Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.747042 By Elton John. By Bernie Taupin and Elton John. Arranged by Keith Terrett. Pop,Rock. Score and part. 6 pages. Keith Terrett #5946219. Published by Keith Terrett (A0.747042). Arranged for Eb Alto Saxophone & Piano, Sorry Seems to Be the Hardest Word is a song written by Elton John and Bernie Taupin. It was recorded by Elton John and released in 1976, both as a single and as part of the Blue Moves album. It was John's second single released by The Rocket Record Company. The song is a mournful ballad about a romantic relationship which is falling apart.The song also appeared the following year on Greatest Hits Volume II, though for copyright reasons it no longer appears on the current version of that album. It now appears on Greatest Hits 1976–1986, The Very Best of Elton John and in Greatest Hits 1970–2002, as well as a number of other compilations.The song was covered in 2002 by English boy band Blue for their second studio album, One Love (2002). The song was recorded as a collaboration with Elton John, and was the second single from the album. It peaked at number one on the UK Singles Chart on 15 December 2002 and also reached number one in Hungary and the Netherlands. It peaked within the top 10 in an additional 16 countries.In 2004, Elton John and Ray Charles performed the song on Charles' duet album, Genius Loves Company. It would turn out to be the last recording Charles ever did before his death that June. The duet was nominated for a Grammy Award for Best Pop Collaboration with Vocals. It was also performed by smooth jazz saxophonist Kenny G on the soprano saxophone featuring Richard Marx on his 2004 album At Last...The Duets Album later that year.The song was a Top 20 hit, reaching No. 11 in the United Kingdom, No. 6 in the United States and No. 3 in Canada. In addition, the song went to No. 1 on the US and Canadian Adult Contemporary charts. In the US, it was certified Gold on 25 January 1977 by the RIAA.The single was the lead single for the eight-track remix compilation Good Morning to the Night in collaboration with Australian remixer Pnau, which came out on 16 July 2012.

Piano,Tuba - Level 3 - Digital Download SKU: A0.747034 By Elton John. By Bernie Taupin and Elton John. Arranged by Keith Terrett. Pop,Rock. Score and part. 6 pages. Keith Terrett #5902611. Published by Keith Terrett (A0.747034). Arranged for Baritone, Euphonium, Trombone & Piano, Sorry Seems to Be the Hardest Word is a song written by Elton John and Bernie Taupin. It was recorded by Elton John and released in 1976, both as a single and as part of the Blue Moves album. It was John's second single released by The Rocket Record Company. The song is a mournful ballad about a romantic relationship which is falling apart.The song also appeared the following year on Greatest Hits Volume II, though for copyright reasons it no longer appears on the current version of that album. It now appears on Greatest Hits 1976–1986, The Very Best of Elton John and in Greatest Hits 1970–2002, as well as a number of other compilations.The song was covered in 2002 by English boy band Blue for their second studio album, One Love (2002). The song was recorded as a collaboration with Elton John, and was the second single from the album. It peaked at number one on the UK Singles Chart on 15 December 2002 and also reached number one in Hungary and the Netherlands. It peaked within the top 10 in an additional 16 countries.In 2004, Elton John and Ray Charles performed the song on Charles' duet album, Genius Loves Company. It would turn out to be the last recording Charles ever did before his death that June. The duet was nominated for a Grammy Award for Best Pop Collaboration with Vocals. It was also performed by smooth jazz saxophonist Kenny G on the soprano saxophone featuring Richard Marx on his 2004 album At Last...The Duets Album later that year.The song was a Top 20 hit, reaching No. 11 in the United Kingdom, No. 6 in the United States and No. 3 in Canada. In addition, the song went to No. 1 on the US and Canadian Adult Contemporary charts. In the US, it was certified Gold on 25 January 1977 by the RIAA.The single was the lead single for the eight-track remix compilation Good Morning to the Night in collaboration with Australian remixer Pnau, which came out on 16 July 2012.

