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Piano Solo - Level 4 - Digital Download SKU: A0.992361 Composed by Tim Fatchen. Celtic,Contemporary,Folk. Score. 15 pages. Flying Tadpole Productions #6210807. Published by Flying Tadpole Productions (A0.992361). ALT.CALLAHANS REEL(which is actually a Slide, with a Reel interlude!)  Fast  and lively foot-tapping neo-Celtic, at its best on electronic keyboard but also  a fun piano solo.  (Duration 8+ minutes)  Reel Jiggery-pokery The  song started as a jig but drank too much and reeled into 12/8 time. Properly  speaking, despite its strong 4-beat pulse, it's a Slide. Or perhaps a Double Jig. Except for the mid-section, which is really a Reel!  Needless to say, this is not for the  purists...but it's huge fun for the rest of us!  Playing and Performing We've marked it Advanced Intermediate. It's the indicated speed which makes demands!  But you can play it slower and enjoy! On  electronic or MIDI keyboard, use a percussive/plucked foundation (e.g. piano,  harp, faux guitar) with a sustained string patch (string ensemble, synth strings, viola works well, fiddle works well, most violin patches are  terrible!). For piano, you'll have to use more of the sustain pedal but not too much or it'll go all muddy on you, just like a mis-step in an Irish bog! (Original  live and YouTube performances were on a Medeli MC 710, from 2005.  This keyboard allowed splitting and dual voices. Piano was used as foundation both above and below the split point. A  loud viola patch was used as the second voice on the upper part of the  keyboard, as the dominant fiddle sound carrying the melody.  A synth string patch was used  as second voice on the lower half, giving  the drones.)  Add Your Own Salt and Pepper to the Score! The  song is scored for clarity, not as a detailed demand for every possible  nuance.  It's fast, so although simple  to look at when not playing,  you'll  need to be reading the music at speed. Unless, of course, you're blessed with a  brilliant memory!   So  the score isn't cluttered with ornaments and fiddly bits, or lots of expression marks. Especially, it's not cluttered by a lot of suspended notes.  BUT...you will need to suspend a lot of notes as you play. Think drones running all over the place and use your  keyboard sustaining string patches to bring those drones out!  Listen to the live recordings, they'll  help.  You,  as player, have lots of freedom!  It's up to you how many additional frills, or emphasis, or drone  suspensions you throw in.  Why alt.callahans?In the far distant past of 2005, there was  an Internet  newsgroup of that name, in honor and emulation of  Callahan's Crosstime Saloon, a fictional bar with strongly community-minded and empathic clientele, part of the fictional universe of American writer  Spider Robinson. [Wikipedia]  A  place for tall tales and true, comradeship, puns both good and bad.  We had fun there, and this song came out of  it. The Internet world, sadly, has changed since.
alt.Callahans Reel
Piano seul

