West (A0.928383). This entertaining piece introduces beginner string players to staccato bowing, two-note slurs, and portamento as a preparation for shifting positions in later studies. It has a lighthearted promenade style and features melodic material for the cello and bass as well as the violins. There are two-part divisi passages in the violin 1 part, and a brief episode of divisi in the viloin 2 and viola parts. Publication includes Violin 1, Violin 2/Viola, Cello, String Bass, Rehearsal Piano, and 4-page conductor's score.
String Cheese (String Orchestra - Grade 1.5)
Orchestre à Cordes

$9.99 8.51 € Orchestre à Cordes PDF SheetMusicPlus

3 violins and basso continuo or string orchestra - intermediate - Digital Download SKU: S9.Q24135 Composed by Johann Pachelbel. This edition: set of parts soloistically. Concertino. Downloadable, Set of parts. Duration 3 minutes. Schott Music - Digital #Q24135. Published by Schott Music - Digital (S9.Q24135). Key: D major.With this work, Pachelbel, who was born in Nuremberg, created one of the most popular orchestral pieces of the baroque period. In the canon two of the strictest contrapuntal forms are combined: The three violin parts form an extensive canon with entries of two bars distance. To this, a ground bass (basso ostinato) has been added repeating its two-bar tone formula 28 times. The technical mastery of the piece can be ad-mired just as much as its effect lies in the melodic and sensuous power of its string tones. The modest technical demands on the musicians are diametrically opposed to the compositional -level: They do not go beyond the third position.
Canon D Major
Orchestre à Cordes

$17.99 15.33 € Orchestre à Cordes PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0015875_PC1 1st Percussion. Composed by Victor López. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015875_PC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015875_PC1). UPC: 038081459677.The composer's inspiration for this piece came from his visit to India in the summer of 2012. With vivid musical imagery, there is ample opportunity for soloistic performance combined with characteristic energetic drive. The Papier-mAC/chA(c) masks created for festivals and performances in the region are musically displayed throughout the piece while adding decorative tone colors to the entire composition. Highly recommended for contest and concert performances throughout the year! (4:30)Concert/Contest; Festival.
Mask of Ravana: 1st Percussion
Orchestre d'harmonie

$3.00 2.56 € Orchestre d'harmonie PDF SheetMusicPlus

Violin Solo - Level 4 - Digital Download SKU: A0.1213637 Composed by Johann Sebastian Bach. Arranged by Lavender Hill. Baroque,Chamber,Classical,Wedding. 3 pages. Lavender Hill #810832. Published by Lavender Hill (A0.1213637). J.S. Bach, Prelude from Suite No. 1 for CelloAdvanced Intermediate LevelUnaccompanied Violin part: 2 pagesTime: 2:10Yes, making music with others is one of the best things about being a violinist, and a string duo, trio or quartet is great for weddings and other private or corporate events.  But sometimes through constraints of availability / space / budget – or just for the thrill of it - we need to go it alone.  That’s when music for unaccompanied violin (not merely solo violin) comes into its own.Here’s the glorious Prelude from Bach's Cello Suite No. 1 in G major, transposed into D major so it can be played on the violin.  Although the original version is the epitome of celloism, Bach will hopefully be okay with this since he himself rearranged and transposed the Prelude from his solo violin Partita No. 3 in E major.  The present articulation is based on the copy made by Bach's wife, Anna Magdalena, during his lifetime.   If you like this, please check out my other arrangements for unacompanied violin: Bach's Air from Suite No. 3 in D (“Air on the G Stringâ€); Ain't Misbehavin'.
Prelude from Suite No. 1 for Cello
Violon

$8.99 7.66 € Violon PDF SheetMusicPlus

Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.1365116 Composed by Socrates Arvanitakis. 21st Century,Contemporary. 84 pages. Socrates Arvanitakis #949422. Published by Socrates Arvanitakis (A0.1365116). GENERAL PREFACE – ΓΕÎΙΚΟΣ ΠΡΟΛΟΓΟΣThis edition of violin and violoncello duets follows closely my publication of the same Greek folk pieces for classical guitar. The arrangements for guitar solo were written in two-part counterpoint and followed the strophic form of the folk songs involved. The melodic transcriptions of the folk melodies were not based in any particular performance, also avoiding the elaborate in many cases instrumental introductions associated with these songs. Thus, only the vocal melodies in a general recognizable version were presented. This new presentation for instrumental duets will stay with this generalised melodic version (without exploiting the instrumental introductions), but the form from strophic will become ternary (ABA). In the middle section the main melody will be played in the lower voice and the original guitar contrapuntal voice will be used in the upper voice if by chance it includes invertible counterpoint, otherwise new material will be added to fit the rules but also the intended harmony.The total collection is centred more on the music from mainland Greece and less in that from the Islands.The three dance rhythms of Kalamatianos (7/8), Tsamikos (3/4), and Syrtos Balos (2/4) are predominant in the whole first collection.TECHNICALSeparate parts have been included and they can be extracted as separate files with any free PDF editing programme on line.Empty pages have been added for inclusion/deletion at will and left-right hand page arrangement.Thematic Index with active internal links for ease of navigation have been added.Audio file (mp3) has been addedCONTENTS97   ΚΛΕΦΤΟΠΟΥΛΑ ΤΑ 1 (The Kleftic Lads 1)98   ΚΛΕΦΤΟΠΟΥΛΑ ΤΑ 2 (The Klephtic Lads 2)99   ΚΟΒΩ ΜΙΑ ΚΛΑΡΑ (I Cut One Branch)100 ΚΟΛΟΚΟΤΡΩÎΑΙΟΙ ΟΙ 1(The Kolokotronis Clan 1)101 ΚΟΛΟΚΟΤΡΩÎΑΙΟΙ ΟΙ 2 (The Kolokotronis Clan 2)102 ΚΟΛΟΚΟΤΡΩÎΑΙΟΙ ΟΙ 3  (The Kolokotronis Clan 3)103 ΚΟÎΤΟΥΛΑ ΛΕΜΟÎΙΑ (Short Lemon Tree)104 ΚΟΡΗ ΑÎΤΡΕΙΩΜΕÎΗ (Brave Maiden)105 ΚΟΡΗ ΚΑΙ ΒΑΣΙΛΙΑΣ (Maiden and The King)106 ΚΟΡΗ ΜΑΛΑΜΑΤΕÎΙΑ 1 in A (Golden Maiden 1)107 ΚΟΡΗ ΜΑΛΑΜΑΤΕÎΙΑ 2 in E (Golden Maiden 2)108 ΚΟΣΤΙΛΑΤΑ (Kostilata Water Springs)109 ΚΟΥΚΟΣ Ο (The Cuckoo)110 ΚΟΦΤΗΠΕΛΕÎΗ ΤΗΠΕΛΗΑ (Helen, Cut Your Beauty Spot)111 ΚΡΗΤΗ Η (Crete)112 ΚΥΡΑ ΔΑΣΚΑΛΑ (Η)  (Mrs Teacher)113 ΚΥΡ-ΑÎΑΓÎΩΣΤΑΙÎΑ Η (Mrs Anagnostena).
Duets For Violin & Violoncello 97-113 (vol. 7)
Violon, Violoncelle (duo)

$20.00 17.04 € Violon, Violoncelle (duo) PDF SheetMusicPlus






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