Concert Band - Level 3 - Digital Download SKU: A0.1024251 Composed by Sir Lunch. Contemporary. Score and parts. 68 pages. Sir Lunch #2917683. Published by Sir Lunch (A0.1024251). Ascending Everest is an exciting new work for Concert Band that endeavors to create the varying moods that I imagine would accompany such an incredible undertaking as scaling the world's tallest mountain.The piece opens with a dramatic minor chord as the behemoth is viewed in person for the first time. It then quickly delves into the business at hand with a mixture of excitement and forboding. The middle section represents the first night's base camp, as weariness and doubt cause the climber great trepidation over what is yet to come. What if I can't do it? What if I fail? The tone begins a subtle change as renewed determination sets in, and the climax rings of victory!This work is for Concert Band, however the standard instrumentation is not strictly adhered to. In my experience, most high school or community bands don't have anyone to play bassoon and so I elected not create such a part. Also, you will note that there is no Percussion 2. It was merged with Percussion 1. Please feel free to contact me with feedback at sirlunch@gmail.com One last note. The mp3 is a computer generated file and begins at around the 30 sec mark.

C Instrument - Level 3 - Digital Download SKU: A0.1507565 Composed by Unknown. Arranged by guinness sanjeevbabu. Multicultural,World. Lead Sheet / Fake Book. 3 pages. Indian guitar lessons #1082968. Published by indian guitar lessons (A0.1507565). Guitar tab for the climax of the karnatic song.

Piano Solo - Digital Download SKU: A0.846910 Composed by W. S. Weeden. Arranged by Sharon Kim. 20th Century,Christian,Concert,Praise & Worship,Sacred. Score. 5 pages. Song of Songs Music #6369557. Published by Song of Songs Music (A0.846910). All to Jesus I Surrender composed by W. S. Weeden arranged by Sharon KimThis all time favorite hymn just got a beautiful sheen to its style and harmony by a pianist and composer Sharon Kim. It was arranged for classical pianists that can be performed as musical offering or an encore piece after recital to confess the belief as Christian pianists. It begins with a simple presentation of the melody with divers harmonic supports and soon develops to reach a strong climax with a bridge consists of sweet and mellow arpeggios. The long mature phrases add beautiful flows to the piece. Please visit and subscribe to Sharon's Youtube channel 'Sharon's Pure Music' to get updated with new releases of her compositions and arrangements. https://www.youtube.com/channel/UCj7qYJSAac9aRmFAEB3tnEA/featured.

Piano Solo - Level 3 - Digital Download SKU: A0.1010665 Composed by Allan Sewell. 20th Century,Concert,Contemporary. Score. 9 pages. Allan Sewell #2054461. Published by Allan Sewell (A0.1010665). A piece that slowly escalates continuously throughout its eight minute length which evokes feelings of justice. The left hand plays patterns that change at points in the song and the right hand is more complicated in terms of melody and rhythm. A great recital piece with the increased intensity that raises the audience until after the climax in which they are slowly brought down comfortably where they started.

Full Orchestra - Level 4 - Digital Download SKU: A0.731851 Composed by Irish Traditional. Arranged by Thomas Quigley. Celtic,Concert,Folk,Holiday. Score and parts. 142 pages. Thomas Quigley #3399257. Published by Thomas Quigley (A0.731851). Based on the jig Saint Patrick's Day and a hymn tune Dóchas Linn Naomh Pádraig, this colorfully orchestrated piece is an ideal concert item at any time, but particularly on (or close to) St. Patrick's Day. The dance tune is very well known and provides an exciting opening before the hymn. Here, the orchestra builds to a climax with a full-textured rendition, after which a new version of the jig is heard, but now transformed into a reel. This is a most appealing and well-crafted overture, always very suitably harmonized. It is a glowing orchestral tribute to Ireland's patron Saint.(Duration 5:00).

Choral 4-Part Chorus,Choir,Choral - Level 5 - Digital Download SKU: A0.1413862 By James Taylor. By Adolph Green, Betty Comden, and Jule Styne. Arranged by Yumiko Matsuoka. A Cappella,Jazz. 10 pages. Yumiko Matsuoka #995648. Published by Yumiko Matsuoka (A0.1413862). Commissioned by Vancouver-based male quartet Realtime, the classic from Peter Pan is transformed into an exciting jazz waltz. During the bridge the tempo relaxes a bit and goes into 4/4 swing, but in 8 bars it returns to the original tempo and meter. The bass and a tenor get to improvise thereafter, and the energy builds up to a key change where there is a little dreamy, reflective moment. The song keeps gaining momentum to a joyous and breath-taking climax. An excellent showcase piece for a strong male ensemble.  TTTB a cappella (could be done by ATTB). Approx. performance time 3:15.