$7.50 6.34 € Piano seul PDF SheetMusicPlus

Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1495808 Composed by Richard John (Gb1) Thompson. Arranged by Peet du Toit. Traditional. 7 pages. Peet du Toit #1072337. Published by Peet du Toit (A0.1495808). BANKS AND BRAES (O' BONNY DOON). AKA and see “Bonnie Doon,” Lost is My Quiet, Caledonian Hunt's Delight (The), Ye Banks and Braes. Scottish, Air and Waltz (6/8 or 3/4 time). The antiquarian William Chappell claims the tune is English on the strength of its being included in a Collection of English Songs by Dale (who published about 1780-1794) under the title Lost is my quiet. However, the collector John Glen (1891) relates a delightful story of the tune's origins involving the famous Scots poet, Robert Burns (1759-1796), who wrote to publisher George Thomson in 1794:Do you known the history of the air? It is curious enough. A good many years ago, Mr. James Miller, writer in your good own (Edinburgh), a gentleman whom, possibly, you know, was in company with our good friend Clarke; and taling of Scottish music, Miller expressed an ardent ambition to be able to compose a Scots air. Mr. Clarke, partly by way of a joke, told him to keep to the black keys of the harpsichord, and preserve some kind of rhythm, and he would infallibly compose a Scots air. Certain it is, that, in a few days, Mr. Miller produced the rudiments of an air which Mr. Clarke, with some touches and corrections, fashioned into the tune in question. Ritson, you know, has the same story of the black keys; but this account which I have just given you, Mr. Clarke informed me of several years ago.Miller's tune was first published under the title Caledonian Hunt's Delight (The) in Gow's 2nd Collection (1788), but Glen concludes that it is more likely that Lost is my quiet is a poor adaptation and nothing else. He also notes there is a tune having a supposed resemblance in Playford's Appollo's Banquet (1690) entitled Scotch Tune (A) (No. 68), but in the end he believes that neither Chappell's arguments nor facts are strong enough to deprive Mr. Miller of his claim. The Caledonian Hunt's Delight appears also in George Thomson's A Select Collection of Original Scottish Airs for the Voice (Edinburgh, 1793-1797), arranged by Kozeluch. A rondo on the air was composed by Domenico Corri (1746-1825) under the title Favourite Irish Air (which, of course, it is not).
Ye Banks & Braes (Trad. Arr.)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$13.00 10.98 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.941681 Composed by Elizabeth Borowsky. 20th Century,Contemporary,Standards. Score. 6 pages. Piano Prodigies #6323601. Published by Piano Prodigies (A0.941681). This work was inspired by the dedicatee’s interest in two well-loved classical compositions: Johann Sebastian Bach’s Jesu, Joy of Man’s Desiring and Johann Pachelbel’s Canon in D. In the lyrical opening section (G major), the right hand explores an obstacle course of technical challenges cleverly crafted within beautiful legato lines. The contrasting middle section of the piece is a toccata, and pays tribute to J.S. Bach’s Toccata and Fugue in D minor. The music is lively and light, and requires a quick and even interaction between the hands. This section also explores the relative major/minor relationship, and culminates in the return of the major - with octaves in the right hand (may be omitted for students with smaller hands).
Prelude and Toccata
Piano seul

$7.00 5.91 € Piano seul PDF SheetMusicPlus

Cello,Flute,Harp - Level 3 - Digital Download SKU: A0.544954 Composed by George Frideric Handel. Arranged by Cindy Blevins. Christmas. 8 pages. Cindy Blevins #4305825. Published by Cindy Blevins (A0.544954). This is beautifully arranged for harp (lever or pedal harp), flute, and cello. With this download, you receive the score, the harp part, the flute part and the cello part. The harp part is for lever harp, and of course can also be played on pedal harp. There is no levering or pedaling within the piece. It is also part of a small collection, Harp, Flute and Cello, Christmas, Set 6, which includes five arrangements: Away In A Manger, I Saw Three Ships, The Holly And The Ivy, We Three Kings and While Shepherds Watched Their Flocks. The Sheet Music Plus Item No. for this collection is S0.506671.
While Shepherds Watched Their Flocks, for Harp, Flute and Cello
Flûte, Harpe et Violoncelle

$5.99 5.06 € Flûte, Harpe et Violoncelle PDF SheetMusicPlus

Instrumental Duet Clarinet,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.956621 Composed by J Strauss II. Arranged by Catriona Melville-Mason. Concert,Romantic Period,Standards. Score and parts. 7 pages. C Melville-Mason #6481195. Published by C Melville-Mason (A0.956621). An intermediate-level arrangement of a Strauss march, for mixed woodwind duet of flute and clarinet in B-flat.In his lifetime, Austrian composer Johann Strauss II (1825 – 1899) was dubbed ‘The Waltz King’, reflecting his prolific output of this type of dance music.  He also composed polkas, quadrilles, marches, operettas and a ballet. During the 1848 upheavals in the Austrian Empire, Johann II opted to side with the revolutionaries.  This allegiance had an adverse effect on his career, as well as deepening the rift between him and his father, so in due course Johann wrote several marches with titles that might encourage the establishment to forget his past pro-revolutionary sympathies. The Ottinger Reiter-Marsch was first published in 1850.  Strauss claimed that the work had been commissioned for a regiment who specifically requested the dedication to General Franz von Ottinger.  At the time, Ottinger was not very popular, largely because of his punitive attitude towards former revolutionaries.
Ottinger Reiter-Marsch (Flute & Clarinet Duet)
Flûte, Clarinette (duo)

