Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1286122 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori, Frank Peterson, and Lucio Quarantotto. Arranged by Rodrigo Faleiros. Classical,Film/TV,Opera,Wedding. Score. 6 pages. Rodrigo Faleiros #876871. Published by Rodrigo Faleiros (A0.1286122). Time to Say Goodbye for Soprano in Db majorThis arrangement is a piano and voice version of the song Time to Say Goodbye, originally sung by Andrea Bocelli and Sarah Brightman. It is designed for a soprano soloist, who can showcase her vocal range and skills with the challenging and expressive melody. The piano provides a simple and supportive accompaniment, allowing the soloist to shine on the interpretation. The arrangement captures the beauty and emotion of the song, while adding a personal touch and flair. This Time To Say Goodbye sheet music is transposed to the key of Db.

Handbell - Level 5 - Digital Download SKU: A0.1413602 By Billy Joel. By Billy Joel. Arranged by Michael J. Glasgow (ASCAP). 20th Century,Jazz,Pop,Rock,Singer/Songwriter. Score. 18 pages. New Domain Music #995382. Published by New Domain Music (A0.1413602). Billy Joel's Grammy-Award-winning 1977 smooth-jazz hit has become an enduring standard of the soft-rock genre.  This arrangement is in the same key as the original recording, and is a faithful represention of Joel's original recording.Accomplished composer/arranger/conductor Michael J. Glasgow created this arrangement for Velocity Handbell Ensemble, and is excited to share it with the larger handbell community via Hal Leonard's ArrangeMe program and Glasgow's publishing division, New Domain Music.The handbell folio (NDM-0002B) includes a part for advanced bell-tree soloist, who covers the iconic  Phil Woods saxophone solos on a second set of handbells.  Want to include the solos but don't have a bell-tree soloist (or a second set of bells)?  No problem!  The instrumental pack (NDM-0002I) includes substitute parts (in octaves) for treble instruments in C, B-flat, and E-flat.  It also includes parts for drums and auxiliary percussion (finger cymbal, wood block, and egg shaker) to bring even more authenticity to this great arrangement!  Search for Glasgow and the title of the piece to find the companion products.

Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1111159 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Religious,Sacred. 16 pages. RayThompsonMusic #713434. Published by RayThompsonMusic (A0.1111159). Arranged standard wind decet/dectet/bass Mozart's textual inspiration is apparent in the Tuba mirum (Hark, the trumpet) movement, which is introduced with a sequence of three notes in arpeggio, played in B♭ major by a solo tenor trombone, unaccompanied, in accordance with the usual German translation of the Latin tuba, Posaune (trombone). Two measures later, the bass soloist enters, imitating the same theme. At m. 7, there is a fermata, the only point in all the work at which a solo cadence occurs. The final quarter notes of the bass soloist herald the arrival of the tenor, followed by the alto and soprano in dramatic fashion. On the text Cum vix justus sit securus (When only barely may the just one be secure), there is a switch to a homophonic segment sung by the quartet at the same time, articulating, without accompaniment, the cum and vix on the strong (1st and 3rd), then on the weak (2nd and 4th) beats, with the violins and continuo responding each time; this interruption (which one may interpret as the interruption preceding the Last Judgment) is heard sotto voce, forte and then piano to bring the movement finally into a crescendo into a perfect cadence. My arrangement gives the trombone part to the first horn, and the vocal entries are given to the 4 wind instruments (All Player 1) I have added some additional sustaining notes on the horns, under the syncorpated section. Section III of the requiem is titled “Sequenz� (sequentia or sequence). It is made up of the following pieces I have arrangements of all of them, for varying types of ensemble * Dies irae * Tuba mirum * Rex tremendae * Recordare * Confutatis * Lacrymosa I have also arranged Mozarts Motet “Ave Verum Corpus� K618.

Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.837033 Composed by Jay Vosk. Contemporary,Instructional. Individual part. 8 pages. Jay Vosk #5772289. Published by Jay Vosk (A0.837033). Sol-etudes are a set of 4 etudes for Alto Saxophone Solo. These pieces were purposely designed to be intense and challenging for the soloist. It was my intention to write something that would hone the players skills as well as be a meaningful piece of music. These are   times  of isolation,  and public performance is practically nonexistent. This is also a time when a lot of practicing can get done! That said,   the saxophonist  should seek solace in the fact that, with a solo piece such as this, and a little imagination, they can be both the soloist and ,in a way, the audience. Hopefully, come the time public performance is again normalized, one may  consider sol-etudes   for  public recitals and for studio study.

