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Flute,Piano - Level 5 - Digital Download SKU: A0.1042377 Composed by Jamie Farrow. Classical,Contemporary. Score and part. 12 pages. Jamie Farrow #647168. Published by Jamie Farrow (A0.1042377). This is a piece for flute and piano duo. Fastnet Rock, home to the Fastnet Lighthouse, is Ireland’s most southerly point situated in the Atlantic Ocean, famous for massive waves that engulf the island during storms. Three photographs (see below) and the lighthouse’s history were my inspiration for this duet, with the different images and ideas that they created, influencing my composition’s structure, themes and ideas at play. The piece starts at sunset and finishes at sunrise, with four sections each representing a different moment that follow a gradually developing structure through the first three sections before a gentle reprise of the ideas from Section 1 (S1) in Section 4 (S4). This gives a cyclicity to the piece, furthered by the tonal regions explored in each of the sections; Ebmaj to Amin to Bmin to Amin to Ebmaj. S1 invokes thoughts of the colours of sunset It is divided into four sub-sections, characterised by either solo flute or flute with piano, with each section exploring a different range of colours generated by their keys. Throughout, accidentals provide additional colour reminiscent of light diffracted during a sunset with the piano in the duo section voiced low in its range adding warmth explored through pivot chords. The flute plays in a very free recitative style, allowing the flautist individual expression emphasising the organicity of sunset as each performer will express this section differently. Section 2 (S2) and Section 3 (S3) are closely related, focusing on night-time through to sunrise in S4, with S2 providing the build up to the events of S3. In S2 the piano plays at the extremes of its range with widely spaced chords and no sense of beat, creating stillness and a sense of uneasiness through the constantly and irregularly beating A. The flute represents the rising storm and wind playing an organically-evolving motif beginning low in range, before gradually adding more notes and slowly rising, eventually reaching a dramatic climax which explores the extremities of its range whilst accelerating into S3. The drama and large gestures of S3 represent an Atlantic storm, a wall of oscillating sound through repeated piano ostinatos and constant use of the sustain pedal. Coupled with the frequently changing time-signature creating a sense of wild waves rolling in the ocean, the chordal bars percussively suggesting waves hitting the island. The flute captures the drama and emotion of the storm and the whistling wind, with long rising and falling gestures exploring the instrument’s very extremities. S4 brings the morning after the storm. We hear the same flute idea as in S1, this time played in the sadder Amin, communicating a sense of loss and despair following the storm. The piano emulates the now gently lapping waves against the rocks of Fastnet with the triplet motif in the bass. The right-hand of the piano plays a chordal accompaniment as in S1 but much slower, representing the slowly emerging colours of a sunrise which become richer and richer like the chords before the sunrise in the final few bars with a move into Ebmaj.
Fastnet Rock
Flûte traversière et Piano

$2.99 2.53 € Flûte traversière et Piano PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download SKU: A0.750910 Composed by Philip Paul Bliss (1838-76). Arranged by Brendan Elliget MAGA 537. Christian,Sacred. Score and parts. 42 pages. BJE Music #4823539. Published by BJE Music (A0.750910). A lovely arrangement for Concert Band. Key of Ab to Bb in the last verse. Also available for Brass Band and Orchestra.  This tune was composed by Philip Paul Bliss (1838-76); an American writer of hymns and a Gospel singer. In the 2nd verse, the melody is taken up by the Trombones in a very easy comfortable range. The Descant part is played in the 3rd Verse at the change of key; A flourish of Woodwind, Trumpets, and Horns finishes with a rousing climax in the final chords. If you use this arrangement, please let me know how it goes! There is an optional chorded Piano part included in the PDF.The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration = 2:50 mins
When Peace Like A River (It Is Well With My Soul) - Concert Band Score and Parts PDF
Orchestre d'harmonie

$25.00 21.17 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0016397_AX2 2nd E-flat Alto Saxophone. Composed by Chris M. Bernotas. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016397_AX2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016397_AX2). UPC: 038081481692.A tuneful way to introduce students to the lyrical style and rollicking feel of traditional Scottish/Irish music. The Air is the melody from Gilderoy and is set with a contemporary harmonic palette that concludes with an exciting climax before transitioning to the jig. The Jig of Slurs is a traditional Irish dance with a melody and feel that is infectious! (2:30) Air and Jig correlates to Book 2, Level 2 of Sound Innovations for Concert Band.Concert/Contest; Festival.
Air and Jig: 2nd E-flat Alto Saxophone
Orchestre d'harmonie

