Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1465633 By Dean Martin. By Luis Demetrio Traconis Molina, Norman Gimbel, and Pablo Beltran Ruiz. Arranged by Will Corbin. Latin,Pop. 19 pages. Will Corbin #1044245. Published by Will Corbin (A0.1465633). Luis Demetrio and Pablo Beltran Ruiz wrote this song in 1953 as Quien Sera? (which means Who will it be?)(indicating the song was probably about something other than dancing when it began). Norman Gimbel wrote the English lyrics for it a year later (he also anglicized The Girl From Ipanema), and Dean Martin promptly recorded it on an album of the same name. It's more familiar today in its Michael Buble incarnation (from which this arrangement picks up bits and pieces). Ladies of a certain age will love it.If you need other instrumentation, please contact me at wilcor@aol.com.

String Ensemble - Level 3 - Digital Download SKU: A0.719746 Composed by Tomas Luis de Victoria / Orlando di Lasso. Arranged by Curtis Hanson. Renaissance. Score and parts. 67 pages. Curtis Hanson #4839417. Published by Curtis Hanson (A0.719746). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what you’re looking for. For the choral musician, the a capella motets of the late Medieval and Renaissance periods, some well-known and others less so, comprise some of the richest and most beautiful works of choral literature. Unless otherwise indicated, the pieces in this collection are all set for a standard string quartet of 2 violins, viola, and cello, instruments most closely able to mimic the inflections of the human voice. The intent of these arrangements is to enable the string musician to experience a genre perhaps less familiar, from the relatively simple yet sublime homophonic piece, to the varying degrees of rhythmic complexity of polyphonic works and their juxtaposed interplay of duple and triple rhythmic figures. With the purchase of this collection, permission is granted to photocopy parts as needed. Vocal breath marks (‘) above the staff are meant to serve as guides in phrasing. In keeping with the period, no dynamics are indicated, and tempo markings and slurs are only suggestions. The performer is free to interpret as desired.  The audio example is of the first several pieces in the collection.

Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1247693 By Meghan Trainor. By Luis Federico Vindver, Megan Trainor, and Sean Douglas. Arranged by Lisa Ochoco. 21st Century,Contemporary,Pop. 22 pages. Lisa L Ochoco #842247. Published by Lisa L Ochoco (A0.1247693). This catchy doo-wop song resonates with people with its familiar chord progressions and beat.  Trainor co-wrote this song as part of a therapy exercise after she became insecure about her body after her pregnancy. While this is an instrumental version, the lyrics of this song promote self-love and self-confidence.  The tune is quite repetitive, but it's fun to play and, if anything, is a good filler in between your more technically challenging pieces in your recital. Scored for flute choir - 4 C, alto, and bass flutes.  There are optional contrabass and cello parts.  There are also 2 percussion parts that are also optional, but these parts add quite a bit to the mood of the music.  This song is just a feel-good, toe-tapping piece that is not difficult and quite entertaining.Duration: 2.25 minutes.

Clarinet Quintet,Woodwind Ensemble Clarinet - Level 3 - Digital Download SKU: A0.1249478 By Meghan Trainor. By Luis Federico Vindver, Megan Trainor, and Sean Douglas. Arranged by Lisa Ochoco. 21st Century,Contemporary,Pop. 18 pages. Lisa L Ochoco #843912. Published by Lisa L Ochoco (A0.1249478). This catchy doo-wop song resonates with people with its familiar chord progressions and beat.  Trainor co-wrote this song as part of a therapy exercise after she became insecure about her body after her pregnancy. While this is an instrumental version, the lyrics of this song promote self-love and self-confidence.  The tune is quite repetitive, but it's fun to play and, if anything, is a good filler in between your more technically challenging pieces in your recital. Scored for clarinet quartet - 4 Bb.  There are also 2 percussion parts that are optional, but they are there if in case there is a person at your disposal who can play them along with you. This song is just a feel-good, toe-tapping piece that is not difficult and quite entertaining.Duration: 2.25 minutes.

Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1247697 By Meghan Trainor. By Luis Federico Vindver, Megan Trainor, and Sean Douglas. Arranged by Lisa Ochoco. 21st Century,Contemporary,Pop. 21 pages. Lisa L Ochoco #842250. Published by Lisa L Ochoco (A0.1247697). This catchy doo-wop song resonates with people with its familiar chord progressions and beat.  Trainor co-wrote this song as part of a therapy exercise after she became insecure about her body after her pregnancy. While this is an instrumental version, the lyrics of this song promote self-love and self-confidence.  The tune is quite repetitive, but it's fun to play and, if anything, is a good filler in between your more technically challenging pieces in your recital. Scored for clarinet choir - 4 Bb, alto, and bass.  There is an optional contrabass and there are also 2 percussion parts that are also optional, but these parts add quite a bit to the mood of the music. This song is just a feel-good, toe-tapping piece that is not difficult and quite entertaining.Duration: 2.25 minutes.

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1249489 By Meghan Trainor. By Luis Federico Vindver, Megan Trainor, and Sean Douglas. Arranged by Lisa Ochoco. 21st Century,Contemporary,Pop. 19 pages. Lisa L Ochoco #843925. Published by Lisa L Ochoco (A0.1249489). This catchy doo-wop song resonates with people with its familiar chord progressions and beat.  Trainor co-wrote this song as part of a therapy exercise after she became insecure about her body after her pregnancy. While this is an instrumental version, the lyrics of this song promote self-love and self-confidence.  The tune is quite repetitive, but it's fun to play and, if anything, is a good filler in between your more technically challenging pieces in your recital. Scored for saxophone quartet - 4 altos. There is an optional tenor sax part to play in lieu of the 4th alto.  There are also 2 percussion parts that are optional, but they are there if in case there is a person at your disposal who can play them along with you. This song is just a feel-good, toe-tapping piece that is not difficult and quite entertaining.Duration: 2.25 minutes.

Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1247754 By Meghan Trainor. By Luis Federico Vindver, Megan Trainor, and Sean Douglas. Arranged by Lisa Ochoco. 21st Century,Contemporary,Pop. 21 pages. Lisa L Ochoco #842308. Published by Lisa L Ochoco (A0.1247754). This catchy doo-wop song resonates with people with its familiar chord progressions and beat.  Trainor co-wrote this song as part of a therapy exercise after she became insecure about her body after her pregnancy. While this is an instrumental version, the lyrics of this song promote self-love and self-confidence.  The tune is quite repetitive, but it's fun to play and, if anything, is a good filler in between your more technically challenging pieces in your recital. Scored for saxophone choir - soprano, 3 altos, tenor, and 2 baritones.  There are 2 percussion parts that are also optional, but these parts add quite a bit to the mood of the music. This song is just a feel-good, toe-tapping piece that is not difficult and quite entertaining.Duration: 2.25 minutes.

