Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download

SKU: A0.1427014

Composed by Gail M. Luley. Christian,Classical,Religious,Sacred,Traditional. 6 pages. Gail M Luley #1007734. Published by Gail M Luley (A0.1427014).

This anthem, scored for SATB and piano sets the poem by Emily Dickinson to music. Dickinson’s poem presents humanity’s hunger to know the truth about the existence of an afterlife. Many people believe, but also doubt that something exists beyond death, invisible as music, but just as real as sound. This “other world” invites us to come closer, but confounds us, leading to the tension between faith and doubt. Faith stumbles, and no drug can numb the toothache of doubt. The anthem ends as it begins, with the conviction, the faith, that our time on earth isn’t all there is. 

The piano accompaniment can serve however needed, just for rehearsal purposes, or when and where it might be needed during a performance.

Small Ensemble Cello,Flute,Soprano Recorder,Violin - Level 3 - Digital Download

SKU: A0.900403

Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. Score and parts. 5 pages. Gustavo Fuentes #3637513. Published by Gustavo Fuentes (A0.900403).

Ivory Angel. Celtic music song composed by Gustavo Fuentes, arranged for three voices. Two melody instruments, such as tin whistle, low whistle, flute, recorder, piano or violin, and low voice like cello or bass, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify.
The Celtics strongly believed in the elements of nature. They believed that animals, plants and even rocks had a life and a spirit. And they considered trees to be the most important elements. Trees symbolized life: the roots were in the Underworld, the branches in the Otherworld and the trunk in the Middle Earth. Trees gave the Celtics wood to build homes and weapons and to shelter them from the cold. They also shielded them from the sun with their shadow. Trees gave them fruit to eat and they lodged birds, the messengers of the Gods, in their branches. Trees protected people’s spirits and so each person was assigned a sacred tree according to their date of birth.
Even today we still have spirits and objects that protect us. In the case of artists, their own art is often their protector. The title of this song refers to the ivory angel, the piano, however, this song is dedicated to all the instruments that help us express ourselves and prevent us from being lonely, silent or forgotten.

Canción de música celta compuesta por Gustavo Fuentes, arreglada para tres voces. Dos agudas como tin-whistle, low whistle, flauta traversa, flauta dulce, piano o violín, y un instrumento grave como cello o bajo, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify.
Los celtas creían profundamente en los elementos de la naturaleza. Los animales, las plantas y hasta las rocas tenían su propia vida y espíritu. Y entre estos elementos, el más importante eran los árboles. Para los celtas los árboles eran un símbolo de vida, con sus raíces en el Inframundo, las ramas en el Supramundo y el tronco en la Tierra Media. Les entregaban su madera para construir viviendas y armas, los abrigaban del frío con su leña y los protegían del sol al dar su sombra. Les daban sus frutos que servían de sustento y resguardaban a los pájaros, mensajeros de los dioses. Eran protectores del espíritu, y cada persona tenía su árbol protector según el momento del año en que hubiera nacido.
En nuestros tiempos, algunos también tenemos espíritus u objetos protectores. Entre los artistas, es en muchos casos nuestro propio arte, representado en los músicos por nuestro instrumento. Y si bien el ángel de marfil se refiere al piano, esta melodía está dedicada a los instrumentos que nos ayudan a expresarnos, y que nos protegen de la soledad, del silencio y del olvido.

Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download

SKU: A0.529972

Composed by Various. Arranged by Daniel Kelley. 20th Century,Classical,Instructional,Romantic Period,Standards. 45 pages. Last Resort Music Publishing #1915519. Published by Last Resort Music Publishing (A0.529972).

Part 2 Eb Alto Saxophone - Featuring ingenious and very accessible arrangements of works by Schubert, Sibelius, Mozart, and more! Arrangements for String Quartet or 3 Violins & Cello Wind Quartet, Sax Quartet and...the possibilities are endless!
Ideal for String Quartet or Wind Quartet or Piano Quartet or 4 Clarinets 4 Saxophones & more! The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played.