$3.00 2.54 € Orchestre d'harmonie PDF SheetMusicPlus

Chamber Orchestra - Level 5 - Digital Download SKU: A0.533666 Composed by Carson Cooman. Contemporary. Score and parts. 36 pages. Musik Fabrik Music Publishing #3036593. Published by Musik Fabrik Music Publishing (A0.533666). Autumn Sun Canticle (2006) for trumpet and orchestra was commissioned by The CommissionProject in memory of Bob Stata. Bob Stata was a jazz bassist and teacher, who died on June 14, 2005at the age of 52. (Stata commissioned and directed the premiere of Cooman's The Great Wilno(1999) for solo piano and wind ensemble.)This work has an autumnal spirit, but is lyrical and hopeful as well. An opening aria section leadstoward a chorale-like passage. A development of this material leads towards a passionate andsomewhat anguished climax. The opening aria returns, before an elegiac coda closes the work.Orchestration: 2222/0000/1perc/Solo Trumpet/stringsBoth Bb and C trumpets parts are included in the set. A version for trumpet and piano is also available for sale.
Carson Cooman: Autumn Sun Canticle (2006) for Bb or C trumpet and orchestra:, score and complete par
Orchestre de chambre

$64.95 55.01 € Orchestre de chambre PDF SheetMusicPlus

Concert Band - Level 5 - Digital Download SKU: A0.1089980 By Masakazu YAMAMOTO. By Claude Debussy. Arranged by Masakazu YAMAMOTO. 20th Century,Classical,Contest,Festival,Film/TV,Pop. 22 pages. Motch Music #694194. Published by Motch Music (A0.1089980). Arrangement for concert band.This is the 12th song from Preludes 2nd book, which is Debussy's mature piano music. It is a depiction of the Paris Festival (Revolutionary Day) on July 14. Against the background of the first triplet, you can start to see fireworks shining in the distance. After getting closer and closer and launching it bigger, it's dizzying and colorful.It's changing to shine. Fanfare-style motifs that appear on the way are deployed in various ways, and they are magnificently reproduced at the climax at the end.And the French national anthem La Marseès concludes the song with a reverberation in the aftertaste.The whole scale and the tonic sound are skillfully combined, and the original song is very pianistic.I want to switch the tone and tempo firmly for each scene, and try to play crisp and colorful performances. Commissioned by conductor Keiko Kobayashi, and the Sony Concert Band. Premiered on July 2, 2022. Playing time: about 5'00(arr. Masakazu YAMAMOTO)[Instrumentation]Piccolo Flute 1, 2 Oboe 1, 2 Bassoon (option) Eb Clarinet Bb Clarinet 1, 2, 3 Bb Bass Clarinet Eb Alto Saxophone 1, 2 Bb Tenor Saxophone Eb Baritone Saxophone Bb Trumpet 1, 2, 3 F Horn 1, 2, 3, 4 Trombones 1, 2, 3 Euphonium Tuba String Bass Harp (option) Timpani Percussion (5 players) 1 (Glockenspiel, Whip) 2 (Vibraphone, Triangle, Xylophone, Wind-chime) 3 (Suspended Cymbal, Wind-chime, Triangle, Whip, Rachet, Crash Cymbal) 4 (Snare Drum, Suspended Cymbal, Bass Drum) 5 (Maracas, Bass Drum, Rachet, Tambourine, Tam-tam, Snare Drum) Works For Concert Band Original Composition (Sheet Music Plus / Sheet Music Direct)Arrangement (Sheet Music Plus / Sheet Music Direct)----------------------------------------------------- Motch Music All Sheet Music (Sheet Music Plus / Sheet Music Direct)I have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band. From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire. I also provide a rich collection of audio preview.In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received. Please take a look below for more information!Motch Music Web Pagehttps://www.masakazuyamamoto.com/english  
Feux d'artifice [Arrangement for concert band] - Score Only
Orchestre d'harmonie
Masakazu YAMAMOTO
$40.00 33.88 € Orchestre d'harmonie PDF SheetMusicPlus

Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1459231 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Homco/Crinion. Contemporary,Pop,Wedding. 5 pages. Homco/Crinion #1038172. Published by Homco/Crinion (A0.1459231). This song was released by Calum Scott in 2017, but a duet vesion in 2018 with Leona Lewis charted internationally to even greater success. This male/female duet lends itself well to translation as a violin/cello version. Thus, in this arrangement, the cello opens with the melody before handing off to the violin. Close harmonies between the two instruments make for some very lush and sensual moments. There is also a section where the violin melody is in the upper register while accompanied by arpeggios in the cello's lower register. This spacing gives a dramatic climax in sound exactly where it is needed. The ending mysteriously decrescendos to a whisper for an effect that makes the listener want more.
You Are The Reason
Violon, Violoncelle (duo)
Calum Scott
$7.99 6.77 € Violon, Violoncelle (duo) PDF SheetMusicPlus