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.954009 Composed by Christopher Burnett. Jazz,Rock,Standards. Score and parts. 3 pages. BurnettPublishing.COM #3457573. Published by BurnettPublishing.COM (A0.954009). RACONTEUR (The Storyteller)A unique jazz-rock ballad for concerts and contests. Includes a flute and tuba player. Suitable for programming by both student and professional ensembles.RACONTEUR (The Storyteller) is a modern jazz-rock ballad composition written and arranged for a modified large jazz ensemble instrumentation. Parts for C Flute and Tuba are scored to add those unique timbres to the ensemble sound.Rather than feature a single instrument, the melody is purposely distributed throughout the ensemble. However, the musical focal point of the piece is intended to be the featured improvisation solo space provided for Bb Tenor Saxophone 1. Since each improvisation is original and unique, the music should retain a newness with each performance. A theory sheet is also provided for less experienced improvisers to enhance soloist creativity within the intended harmonic context.Scored for groups performing at the medium level (grade 2.5 - 3.0), the unique chord progression provides the soloist with myriad possibilities from which to construct improvisational melodies. Improvisation is a key element of jazz music. Thus, this improvised solo will also inherently impact the level and quality of the entire sound of each ensemble performance.Brass ranges are purposely kept very reasonable. Piano part includes through-composed material along with written chord voicings. Bass & Drum Set Guide share the same part in an effort to encourage the two players to interact rhythmically to enhance the jazz-rock groove feel of the piece. Rhythm section parts are annotated with chord symbols. Mockup available.ABOUT THE COMPOSERChristopher Burnett (b. 1955) is a critically acclaimed alto saxophonist, educator, leader, and composer who began his professional career with military jazz bands going pro directly upon graduating high school at 18 years old. Over the course of a forty plus year career, Mr. Burnett has performed professionally around the world, recorded noteworthy albums as a leader, taught at the college-level and co-founded a significant independent recording label, Artists Recording Collective. A writer-affiliate and composer since 1984, Mr. Burnett has over 60 registered works in his Broadcast Music, Inc. (BMI) catalog. He is also the 1995 Parade of American Music 5-Star Award of Merit Winner of the National Federation of Music Clubs as a Composer. Current publications include Major Tetrachords for Band – Mastering Scales – Part 1 (Sheet Music Plus/Hal Leonard), Harmonic Minor Scale and Jazz – Applying jazz theory to the ii-V-i progression in any minor key (Sheet Music Plus/Hal Leonard) and Villages, BMI Work #25869956 – Jazz Ensemble Score and Parts Bundle (Sheet Music Plus/Hal Leonard). See: BurnettPublishing.com

Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher.  The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gàlvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...

Concert Band - Digital Download SKU: AX.00-PC-0016716_H3 3rd F Horn. Arranged by Donald Hunsberger. Folk. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016716_H3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016716_H3). UPC: 038081483566.Two charming components of the Carnaval project, scored by Donald Hunsberger for trumpet soloist Wynton Marsalis and the Eastman Wind Ensemble are combined in this freshly engraved setting. The accompaniment is accessible to high school ensembles, including 'Tis the Last Rose of Summer and Believe Me, If All Those Endearing Young Charms, this work will provide an opportunity to feature your trumpet soloist with these lush Irish folk tunes. (5:00).

Concert Band - Digital Download SKU: AX.81-PR-0000011 Score. Composed by Herbert L. Clarke. Arranged by David Marlatt. Instructional. Score. 18 pages. Alfred Music - Digital Sheet Music #81-PR-0000011. Published by Alfred Music - Digital Sheet Music (AX.81-PR-0000011). ISBN 9781554732432. UPC: 685462012442.Clarke wrote Cousins, a cornet and trombone duet with band accompaniment in 1904 for himself as the cornet soloist and Leo Zimmerman as the trombone soloist.To create a clean new edition, dynamics and articulations were made more consistent in the parts. Other items were changed to reflect the bands of today including F Horn parts rather than Eb and the percussion parts have been reorganized.

Violin solo - Grade 3 - Digital Download SKU: DX.161113 Composed by Isaac Watts. Arranged by Marilyn Carlson. Traditional. Sacred instrumental music. Score and parts. 7 pages. David E. Smith - Digital Sheet Music #161113. Published by David E. Smith - Digital Sheet Music (DX.161113). A solo beginning with unrelated melodic in the piano then join by the soloist in a straight forward manner with the theme. The chorus continues in much the same way and then concluded with a simple transition in the piano. The second verse is much like the first, melodically only supported by changing moods in the piano. The third section melody is in the piano while the soloist presents a gently obbligato. The next transition is more active rhythmically and then concludes in a sense of determined solemnity.

Small Ensemble Horn,Piano,Voice - Level 5 - Digital Download SKU: A0.793013 Composed by J. Richard Dixon. Contemporary. Score and parts. 2 pages. Estes Music Publishers #6622091. Published by Estes Music Publishers (A0.793013). The Candle is one of three pieces from Time Cycle for tenor soloist, piano and French horn. This piece is also written for tenor soloist, piano and clarinet.

Choral SATB choir & unison choir (or soloist) - Digital Download SKU: H1.C5244DP Arranged by Joel Raney. Piano Accompaniment with Optional Unison Choir (or Soloist). General Worship, Communion, Children, God. Octavo. 12 pages. Hope Publishing - Digital #C5244DP. Published by Hope Publishing - Digital (H1.C5244DP). Genesis 1:28 - Isaiah 52:7 - Job 38:7 - Matthew 6:25 - Matthew 6:26 - Matthew 6:27 - Matthew 6:28 - Matthew 6:29 - Matthew 6:30 - Matthew 6:31 - Matthew 6:32 - Matthew 6:33 - Matthew 6:34 - Psalms 103:19 - Psalms 19:1 - Psalms 50:10 .Medley of two beloved classics Joel Raney's creative scoring for Children and Adult choirs reaches new heights in this endearing medley of two beloved classics. This time the two choirs are equal partners, each taking a turn with the melody and building to an exciting final appearance of both tunes at once.

Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code. 

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.954011 Composed by Christopher Burnett. Jazz,Rock. Score and parts. 2 pages. BurnettPublishing.COM #3457577. Published by BurnettPublishing.COM (A0.954011). RACONTEUR (The Storyteller)A unique jazz-rock ballad for concerts and contests. Includes a flute and tuba player. Suitable for programming by both student and professional ensembles.RACONTEUR (The Storyteller) is a modern jazz-rock ballad composition written and arranged for a modified large jazz ensemble instrumentation. Parts for C Flute and Tuba are scored to add those unique timbres to the ensemble sound.Rather than feature a single instrument, the melody is purposely distributed throughout the ensemble. However, the musical focal point of the piece is intended to be the featured improvisation solo space provided for Bb Tenor Saxophone 1. Since each improvisation is original and unique, the music should retain a newness with each performance. A theory sheet is also provided for less experienced improvisers to enhance soloist creativity within the intended harmonic context.Scored for groups performing at the medium level (grade 2.5 - 3.0), the unique chord progression provides the soloist with myriad possibilities from which to construct improvisational melodies. Improvisation is a key element of jazz music. Thus, this improvised solo will also inherently impact the level and quality of the entire sound of each ensemble performance.Brass ranges are purposely kept very reasonable. Piano part includes through-composed material along with written chord voicings. Bass & Drum Set Guide share the same part in an effort to encourage the two players to interact rhythmically to enhance the jazz-rock groove feel of the piece. Rhythm section parts are annotated with chord symbols. Mockup available.ABOUT THE COMPOSERChristopher Burnett (b. 1955) is a critically acclaimed alto saxophonist, educator, leader, and composer who began his professional career with military jazz bands going pro directly upon graduating high school at 18 years old. Over the course of a forty plus year career, Mr. Burnett has performed professionally around the world, recorded noteworthy albums as a leader, taught at the college-level and co-founded a significant independent recording label, Artists Recording Collective. A writer-affiliate and composer since 1984, Mr. Burnett has over 60 registered works in his Broadcast Music, Inc. (BMI) catalog. He is also the 1995 Parade of American Music 5-Star Award of Merit Winner of the National Federation of Music Clubs as a Composer. Current publications include Major Tetrachords for Band – Mastering Scales – Part 1 (Sheet Music Plus/Hal Leonard), Harmonic Minor Scale and Jazz – Applying jazz theory to the ii-V-i progression in any minor key (Sheet Music Plus/Hal Leonard) and Villages, BMI Work #25869956 – Jazz Ensemble Score and Parts Bundle (Sheet Music Plus/Hal Leonard). See: BurnettPublishing.com

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1286139 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori, Frank Peterson, and Lucio Quarantotto. Arranged by Rodrigo Faleiros. Classical,Film/TV,Opera,Wedding. Score. 6 pages. Rodrigo Faleiros #876882. Published by Rodrigo Faleiros (A0.1286139). Time to Say Goodbye for Alto in B majorThis arrangement is a piano and voice version of the song Time to Say Goodbye, originally sung by Andrea Bocelli and Sarah Brightman. It is designed for a alto soloist, who can showcase her vocal range and skills with the challenging and expressive melody. The piano provides a simple and supportive accompaniment, allowing the soloist to shine on the interpretation. The arrangement captures the beauty and emotion of the song, while adding a personal touch and flair. This Time To Say Goodbye sheet music is transposed to the key of B.

Choral SATB choir with unison choir or vocal soloist - Digital Download SKU: H1.C5078DP Arranged by Joel Raney. Spirituals & Gospel, Hymntune, General Worship, Children, Gospel, Love, Adoration & Praise, Sacred. Octavo. 12 pages. Hope Publishing - Digital #C5078DP. Published by Hope Publishing - Digital (H1.C5078DP). Matthew 19:14 - Ephesians 5:2 - Jeremiah 31:3 - Galations 2:20 - Matthew 18:2 - Matthew 18:3 - Matthew 18:4 - Mark 10:13 - Mark 10:14 - Mark 10:15 - Mark 10:16 - Luke 18:15 - Luke 18:16 - Luke 18:17 - 2 Corinthians 4:5 - 2 Corinthian.Familiar Children's spiritual Often, our favorite recipes are made with the simplest ingredients. This Joel Raney arrangement combines two simple children's choruses with the most well-known song in the genre: Jesus Loves Me. It begins with children's choir (or soloist), and evolves into an emotional and rousing gospel anthem. A blockbuster in SATB, now available for SAB choirs. The rhythm packet includes a Conductor's Score and parts for keyboard, electric bass, drums, and synth.