$4.50 3.8 € Flûte, Clarinette (duo) PDF SheetMusicPlus

Cello Solo - Level 4 - Digital Download SKU: A0.1288214 Composed by Chris Becker. 21st Century,Classical,Contemporary,New Age. Individual part. 6 pages. Beckeresque (ASCAP) #879245. Published by Beckeresque (ASCAP) (A0.1288214). When I first saw the enormous chair Rachel Gardner and Carlos Canul constructed for A Gift from the Bower, an outdoor, multi-disciplinary group exhibition conceived by renowned artists James Surls and Charmaine Locke, I had a vision of a cellist seated in a chair on the chair, performing solo in a bower deep in the woods of Splendora Gardens. I shared this image with Rachel, who didn’t think I was nuts, and over the course of several weeks, composed a piece for unaccompanied cello to be performed at the opening of the exhibit. I was honored when cellist Patrick Moore agreed to premiere the work; his formidable technique and the deep expression he brings to his playing inspired me to embrace the challenge of composing a solo for his instrument.Knowing my piece would be performed outdoors, I was inspired to evoke the rhythm of sound events one hears in woods, especially the rise and fall of wind as it moves through branches and leaves. The very opening of the piece and later, what I hear as an extended coda, were created as moments for the cellist as much as for the listener and are performed in a sort of meditative state, calling to mind the age-old question, “If a tree falls in a forest and no one is around to hear it, does it make a sound?†The repeating measures of 16th notes in the piece’s demanding middle section pay tribute to two of my heroes, Terry Riley and Philip Glass. While composing the work, Bach’s Six Suites for Violoncello Solo was another important point of reference, as was double bassist Eberhard Weber's 1973 album, The Colours of Chloë.Once finished, it made sense to name the piece A Gift from the Bower since the opportunity to compose the work was a gift, and in exchange, so is the music I have composed.A Gift from the Bower premiered on April 22, 2023, by Patrick Moore at the Locke Surls Center for Art and Nature.A revised version of this piece was completed on September 5, 2023.
A Gift From The Bower (Revised)
Violoncelle

$6.99 5.91 € Violoncelle PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1294153 Composed by James Horner. Arranged by Elizabeth Shier & Dana Thynes. 20th Century,Celtic,Film/TV,Irish. Score. 5 pages. Dana Thynes #884577. Published by Dana Thynes (A0.1294153). BRAVEHEART THEME for piano, in the key of GbThe main theme of Braveheart begins with soft flute-like melody notes against a quiet background.  A fragment of the Scottish tune Black is the Color of My True Love's Hair weaves its way into the bottom of page one, and then deep chords at the top of page two give a low and ominous premonition of battle.  Slowly it builds with bigger chords.  Dissonances compete in the melody and harmony, always building.  Big octave-plus-fifth left hand chords give a medieval sound.The flavor of Braveheart, the movie, is captured in this arrangement.  Not too difficult, but with a few challenges, this is a satisfying piece to play over and over again, emotions soaring and always feeling like you are there with William Wallace in the fight for FREEDOM.Two versions in different keys (F & Gb), but otherwise identical.  The arrangement in F is much easier, of course, and easier to read.  Though most of the music remains in the primary key (either F or Gb) Braveheart travels rapidly through several key transitions on pages 2-3 in the key of F, and pages 2-4 in the key of Gb.Though the key of F is easier, the key of Gb seems to have a special magic, as piano pieces utilizing the black keys frequently do!  The piano recording heard in the video is performed in the key of Gb.
Braveheart - Main Title
Piano seul