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062. Published by Juan Carlos Guerra Gonzalez (A0.1317400). DREAMS (for Symphony Orchestra)SCORE ONLY Please visit www.juancarlosguerra.com/dreams to buy or rent the parts. Scored for1 Flute1 Oboe1 Clarinet in Bb1 Basoon2 Percussion Players: 1 TimpaniViolin IViolin IIViolaVioloncelloDouble BassAn easy-to-read to read and fascinating piece for a symphony orchestra with a reduced number of winds and no brass. It can be suited ideally in any setting.Program Note“Dreams� is a suite for symphony orchestra in three movements. The work was kindly commissioned by Dr. Luis Víquez, conductor of the University of Rhode Island’s Symphony Orchestra and to whom this work is being dedicated alongside with his wife Melissa. The titles of the movements come from either an specific dream, or other topics about dreaming that I discovered in the process of writing the work. I. Cherry trees in the morningNature has always inspired me. Every year during spring my family has the tradition to visit the Brooklyn Botanic Garden to experience the cherry blossoms. I usually do not remember many of my dreams but in this particular dream I was in Japan under an esplanade of cherry trees. I remember how amazed I feel and is for sure one of my most memorable dreams. II. DreamcatcherWhile I was writing the initial ideas of for the work I came across a Journal that explored how the use of a particular chord helped reduce nightmares in patients suffering from nightmare disorders. In the study, patients were exposed to the chord C69 (A C Major with the added 6th and 9th) during therapeutic sessions. This chord is used at the beginning of the movement as it moves to explore different sonorities. In this movement you might be able to hear a representation of the “heartbeat� played by the bass drum and timpani, then a more “stressful� section will come to represent a nightmare followed again by another repetition of the C69 chord. If you feel relaxed during the performance, it is on purpose! III. A Dance in the desertDreams, in my case, are usually a mix of different non-related things. For the final movement, I decided to use that idea. I started this dance with a “oriental� style and them throughout the middle of the movement I moved it to a waltz that was influenced by my grandfather. He used to have a small orchestra and he used to play waltzes during events and private parties.I hope the music takes you through a journey of musical emotions.Juan Guerra González

Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher.  The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gàlvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...

Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher.  The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gàlvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...

String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1176600 Composed by Jose Luis Armenteros Sanchez and Pablo Herrero Ibarz. Arranged by Luis Turina and Nonamé Música. 20th Century,Classical,Latin,Multicultural,Wedding,World. Score and parts. 9 pages. Nonamé Música #776677. Published by Nonamé Música (A0.1176600). (English below) (De Wikipedia) Venezuela es una canción popular venezolana, con letra y música de [...] Los Relámpagos  [...]. La popularidad y el sentimiento que evoca en los venezolanos es tal, que se la considera el cuarto himno de Venezuela, [tras] el Himno Nacional, «Alma llanera» y «Conticinio, del venezolano, Laudelino Mejías»...Con los millones de venezolanos que hay emigrados por todo el mundo, era casi un crimen no tener esta canción disponible para ellos. Novios y novias lloran por igual al entrar en sus bodas escuchando estos acordes, invitados cantando y abrazándose... Toca mucho el corazón.Mientras el cello hace casi un continuo, viola y violines se van alternando la melodía, con multitud de contratemas, adornos, segundas voces y contrapuntos. Una gozada tocarla, muy sencilla además. Cuidado con el calderón del cambio de tono.Arreglo en una página por instrumento para facilitar su interpretación al aire libre. Arcos, matices y letras de ensayo para poder hacer una buena lectura a primera vista. Más arreglos de Nonamé en nuestro canal: Nonamé Música.(From Wikipedia) Venezuela is a popular Venezuelan song, with lyrics and music by [...] Los Relámpagos [...]. The popularity and sentiment it evokes in Venezuelans is such that it is considered the fourth anthem from Venezuela, [after] the National Anthem, Alma llanera and Conticinio, from the Venezuelan, Laudelino Mejías...With millions of Venezuelans emigrating all over the world, it was almost a crime not to have this song available to them. Grooms and brides alike cry when they enter their weddings listening to these chords, guests singing and hugging each other... It really touches the heart.While the cello plays almost a continuum, the viola and violins alternate the melody, with a multitude of counter-themes, ornaments, second voices and counterpoints. A joy to play it, very simple as well. Beware of the calderón of the change of tone.Arrangement on one page per instrument to facilitate outdoor performance. Bowings, dynamics and rehearsal letters to be able to make a good sightreading. More Nonamé arrangements on our channel: Noname Música.Letra/Lyrics Llevo tu luz y tu aroma en mi pielY el cuatro en el corazónLlevo en mi sangre la espuma del marY tu horizonte en mis ojosNo envidio el vuelo ni el nido al turpialSoy como el viento en la miezSiento el caribe como a una mujerSoy así, ¿qué voy a hacer?Soy desierto, selva, nieve y volcánY al andar dejo una estelaDel rumor del llano en una canciónQue me desvela La mujer que quiero tiene que serCorazón, fuego y espuelasCon la piel tostada como una florDe VenezuelaCon tu paisaje y mis sueños me iréPor esos mundos de DiosY tus recuerdos al atardecerMe harán más corto el caminoEntre tus playas quedó mi niñezTendida al viento y al solY esa nostalgia que sube a mi vozSin querer se hizo canciónDe los montes quiero la inmensidadY del río la acuarelaY de ti los hijos que sembraránNuevas estrellasY si un día tengo que naufragarY el tifón rompe mis velasEnterrad mi cuerpo cerca del marEn Venezuela