Table of Contents
Turkish March from The Ruins of Athens (Beethoven)
Hungarian March from Damnation of Faust (Berlioz)
St. Anthony Chorale from Variations on a Theme of Haydn (Brahms)
Scarf Dance from the ballet Callirhoe, Op. 37 (Chaminade)
Mazurka from Op. 67 #3 (Chopin)
Trumpet Voluntary in D Major (Clarke)
La Marseillaise French National Anthem (De Lisle)
Largo from Symphony #9, Op. 92 From the New World (Dvorak)
Dixie (Emmett)
I'm Called Little Buttercup from H. M. S. Pinafore (Gilbert & Sullivan)
Elfin Dance from Lyric Pieces, Op. 12 #4 (Grieg)
Bourree from Sonata in G for Flute, Op. 1 #5 (Handel)
Sarabande from Suite #4 in D minor for piano, 2nd set (Handel)
See the Conquering Hero Comes from Judas Maccabaeus (Handel)
Farewell Symphony from Symphony #45, fifth movement (Haydn)
Minuet from Symphony #95 in C minor (Haydn)
Santa Lucia (Italian Traditional)
'Tis the Last Rose of Summer  Irish Air (Moore)
Allegro & Presto Symphony #1 in Eb Major, K. 16 (Mozart)
The Great Gate of Kiev & Promenade from Pictures at an Exhibition (Mussorgsky)
Ave Maria from Thirty Pieces for Young People, Op. 107 #24 (Reinecke)
Three O'Clock in the Morning (Robledo)
Over the Waves from Sobre Las Olas Waltzes (Rosas)
Dark Eyes (Russian Folk Melody)
March Militaire from Three Military Marches, Op. 51 #1 (Schubert)
Norse Song from Album for the Young, Op. 68 #41 (Schumann)
Chanson Sans Paroles from Pensees Lyriques, Opus 40, #2 (Sibelius)
Valse Triste from Kuolema, Op. 44 #1 (Sibelius)
Morning Prayer from Album for the Young, Op. 39 (Tschaikovsky)
Espana Waltz #1 & # 2 from the Espana Waltzes, Op. 263 (Waldteufel)
www.lastresortmusic.com.

Woodwind Ensemble,Woodwind Quartet - Level 3 - Digital Download

SKU: A0.529976

Composed by Various. Arranged by Daniel Kelley. Baroque,Classical,Folk,Romantic Period,Standards. 42 pages. Last Resort Music Publishing #28467. Published by Last Resort Music Publishing (A0.529976).

This is the second part in the Intermediate Music for Four, Volume 1 Series. Fantastic arrangements for quartet with flexible instrumentation. Each volume is arranged in progressive order of difficulty. This series is designed to progress to the level of the Music for Four series. Each part is sold separately. Perfect for String Quartet, Wind Quartet, Piano Quartet, Clarinet Quartet, & More! The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played. Other parts available: Part 1 Flute or Oboe or Violin Part 1 Clarinet or Soprano Sax in Bb Part 1 Alto Sax in Eb Part 2 Flute or Oboe or Violin Part 2 Clarinet or Trumpet in Bb Part 2 Alto Sax in Eb Part 3 Violin in C Part 3 Viola Part 3 Clarinet or Trumpet in Bb Part 3 Tenor Sax in Bb Part 3 French Horn in F Part 4 Cello or Bassoon Part 4 Bass Clarinet in Bb Part 4 Baritone Sax in Eb Keyboard or Guitar Score (Parts 1-4 in C) Table of Contents Turkish March from The Ruins of Athens (Beethoven) Hungarian March from Damnation of Faust (Berlioz) St. Anthony Chorale from Variations on a Theme of Haydn (Brahms) Scarf Dance from the ballet Callirhoe, Op. 37 (Chaminade) Mazurka from Op. 67 #3 (Chopin) Trumpet Voluntary in D Major (Clarke) La Marseillaise French National Anthem (De Lisle) Largo from Symphony #9, Op. 92 From the New World (Dvorak) Dixie (Emmett) I'm Called Little Buttercup from H. M. S. Pinafore (Gilbert & Sullivan) Elfin Dance from Lyric Pieces, Op. 12 #4 (Grieg) Bourree from Sonata in G for Flute, Op. 1 #5 (Handel) Sarabande from Suite #4 in D minor for piano, 2nd set (Handel) See the Conquering Hero Comes from Judas Maccabaeus (Handel) Farewell Symphony from Symphony #45, fifth movement (Haydn) Minuet from Symphony #95 in C minor (Haydn) Santa Lucia (Italian Traditional) 'Tis the Last Rose of Summer Irish Air (Moore) Allegro & Presto Symphony #1 in Eb Major, K. 16 (Mozart) The Great Gate of Kiev & Promenade from Pictures at an Exhibition (Mussorgsky) Ave Maria from Thirty Pieces for Young People, Op. 107 #24 (Reinecke) Three O'Clock in the Morning (Robledo) Over the Waves from Sobre Las Olas Waltzes (Rosas) Dark Eyes (Russian Folk Melody) March Militaire from Three Military Marches, Op. 51 #1 (Schubert) Nore Song from Album for the Young, Op. 68 #41 (Schumann) Chanson Sans Paroles from Pensees Lyriques, Opus 40, #2 (Sibelius) Valse Triste from Kuolema, Op. 44 #1 (Sibelius) Morning Prayer from Album for the Young, Op. 39 (Tschaikovsky) Espana Waltz #1 & # 2 from the Espana Waltzes, Op. 263 (Waldteufel).

