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Violin Solo - Level 1 - Digital Download SKU: A0.1181220 By Yann Tiersen. By Yann Tiersen. Arranged by Fabio Eduardo de Oliveira. Classical,Film/TV. 2 pages. Fabio Eduardo #781058. Published by Fabio Eduardo (A0.1181220). FREE DOWNLOAD PLAYBACK https://www.fabioeduardomusiconline.com/freedownloadComptine D'un Autre Été: L'après Midi is considered one of Yann Tiersen's best piano compositions, from the album Amélie. These songs were the soundtrack for the French Academy Award winning motion picture film 'Le Fabuleux Destin d'Amélie Poulain. Yann Tierson is a noted French composer, most famous for Amélie. His music is mostly composed for piano, harpsichord, violin, and accordion. The animation is from Aniboom Animations, describing life as a song. The depiction is more on a meloncholy scale, describing the major climaxes of the life of an old man as his wife's death, his friend's death on the battlefield, and the rapture of his grandson.
Comptine D'un Autre Été: L'après-midi
Violon
Yann Tiersen
$4.99 4.21 € Violon PDF SheetMusicPlus

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1126313 Composed by Philip Le Bas. Christian,Christmas,Praise & Worship,Religious,Sacred. Score. 8 pages. Philip Le Bas #727017. Published by Philip Le Bas (A0.1126313). A new Christmas carol by Philip Le Bas for unison voices (with occasional divisi) and piano, setting the words of William Blake's poem A Cradle Song from his collection entitled Songs of Innocence. The very title of Blake's poem calls out for it to be set to music. Indeed the poem is a straightforward lullaby for the first few stanzas, sung softly by a mother over her sleeping baby, as she marvels at the wonder of this beautiful infant and expresses her love for the child. Her own anxieties and weeping for the child remind her of the Christ-child who also wept as a vulnerable baby. But as God incarnate he wept for me, for thee, for all, and brought peace to heaven and earth. (Blake uses the word beguile perhaps to indicate the paradoxical nature of a weeping God bringing redemption to a suffering world by becoming a vulnerable human baby himself.) The composition aims to avoid unnecessary complexity in the vocal parts, so that it can be sung easily particularly by a parish choir. However, it also attempts to capture some of the beauty, drama and mystery of the scene expressed by Blake. The piece begins and ends in stillness, and there are gentle climaxes here and there, reflecting some of the rise and fall of the poem's lyrics. It could be sung by a mixed or single-voice choir, but note should always be taken of the predominantly quiet dynamics of the piece, especially in the first half. https://www.sheetmusicdirect.com/en-US/se/ID_No/1216185/Product.aspx https://plbmusic.blogspot.com A Cradle Song from Songs of Innocence by William Blake (1757-1827) Sweet dreams, form a shade O'er my lovely infant's head! Sweet dreams of pleasant streams By happy, silent, moony beams! Sweet Sleep, with soft down Weave thy brows an infant crown! Sweet Sleep, angel mild, Hover o'er my happy child! Sweet smiles, in the night Hover over my delight! Sweet smiles, mother's smiles, All the livelong night beguiles. Sweet moans, dovelike sighs, Chase not slumber from thy eyes! Sweet moans, sweeter smiles, All the dovelike moans beguiles. Sleep, sleep, happy child! All creation slept and smiled. Sleep, sleep, happy sleep, While o'er thee thy mother weep. Sweet babe, in thy face Holy image I can trace; Sweet babe, once like thee Thy Maker lay, and wept for me: Wept for me, for thee, for all, When He was an infant small. Thou His image ever see, Heavenly face that smiles on thee! Smiles on thee, on me, on all, Who became an infant small; Infant smiles are His own smiles; Heaven and earth to peace beguiles.
Cradle Song
Piano, Voix
happy, silent, moony beams! Sweet Sleep, with soft down Weave thy brows an infant crown! Sweet Sleep, angel mild, Hover o'er my happy child! Sweet smiles, in the night Hover over my delight! Sweet smiles, mother's smiles, All the livelong night beguiles Sweet moans, dovelike sighs, Chase not slumber from thy eyes! Sweet moans, sweeter smiles, All the dovelike moans beguiles
$1.99 1.68 € Piano, Voix PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.514620 Composed by Gabriel Faure. Arranged by Kenneth Abeling. 20th Century,Classical. 16 pages. LINCOLN MUSIC PUBLICATIONS #3473359. Published by LINCOLN MUSIC PUBLICATIONS (A0.514620). Pavane, Op. 50 by Gabriel Fauré for Woodwind Quartet. This beautiful work from the Impressionistic period ebbs and flows through a series of harmonic and melodic climaxes, conjuring a cool, somewhat haunting elegance. It is suitable for a variety of performance applications and is of Advanced Intermediate to Easy Advanced level difficulty. To view and listen to this piece in its entirety as well as hundreds of other arrangements and transcriptions by Kenneth Abeling at the lowest prices available please visit www.lincolnmusicpublications.com. Playing time: 5:25
Faure - Pavane, Op. 50 (for Woodwind Quartet)
Flûte, Hautbois, Clarinette, Basson