Piano - Digital Download SKU: A0.1070312 Composed by Juan Carlos Cortés Aguirre. 20th Century,Instructional,Latin,Traditional. Full Performance. Duration 152. Juan Carlos Cortés Aguirre #4316861. Published by Juan Carlos Cortés Aguirre (A0.1070312). Danza en Colombia, es un ritmo de habanera en 2/4, muy similar a una milonga argentina lenta y elegante o una especie de tango antiguo al estilo de Buenos Aires de 1900 años atrás. Caracterizada por su melodía romántica, a veces nostálgica o triste, puede ser instrumental o vocal, acompañada por piano, estudiantina (Bandola, Tiple y Guitarra) u otro tipo de agrupación instrumental. Muchos compositores colombianos en el pasado como Pedro Morales Pino, Luis A. Calvo, Carlos Vieco, Adolfo Mejía; etc., cultivaron las preferencias de este género musical, que hoy ha sido relegado y casi olvidado por las nuevas generaciones. Muy apropiado para los amantes de la música latinoamericana y especializada con repertorio colombiano.

Piano Solo - Level 4 - Digital Download SKU: A0.958668 Composed by Juan Carlos Cortés Aguirre. 20th Century,Standards. Score. 2 pages. Juan Carlos Cortés Aguirre #4313319. Published by Juan Carlos Cortés Aguirre (A0.958668). Danza en Colombia, es un ritmo de habanera en 2/4, muy similar a una milonga argentina lenta y elegante o una especie de tango antiguo al estilo de Buenos Aires de 1900 hacía atrás. Caracterizada por su melodía romántica, a veces nostálgica o triste, puede ser instrumental o vocal, acompañada por piano, estudiantina (Bandola, Tiple y Guitarra) u otro tipo de agrupación instrumental. Muchos compositores colombianos en el pasado como Pedro Morales Pino, Luis A. Calvo, Carlos Vieco, Adolfo Mejía; etc., cultivaron considerablemente este género musical, que hoy ha sido relegado y casi olvidado por las nuevas generaciones. Muy apropiado para los recitales de música latinoamericana y específicamente con repertorio colombiano.

String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.933064 Composed by Luis Enrique Bacalov. Arranged by Milton Ferreira Junior. Contemporary. Score and parts. 8 pages. Milton Ferreira Junior #6471933. Published by Milton Ferreira Junior (A0.933064). Arrangement for String Quartet - created to bring movement and contracanto between the first and second violins.Arranjo para Quarteto de Cordas - criado para trazer movimento e contracanto entre o primeiro e segundo violinos.

Bassoon,Piano - Level 5 - Digital Download SKU: A0.534689 Composed by Thierry Pélicant. 20th Century,Concert,Contemporary. Score and part. 25 pages. Musik Fabrik Music Publishing #6230963. Published by Musik Fabrik Music Publishing (A0.534689). A four-movement concerto for bassoon and orchestra (PIC22(CA)22/2100/Timp/2perc/strings) by the noted French composer. Duration is about 16 minutes. This file is the piano reduction and solo part. The score is also available for sale.   The parts are on rental from the publisher. Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate supporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, composed with his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gàlvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée, (quintet for oboe and strings), Sextuor d’été, , and Milonga, (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...