Choral Choir,Choral (TTBB) - Level 2 - Digital Download

SKU: A0.1341741

Composed by Johann Sebastian Bach. Arranged by Alex E,. Baroque,Chamber,Classical,Easter,Sacred. 4 pages. Müller Publishing company #927301. Published by Müller Publishing company (A0.1341741).

Jesus bleibet meine Freude - TTBB (German lyrics) with organ/piano accompaniment
I am pleased to present you with an excellent opportunity to enrich your repertoires and musical studies.  
I am selling the digital score of the beautiful work Jesus bleibet meine Freude, arranged for TTBB vocal formation with piano/organ accompaniment.

This creation offers several advantages:

- It preserves the beauty of Bach's original melody, adapted for male choirs.
- The vocal parts develop harmoniously, exploring the resources of the TTBB formation. 
- The score is clean and easy to read, suitable for conductors, pianists and singers.
- It contains all parts in high resolution PDF format, with lyrics in German.

In addition to maintaining musical quality, I offer a fair and affordable price so that more people can enjoy this treasure.
I invite you to check out the advantages of this product and purchase your copy.
Please let me know if you have any questions or suggestions to improve the announcement. I aim to promote Bach's art among you.

Piano,Vocal,Voice - Level 2 - Digital Download

SKU: A0.1007857

Composed by by Australian composer, Rebecca Summers. Children,Holiday,Pop. Score. 6 pages. Rebecca Summers #3884837. Published by Rebecca Summers (A0.1007857).

Perfect for a school Father's Day ceremony, uplifting lyrics, intermediate keyboard part.

Lyrics
Can't you understand you're number one?
Important as the moonshine, essential as the sun
that shines so bright when we're together
I hate when we're apart
You're in my soul forever, the father of my heart.
You're in my soul forever, the father of my heart.

Can't you understand you matter more
than any other person, it's you I'm searching for
amongst the crowded rows of people
at the finish and the start.
I'll look to you forever, the father of my heart.
I'll look to you forever, the father of my heart.

Chorus
It's not too late. It's not too late.
It's not too late we've got the day together.
It's not too late I don't care 'bout the weather.
It's not too late and some day when we're older
 my baby sitting on your shoulder
I hope I'm wonderin' if she feels the same.

Don't you understand it's not too late
To throw out your 'to-do' list and to celebrate
a Happy Father's Day together
 this year's our brand new start.
Do you hear my wishes, the father of my heart.
Do you hear my wishes, the father of my heart.

Organ - Level 3 - Digital Download

SKU: A0.1207035

Composed by Rudesindo Soutelo. 20th Century,Classical,Contemporary. Score. 12 pages. Publisher by Rudesindo Soutelo #805185. Published by Publisher by Rudesindo Soutelo (A0.1207035).

