Hand Drum,Handpan,Instrumental Solo,Steel Pan - Level 2 - Digital Download SKU: A0.569901 By Sharon Wilson. By St. Francis of Assisi. Arranged by Sharon Wilson and Sharon Wilson Music. Classical,Folk,Holiday,Sacred,Traditional. Individual part. 11 pages. Sharon Wilson #6685573. Published by Sharon Wilson (A0.569901). This sheet music is notated for C major diatonic scale Tongue Drums (suitable for any 8, 11, or 13-note drum in the key of C). This hymn arrangement can be performed as a solo, as rhythmic chord accompaniment for singing, or as a duet. Four separate scores are provided for maximum flexibility. Whether beginner or experienced musician, these scores can be used in numerous ways from solo playing to playing with a partner or as a group. A note and chord reference chart is included as well as a rhythm pattern chart. Descriptions, suggestions, and uses for each score and chart are detailed on the introduction page and summarized below:Melody ScoreThis score can be played as a solo with or without singing along. Those new to reading standard music notation as well as those already familiar with music notation will find the numbers above the staff helpful. These numbers correspond to the numbers on the Tongue Drum. Lyrics appear below the staff for sing along enjoyment. Harmony ScoreThis score can be used in conjunction with the Melody Score to form a duet by providing the accompaniment (harmony) while someone plays or sings the melody. Note numbers below the staff corresponding to the numbers on the drum. Chord names are shown above the staff for playing a rhythmic accompaniment in place of the harmony accompaniment shown. The chord names can also be used for ensemble playing with other instruments (such as a Ukulele or Guitar).Grand StaffThe Grand Staff score combines the Melody Score with the Harmony Score. This score provides a visual overview of how the two scores line up and is helpful for a director or teacher using this set of scores in a group setting. If playing with a partner (a duet), this score may be easier to use since you both can see what the other person is playing. This score includes note numbers above the melody staff and below the harmony staff corresponding to the numbers on the drum; chord names shown above the harmony staff for ensemble playing with other instruments or for using a rhythmic chord accompaniment; and lyrics between the staves for sing along enjoyment. Advanced Solo ScoreThe Advanced Solo score includes harmony notes along with the melody notes to create a fuller sounding solo which can be played with or without singing along. Numbers corresponding to the numbers on the Tongue Drum are included above the staff.Note and Chord ChartThis chart consists of two separate staff rows. The first staff shows the notes used for the melody. The second staff shows the notes in each chord used in this song. Any combination of the notes within a given chord can be played using one of the rhythm patterns. Rhythm ChartThis chart shows four rhythm patterns that can be used as an accompaniment for the melody. Using the Harmony Score or the Grand Staff, follow the chord names to play notes from the given chord using one of the rhythm patterns.This arrangement is one of the 10 songs in the collection Hymns of Praise for 8-note C major diatonic scale Tongue Drums (A collection of 10 Solos and Duets). Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1229100 By James Widden. By Franz Schubert. Arranged by James Widden. 19th Century,Chamber,Classical,Romantic Period,Wedding. 7 pages. James Widden #825000. Published by James Widden (A0.1229100). One of the most beautiful melodies ever written, and an all-time wedding favourite, Schubert's song 'Ave Maria', sensitively arranged for string quartet by James Widden.  All James Widden's arrangements are beautifully made and carefully edited so that players and listeners alike will get maximum pleasure from the performance.

