Concert Band - Level 3 - Digital Download SKU: A0.962401 Composed by Salvador Rojo Gamón. Contemporary,Instructional,Multicultural,Standards,World. Score and Parts. 48 pages. Salvador Rojo-Gamon #4897799. Published by Salvador Rojo-Gamon (A0.962401). AGRADECIMIENTOSAntes de nada dar las gracias a la Unión Musical de Algimia por confiar en mi para componer una composición que conmemore el 30 aniversario.Al peu del Picayo está como casi todas mis composiciones inspiradas en hechos ya sea verídicos o ficticios. En este aspecto tengo que agradecer a Helios Borja Cortijo su gran contribución a mis conocimientos sobre la historia de Algimia. Mis composiciones nunca narran historias, se inspiran en ellas, en los sentimientos que de ellas extraemos, sentimos o transmitimos, Estas historias tan sólo nos facilitan la comprensión de la obra.ANÃ�LISISFormalmente la obra está compuesta en la forma sonata, con algunas licencias respecto a la que podríamos calificar –si es posible- Sonata Escolástica.INTRODUCCIÓN Inicio hasta compás 59.La introducción comienza con el acompañamiento de un clúster de cinco notas octatónicas. A partir del segundo compás va apareciendo –siempre de forma desfigurada- el tema principal de esta composición. Este no aparecerá claramente hasta el compás 62TEMA PRINCIPALCompás 60 hasta 101Alrededor de la tonalidad de LA se construye el tema principal que aparece en los graves de la banda, pasando a los agudos mientras los graves hacen un canon a la 4ª Justa.A nivel comprensivo y tan sólo como recomendación diré que la introducción y el tema principal corresponden históricamente a ALGIMIA MUDEJARTEMA SECUNDARIOCompás 102 a 136Esta parte inspirada en la Ã‰POCA MORISCA de Algimia está formada por diferentes elementos siendo cuatro los más importantes.Al igual que la Introducción el tema segundario está iniciado por un Clúster, en éste caso el Clúster es cromático.El siguiente elemento en aparecer –Corno Inglés- es el propio nombre de Algimia en movimiento contrario, tomando el Abecedario como modelo y partiendo de la nota LALa inquisición está representada por las trompetas y los trombones.Estos elementos están acompañados de la simbología mayormente personal del número once, representado por los cuartos y las once campanadas.En el compás 112 aparece el Elemento Cristiano de este Tema Secundario, este está en modo Dórico, también llamado Protus o Auténtico. Primero aparece en el registro grave de la banda y posteriormente en el registro grave de las maderas.DESARROLLOCompás 137 hasta el 217Basado en el Periodo de la Ã‰POCA CRISTIANA MODERNA elabora los elementos presentados en la exposición con cambios a veces muy significativos.Lo primera sensación es que estamos reexponiendo los materiales, sin embargo, se está creando una falsa reexposición que en este caso nos lleva a SIb dándonos sensación de cadencia rota con un inesperado SIb.Después de un breve comentario del Tema Secundario –Tema cristiano- aparece muy desfigurado el Tema principal en oposición al Tema Cristiano, éste último en modo octatónico.Tema PrincipalTema CristianoA partir del 182 está inspirado en la expulsión de los Moriscos. Después de una breve introducción con elementos del Tema Principal y del tema Cristiano, compases 182 a 189, aparece el Tema Principal en forma de llamamiento a la guerra. Éste se repite tres veces, una pequeña coda de tres compases 214 al 217 da paso a la reexposición.REEXPOSICIÓN

Composed by Leo Delibes (1836- 1891). Arranged by Yellow Cello Music. Romantic Period. Score. 2 pages. Sheryl Smith #4718255. Published by Sheryl Smith