To Karen Beaumont
Bálsamo de Ferrabrás / Balm of Fierabras (2023) for Organ [ca. 6']
A medicina mágica de D. Quixote / The magical medicine of D. Quixote
ISWC: T-316.150.247-8
ISMN: 979-0-707704-11-0
---
In Miguel de Cervantes’ masterpiece, chapter X of the first Book, Don Quixote de la Mancha speaks to Sancho Panza about a magical medicine, the balm of Fierabras, “It is taken and people are spared from being afraid of dying or getting hurt�. This fearlessness becomes a ritual that permeates the intrepid adventures of the ill-fated knight of the sad figure.
The structure and entire organisation of the work is based on the complexes [7 (3, 2, 2), 2, 9 (2, 3, 2, 2)] and [5 (2, 3), 8 (2, 2, 4)].
The work is original for organ but has a edition for Piano.
---
Na obra magna de Miguel e Cervantes, capítulo X do primeiro Livro, D. Quixote de la Mancha fala a Sancho Pança duma medicina mágica, o bálsamo de Ferrabrás, “Toma-se e escusa a gente de ter medo de morrer ou de ficar ferido�. Esse destemor transforma-se num ritual que permeia as intrépidas aventuras do infortunado cavaleiro da triste figura.
A estrutura e toda a organização da obra está baseada nos complexos [7 (3, 2, 2), 2, 9 (2, 3, 2, 2)] e [5 (2, 3), 8 (2, 2, 4)].
A obra é original para órgão mas tem uma edição para Piano.

SATB choir (choir divisi) unaccompanied - Medium - Digital Download

SKU: MQ.8705-E

Composed by Zebulon M. Highben. Lent, Funeral, Tenebrae. Instrument part. 8 pages. Duration 4 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #8705-E. Published by E. C. Schirmer Music Company - Digital (MQ.8705-E).

Latin. John 1:5.

The text of Lux in tenebris—a single verse from the prologue to the gospel of John—was chosen in conjunction with the commissioning party, who requested a sacred text with universal appeal that could address the hopes and fears that all people share. The composition elaborates on the text's juxtaposition between the darkness of despair and the light of hope. Dissonant, layered ostinati built on fragments of the text illustrate the omnipresent darkness (mm. 1-25). The second half of the piece (m. 29ff.) changes key and meter, employing the entire text to emphasize the persistent shining and eternal triumph of the light. Duration: 4:30
Lux in tenebris was premiered in December 2016 by the Chamber Singers of First Community Church (Columbus, Ohio) at the church’s annual Candlelight Christmas concert, and reprised for the Holy Week Tenebrae service in April 2017.

Piano Solo - Level 4 - Digital Download

SKU: A0.1256758

By Gabriel Lagos. By Gabriel Lagos. Arranged by Gabriel Lagos. 19th Century,21st Century,Classical,Romantic Period. Score. 12 pages. Lagos Music #850130. Published by Lagos Music (A0.1256758).

It's kind of cool that I've finished an entire four-movement sonata! It's also kind of cool how people can watch my progress as I improve as a composer over time. I hope you enjoy this one.

I think this is my best work so far, but I'm curious what others think! Inspiration for this piece came from the Rondo in Mozart's Concerto in E Flat for two pianos and his Finale in Symphony 40 (which I think is a Rondo as well), and all the Bach harpsichord concertos. Why is the cadenza in the style of a Bolero, I hear you ask? Well, it's hinting at a future work. With this Sonata, I set the intention of four movements: sonata-allegro, minuet/trio, funeral march, rondo. For the next work, the intention is a Latin Suite which will consist of a romance, tango, and milonga. That may change, but that's my idea so far and I didn't want to forget that theme...so I put it in the cadenza of this sonata!

I will record a more live version of the full sonata on one of the University Of Victoria's Steinways soon.

My dream is to write for orchestra, but for now I'll be using piano works as practice and maybe, just maybe, one day I'll find a way to compose for orchestra. I used to want to write for film but I'm now realizing I may want to write for the classical world, instead.

