Violin Solo - Level 3 - Digital Download SKU: A0.1259807 Composed by Joshua Tillman. Arranged by K.L. Phillips. Contemporary,Folk,Pop,Rock,Singer/Songwriter. 4 pages. K L Phillips #853085. Published by K L Phillips (A0.1259807). Arranged for violin solo with chords included for guitar or keyboard accompaniment, this song would be a great addition to the violinist's gig list for dinner, cocktail hour or other event music. Performance time - 2:24.

Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download SKU: A0.1453019 By Adele. By Bob Dylan. Arranged by Philip Lapatha. Contemporary,Folk,Pop,Singer/Songwriter. 7 pages. Philip Lapatha #1032266. Published by Philip Lapatha (A0.1453019). Comforting words of a comforting song are re-imagined in this SATB (no divisi) arrangement.  The piano part is merely a guide for pianists to creatively improvise their own accompaniment for the choir.

Easy Piano - Level 2 - Digital Download SKU: A0.1227698 By Steven Universe. By Aivi Tran and Steven Velema. Arranged by Felipe Silveira de Lima. 21st Century,Film/TV,Singer/Songwriter. Score. 4 pages. Felipe Silveira de Lima #823664. Published by Felipe Silveira de Lima (A0.1227698). This is a solo piano arrangement of the end credits music of the Steven Universe series. I adapted it to be played by basic level pianists.

High Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.947824 Composed by Elizabeth Ragsdale. Christian,Sacred. 7 pages. Elizabeth Ragsdale #2548715. Published by Elizabeth Ragsdale (A0.947824). This swinging, upbeat song is based on seven synonyms for God. The thought-provoking, yet accessible, lyrics engage the listener; the memorable, bluesy melody rewards the singer; and the simple accompaniment appeals to the pianist. Duration: 3:28. Vocal range: C4–D5.

Piano Solo - Level 4 - Digital Download SKU: A0.1413044 By Alok Bebe Rexha. By Alok Achkar Peres Petrillo, Bebe Rexha, Ben Duncombe, Ben Franklin, Bleta Rexha, Camden Cox, Ennio Morricone, Ohyes, Oliver Green, Sander Van Der Waal, and Sebastian Bliem. Arranged by Susan Murasugi. 21st Century,Contemporary,Pop,Singer/Songwriter,Soul. Score. 4 pages. Susan Murasugi #995051. Published by Susan Murasugi (A0.1413044). It's a very upbeat songs with different variety of pattern for left hand accompaniment and follow by some improvisation parts on the melody. It's perfect arrangement for intermediate to advance level piano.

Alto Saxophone Solo - Level 1 - Digital Download SKU: A0.1486672 Composed by Dee Dee Halligan and Junior Torello. Arranged by Lkmusic. 20th Century,Contemporary,Multicultural,Pop,Singer/Songwriter,World. Individual part. 1 pages. Lucas Kist #1063737. Published by Lucas Kist (A0.1486672). Arranged to alto sax. enjoy...

Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.1115375 Composed by Jeff Lynne. Arranged by Karen Ivana. 20th Century,Pop,Rock. Octavo. 7 pages. Karen Ivana #717173. Published by Karen Ivana (A0.1115375). Song about love and parting, with a rock feel, set in a future where the singer is leaving for the moon. Written in 1981 it begins: Remember the good old 1980s... Arranged for three part women's choir and piano. It is fairly straightforward apart from a couple of sections which may be omitted.

Piano Solo - Level 2 - Digital Download SKU: A0.1515618 Composed by Zhao Lusi & Silence Wang. Arranged by Emily T. Film/TV,Pop,Singer/Songwriter. Score. 4 pages. Emily T. #1089972. Published by Emily T. (A0.1515618). Hidden Love OST.

Voice (SSAA) - Level 2 - Digital Download SKU: A0.1240885 Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop,Singer/Songwriter. Barbershop Quartet. 3 pages. Anastasio Rossi #836278. Published by Anastasio Rossi (A0.1240885). Think of the story behind this music as about a young lady who  just loves the waltz, and loves to sing and dance to its lilting triple time.  Her dancing partner is a dashing, ever so handsome young man, who sweeps her off her feet and takes her breath away with his charm and grace, as they float away on the wings of A Dance In Triple Time!I originally composed this piece as a little warm up ditty for my chorus, but as I worked the melody and the harmony, it grew into just a little bit more than a warm up exercise.We always enjoyed singing this little piece for our audiences. And they always enjoyed hearing it. One caveat; The lyrics go by quickly! Leads, use your best diction and pronunciation, so the story doesn't get lost. Harmony voices, keep the melody prominent, by always singing your la-las at least one dynamic notch below the melody!Learning tracks are available at no cost from the composer: AAR@prodigy.net.