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.767361 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 28 pages. Lyons Music Services #3544647. Published by Lyons Music Services (A0.767361). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts. Ai lume delle stelle is a song of loss. By the light of the stars, Tirsi bemoans the loss of his beloved whose eyes were like flickering stars or torches flickering in the night. This setting is for an expanded ensemble of 8 players as follows: Part 1 in Bb - Trumpet/Cornet 1 Part 2 in Bb - Trumpet/Cornet 2 Part 3 in F/C/Bb/Eb - Horn/Euphonium/Trombone/Baritone Part 4 in C/Eb/Bb - Euphonium/Baritone/Trombone/Tuba/Eb Bass Part 5 in Bb - Trumpet/Cornet 3 Part 6 in Bb/F/Eb - Trumpet/Cornet/Horn Part 7 in C/F/Bb - Trombone/Horn/Euphonium Part 8 in C/Eb - Tuba/Eb Bass The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.) Once again, these songs are exquisitely crafted and travel well onto brass.

Easy Piano - Level 3 - Digital Download SKU: A0.809396 Composed by Francisco Garcia and Francisco Garia. Arranged by Super Show de los Vaskez. Contemporary. Score. 5 pages. Unimusic Academy (Academia Unimusica) #6247299. Published by Unimusic Academy (Academia Unimusica) (A0.809396). El Super show de los Vaskez es una agrupación musical de cumbia mexicana de la ciudad de Acayucan en la provincia de Veracruz, México, formada en los años 70´s, por los hermanos Vázquez y otros integrantes.Sus principales éxitos comenzaron a principios de los 80's cuando graban los Cañozanos I, covers de la agrupación de Son, y Guarachas, la Sonora Matancera de Cuba.En este LP, invitan a darle un sabor especial a su música con la narración del locutor de fútbol �ngel Fernandez, quien también grabó junto con ellos en Cañonazos II, en 1982. Para 1983 los Vaskez graban los Cañonazos lll ya sin Angel Fernandez, pero ahora de un corte más romántico en sus canciones.La agrupación veracruzana, es contada entre los mejores intérpretes de la música tropical que ha dado México.Este grupo es uno de los primeros que sustituyen directamente el acordeón por un sintetizador antecedente de la futura tecnocumbia para musicalizar sus temas apareciendo a principios de la década de los 80’s.Así pues, para 1984 tenían ya un éxito asegurado derivado de años anteriores con su tema La canalla del autor mexicano Manuel Toscano, proveniente también de la selva veracruzana.La parte principal del éxito del grupo fue también debido a las interpretaciones del fallecido cantante Antonio Torruco.Otros temas de éxito fueron Vengo a decirte que te quiero, Cumbia Juchiteca, Dos cosas, Bandolera, Tamborilero entre muchos otros.También fueron populares por la frase: ¡Y como dice el Tiburón (sobrenombre de Rolando Vázquez, integrante del grupo), pacá, pallá, pacá, pallá, sabor! insertada en las grabaciones.Para 1984, su éxito La canalla llega a proyectarse a nivel internacional llegando a tener un gran reconocimiento gracias a su gran volumen de ventas, su expansión con el material grabado de ésos LP, llevaría a que en el Perú el extinto grupo de cumbia peruana, Cuarteto Continental regrabara uno de sus afamados éxitos llamado Trigo Verde de producciones anteriores. De Ahí obtienen una expansión dentro de la discografía nacional con sus siguientes álbumes, y llegan a los Estados Unidos, hacia Nueva York realizando conciertos en el Radio City con su éxito pollito con papas.

By Rafael Griffin. By Various. Arranged by Rafael Griffin. Christian, Praise and Worship, Religious, Sacred, Traditional. Score. 60 pages. Rafael Griffin #862645. Published by Rafael Griffin