$12.99 10.95 € Flûte, Hautbois, Clarinette, Basson PDF SheetMusicPlus

Organ - Level 4 - Digital Download SKU: A0.846387 Composed by Christopher Evans. Christmas,Contemporary,Praise & Worship. Score. 4 pages. Christopher Evans #5776923. Published by Christopher Evans (A0.846387). Prelude and Fugue on ’Dix’, the tune to which the Christmas carol ’As With Gladness Men of Old’ is sung, consists of a prelude in the style of a stately fanfare and march depicting the majesty of the kings as they make their way to Bethlehem and a fugue in which a variation of the first part of the hymn tune forms the subject which climaxes with a return of the fanfare of the prelude. Although the indicated registration is for three manuals, both movements can be played on two manuals. As the tune is occasionally sung to other hymns at various times of the year, this prelude and fugue is also suitable for other times of the year.
Prelude and Fugue on 'Dix' (As With Gladness Men of Old) for Organ
Orgue

$12.00 10.12 € Orgue PDF SheetMusicPlus

Soprano Saxophone Solo - Level 1 - Digital Download SKU: A0.1181252 By Yann Tiersen. By Yann Tiersen. Arranged by Fabio Eduardo de Oliveira. Classical,Film/TV. Individual part. 2 pages. Fabio Eduardo #781089. Published by Fabio Eduardo (A0.1181252). FREE DOWNLOAD PLAYBACK https://www.fabioeduardomusiconline.com/freedownloadLa Valse D'amelie from the album Amélie. These songs were the soundtrack for the French Academy Award winning motion picture film 'Le Fabuleux Destin d'Amélie Poulain. Yann Tierson is a noted French composer, most famous for Amélie. His music is mostly composed for piano, harpsichord, violin, and accordion. The animation is from Aniboom Animations, describing life as a song. The depiction is more on a meloncholy scale, describing the major climaxes of the life of an old man as his wife's death, his friend's death on the battlefield, and the rapture of his grandson.
La Valse D'amelie
Saxophone (partie séparée)
Yann Tiersen
$4.99 4.21 € Saxophone (partie séparée) PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.775985 Composed by Carson Cooman. Contemporary,Instructional. Octavo. 22 pages. Musik Fabrik Music Publishing #2035131. Published by Musik Fabrik Music Publishing (A0.775985). In the Midst of Wild Being (2007) for SATB chorus, horn, and harp was commissioned by the King’s Chapel Concert Series, Heinrich Christensen, director, with the support of Choral Arts New England. The work was written in memory of American composer Daniel Pinkham (1923–2006), longtime director of music at King’s Chapel. The texts, written by American poet Elizabeth Kirschner, are directly inspired by the landscape of New England-though the sentiments reflected by the poems can apply to many places. Throughout, the focus is on the chorus, whose music is colored by the horn and harp. The Garden begins with an extended, unfolding introduction for horn and harp; the pace is that of a slow, steady walk. Though the pace remains, the music raises itself to rich climaxes in celebration of the verdant landscape. The Sea is a light and airy dance featuring a bouncy melodic theme that returns a number of times. The Forest is rich and expressive, reflecting true oneness with the landscape.
Carson Cooman - In the Midst of Wild Being (2007) for SATB chorus, horn, and harp, full score
Chorale SATB

