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Viola Duet Viola - Level 3 - Digital Download SKU: A0.590574 Composed by David McKeown. Celtic,Folk,Holiday,Love,Wedding. Score. 4 pages. David McKeown #6212735. Published by David McKeown (A0.590574). Grá, (Irish for Love), is a beautiful original composition by David McKeown, arranged as a duet for two Violas.This duet is inspired by the Irish sean-nós style of singing. Originally sung unaccompanied in the Irish Gaelic language, in more recent times the melodies have been adapted as instrumentals, harmonised and given accompaniment. The songs are most often about love and loss and Grá aims to capture this melancholy mood.Grá is written for players at an intermediate standard and upwards. Expressive throughout, the first part of the melody is played above a drone. Simple accompaniment then builds towards a climax before the melody slips away like a distant echo. Players can add their own appropriate ornaments and variations to the melody if they wish. Grá has a performance time of a little over three minutes. Click the link above to hear a full performance of the Clarinet version of Grá on Youtube.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
Grá, (Irish Gaelic for Love), Viola Duet
2 Altos (duo)

$3.99 3.37 € 2 Altos (duo) PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0015365_TB1 Tuba. Composed by Robert Buckley. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0015365_TB1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015365_TB1). UPC: 038081431383.Imagine a misty hall of mirrors where, one by one, colorful, bizarre characters materialize out of the shadows and begin dancing a wild, mysterious waltz. Starting tentatively at first, the music whirls and twirls, spinning and turning, eventually becoming faster and faster, building to a frenzied climax when, in a puff of smoke, everyone disappears! Featuring solos for trumpet, alto saxophone, flute, and clarinet, and a duet for piccolo and tuba, Smoke and Mirrors is full of sweeping melodies, energetic percussion, harmonic surprises, and dramatic shifts in dynamics. Sure to bring a spark of magic to any concert. (5:00)Concert/Contest.
Smoke and Mirrors: Tuba
Orchestre d'harmonie

$3.00 2.53 € Orchestre d'harmonie PDF SheetMusicPlus

3-part mixed choir, Piano - Digital Download SKU: LX.15-3543H Arranged by Mary McDonald. With Optional Full Orchestra. Patriotic. Octavo. 12 pages. Heritage Music Press #e15/3543H. Published by Heritage Music Press (LX.15-3543H). ISBN 9780787760823.Mary McDonald presents an epic arrangement of this patriotic favorite that includes the option for a powerful full-orchestra accompaniment from Michael Lawrence. With nuanced harmonic liberties and expertly varied sections, this arrangement transitions seamlessly from flowing choral verses into a jubilant climax. A perfect showpiece for concerts or special patriotic celebrations! All three vocal scorings are compatible, allowing elementary, middle school, and high school singers to join together in a massed festival performance.
My Country, 'Tis of Thee
Chorale 3 parties

$2.50 2.11 € Chorale 3 parties PDF SheetMusicPlus

Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158388 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Comedy. 22 pages. Https://gildedmusicpress.com/ #758669. Published by https://gildedmusicpress.com/ (A0.1158388). My wife’s from-scratch cinnamon rolls are famous throughout our community—especially among our children’s circle of friends. While enjoying a socially-distanced church service at home on Easter Sunday, there was a batch of those butterfly-inducing cinnamon rolls baking in the new oven. They filled the home with an exquisite aromatic delight. Then the magic motif chimed: “The food is done!†I happened to have my composition notebook with me, and the little four-note tune inspired this composition. It just naturally took me in some happy musical directions, and within a minute or two, the melodic content, replete with fun-filled, muted second-trumpet echoes, was scrawled down. The next day, the music was entered into the computer. It is interesting that I gave the horn the cliché off-beats that all hornists know and love so well. Funny, I usually pride myself on writing for horn as an equal musical instrument; however, this fun, happy melody just demanded an “um-pah†accompaniment. Hopefully there is enough variety to keep the part fun to play. It helps that the piece is only two minutes and something long. The transition into the B section almost wrote itself, modulating to the relative minor. There I paused briefly, wondering how to treat a minor section in such an exuberant piece. Oh, but inspiration continued to flow, and I resumed writing in earnest with a mischievous smile! This section beautifully portrays a naughty, sneaky kid tiptoeing into the kitchen for another cinnamon roll—forbidden until after dinner! The listener can hear the kid’s nervous fluttering heart, and moments of pulling his hand back in startled impishness, and even shuddering as he looks fearfully over his shoulder. At the end of the B section, he gets caught! Witnessing that low-hanging head and puppy dog eyes, mommy finds that she can’t scold the lad too severely. “After dinner, little one…†she reprimands with an understanding grin. The jubilant melody returns to round out the work’s ternary ABA form, though this time with a very sticky Ives-esque climax, reminiscent of a gooey cinnamon roll mess. Too enjoyable to be bothered by prospects of cleaning up, the music shrugs it off with flippant ragtime syncopations, and ends with the “hic-burp†of a very satisfied tummy.
Cinnamon Rolls (for Brass Quintet)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$19.95 16.85 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0017027_TB1 Tuba. Composed by Bruce W. Tippette. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017027_TB1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017027_TB1). UPC: 038081505985.As its title suggests, Farewell at Dawn is a musical expression of bidding farewell to the night and beginning a new day. The piece opens softly with a gentle motive that evolves through simple, yet expressive material. A short quasi-canon provides a transition for a climax that resolves peacefully using the original musical motive. This is a piece with a mature, lyrical sound that can be performed by the youngest of bands. (1:45)Concert/Contest; Festival.
Farewell at Dawn: Tuba
Orchestre d'harmonie