Clarinet - Grade 3 SKU: HL.160726 Book with Online Audio (stream or download). Composed by Various. Rubank Book/Audio Products. Classical, Contest, Festival. Softcover Media Online. 24 pages. Published by Rubank Publications (HL.160726). ISBN 9781495065057. UPC: 888680623814. 9.0x12.0x0.072 inches.This compilation of 11 clarinet solos from the legendary Rubank educational library now includes online access to: • Full-performance and accompaniment-only audio tracks • PDF piano accompaniment files • PLAYBACK+ A multi-functional audio player that allows you to adjust tempo without changing pitch, change keys, and create practice loops - available exclusively from Hal Leonard. Contents: Adagio and Meneutto (Mozart) • Alleluja from Exultate, Jubilate (Mozart) • Bel Canto (Johnson) • Chansonette (Barret) • Concerto in G Minor (Handel) • Estilian Caprice (Paul) • Fantasy-Piece, Op. 73 No. 1 (Schumann) • Lamento (Bassi) • Menuet from Divertimento in D, K. 334 (Mozart) • Nocturne from Concerto in G Minor (Verhey) • Romance, Op. 3 (Becker).

Strings B-Flat Trumpet,Basso Continuo,C Trumpet,Choir,Timpani - Level 3 - Digital Download SKU: A0.1216857 Composed by George Frideric Handel. Arranged by César Madeira. Baroque,Children,Early Music,Film/TV,Multicultural,World. 31 pages. Sheet Music To Play Editions #813381. Published by Sheet Music To Play Editions (A0.1216857). Hallelujah Chorus from Handel's Messiah. Arrangement for *Orchestra and SATB Choir. With Individual Parts. Enjoy it!*Instrumentation - Trumpet 1, 2 in C (optional), Bb Trumpet 1, 2, Timpani, SATB Choir, Piano Reduction (optional), Strings - Violins 1, 2, Violas and Violoncellos/Basses and Continuo.This file DOES NOT contain Full Score. Individual Parts only.Georg Friedrich Händel (1685 –1759) was a German-born Baroque composer becoming well known for his operas, oratorios, anthems, concerti grossi and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play

Level 3 - Digital Download SKU: A0.1216856 Composed by George Frideric Handel. Arranged by César Madeira. Baroque,Film/TV,Praise & Worship,Religious,Sacred. 30 pages. Sheet Music To Play Editions #813380. Published by Sheet Music To Play Editions (A0.1216856). Hallelujah Chorus from Handel's Messiah. Arrangement for *Orchestra and SATB Choir. With Full Score. Enjoy it!*Instrumentation - Trumpet 1, 2 in C (optional), Bb Trumpet 1, 2, Timpani, SATB Choir, Piano Reduction (optional), Strings - Violins 1, 2, Violas and Violoncellos/Basses and Continuo.This file DOES NOT contain Individual Parts. Full Score only.Georg Friedrich Händel (1685 –1759) was a German-born Baroque composer becoming well known for his operas, oratorios, anthems, concerti grossi and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play

Strings B-Flat Trumpet,Basso Continuo,C Trumpet,Cello,Choir,Double Bass,Timpani,Viola,Violin - Level 3 - Digital Download SKU: A0.1216852 Composed by George Frideric Handel. Arranged by César Madeira. Baroque,Early Music,Film/TV,Multicultural,Sacred,World. 59 pages. Sheet Music To Play Editions #813375. Published by Sheet Music To Play Editions (A0.1216852). Hallelujah Chorus from Handel's Messiah. Arrangement for *Orchestra and SATB Choir. With Full Score and Individual Parts. Enjoy it!*Instrumentation - Trumpet 1, 2 in C (optional), Bb Trumpet 1, 2, Timpani, SATB Choir, Piano Reduction (optional), Strings - Violins 1, 2, Violas and Violoncellos/Basses and Continuo.Georg Friedrich Händel (1685 –1759) was a German-born Baroque composer becoming well known for his operas, oratorios, anthems, concerti grossi and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1295658 By St. Michael’s by-the-sea (using both translations). By Words: Venantius Honorius Fortunatus / Music: Trad. French carol. Arranged by Lyndell Leatherman. Christian,Lent,Religious,Sacred. Score. 2 pages. Leatherman Music Services #885956. Published by Leatherman Music Services (A0.1295658). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano or organ solos.•Chord symbols included as a service to classical guitarists.•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.From the early days of Christianity, hymns have been used successfully to reinforce and spread doctrine and faith. Scholars point out a number of hymn fragments in the New Testament. For example, 1 Timothy 3:16:          He appeared in a body,           Was vindicated by the Spirit,               Was seen by angels,       Was preached among the nations,           Was believed on in the world,               Was taken up into glory.The metrical patterns made memorization of creeds easier, especially when associated with a melody.Sing, My Tongue, the Glorious Battle is a great example of an early hymn written to codify Christology (the theology of Jesus Christ), covering his birth to his death, and then ending–as many hymns did–with a doxological stanza. If I were still planning worship services, I would be intrigued by the idea of making this hymn the outline of a Lenten service...perhaps interspersing scripture or other narration between stanzas, alternating between choir and congregation, and varying the accompanying instrumental textures.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I  (© FJH Music, distributed by Alfred Music).************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.