Instrumental Duet,Piano Instrumental Duet,Marimba,Piano,Vibraphone - Level 3 - Digital Download SKU: A0.747041 By Elton John. By Bernie Taupin and Elton John. Arranged by Keith Terrett. Pop,Rock. 6 pages. Keith Terrett #5946207. Published by Keith Terrett (A0.747041). Arranged for Vibraphone/Marimba & Piano, Sorry Seems to Be the Hardest Word is a song written by Elton John and Bernie Taupin. It was recorded by Elton John and released in 1976, both as a single and as part of the Blue Moves album. It was John's second single released by The Rocket Record Company. The song is a mournful ballad about a romantic relationship which is falling apart.The song also appeared the following year on Greatest Hits Volume II, though for copyright reasons it no longer appears on the current version of that album. It now appears on Greatest Hits 1976–1986, The Very Best of Elton John and in Greatest Hits 1970–2002, as well as a number of other compilations.The song was covered in 2002 by English boy band Blue for their second studio album, One Love (2002). The song was recorded as a collaboration with Elton John, and was the second single from the album. It peaked at number one on the UK Singles Chart on 15 December 2002 and also reached number one in Hungary and the Netherlands. It peaked within the top 10 in an additional 16 countries.In 2004, Elton John and Ray Charles performed the song on Charles' duet album, Genius Loves Company. It would turn out to be the last recording Charles ever did before his death that June. The duet was nominated for a Grammy Award for Best Pop Collaboration with Vocals. It was also performed by smooth jazz saxophonist Kenny G on the soprano saxophone featuring Richard Marx on his 2004 album At Last...The Duets Album later that year.The song was a Top 20 hit, reaching No. 11 in the United Kingdom, No. 6 in the United States and No. 3 in Canada. In addition, the song went to No. 1 on the US and Canadian Adult Contemporary charts. In the US, it was certified Gold on 25 January 1977 by the RIAA.The single was the lead single for the eight-track remix compilation Good Morning to the Night in collaboration with Australian remixer Pnau, which came out on 16 July 2012.

Guitar,Piano - Level 3 - Digital Download SKU: A0.747040 By Elton John. By Bernie Taupin and Elton John. Arranged by Keith Terrett. Pop,Rock. Score and part. 6 pages. Keith Terrett #5946201. Published by Keith Terrett (A0.747040). Arranged for Vibraphone/Marimba & Piano, Sorry Seems to Be the Hardest Word is a song written by Elton John and Bernie Taupin. It was recorded by Elton John and released in 1976, both as a single and as part of the Blue Moves album. It was John's second single released by The Rocket Record Company. The song is a mournful ballad about a romantic relationship which is falling apart.The song also appeared the following year on Greatest Hits Volume II, though for copyright reasons it no longer appears on the current version of that album. It now appears on Greatest Hits 1976–1986, The Very Best of Elton John and in Greatest Hits 1970–2002, as well as a number of other compilations.The song was covered in 2002 by English boy band Blue for their second studio album, One Love (2002). The song was recorded as a collaboration with Elton John, and was the second single from the album. It peaked at number one on the UK Singles Chart on 15 December 2002 and also reached number one in Hungary and the Netherlands. It peaked within the top 10 in an additional 16 countries.In 2004, Elton John and Ray Charles performed the song on Charles' duet album, Genius Loves Company. It would turn out to be the last recording Charles ever did before his death that June. The duet was nominated for a Grammy Award for Best Pop Collaboration with Vocals. It was also performed by smooth jazz saxophonist Kenny G on the soprano saxophone featuring Richard Marx on his 2004 album At Last...The Duets Album later that year.The song was a Top 20 hit, reaching No. 11 in the United Kingdom, No. 6 in the United States and No. 3 in Canada. In addition, the song went to No. 1 on the US and Canadian Adult Contemporary charts. In the US, it was certified Gold on 25 January 1977 by the RIAA.The single was the lead single for the eight-track remix compilation Good Morning to the Night in collaboration with Australian remixer Pnau, which came out on 16 July 2012.

C Instrument - Level 3 - Digital Download SKU: A0.1343622 By John Denver and Placido Domingo. By John Denver. Arranged by Johannes H. Hindriks. 20th Century,Pop,Rock,Singer/Songwriter. Lead Sheet / Fake Book. 6 pages. Johannes H. Hindriks #929145. Published by Johannes H. Hindriks (A0.1343622). This Comfort Covers setting of “Perhaps Love� by John Denver is primarily intended to provide bedside support to patients and their loved ones in the hospital, nursing home or hospice. The mezzo-soprano lead voice gently blends with the mostly open guitar chords while the male voice modestly winds its way between the song and the bass line of the guitar, thereby creating a warm and welcoming blend. The 6-page document contains a large-print score with the two voices plus spelled-out guitar chords. Mezzo range: F#3–B4; Baritone range: B2–D4. Skill Level: Intermediate, with rhythms somewhat simplified. Capo as preferred. Click here for a full listing of Comfort Covers titles.

C Instrument - Level 3 - Digital Download SKU: A0.1327352 By Esther Phillips. By John Lennon and Paul McCartney. Arranged by Johannes H. Hindriks. 20th Century,Pop,Rock,Singer/Songwriter. Lead Sheet / Fake Book. 5 pages. Johannes H. Hindriks #915400. Published by Johannes H. Hindriks (A0.1327352). This Comfort Covers setting of “And I Love Her� by The Beatles is primarily intended to provide bedside support to patients and their loved ones in the hospital, nursing home or hospice. The mezzo-soprano lead voice gently blends with the mostly open guitar chords while the male voice modestly winds its way between the song and the bass line of the guitar, thereby creating a warm and welcoming blend. The 5-page document contains a large-print score with the two voices plus spelled-out guitar chords. Mezzo range: G3–C4; Baritone range: B2–D4. Skill Level: Intermediate. Capo as preferred. Click here for a full listing of Comfort Covers titles.