$19.95 16.82 € Chorale SATB PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1305017 By Ivan Brand. By Joseph P. Webster. Arranged by Ivan Brand. Christian,Religious,Sacred. 20 pages. Ivan Brand #894447. Published by Ivan Brand (A0.1305017). This piece begins by developing the typical emotional feeling of peaceful longing consistent with verse 1 of the original lyrics. It then turns celebratory consistent with verse 2 - We shall sing on that beautiful shore!. The piece climaxes with an emphatic refrain and coda which underscore the forthcoming celebration when We shall meet on that beautiful shore. An optional tambourine can be used effectively to add to this celebratory style. The included alternatie instrumentation consisting of Alto Sax (for F Horn), Tenor Sax (for Trombone), and 5-string Bass Guitar (for Tuba) can creat an exciting and unique musical texture.
In the Sweet Bye and Bye (for Brass Quintet)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Ivan Brand
$15.00 12.65 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1181255 By Yann Tiersen. By Yann Tiersen. Arranged by Fabio Eduardo de Oliveira. Classical,Film/TV. Individual part. 2 pages. Fabio Eduardo #781092. Published by Fabio Eduardo (A0.1181255). FREE DOWNLOAD PLAYBACK https://www.fabioeduardomusiconline.com/freedownloadLa Valse D'amelie from the album Amélie. These songs were the soundtrack for the French Academy Award winning motion picture film 'Le Fabuleux Destin d'Amélie Poulain. Yann Tierson is a noted French composer, most famous for Amélie. His music is mostly composed for piano, harpsichord, violin, and accordion. The animation is from Aniboom Animations, describing life as a song. The depiction is more on a meloncholy scale, describing the major climaxes of the life of an old man as his wife's death, his friend's death on the battlefield, and the rapture of his grandson.
La Valse D'amelie
Trompette
Yann Tiersen
$4.99 4.21 € Trompette PDF SheetMusicPlus

Alto Saxophone Solo - Level 1 - Digital Download SKU: A0.1181221 By Yann Tiersen. By Yann Tiersen. Arranged by Fabio Eduardo de Oliveira. Classical,Film/TV. Individual part. 2 pages. Fabio Eduardo #781059. Published by Fabio Eduardo (A0.1181221). FREE DOWNLOAD PLAYBACK https://www.fabioeduardomusiconline.com/freedownloadComptine D'un Autre Été: L'après Midi is considered one of Yann Tiersen's best piano compositions, from the album Amélie. These songs were the soundtrack for the French Academy Award winning motion picture film 'Le Fabuleux Destin d'Amélie Poulain. Yann Tierson is a noted French composer, most famous for Amélie. His music is mostly composed for piano, harpsichord, violin, and accordion. The animation is from Aniboom Animations, describing life as a song. The depiction is more on a meloncholy scale, describing the major climaxes of the life of an old man as his wife's death, his friend's death on the battlefield, and the rapture of his grandson.
Comptine D'un Autre Été: L'après-midi
Saxophone Alto
Yann Tiersen
$4.99 4.21 € Saxophone Alto PDF SheetMusicPlus