String Quartet Cello,String Quartet - Level 2 - Digital Download SKU: A0.918369 Composed by Diane Chaplin. Baroque,Contest,Festival. Score and parts. 14 pages. Diane Chaplin #6682941. Published by Diane Chaplin (A0.918369). The famous Judas Maccabeus theme, in a set of variations for 4 cellos. (You can also find versions for cello trio and other string groups here on Sheet Music Plus.) The 4 cello parts are evenly matched, with lots of fun things for everyone! 14 pages. Low intermediate level. Time: 4 min.

Piano Solo - Level 3 - Digital Download SKU: A0.961841 Composed by Homero Nicolás Manzione Prestera, Carlos José Pérez de la Riestra. Arranged by Juan Carlos Cortés A. 20th Century,Concert,Standards,Traditional,World. Score. 3 pages. Juan Carlos Cortés Aguirre #6872671. Published by Juan Carlos Cortés Aguirre (A0.961841). Transcripción para Piano Solo por:JUAN CARLOS CORTÉS A.Basada en la versión de Jorge Abril con la Orquesta de Porfirio Díaz Tú pálida voz.Vals por: Letra : Homero Manzi (Homero Nicolás Manzione Prestera)Música : Charlo (Carlos José Pérez de la Riestra)INTRODUCCIÓN:Te oí decir... adiós, adiós...Cerré los ojos y oculté el dolor, Sentí tus pasos cruzando la tarde,Y no te atajaron mis manos cobardes.Mi corazón... lloró de amor,Y en el silencio resonó tu voz, Tu voz querida, lejana y perdida,Tu voz que era mía, tu pálida voz.En las noches desoladas que sacude el viento, Brillan las estrellas frías del remordimiento,Y me engaño que habrás de volver otra vez, Desandando el olvido y el tiempo.Siento que tus pasos vuelven por la senda amiga,Oigo que me nombras llena de mortal fatiga,Para qué, si ya sé que es inútil mi afán,Nunca... nunca... vendrás...INTERLUDIO:En las noches desoladas que sacude el viento,Brillan las estrellas frías del remordimiento,Y me engaño que habrás de volver otra vez,Desandando el olvido y el tiempo.Siento que tus pasos vuelven por la senda amiga,Oigo que me nombras llena de mortal fatiga,Para qué, si ya sé que es inútil mi afán,Nunca... nunca... vendrás...