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1401172 By Gaither Homecoming. By Words: Philip P. Bliss / Music: James McGranahan. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #984360. Published by Leatherman Music Services (A0.1401172). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano, electronic keyboard, or organ solos or duets.•Chord symbols included as a service to classical guitarists.•Smooth voice-leadings, making the arrangements ideal for solo/prelude use on electronic keyboards–for example, using the piano/strings setting•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I, available here: https://www.alfred.com/best-loved-hymns-i/p/98-FJH2023/************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.

Choral Choir,Choral,SAB Chorus - Digital Download SKU: A0.1486063 By Madness. By Labi Siffre. Arranged by Debbie Warren. Pop,Ska. 9 pages. Keep Calm and Keep Singing #1063116. Published by Keep Calm and Keep Singing (A0.1486063). Lively and vibrant version of this Madness classic arranged for SAB voices and piano. Although largely based on the 1980's Madness track - particuarly in the piano accompaniment - there is more than a nod to the 1970's Labi Siffre original. Each part gets their share of the tune with rhythmic interjections and call backs thoughout to keep it lively and fun. A popular choice for your singers and audiences alike. Part of the Keep Singing Series designed to be easy to teach and easy to learn. Rehearsal tracks available at www.keepcalmandkeepsinging.comEasy LevelDuration: 3 minsAlso available for SSA with piano.

Choral Choir,Choral,SSA Chorus - Digital Download SKU: A0.1486195 By Madness. By Labi Siffre. Arranged by Debbie Warren. Pop,Ska. 9 pages. Keep Calm and Keep Singing #1063252. Published by Keep Calm and Keep Singing (A0.1486195). Lively and vibrant version of this Madness classic arranged for SAB voices and piano. Although largely based on the 1980's Madness track - particuarly in the piano accompaniment - there is more than a nod to the 1970's Labi Siffre original. Each part gets their share of the tune with rhythmic interjections and call backs thoughout to keep it lively and fun. A popular choice for your singers and audiences alike. Part of the Keep Singing Series designed to be easy to teach and easy to learn. Rehearsal tracks available at www.keepcalmandkeepsinging.comEasy LevelDuration: 3 minsAlso available for SAB with piano.

Bass/baritone voice solo, violoncello and organ - Moderately Easy - Digital Download SKU: MQ.6593-E Composed by Gwyneth W. Walker. 21st century, prayer. Score. 19 pages. Duration 10 minutes. E. C. Schirmer Music Company - Digital #6593-E. Published by E. C. Schirmer Music Company - Digital (MQ.6593-E). English.The three songs Welcome Love (Ubi caritas), Make Me an Instrument of Thy Peace, and Gaelic Blessing are interconnected motivically yet distinct in meter, tonality, and message. These three songs are interconnected motivically, yet distinct in meter, tonality, and message. Peace and reverence flow throughout. The songs are for a bass-baritone. Commissioned in 2003 by David Arnold, a North Carolina bass-baritone who is a soloist in the 80-voice Chancel Choir at Centenary United Methodist Church in Winston-Salem. Mr. Arnold premiered these songs at Centenary with organist Ray Ebert and cellist Jennifer Alexandra Johnston on February 27, 2005. A new version for voice and piano was created in 2005. A transposition for lyric Baritone was added in 2015, commissioned by Ferris Allen (Baritone) and Linda Holzer (Pianist) of Little Rock, AR.The lyrics for Ubi Caritas are based on a new translation, by Christopher Brunelle, of the traditional Ubi Caritas Est Vera. A recurrent image in this translation is the gesture of welcoming: welcoming love, welcoming God, welcoming the friendly unfamiliar thought, welcoming Christ with us. The musical interpretation of welcoming is stepwise motion, either up or down, around a pitch center. Perhaps this might be heard as an opening of the door, or an opening of the heart.An interlude leads to the second song, Make Me an Instrument of Thy Peace, a musical setting of the Prayer of Saint Francis. The accompaniment is sparse, with material reminiscent of the welcoming pattern in the first song. This song alternates between triple meter for the thematic sections (Lord, make me an instrument of thy peace) and duple meter for the more recitative sections (O Divine Master...). The music ends as it began, with simple open fifths accompaniment, this time filling in the chords to express the fullness of the lyrics born to eternal life.A second interlude provides the bridge to the third song, Gaelic Blessing. The text for this song is a series of blessings for peace. The gentle chordal arpeggiations in the piano are intended to provide a peaceful accompaniment. [Once again, the stepwise intervals and recurrent regular rhythms relate to the first song.]In keeping with the simplicity and repetition of the text, the music is formed by a series of four-measure phrases (blessings). The blessings are similar in contour, each spanning an interval of a fourth. Growth is achieved through repetition and some dynamic contrast. However, the principal aesthetic of this song is constancy and gentle flow. Only at the end of the song, when the voice descends into the deep range, is the melodic contour altered, and dynamic contrast introduced. As the voice ends on low tones, the piano line rises, perhaps to the source of peace.Duration: 10 min.