Piano Solo - Level 3 - Digital Download SKU: A0.862231 By Pink Sweat$. By David Bowden, John Graham Hill, John Hill, and Kelhani Ashley Parrish. Arranged by Pineapplechord. Contemporary. Score. 5 pages. Mercy. P #6265371. Published by Mercy. P (A0.862231). This sheet music was specially arranged for the piano. It was made with two-stage music that allows both hands to play. And I made use of the atmosphere of the original song to the maximum. You can enjoy playing with this sheet music.You can see other piano scores by Pineapple Chord on YouTube. https://www.youtube.com/channel/UCSSuHWf6BEprBlqgxq1uZbA?sub_confirmation=1

Brass Quintet Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1246889 Composed by Rob Bushnell. 21st Century,Classical,Contest,Festival,Traditional. 35 pages. RBMusic #841560. Published by RBMusic (A0.1246889). This fanfare was written to enter the Arts Active's Fanfare Competition, in celebration of St. David's Hall 40th Birthday. In writing this piece, I researched the musical history of St. David’s Hall. Unfortunately, it has proven very difficult to find specific songs/pieces from some of the key events (the only clip I could find was the Cory Band playing John Mile’s Music), so I focused on brass bands and Wales.The pieces incorporates Men of Harlech (Rhyfelgyrch Gwŷr Harlech), Land of My Fathers (Hen Wlad fy Nhadau) and Philip Sparke’s The Year of the Dragon. Growing up with brass band, I heard Men of Harlech a lot and it has always been my “go to� Welsh piece. Land of My Fathers is the unofficial anthem of Wales. As for The Year of the Dragon, it was used both times that St. David’s Hall has hosted the European Brass Band Championships: it was used as the set test pieces in 1986 for Desford Colliery Dowty Band’s historic victory (under Howard Snell) and as the own choice test piece in 1992 as part of Britannia Building Society (now Fodens) Band’s winning performances (again under Howard Snell). The Year of the Dragon is also a popular piece of music in the brass-band world and has much significance to me personally.The name of piece comes from the GPS location of St. David’s Hall (51.48022° N, 3.17653° W), rounded to the nearest integer: the actual location of 51° N, 3° W is just off of the A378 in North Curry in Taunton, Somerset, England. The competition stipulated that the fanfare was to be composed for a maximum of five standard brass band instruments and so was written for 2 Cornets, Tenor Horn, Trombone or Euphonium and Eb Bass. An additional score and parts have been provided for a more traditional brass quintet set up.

Piano Solo - Level 3 - Digital Download SKU: A0.862233 By Brave Girls. By Chakun, Two Champ 1, Two Champ 2, and Yong Gam Han Hyeong Je. Arranged by Pineapplechord. Contemporary. Score. 7 pages. Mercy. P #6333047. Published by Mercy. P (A0.862233). This sheet music was specially arranged for the piano. It was made with two-stage music that allows both hands to play. And I made use of the atmosphere of the original song to the maximum. You can enjoy playing with this sheet music.

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1277891 By Whitney Houston. By George Merrill and Shannon Rubicam. Arranged by Luiza Lale. 20th Century,Chamber,Pop. 26 pages. Luiza Lale #869593. Published by Luiza Lale (A0.1277891). A great arrangement to have in your set list for parties! Arranged for SATB and AAAT for maximum flexibility.

Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1229556 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Early Music,Renaissance,Traditional,Wedding. 43 pages. Jmsgu3 #825055. Published by jmsgu3 (A0.1229556). Minimum instrumentation: 4 Cornets in Bb, 4 Horns in F, 1 Tenor Trombone & 1 Bass Trombone.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.

Bass Guitar,Instrumental Solo - Level 4 - Digital Download SKU: A0.1112051 Composed by ren. Broadway,Musical/Show,Rock. Individual part. 5 pages. Ren #714233. Published by ren (A0.1112051). I wrote this piece for a University assignment for my Bachelor's degree. We were tasked to write for small ensemble, maximum of 8 players. Taking influence from stage theatre musicals I wrote this piece. This is the Bass section.

Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226488 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #822490. Published by jmsgu3 (A0.1226488). Minimum instrumentation: 4 Trumpets (or Cornets), 4 French Horns, 2 Tenor Trombones, and 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.

Full Orchestra - Digital Download SKU: AX.00-PC-0015968_F1 Flute. Arranged by Victor López. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015968_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015968_F1). UPC: 038081451237.A cool medley of two very hot tunes from two of the most popular ladies of pop, this piece is playable as full orchestra, strings alone, or strings with rhythm section. Violin solos are also cued in the clarinet part for maximum flexibility. The catchy melodies will be a hit! (4:50).