Two-part chorus - Digital Download SKU: C7.CGA381 Composed by Tom Mitchell. Easter. With Handbells, bass. Sacred Anthem. Octavo. 12 pages. Chorister's Guild - Digital #CGA381. Published by Chorister's Guild - Digital (C7.CGA381). UPC: 749193004425.Taking for her inspiration the refrain used by Helen Kemp in her presentation on children's choir methods, Sue Ellen Page has composed an effective setting with additional text by her husband, Eric. This is one of four anthems commissioned by Westminster Choir College for the second Festival of Singing Children to be premiered in May 1987 in Princeton, New Jersey. The addition of percussion instruments and flute give a colorful spirit to the anthem. The changing meters should not be difficult to teach, and the changing keys help build to a stunning climax. Composer: Page, Sue Ellen Text Author: Johnson, Eric D. and Kemp, Helen.
Celebrate the Good News
Chorale 2 parties

$2.10 1.78 € Chorale 2 parties PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.1017072 Composed by Eoin Buchanan. Contemporary. Score and parts. 87 pages. 7plc Music #6079111. Published by 7plc Music (A0.1017072). At the centre of the Norfolk city of Norwich lies Tombland. The name evokes thoughts of haunting, death and Black Plague burial pits. Actually Tombland simply means empty space and it was here that Norwich market was sited. Violence seems to have been a recurring theme in the history of Tombland. In 1549 Robert Kett led a rebellion against the enclosure of common land. After a fierce attack on Bishop Bridge, Kett and his band of followers gained access to the city and took the Mayor, Thomas Codd, prisoner. Having spent a number of years as a clergyman in the Diocese of Norwich, I can tell you that this area is very different nowadays. However, its Normal cathedral and older buildings still offer a sense of struggles past, present and future. Inspired by Ray Sampson’s book, Tombland, this original work for full orchestra uses harmonic and rhythmic dissonance to portray the violent and oppressive struggle between those with and ‘those without. The blacksmith’s anvil heralds village life with church bells sounding and flute introducing children playing in the village square. Very quickly the scene changes as Basses offer a deep threatening tone and slowly the rhythmic confusion builds to an eventual climax. Horns then introduce a quasi carillon Dies Irae theme and flutes and piccolo enter with a haunting bird call until low strings and Cor Anglais begin the build up to chaos once again. The work’s false, dying ending suddenly gives way to a sacred style chorale leading to the very abrupt Malcolm Arnold style ending.
Tombland Fanfare
Orchestre

$35.00 29.64 € Orchestre PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1464108 Composed by Franz Schubert. Arranged by Marc Donatelle. 19th Century,Christian,Classical,Praise & Worship,Spiritual. 20 pages. Marc Donatelle #1042822. Published by Marc Donatelle (A0.1464108). A beautiful classic, this arrangement for Brass Quintet stands by itself, or can be blended with an organ - perfect for a church service.Each instrument gets a piece of the melody (including tuba) and serves as a rest for the 1st trumpet.The Horn is featured at the beginning and end, with the trombone providing the triplet noodles, melody in the middle climax,  and bass line during the tuba solo.
Ave Maria
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$15.00 12.7 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

C Instrument - Level 3 - Digital Download SKU: A0.1130187 By Julian Hartwell Project. By Julian Horner. Arranged by Julian Horner. Contemporary,Jazz,New Age. Lead Sheet / Fake Book. 3 pages. Julian Hartwell Music #730547. Published by Julian Hartwell Music (A0.1130187). A thoughtful, evocative modern jazz composition that takes the listener on a deep journey through a labyrinth of melody and harmony. Tells a story with a memorable melody and the climax in the B section, with quite alot of room for dynamic possibilities. Notes: Pay attention to the feel change from A to B section. Quarter note becomes a dotted eighth note, then return to the original A feel at C. Solos are entirely in the 6/8 feel of the B section, and/or use variety between the feels depending on soloist. Best performed as a quartet ensemble with guitar and piano doubling the melody.
The Minotaur
Instruments en Do
Julian Hartwell Project
$4.99 4.23 € Instruments en Do PDF SheetMusicPlus

Chamber Orchestra - Level 5 - Digital Download SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Brandon (A0.1453498). Legacy is a three-movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission in 2007 by the Washington Sinfonietta, Rufus Jones, conductor and rewritten for chamber orchestra in 2023. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate isquieted by a measure of repeated chords that could be the words, stop it! stop it now!” A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries brings the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressing the harshness of the climate. Colleen McCullough's book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato creating a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Score prints on legal size paper and parts on letter.
Legacy for Chamber Orchestra
Orchestre de chambre

$40.00 33.88 € Orchestre de chambre PDF SheetMusicPlus






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