Solo Guitar - Level 3 - Digital Download SKU: A0.1377888 By Aaron Larget-Caplan. By Johann Sebastian Bach. Arranged by Aaron Larget-Caplan. Baroque,Christian,Christmas,Classical,Early Music. Individual part. 5 pages. Aaron Larget-Caplan #962501. Published by Aaron Larget-Caplan (A0.1377888). Prelude N. 1 in C Major, BWV 846 by J.S. Bach (1685-1750) arranged by Aaron Larget-Caplan Includes: 2 pages of music, 1 page of notes, 1 page of alternate fingering. It is recommended to print double-sided so no page turns are required while playing.About this Arrangement â?? The regular arpeggio gesture is straightforward on piano, but on guitar the performer may have to do a few adjustments to keep this gesture clear. The performer should play the arpeggios over multiple strings as much as possible allowing the notes to ring beyond their notated values. The music can be realized in various ways; hence the fingerings are suggestions and some measures can be played without a Barre. For an ethereal conclusion, I raised the octave of the last measures.Prelude N. 1 in C Major (no sharps or flats) is the first of 44 preludes and fugues written by Bach for keyboard. It follows a progression of arpeggiated chords touching multiple keys as it climaxes on an exquisite pedal point in the Dominant before returning to C-major. One of the most often arranged of Bachâ??s compositions, it was most famously the basis of Ave Maria by Charles Gunoud.This arrangement of Prelude No. 1 in C major, WTC Book I, BWV 846 is featured on the 2022 album â??Godâ??s Time: Music of J.S. Bach on Guitarâ?? by Aaron Larget-Caplan on Tiger Turn (888-09) and streams worldwide. Online lessons are also available.The arrangements of Aaron Larget-Caplan have been called â??very importantâ? and â??a must haveâ?, with Soundboard â??strongly advocatingâ? for them â??to be performed by young guitaristsâ? and include music by J.S. Bach, John Cage, Isaac Albéniz, Franz Schubert, Reynaldo Hahn, and Alan Hovhaness. 
Prelude No. 1 in C Major by J.S. Bach for Guitar (Arranged by Aaron Larget-Caplan)
Guitare
Aaron Larget-Caplan
$5.00 4.22 € Guitare PDF SheetMusicPlus

Piano,Trombone - Level 5 - Digital Download SKU: A0.811191 Composed by Mark Narins. 20th Century,Contemporary,Romantic Period. Score and part. 101 pages. Gordon Cherry #6069485. Published by Gordon Cherry (A0.811191). Cherry Classics is pleased to introduce Concerto for Trombone and Orchestra 2020 (Piano reduction) by San Francisco based composer/conductor Mark Narins. The concerto is in 4 movements: I. Prayer, II. Meditation, III. Call and Response, IV. Exaltation Here is a description of the work by Mark Narins, the composer: Prayer: The first movement starts with a shimmering tremolo in the strings over which the silver voice of the trombone plays an arching phrase that lingers on an extended appoggiatura. The trombone is a lone mystic reaching for the sky and then falling perilously down to the pedal register. Later the orchestra breaks into a frenetic vamp over which the trombone plays intense ascending scales and passage work. The movement ends with an ascent to a high C#, moving to a final ringing high C.   Meditation: After the harp lays out a series of arpeggiated chords, the trombone plays a warm, rich theme in the middle range. The following episodes are variations on this theme. The trombone moves into the upper register, floating with the ease of a lead trombone in a big band. The movement ends with an ascending yearning phrase reaching a high D as the soloist touches the sky and then comes gently back to earth. Call and Response: The orchestral accompaniment starts in an anxious, mysterious tonality. The trombone enters with a burst of energy playing a machine gun series of Fs. The movement develops into a series of short brilliant solo passages answered boldly by the orchestra. This movement showcases the stunning declamatory powers of the trombone. Exaltation: Movement 4 starts as an allegro with intense tremolos in the basses.  The trombone breaks out into an articulated driving theme followed by several extended melodic passages. Midway in the movement the strings abruptly lay out a syncopated Latin dance rhythm over which the trombone climbs from the bottom to the top of its range in rapid triplets. In the final codetta the trombone accelerates the dance tempo and climaxes on a series of high C#s in a brilliant and joyous fashion.  The concerto is 27 minutes in duration and is appropriate for advanced performers. This version with Piano is a reduction of the full Orchestral version (to be published in the near future). The new Trombone Concerto by Mark Narins is a very exciting piece with dramatic contrasts between the slow and fast sections. The move to the finish of the piece makes for a great wrap-up. It's a real blow for the player, really exploring the range of the instrument. It will be demanding and fun for the trombonist.   Ken Andresen, New York freelance musician
Concerto for Trombone and Piano
Trombone et Piano

$27.50 23.18 € Trombone et Piano PDF SheetMusicPlus






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