String Orchestra - Level 2 - Digital Download SKU: A0.1326178 By Thomas Quigley. By James Lord Pierpoint. Arranged by Thomas Quigley. Christmas. 21 pages. Thomas Quigley #914378. Published by Thomas Quigley (A0.1326178). Carefully designed, so as to achieve maximum effect with simple means, this is an impressive version. With attractive rhythms and appealing harmonies in the accompaniment, the focus is on the melody. Really enjoyable to perform, it is a fine Christmas concert item, not hard to learn and ideal for a school orchestra.

String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1302446 By LeAnn Rimes. By Johnny Marks. Arranged by Luiza Lale. 20th Century,Advent,Christmas,Jazz,Pop. 11 pages. Luiza Lale #892066. Published by Luiza Lale (A0.1302446). A festive staple for every gig pad and student ensemble! So much fun to play, get those quavers swinging! Arranged with an optional violin part instead of Viola for maximum flexibility. The YouTube link is the same arrangement performed by my saxophone quartet.

Two-part chorus - Digital Download SKU: C7.CGE94 Composed by Amy F Bernon. General. Sing! With Optional descant. Octavo. 12 pages. Chorister's Guild - Digital #CGE94. Published by Chorister's Guild - Digital (C7.CGE94). UPC: 749193023747.Hymns of Praise is designed to allow for maximum flexibility of use. The uses range from solo instrument with piano (or CD) to full orchestra. A listing of the various books in this series may be found below, as well as on the back covers of each book. With the exception of the Percussion book, each book includes a Solo and an Ensemble part for each hymn. Contents: Crown Him with Many Crowns (Praise to the Living God; Christ, the Eternal Lord); Morning Has Broken (Praise and Thanksgiving; Child in the Manger; Christ Beside Me); Go, Tell It on the Mountain; Lord, Whose Love Through Humble Service (As We Gather at Your Table; Jesus, at Your Holy Table; God, Whose Giving Knows No Ending); Lift Up Your Heads, O Mighty Gates (Christ Is Alive! Let Christians Sing!; High in the Heavens, Eternal God); Joyful, Joyful, We Adore Thee (Christ Is Risen, Shout Hosanna!; Sing with All the Saints in Glory); The Church's One Foundation (We All Are One in Mission; O Living Bread from Heaven); Now the Green Blade Rises (Sing We Now of Christmas); Love Divine, All Loves Excelling (Come, Thou Long-Expected Jesus; God, Who Stretched the Spangled Heavens); Let All Things Now Living (Sent Forth by God's Blessing; The Fruit of the Spirit; The Master Hath Come).

Clarinet Duet Clarinet - Level 1 - Digital Download SKU: A0.832879 Composed by Ray Henderson. Arranged by Claire Summerbell. Blues,Instructional,Jazz. 2 scores. 2 pages. Claire Summerbell #6871079. Published by Claire Summerbell (A0.832879). This easy clarinet duet arrangement of Ray Henderson's 'Five Foot Two, Eyes of Blue' is suitable for players of UK grades 1-2 and is written in a fun jazzy style. Remember to add the accents for maximum effect!Claire Summerbell is a London-based clarinetist, educator, composer and arranger. She specialises in writing intermediate jazz clarinet duets through her website Clarisheets which can be found here: http://clarisheets.com. Her work sells globally.

Piano Solo - Level 3 - Digital Download SKU: A0.862204 By Stevie Wonder. By Stevie Wonder. Arranged by Pineapplechord. Pop,Soul. Score. 3 pages. Mercy. P #6235013. Published by Mercy. P (A0.862204).  This sheet music was specially arranged for the piano. It was made with two-stage music that allows both hands to play. And I made use of the atmosphere of the original song to the maximum. You can enjoy playing with this sheet music. .