Choral Choir,Choral (SA) - Level 3 - Digital Download SKU: A0.1398873 Composed by Robert A. Howard. 21st Century,A Cappella,Advent,Christmas,Classical. 5 pages. Robert A. Howard #982146. Published by Robert A. Howard (A0.1398873). This work is an unaccompanied two-part choral setting of the famous poem by Christina Rossetti. It features a 3-verse structure (mirroring the text), with coda. The piece builds up throughout, as an attempt to depict the increasing sense of abundant love, referred to in the text. The main melodic material is deliberately simple and rather folk/chant-like. This essentially appears as a single line in the first verse, becoming a two-part canon (by one bar) in the second verse, and finally a two-part canon (by half a bar) in the third verse. The imitative coda leads to ultimate resolution at the end. The work is highly accessible, and is designed for performance by good SA choirs, able to effectively sustain such unaccompanied singing. Versions for SATB choir, and for solo voice (both unaccompanied), are also available via Sheet Music Plus.Duration: 3 minutes 30 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk.

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1398861 Composed by Robert A. Howard. 21st Century,A Cappella,Advent,Christmas,Classical. 8 pages. Robert A. Howard #982133. Published by Robert A. Howard (A0.1398861). This work is an unaccompanied choral setting of the famous poem by Christina Rossetti. It features a 3-verse structure (mirroring the text), with coda. The piece builds in textural complexity and density throughout, as an attempt to depict the increasing sense of abundant love, referred to in the text. The main melodic material is deliberately simple and rather folk/chant-like. This essentially appears as a single line in the first verse, becoming a two-part canon (by one bar) in the second verse, and finally a four-part canon (by half a bar) in the third verse. The imitative coda leads to ultimate resolution on an F major chord at the end. The work is highly accessible, and is designed for performance by good SATB choirs, able to effectively sustain such unaccompanied singing. Versions for SA choir, and for solo voice (both unaccompanied), are also available from Sheet Music Plus.Duration: 3 minutes.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk

SATB chorus - Digital Download SKU: C7.CGA1047 Love Divine, All Loves Excelling God the Spirit, Guide and Guardian. Composed by Cathy Moklebust and David Moklebust. General. Master TR. Sacred Anthem. Octavo. 8 pages. Chorister's Guild - Digital #CGA1047. Published by Chorister's Guild - Digital (C7.CGA1047). UPC: 749193010273.This majestic, festive concertato on the hymntune HYFRYDOL is designed for congregational singing, and includes optional parts for brass ensemble, timpani, organ, and SATB choir. All parts are optional, however, and the piece can be played by handbells alone. Three texts (of four stanzas each) are provided: Alleluia! Sing to Jesus!, Love Divine, All Loves Excelling, and God the Spirit, Guide and Guardian, making this a very useful arrangement for various denominations.

Instrumental Duet,Piano C Instrument - Level 2 - Digital Download SKU: A0.880934 Composed by Barrett Noubar Yeretsian and Chelsea Unger. Arranged by Marco Polo C. Ignacio. Contemporary. Lead Sheet / Fake Book. 2 pages. MARCO POLO IGNACIO #6351451. Published by MARCO POLO IGNACIO (A0.880934). The O'Neill Brothers are an American instrumental piano duo from New Prague, Minnesota, comprising brothers Tim and Ryan O'Neill.The brothers both began piano lessons at age five and attended the University of Notre Dame before deciding to pursue a career together in 1997. The pair began self-releasing albums, many based on themes such as marriage, Christmas, patriotism, and styles such as traditional Irish music. The group found success selling their music on the television station QVC in addition to making appearances on other networks. Their 2000 release From the Heart saw a resurgence in popularity in 2005, peaking at #21 on the Billboard Pop Catalog chart. The group has sold over one million albums total.

Choral Choral - Digital Download SKU: HX.1454035 By Bruno Mars. By Albert Winkler, Ari Levine, Jeffrey Bhasker, Peter Hernandez, and Philip Lawrence. Arranged by Cristi Miller. Ballad,Light Concert,Love,Pop,Singer/Songwriter. Accompaniment Only. Duration 196. Hal Leonard - Digital #214062. Published by Hal Leonard - Digital (HX.1454035).