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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.932706 Composed by Terry M. Forsyth. Christian,Contemporary,Sacred. Octavo. 18 pages. Forsyth Publishing #6133883. Published by Forsyth Publishing (A0.932706). Using Psalm 121, this calculated 4:58 minute work was the offertory Nov 4, 1994, at UMC on the Green, Morristown, PA and I was there to hear it.  While tour guide at St. John's Cathedral, Spokane, WA the Kelcec couple came by for concert per old brochure while I was using organ (she assisted her organist), became friends, they returned next year, asked how does one write music, we discussed this text and we had the first line written before they left the second time.  It was performed at their church and I was there.  This is that piece.
"I Will Lift Up Mine Eyes", SATB, organ
Chorale SATB

$4.99 4.38 € Chorale SATB PDF SheetMusicPlus

Brass Ensemble - Level 3 - Digital Download SKU: A0.767252 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 16 pages. Lyons Music Services #3121629. Published by Lyons Music Services (A0.767252). The Fifth book of madrigals starts to see much more development towards operatic style writing, with more songs being strung together to form scenas and with the addition of accompaniment on instruments. Some of these songs can be written by incorporating the accompaniment into the parts for those instruments which are resting, some will require more than a quintet. Certainly as we get into the next three books, reduction to a quintet will become increasingly more difficult, if not impossible. Song number 13 is extolling the virtues of the lovely Amaryllis I am sweeter because of Amaryllis
Monteverdi - The Fifth Book of Madrigals (1605) - 13. M'e piu dolce il penar
Ensemble de cuivres

$5.99 5.25 € Ensemble de cuivres PDF SheetMusicPlus

C Instrument - Level 2 - Digital Download SKU: A0.1438185 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Christoph Fleischmann. 20th Century,Film/TV,Jazz. Lead Sheet / Fake Book. 1 pages. Tonstoff #1018242. Published by Tonstoff (A0.1438185). Explore our exclusive collection of modified and newly arranged leadsheets for your musical projects! Our leadsheets offer a fresh perspective on familiar melodies, featuring innovative arrangements that will inspire your creativity. Whether you're looking for jazz standards, pop hits, or classics from other genres, we have the perfect selection to elevate your music to new heights. Get our leadsheets today and embark on your next musical journey!for Bass Instruments.
I Wan'na Be Like You (The Monkey Song)
Instruments en Do

$9.99 8.76 € Instruments en Do PDF SheetMusicPlus

Bass Guitar - Level 4 - Digital Download SKU: A0.941957 By Bbno$/Sonn. By Alex Gumuchian. Arranged by Daniel Roberts. Contemporary. Score. 4 pages. Daniel P Roberts #5899839. Published by Daniel P Roberts (A0.941957). Flex by bbno$ and featuring Sonn. Bass transcription, note for note.[Chorus]So I'm sweet like Tutti FruttiBooty gave me cooties1970 shitMight just pop a ludieFuck a sinus cold, fuck pneumoniaYour mommy's quite the bitch and she want my bonerAnd I had to phone her and her name is MonaAnd of course i got her leashed up I'm a lonerShe need the dong to live and I'm the donor[Post-Chorus]So I get a big bag and I flex (and I flex)Then I get a bad bitch, fuck an ex (fuck an ex)So I drop another track, yeah I'm next (yeah I'm next)And I did it like that, I'm the best (Skrrt Skrrt Skrrt)[Verse 1]Diamonds I talk aboutGot a little bit of plastic, I'm moving the copper nowCan you tell me why your girl has a potty mouthWhy is this something you haven't even thought aboutHeard that I'm the bestGucci on my chestSpeaking for the publicI don't got a problemSipping on some bubblyMan my life is lovelyMommy on my caseWhy she tryna rub meBooty so wide its 5 by 5Make a couple tracks 25 x 5Bandwidth it be WiFiNot Sci-fi, sorry Bill NyeDoing just fine, 500 there500 there, 500 squaredIn my bank account, I'ma tell you nowI'm doing just fine, fuck a discount
Flex
Basse electrique
Bbno$/Sonn
$4.99 4.38 € Basse electrique PDF SheetMusicPlus

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Arlo Guthrie
$3.99 3.5 € Chorale TTBB PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1256758 By Gabriel Lagos. By Gabriel Lagos. Arranged by Gabriel Lagos. 19th Century,21st Century,Classical,Romantic Period. Score. 12 pages. Lagos Music #850130. Published by Lagos Music (A0.1256758). It's kind of cool that I've finished an entire four-movement sonata! It's also kind of cool how people can watch my progress as I improve as a composer over time. I hope you enjoy this one. I think this is my best work so far, but I'm curious what others think! Inspiration for this piece came from the Rondo in Mozart's Concerto in E Flat for two pianos and his Finale in Symphony 40 (which I think is a Rondo as well), and all the Bach harpsichord concertos. Why is the cadenza in the style of a Bolero, I hear you ask? Well, it's hinting at a future work. With this Sonata, I set the intention of four movements: sonata-allegro, minuet/trio, funeral march, rondo. For the next work, the intention is a Latin Suite which will consist of a romance, tango, and milonga. That may change, but that's my idea so far and I didn't want to forget that theme...so I put it in the cadenza of this sonata! I will record a more live version of the full sonata on one of the University Of Victoria's Steinways soon. My dream is to write for orchestra, but for now I'll be using piano works as practice and maybe, just maybe, one day I'll find a way to compose for orchestra. I used to want to write for film but I'm now realizing I may want to write for the classical world, instead. This would be an absolute dream come true. Thank you, Gabe.
Sonata in F Minor - IV. Rondo
Piano seul
Gabriel Lagos
$4.99 4.38 € Piano seul PDF SheetMusicPlus


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