String Quartet - Advanced Intermediate - Digital Download Composed by Christian H. Bateman. Arranged by Paul Thompson. Contemporary Classical, Neo-Classical, Christian, Sacred, General Worship. Set of Parts. 15 pages. Published by House of El Music

Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Bill Withers. Arranged by Mario Stallbaumer. 5 pages. Published by Mario Stallbaumer

Piano - Digital Download SKU: A0.1071368 Arranged by Chris Cooke. Christian,Praise & Worship,Sacred. Accompaniment. Duration 4241. Chris Cooke #3004317. Published by Chris Cooke (A0.1071368). This book is a recording of the printed piano accompaniment book in this series. Besides accompanying solo or duet instruments, these recordings may also be used for group singing. There is a short introduction, and enough repeats of the verses in case you would like to play or sing them all! While these recordings contain multiple verses, the print version (also available on Sheet Music Plus) contains only one verse with no introduction. All hymns are in a good vocal range except Christ the Lord is Risen Today which is in F to accommodate a more accessible playing range. The only hymn not included in this recording (that occurs in the print book) is Great is Thy Faithfulness, since I only have print publication rights to this piece. This is one large file, containing all 34 accompaniments. For this  reason, I have notated the cue point, i.e. the time in the recording when each hymn occurs so they can be located more easily within this one-hour and 10-minute recording. For instance, the second hymn would be found at the 2-minute and 17-second time point. The full list of hymns, with their concert keys, cue points, and length of the introduction, is below: Abide with Me, C; 4-measure intro All Hail the Power of Jesus’ Name, E-flat; cue point: 0:2:17; 4-measure intro Am I A Soldier of the Cross; E-flat; cue point: 0:4:18; 4-measure intro Amazing Grace, E-flat; cue point: 0:5:33; 4-measure intro Blessed Assurance, B-flat; cue point: 0:8:11; 2-measure intro Blest Be the Tie That Binds, E-flat; cue point 0:10:19; 3-measure intro Christ the Lord is Risen Today, F; cue point: 0:12:12; 2-measure intro Come Thou Almighty King, E-flat; cue point: 0:14:36; 4-measure intro Come Thou Fount of Ev’ry Blessing, B-flat; cue point: 0:16:21;4-measure intro Count Your blessings, B-flat; cue point: 0:18:01; 4-measure intro Crown Him With Many Crowns, B-flat; cue point: 0:20:36; 4-measure intro Doxology, E-flat; cue point: 0:22:55; 4-measure intro For the Beauty of the Earth, C; cue point: 0:23:14; 4-measure intro God of Grace and God of Glory, F; cue point: 0:25:49; 2-measure intro Holy, Holy, Holy, B-flat; cue point: 0:27:39; 4-measure intro I Surrender All, C; cue point: 0:30:34; 2-measure intro In Christ There is No East or West, B-flat; cue point: 0:33:26;2-measure intro It is Well with My Soul, B-flat; cue point: 0:35:33; 3-measure intro Jesus Loves Me, B-flat; cue point: 0:36:50; 4-measure intro Jesus the Very Thought of Thee, F; cue point: 0:39:08; 2.75 measure intro Joyful, Joyful, We Adore Thee, C; cue point: 0:40:35; 4-measure intro Love Divine, All Loves Excelling, E-flat; cue point: 0:43:11; 4-measure intro My Country Tis of Thee, E-flat; cue point: 0:45:51; 4-measure intro O Sacred Head, Now Wounded, E-minor; cue point: 0:47:45; 4-measure intro O For A Thousand Tongues to Sing, F; cue point: 0:49:58; 4-measure intro Oh God, Our Help in Ages Past, B-flat; cue point: 0:51:00; 4-measure intro Onward Christian Soldiers, B-flat; cue point: 0:52:46; 4-measure intro Praise Him, Praise Him All Ye Little Children, B-flat; cue point:0:56:08; 4-measure intro Praise to the Lord, the Almighty, E-flat; cue point: 0:57:07; 4-measure intro Sweet Hour of Prayer, B-flat; cue point: 0:59:12; 4-measure intro Take My Life and Let It Be, E-flat; cue point: 1:02:22; 8-measure intro The Battle Hymn of the Republic, B-flat; cue point: 1:04:15; 2-measure intro What a Friend We Have in Jesus, C; cue point: 1:06:33; 4-measure intro Whisper a Prayer, E-flat; cue point: 1:09:12; 4-measure intro