This would be an absolute dream come true.

Thank you,

Gabe.

Full Orchestra - Level 2 - Digital Download

SKU: A0.1178931

By W. Luke Kelly. By W. Luke Kelly. 20th Century,Contest,Festival,Traditional. Score and parts. 28 pages. W. Luke Kelly #778901. Published by W. Luke Kelly (A0.1178931).

On the Moors is a free form, free tempo piece, meant to evoke a walk through green hills and a cool breeze. 

Begin the piece with confidence, but calmly.

The piano player should be the highlight of the piece, but give room for some spotlights to the woodwinds and strings at times. Observe the fermatta at m. 14 with a great amount of anticipation, perhaps even a few beats of silence. 

Allow the audience to lean in as they reach for the next note, then bring in the new key at m. 15 with purposeful steps into the next motif. Observe molto rit and poco rit sections to take as much time as the Director wishes, and consider the entire piece espressivo with overtones of warmth, as in sunlit rolling hills during an early Spring afternoon.


Composer's Note:

This piece is dedicated to the beauty of the State of Ohio, whose open fields, beautiful rolling hills, and warm sun have become my home, and to it's people, who are as warm and welcoming as any American community could ever be.

Small Ensemble Bassoon,Cello - Level 4 - Digital Download

SKU: A0.796251

By Daniel Kelley. By Various. Arranged by Daniel Kelley. Baroque,Classical,Instructional,Romantic Period,Traditional. Score and parts. 43 pages. Last Resort Music Publishing #403432. Published by Last Resort Music Publishing (A0.796251).

Part 4 Cello or Bassoon - Featuring ingenious and very accessible arrangements of works by Schubert, Sibelius, Mozart, and more! Arrangements for String Quartet or 3 Violins & Cello Wind Quartet, Sax Quartet and...the possibilities are endless! Ideal for String Quartet or Wind Quartet or Piano Quartet or 4 Clarinets 4 Saxophones & more! The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played. Table of Contents Turkish March from The Ruins of Athens (Beethoven) Hungarian March from Damnation of Faust (Berlioz) St. Anthony Chorale from Variations on a Theme of Haydn (Brahms) Scarf Dance from the ballet Callirhoe, Op. 37 (Chaminade) Mazurka from Op. 67 #3 (Chopin) Trumpet Voluntary in D Major (Clarke) La Marseillaise French National Anthem (De Lisle) Largo from Symphony #9, Op. 92 From the New World (Dvorak) Dixie (Emmett) I'm Called Little Buttercup from H. M. S. Pinafore (Gilbert & Sullivan) Elfin Dance from Lyric Pieces, Op. 12 #4 (Grieg) Bourree from Sonata in G for Flute, Op. 1 #5 (Handel) Sarabande from Suite #4 in D minor for piano, 2nd set (Handel) See the Conquering Hero Comes from Judas Maccabaeus (Handel) Farewell Symphony from Symphony #45, fifth movement (Haydn) Minuet from Symphony #95 in C minor (Haydn) Santa Lucia (Italian Traditional) 'Tis the Last Rose of Summer Irish Air (Moore) Allegro & Presto Symphony #1 in Eb Major, K. 16 (Mozart) The Great Gate of Kiev & Promenade from Pictures at an Exhibition (Mussorgsky) Ave Maria from Thirty Pieces for Young People, Op. 107 #24 (Reinecke) Three O'Clock in the Morning (Robledo) Over the Waves from Sobre Las Olas Waltzes (Rosas) Dark Eyes (Russian Folk Melody) March Militaire from Three Military Marches, Op. 51 #1 (Schubert) Norse Song from Album for the Young, Op. 68 #41 (Schumann) Chanson Sans Paroles from Pensees Lyriques, Opus 40, #2 (Sibelius) Valse Triste from Kuolema, Op. 44 #1 (Sibelius) Morning Prayer from Album for the Young, Op. 39 (Tschaikovsky) Espana Waltz #1 & # 2 from the Espana Waltzes, Op. 263 (Waldteufel) www.lastresortmusic.com.

