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Trumpet Solo - Level 5 - Digital Download SKU: A0.1018887 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6056103. Published by Benjamin Sajo (A0.1018887). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Trumpet 2 in Bb
Trompette (partie séparée)

$3.50 3.01 € Trompette (partie séparée) PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.984717 Composed by Ludwig van Beethoven. Arranged by John M. Honeycutt. Contemporary. Score. 6 pages. Music Innovators Workshop #4359383. Published by Music Innovators Workshop (A0.984717). This piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group. (There are 7 of these identical groups on the piano distinguished by their colors and locations.) The key map staff is based on an octave group of the keyboard. For each key map octave group, the 5 vertical lines of the staff stand for the 5 matching black KEYS. >>> Staff lines ARE SPACED to match the horizontal spacing of the black keys on the keyboard The notes for black keys are placed ON these staff lines. The notes for the white keys are placed BETWEEN the lines. >>> The notes of a key map move to the left and right to indicate change in PITCH and down the page to indicate the passing of TIME (rhythm). The vertical length of each note is proportional to the time (in beats) that the sound requires.Series RyC - Rhythm Color Coded. In this series the rhythm is color coded to emphasize visually the rhythmic movements of the sounds. (This addition of color makes no change to the shapes of the notes, which remain TrueScaled to the beats.) White notes are 1 beat or its multiples. YELLOW notes are 1/2 beat, or its multiples. GREEN notes are 1/3 beat, or its multiples. BLUE notes are 1/4 beat or its multiples.
Beethoven - Symphony No. 5, Mvt. 1 Arr - Series RyC - (Key Map Tablature)
Piano seul

$2.00 1.72 € Piano seul PDF SheetMusicPlus

Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.1173978 Composed by Ludwig van Beethoven. Arranged by Austin Ralphson. Classical,Wedding. Score and part. 10 pages. Austin Ralphson #774135. Published by Austin Ralphson (A0.1173978). This slow movement is one of the most well-known from the classical repertoire, with its lovely, floating melody and rippling accompaniment. It is in rondo form and was originally in A flat major, but has been transposed here to suit the instrument for which it was arranged.This piece can either be played with a live pianist, or can be played along with the free backing track which is available from https://youtu.be/ntUAcU2JZt0 and also in the video screen above.You can also purchase all 5 beautiful solos together in a digital book for $9.99: https://armusiconline.com/b/GbPNz
Sonata No.8 "Pathetique", 2nd movement (Beethoven) - alto sax and piano with FREE BACKING TRACK
Saxophone Alto et Piano

$3.99 3.43 € Saxophone Alto et Piano PDF SheetMusicPlus

Percussion Solo,Timpani - Level 5 - Digital Download SKU: A0.1018935 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 3 pages. Benjamin Sajo #6072973. Published by Benjamin Sajo (A0.1018935). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Timpani

$3.50 3.01 € PDF SheetMusicPlus






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