Instrumental Duet Flute,Instrumental Duet,Organ - Level 4 - Digital Download SKU: A0.853191 Composed by Hans-Andre Stamm. 20th Century,Concert,Latin. Score and parts. 14 pages. Hans-Andre Stamm #5869607. Published by Hans-Andre Stamm (A0.853191). Based on a sort Habanera rhythm marked mainly in the pedal, the flowing of the triplet figuration theme includes melodic lines and a pedal solo leading to the final climax. The piece can be played with concert flute or piccolo, like in the youtube video Duration: 3.30 min

Concert Band - Digital Download SKU: AX.00-PC-0017027_PC1 1st Percussion. Composed by Bruce W. Tippette. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017027_PC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017027_PC1). UPC: 038081505985.As its title suggests, Farewell at Dawn is a musical expression of bidding farewell to the night and beginning a new day. The piece opens softly with a gentle motive that evolves through simple, yet expressive material. A short quasi-canon provides a transition for a climax that resolves peacefully using the original musical motive. This is a piece with a mature, lyrical sound that can be performed by the youngest of bands. (1:45)Concert/Contest; Festival.

Fl. pft. - Intermediate-Advanced - Digital Download SKU: F2.FM617 Composed by Richard Lambert. A set of pieces for flute and piano. Score and part. 37 pages. Forton Music - Digital #FM617. Published by Forton Music - Digital (F2.FM617). ISBN 9790570485161.Abigail's Jig, op. 10 no. 2a, This lively piece for flute and piano was composed in 1980 to celebrate the birth of Abby, the composer's daughter. The piece attempts to capture the atmosphere of an Irish jig as played by a piper, with a harmonically straightforward piano part, which uses a mixture of 'vamping' and melodic imitation of the flute part. The introduction is intended to be humorous and rather musically misleading, openly parodying the 'cowboy' music of Aaron Copland. Modal harmony helps to create the mood of pseudo-folk music. Cantilena, Op. 11b, Cantilena tries to capture a popular flavour, borrowing freely from pop and jazz styles: primary and secondary chords are used in arpeggiated piano figures, as mainstream ballads might do; pedal notes are a feature, especially on the tonic note; and a 'bluesy' style emerges in the third main theme. A pseudo-rock style is twice used in the climax section, which acts as a song-like chorus. Cantilena is in the key of D major overall, but even the introduction uses 'wrong note' harmony (notably flattened sevenths) to produce ambiguous tonality. The piece demonstrates a range of tone colour for the flute across a wide melodic range. Written originally for alto sax in 1987, the piece was arranged for flute in 1994. Five Short Pieces, Op. 9a, This set of movements for flute and piano was originally arranged in 1985, and revised in 2008. The five pieces are elaborate transcriptions of To One, five songs to poems by Christina Rees, which convey the countless moods associated with a relationship.

Full Orchestra - Level 5 - Digital Download SKU: A0.1436997 By Barbra Streisand. By Alan Bergman, Marilyn Bergman, and Marvin Hamlisch. Arranged by Fred Barton. 20th Century,Film/TV,Pop,Standards. 81 pages. Fred Barton Music #1017064. Published by Fred Barton Music (A0.1436997). A sweeping, cinematic arrangement for vocal and symphony orchestra.  After a mysterioso orchestral introduction, the vocal first chorus rides the major and minor harmonies inherent in the song. An upward modulation brings the repeat of the bridge into a fuller orchestral treatment with more power in the vocal, all leading up to the final shattering climax on the last A section – before descending back into the haunting quality of the opening chorus in the last bars.

Concert Band - Level 1 - Digital Download SKU: A0.1315796 By The Beatles. By John Lennon and Paul McCartney. Arranged by L.C. Harnsberger. 20th Century,Contest,Festival,Film/TV,Pop,Rock. 29 pages. LCH Music #904569. Published by LCH Music (A0.1315796). The music of The Beatles has transcended generations with hits that continue to captivate audiences worldwide. Their song “Let It Be� soared to the top of the Billboard Hot 100 chart in 1970 and its enchanting melody still resonates today. This timeless arrangement for young band captures the chorale-like feel of the original recording while also drawing inspiration from Celtic songs. After a quiet introduction, the song builds to a glorious climax. “Let It Be� will create an inspiring moment in any concert that will bring the crowd to its feet.