$5.99 5.06 € Piano seul PDF SheetMusicPlus

Voice Duet Voice - Level 3 - Digital Download SKU: A0.576909 Composed by David Warin Solomons. 20th Century,Blues,Pop. 14 pages. David Warin Solomons #516085. Published by David Warin Solomons (A0.576909). I am so happy that smoking in enclosed public places is now illegal in the UK and in many other countries, but this song was written in the 1980s when people had to breath the pollution created by inconsiderate smokers, and, of course, there are still countries where this is the case. So I decided to publish the song even though the battle is thankfully won here. The sound sample is my own performance with some additional (un-notated) improvisations on cello and vibraphone. The pdf file contains the score and parts.  The music has also been arranged as an instrumental duo called Laid back bounce, also available on this site.  I went out this morning along the way to work  when without warning I was faced with clouds of murk  refrain: Sing Down with the smokers who infect the air with clouds hate their unthinking uncaring unblinking hate the stinking coughing crowds!  I went down to the station and was waiting for my train  but to my irritation the stinkers were there again.  [refrain]  Wouldn't it be pleasant to enjoy a drink in a theatre bar discussing the play  or wouldn't it be jolly just to sing along with pals in a cozy pub along the way  or wouldn't it be nice to go any where and not have to share with every breath some secondhand smoke and firsthand death.  [refrain]  I was eating my fav'rite curry but the air was getting thick and I felt I had to hurry because the smokers made me feel sick  [refrain]  It's fine bright hot and sunny and I'd love to have a drink  but why spend time and money where the smokers sit and stink?  [refrain]  Wouldn't it be pleasant just to pass the time at a social do or a meeting hall  or wouldn't it be jolly to dance the night away with the one you love at a disco or ball  wouldn't it be nice to go any where and not have to share with every breath some secondhand smoke and firsthand death  [refrain].
Down with the Smokers for voice and guitar
Voix duo

$8.00 6.76 € Voix duo PDF SheetMusicPlus

Cello,Flute,Harp - Level 3 - Digital Download SKU: A0.544904 Composed by English. Arranged by Cindy Blevins. Christmas. 11 pages. Cindy Blevins #4295805. Published by Cindy Blevins (A0.544904). This is beautifully arranged for harp (lever or pedal harp), flute, and cello. With this download, you receive the score, the harp part, the flute part and the cello part. The harp part is for lever harp, and of course can also be played on pedal harp. There is no levering or pedaling within the piece.  This arrangement is also part of Harp, Flute and Cello, Christmas, Set 1, which is a collection of five arrangements:Greensleeves, It Came Upon the Midnight Clear, O Holy Night, The Son Of Mary and We Wish You A Merry Christmas. The Sheet Music Plus Item No. for this collection is S0.500917.
Greensleeves, for Harp, Flute and Cello
Flûte, Harpe et Violoncelle

$5.99 5.06 € Flûte, Harpe et Violoncelle PDF SheetMusicPlus

String Ensemble Cello - Level 1 - Digital Download SKU: A0.837259 Composed by Garth M. Williams (Socan). Christmas,Easter,Halloween,Instructional,Standards. Score and parts. 40 pages. Garth M. Williams (Socan) #2894547. Published by Garth M. Williams (Socan) (A0.837259). The Scampering Scarecrow Cello Book is the third in the Scampering Scarecrow Violin Series.  The violin and viola book are already available on line.  Each book contains ten selections representing various seasons and times of the year.  The Scampering Scarecrow, Peek-A-Boo Ghost and A Great Big Boo in 3, were written for Halloween while, Hesitant Hairy Rabbit and The Skipping Rabbit were written to celebrate Easter.  Floating Snowflakes of course for   Christmas.  MP3 files are available for no charge from kantatastudios@gmail.com.All pieces come with their respective scales plus Rhythm Patterns which can be practised, first with an easy scale such as G Major, and then with the representative scale.  These pieces are also available as Beginning Orchestral Arrangements with Sheet Music Plus. .
THE SCAMPERING SCARECROW CELLO BOOK

$20.00 16.9 € PDF SheetMusicPlus






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