Piano Solo - Level 3 - Digital Download

SKU: A0.1207067

Composed by Rudesindo Soutelo. 20th Century,Classical,Contemporary. Score. 12 pages. Publisher by Rudesindo Soutelo #805243. Published by Publisher by Rudesindo Soutelo (A0.1207067).

To Karen Beaumont
Bálsamo de Ferrabrás / Balm of Fierabras (2023) for Piano [ca. 6']
A medicina mágica de D. Quixote / The magical medicine of D. Quixote
ISWC: T-316.150.247-8
ISMN: 979-0-707704-12-7
---
In Miguel de Cervantes’ masterpiece, chapter X of the first Book, Don Quixote de la Mancha speaks to Sancho Panza about a magical medicine, the balm of Fierabras, “It is taken and people are spared from being afraid of dying or getting hurt�. This fearlessness becomes a ritual that permeates the intrepid adventures of the ill-fated knight of the sad figure.
The work is built upon the complexes [7 (3, 2, 2), 2, 9 (2, 3, 2, 2)] and [5 (2, 3), 8 (2, 2, 4)], and the original version was composed for organ.
---
Na obra magna de Miguel e Cervantes, capítulo X do primeiro Livro, D. Quixote de la Mancha fala a Sancho Pança duma medicina mágica, o bálsamo de Ferrabrás, “Toma-se e escusa a gente de ter medo de morrer ou de ficar ferido�. Esse destemor transforma-se num ritual que permeia as intrépidas aventuras do infortunado cavaleiro da triste figura.
A obra está construída sobre os complexos [7 (3, 2, 2), 2, 9 (2, 3, 2, 2)] e [5 (2, 3), 8 (2, 2, 4)], e a versão original foi composta para órgão.

Bass Guitar TAB - Level 3 - Digital Download

SKU: A0.1435612

By R.E.M. By Michael Mills, Michael Stipe, Peter Buck, and William Berry. Arranged by Jared Plane. Folk,Pop,Rock. Score. 5 pages. Jared Plane #1015701. Published by Jared Plane (A0.1435612).

Mike Mills' original bass line as played to the R.E.M. song, Man On The Moon from the 1992 album, Automatic for the People. This PDF download comes with both Standard Notation, bass TAB and chord symbols.

Instrumental Duet,Piano C Trumpet,Instrumental Duet,Piano,Trombone - Level 5 - Digital Download

SKU: A0.1206435

Composed by Elizabeth Raum. Chamber,Contemporary. 36 pages. Gordon Cherry #804638. Published by Gordon Cherry (A0.1206435).

Below are the program notes for Illusion for Trumpet, Bass Trombone & Piano by Elizabeth Raum.

Illusion, is a general commentary to the fact that life is mysterious and generally, uncertain, constantly shifting. We try to influence what happens but usually, outside forces determine the direction of our lives. Sometimes it’s hard to distinguish between illusion and reality, and, in fact, often people much prefer illusion to reality. 

Mv. 1 - Illusion starts out with an obscure time signature and is constantly shifting tonalities so for a while, you aren’t quite sure where you are. Life is full of such deceptions.

Mv. 2 - Fill the Wine Cup is a series of drinking songs with a lot of gayety and rollocking humour as the party gets more raucous, but eventually things get a little blurry and bombastic and the party winds down. The trombone, due to its ability to imitate drunken reeling with glissandos, is often cast in this role. 

M. 3 - Destiny seems to march on and on, with mankind hoping to control their future, but the implication is that fate is more powerful than one can control.

M. 4 - The ultimate illusion: a Political Debate. The trombone starts out as the first candidate, and the saxophone is the other. The music is circus-like as befits many heated debates.

Illusion was commissioned by Lucas Kaspar and JD Little. The original version was written for Alto Sax and Bass Trombone

The work of about 10 minutes in length is appropriate for advanced performers and may also be performed on a Trombone with an f-attachment.

This work can be performed on a Trombone with an f-attachment and is appropriate for advanced performers.