$3.00 2.53 € Orchestre d'harmonie PDF SheetMusicPlus

Woodwind Ensemble - Level 5 - Digital Download SKU: A0.1073229 Composed by An-lun Huang. 20th Century,Classical,Contemporary,Multicultural,Traditional,World. 33 pages. DoReMi Edition #677492. Published by DoReMi Edition (A0.1073229). Chinese Rhapsody No.3 was composed e in Toronto, Canada , 1988. Huang dedicated the piece to the Canadian Saxophonist Paul Brodie who premiered it in Parry sound of Ontario in the same year. Written in Saibei Folk Style, the music is divided into 5 movements without stop. As usual, Huang didn‘t use any folk song . But the typical taste of Huang’s “Zhang Jia Kou[張家å£] accent†is pretty easy to be identified. With the concert virtuosity, the 1st movement is composed as an emotional Cadenza which expresses the profound affections to the land of Saibei. Using the same Alto Sax., the lyric 2nd movement is followed by a folk dance, the 3rd movement. Chang to a Soprano Saxophone, the 4th movement is sound like a dreamy nocturne which is interrupted by the percussions of the fiery 5th movement. The whole Rhapsody ends on a climax of the Chinese Northern west “wind and percussion “styleâ€. Brodie found more than 300 trills in this piece. Perhaps this is the key to perform the music in real Chinese style. Huang has composed 5 versions of these pieces for different ensembles: saxophone solo with piano, or strings, or winds/brasses, or Chinese traditional orchestra, or symphony orchestra. The attached mp3 was performed by the German saxophonist Jurgen Demmler with pianist Peter Grabinger in 1996. Duration: 20’.
CHINESE RHAPSODY No.3 For Saxophone & Wind Orchestra (without Arpa) , Op.46 [Score] - Score Only

$19.99 16.89 € PDF SheetMusicPlus

Large Ensemble Cello,Double Bass,Flute,Multi-Percussion,Oboe,Trombone,Viola - Level 5 - Digital Download SKU: A0.533689 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and parts. 64 pages. Musik Fabrik Music Publishing #3038607. Published by Musik Fabrik Music Publishing (A0.533689). Concerto for Bass Trombone and Six Players (2006) was commissioned by the CarnegieMellon School of Music for the Carnegie Mellon Contemporary Ensemble, Walter Morales,director. The work is dedicated to trombonist Jim Siders, for whom the solo part was written.The work is scored for solo bass trombone with an ensemble of primarily “dark†instruments– alto flute, clarinet, viola, cello, contrabass, and percussion. The solo bass trombone is thefocal point of the musical discourse, acting throughout largely as a protagonist – with muchmaterial best described as bitterly lyrical. The work maintains a generally dark, obsessive,and bitter tone throughout.Unlike some concerti, however, the work is not about an aggression between soloist and therest of the ensemble. Rather the bass trombone is “first†among a collection of like mindedindividuals – all expressing the same sentiments and aggressions.The opening section is marked “spasmodic.†Quiet nervous twitches serve as a backdrop to amelodic unfolding of the basic material and interval content. The end of this part “breaksapart†to reveal a section marked “slow, otherworldly.†The harmonic material starts modal,open, and “distant†in feeling (perhaps a recollection of a distant past) before becominggradually gnarled again.The trombone leads towards the next section: an ever-building athletic “moto perpetuo.†Thisreaches its peak in an aggressive and horribly angry climax – with a wide-ranging trombonepart marked “wildly raving; insane, uglyâ€, obliterated by bass drum hits and shriekinghammer blows from the other instruments.A nervous and timid interlude returns to the nervous twitching of the opening – thougheverything is slightly slower and more hushed than before, finally breaking off into anenigmatic coda.Alto FluteClarinet in BbPercussion (1 player):bass drum, marimba, crotales(Percussionist needs one rosined bow for crotales.)ViolaCelloContrabassThis is the score and parts.  The score is also available for sale as a seperate item.
Carson Cooman: Concerto for Bass Trombone and Six Players (2006), score and parts

$32.95 27.84 € PDF SheetMusicPlus






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