Choral Choir,Choral,SSAA Chorus - Level 3 - Digital Download SKU: A0.1475304 Composed by Jocelyn Scofield. 21st Century,A Cappella,Singer/Songwriter. 33 pages. Bilsco Music #1052847. Published by Bilsco Music (A0.1475304). SCORES INCLUDED:Full Score & Parts Scores: Solo+Sopranos, Mezzos+Altos, CajonPERFORMANCE NOTES FROM THE COMPOSER:I AM is a singing meditation. It is both a piece that honors the individual and the whole. It is meant to affirm an individual's worth, as well as the whole collective. When a choir prepares for a performance, they rehearse a piece dozens if not hundreds of times. I wanted the experience of rehearsing I AM to be an ongoing declaration of the singer’s value. Therefore, every phrase in this piece is an affirmation. When a singer finds themselves singing the piece outside of rehearsal, they will be singing words that are positive and affirming. I cannot express how much joy that brings me as a composer.Musically, I AM is both complex, with its 7-part vocal split, contrasting rhythms, and varying accents, yet simple in its repetition, lyrics, and tonality. Each of the 7 parts sings a unique affirmation throughout the piece. They are simple statements like, I am enough and I am love, but can hold so much complexity depending on an individual's relationship with the statement. In the middle of the piece, there is an aleatoric section where each singer contributes their unique affirming statement. It creates a chaotic building of sound before coming together for the first and only time in the piece to sing I AM as a whole choir in block chords.  It is one of my favorite moments in the piece because simple and complex are just a beat apart.I AM was commissioned by the Grand Rapids Women's Chorus and premiered on May 10, 2024.  If you would like to hear more about the creation of the piece, you can hear the composer's original explantions on Youtube.

Voice (SSAA) - Level 2 - Digital Download SKU: A0.1240428 Composed by Anastasio Rossi. Arranged by Anastasio Rossi. A Cappella,Barbershop. Barbershop Quartet. 3 pages. Anastasio Rossi #835806. Published by Anastasio Rossi (A0.1240428). Think of the story behind this music as about a young lady who  just loves the waltz, and loves to sing and dance to its lilting triple time.  Her dancing partner is a dashing, ever so handsome young man, who sweeps her off her feet and takes her breath away with his charm and grace, as they float away on the wings of A Dance In Triple Time!I originally composed this piece as a little warm up ditty for my chorus, but as I worked the melody and the harmony, it grew into just a little bit more than a warm up exercise. We always enjoyed singing this little piece for our audiences. And they always enjoyed hearing it. One caveat; The lyrics go by quickly! Leads, use your best diction and pronunciation, so the story doesn't get lost. Harmony voices, keep the melody prominent, by always singing your la-las at least one dynamic notch below the melody!Choose the waltz tempo of your choice - very relaxed to very lilting in 1.  Base your choice on being able to deliver the lyrics with great clarity, especially in the faster passages. Be sure to observe the accelerandos, broadening tempos, a tempos, legatos, and staccatos. They all have much to do with delivering the style of this piece, especially the off beat la-las. Some pairs are staccato, in other pairs, the first la is legato, the second la is staccato.The metronome marks more accurately describe the accelerandos and broadenings. On the repeat at 11, a slight increase in the tempo will add urgency and intensity. Keep the melody prominent as it moves to different voices, beginning at 37. Maintain the crisp staccato harmony against the legato melody, and enjoy the change to full legato for all voices.  Anastasio Rossi May 2023Learning tracks are available at no cost from the composer: AAR@prodigy.net.

High Voice,Vocal Solo - Level 2 - Digital Download SKU: A0.956050 By Keane. By Richard Hughes, Tim Rice-Oxley, and Tom Chaplin. Arranged by Teresa OConnell (BMI). Film/TV. 7 pages. Teresa O'Connell (BMI) #6235521. Published by Teresa O'Connell (BMI) (A0.956050). Somewhere Only We Know is a beautiful ballad by the band, Keane.  Arranged for voice (soprano or tenor) with early intermediate piano accompaniment, it is the perfect recital piece for singers. The singer's melody is built in to the piano accompaniment, which instilsl confidence in the singer.  Lyrics are appropriate and easy to learn.  Teachers, your students will love to sing this emotional, melodic, haunting piece.  This is a great arrangement to encourage young pianists to play and sing at the same time!  Highly recommended!