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173633 Composed by Pasquale Cafaro. Arranged by Nicole Elyse DiPaolo. Classical,Early Music,Opera. Score. 7 pages. Nicole Elyse DiPaolo #773780. Published by Nicole Elyse DiPaolo (A0.1173633). Accessible Accompaniments is proud to present the first-ever modern-clef performing edition of Pasquale Cafaro’s once enormously popular aria, “Belle luci, che accendete,� from La disfatta di Dario (1756). As noted in Giorgio Sanguinetti’s The Art of Partimento and other sources, this aria was considered the ideal Galant-era (early Classical) example of aria writing in its day, and its theme was even painted onto pottery to be sold to tourists in Naples.While the aria was written for a castrato role, Alessandro, it is ideal for today’s young lyric coloratura sopranos who want to prepare for Mozart roles but wish to wait until they’ve found their mature vocal technique before tackling those roles. Additionally, because this La disfatta di Dario setting is a rarity and singers are unlikely to be hired for this role, it could be sung in transposition by young mezzos and other fachs without causing logistical issues like the need to produce orchestral parts in new keys.Other aspects of this aria that make it a welcome addition to the voice teacher’s library are its widespread orchestral doubling of the vocal line (something that will help students who are still working on intonation and support), its relatively short, Italian-language text for easy memorization and diction acquisition, and its straightforward textual content—it’s a love song. In audition situations, this aria will be enjoyable for panels to hear, and because they will be very unlikely to know the aria, they won’t be able to critique it as closely as they would critique an aria they know well. It should also be sight-readable by an audition pianist of middling skill, another important consideration in choosing audition repertoire.This new edition was engraved using Bernardo Mengozzi’s piano-vocal reduction from 1804, which preserves the soprano clef voice part and is not widely usable today, and I made some corrections to missing accidentals and articulations by cross-checking with the manuscript full score. Both are available at imslp.org. I also write out the appoggiatura executions and one potentially confusing polyrhythm on ossia staves to assist young singers/collaborative pianists who haven’t done much of this repertoire.Range: Eb4-Bb5 without ornamentationTessitura: around Bb4-F5/G5   Text:Belle luci, che accendeteIn quest' alma un dolce foco,Siete voi, e voi sareteLa mia calma, e il mio piacer.Sì, la calma, e il piacer mioTutto, e sempre in voi s'aggira,Per voi solo il cor respira,Nè più brama il mio pensier.About the Arranger behind Accessible Accompaniments Editions:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .

Piano Solo - Level 3 - Digital Download SKU: A0.1120116 By Noel Estrada. By Noel Estrada. Arranged by Juan Carlos Cortés Aguirre. Instructional,Latin,Multicultural,Singer/Songwriter,Traditional,World. Score. 2 pages. Juan Carlos Cortés Aguirre #721432. Published by Juan Carlos Cortés Aguirre (A0.1120116). Transcripción para piano solo por: JUAN CARLOS CORTÉS A. De la canción criolla El amor del Jibarito, por el compositor puertorriqueño Noel Estrada, basada en la versión original del Trío Vegabajeño. Texto o letra: El Amor del Jibarito Canción criolla por: Noel Estrada INTRODUCCIÓN: Despierta borinqueñita de mi vida, y escucha la canción de nuestro amor, que vengo lleno de ensueños y de ilusiones, porque ayer me entregaste tu corazón. Escucha dulce amor mío mis canciones, en ellas pongo mi alma y mi emoción, el alma del jibarito fuerte y contento, porque mi terruñito cultivo yo. Allí donde brilla la luna se ve mi bohío, en el tengo yo un jardincito de lindos rosales. Y todas las mañanitas, las aves cantan sus madrigales. Y el rubio sol de Borinquen pinta de rosa mis cafetales. INTERLUDIO: Allí en aquel rinconcito tan querido, haremos nuestro nido de ilusión; chiquito pero muy limpio de falsedades, y los dos le daremos gracias a Dios. Qué lindas son mis montañas y praderas, pedazos de mi terruño tropical, en donde la hermosa luna de Puerto Rico, tiende un collar de perlas sobre el palmar. Allí donde brilla la luna se ve mi bohío, en él tengo yo un jardincito de lindos rosales. Y todas las mañanitas, las aves cantan sus madrigales. Y el rubio sol de Borinquen pinta de rosa mis cafetales. Y el rubio sol de Borinquen pinta de rosa…Mis cafetales.

Cello Duet Cello - Digital Download SKU: A0.937147 Composed by Ludwig van Beethoven. Arranged by Madelu Lopes. Romantic Period. Score. 1 pages. Mads lopis #6359999. Published by Mads lopis (A0.937147).