Piano Solo - Level 4 - Digital Download SKU: A0.946955 Composed by Daniel B. Towner & Julia H. Johnston, Fanny Crosby & William H. Doane. Arranged by Wanda Cooley. 20th Century,Easter,Sacred. Score. 14 pages. Wanda J. COOLEY #6259173. Published by Wanda J. COOLEY (A0.946955). This arrangement begins in a flowing style which builds to a cascade of five-finger embellishments at its climax.  Motifs unify and propel as the accelerating motion leads to the reiteration of the paramount message:  God's Grace...(is)...Greater than all our Sin!  The hymn Jesus Keep Me Near the Cross appears briefly to support this reflection. Length: 3:45 min.  PDF Overhead PowerPoint Text sequences to the piano score.GRACE CREATER THAN OUR SIN is also available at SMP inside IN THE CROSS, a pianist's complete kit for presenting the Gospel thru 10 hymn arrangements sequenced with Overhead PowerPoint Texts.  Also included are bulletin and program templates and organizational aids, narratives, and promotional graphics so that the pianist's only responsibility is playing the music!   Grace Greater than Our Sin - Daniel B. Towner & Julia H. Johnston, Jesus Keep Me Near the Cross - Fanny Crosby & William H. Doane.

Concert Band - Digital Download SKU: AX.00-PC-0000831_TN2 2nd Trombone. Composed by John O'Reilly. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0000831_TN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0000831_TN2). UPC: 038081270258.Syncopated brass and driving percussion open this sparkling concert selection. The rhythmic woodwind melody that enters after the brief introduction is set in the Dorian mode, a tonality that dominates the remainder of the piece. The very prominent percussion section gives way to a more delicate woodblock, triangle and tambourine ostinato that accompanies the light hearted second theme. Trumpets now take over the melody and the style hints at the early Hispanic roots of Chico Hills. A lyrical theme in the original Dorian mode highlights the slower middle section that builds to a dramatic climax before returning to the opening Allegro and a short exciting conclusion.

String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.984564 Composed by Tito Abeleda. 20th Century,Concert,Contemporary. Score and parts. 28 pages. Visionary Quest Records #6102063. Published by Visionary Quest Records (A0.984564). Pathétique means to move someone emotionally - to evoke sadness, to evoke pity. Pathétique was composed by Tito Abeleda for string orchestra and string sextet. Tito wrote this original poignant piece as a means to catharsis for processing sadness, reflection, and deep contemplation. Pathétique begins with an expressive violin solo, which sets the melodic motif and tone for the entire piece. Pathétique slowly builds, adding each string part as its own contrapuntal layer, which creates ever-growing, rich, lush harmonies that seeks to climb to the pinnacle of musical climax, resonating the fullness of emotional release. Pathétique (for String Sextet) conveys its own intimate yet powerful sense of deep emotionality.Special Thanks to photographer Rene Asmussen for Sheet Music photo.Contact Tito for original compositions: http://bit.ly/TitoAbeleda_SoundBetterEmail: tito@visionaryquestrecords.comHttps://www.visionaryquestrecords.comPRO: BMI.com Follow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes

Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1021619 Composed by Tyler J. Holt. Concert,Contemporary,Standards. Score and parts. 43 pages. TJHoltMusic #6134009. Published by TJHoltMusic (A0.1021619). Sonata for Flute and Piano, Op. 12 was written for and is dedicated to my friend, Natalie Smith. This sonata conveys different moods using various styles in each of the movements, all of which take some liberty and, at times, are vague with form.The first movement, inspired by Claude Debussy, uses a quasi mirror form, with the two motives connecting with a sudden yet seamless tempo change, which is supported by the driving rhythm in the piano, and a development in the middle of the movement.The second movement is a funeral march and is based on the chord progression built around the sustained B natural in the flute, which conveys a dreamlike atmosphere. As the progression transforms, there is an increasing sense of dread that unfolds until this feeling becomes primal before collapsing in on itself at the climax of the movement. From there, the progression returns more actively with, although not as strong as before, a sense of dread still present for the remainder of the movement. The movement is in ternary form (ABA), with a development in the first A section.The third movement is a more clearly defined rondo form and is based on themes that undergo subtle changes each time they return. Other themes include a recurring call and response between the treble and bass lines in the piano, which the flute participates in this exchange when it is presented again later, a reference to the second movement's progression, and a modal theme that floats in terms of harmonic and melodic structure. When the initial theme returns for the final time, a coda restates previous ideas as the finale gradually increases its tempo and concludes the piece. This movement is the most technically challenging, especially considering that I asked Natalie how fast she can double tongue. In general, there are a fair amount of high passages and big leaps. This was written with Natalie's skill set in mind.I. Moderato con gioiaII. Lamento sostenutoIII. ScherzoComposed by Tyler J. HoltPublished by TJHoltMusicCopyright © Tyler J. Holt, Composer.