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String Orchestra - Digital Download

SKU: AX.00-PC-0016361_SB

String Bass. Composed by Thomas Morley. Arranged by Bud Caputo. Classical. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016361_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016361_SB).

UPC: 038081483689.

In keeping with the efforts of developing a curriculum that fosters Comprehensive Musicianship, this string orchestra arrangement of three of the most popular Renaissance madrigals, will provide your students with a peak into this period of music history that is frequently overlooked. Now Is the Month of Maying, Sing We and Chant It, both by Thomas Morley, and Fair Phyllis, by John Farmer, are basic choral repertoire found in most high school and college full SATB and madrigal ensembles. The string ensemble may perform the arrangement alone with the added Renaissance style percussion. Or, better yet, why not enhance the performance by adding an SATB chorus thereby sharing the stage with your school's most advanced choral ensemble? (5:00)
Concert/Contest; Festival.

A Suite of Three Madrigals: String Bass
Contrebasse (partie séparée)

$5.99 5.64 € Contrebasse (partie séparée) PDF SheetMusicPlus

Baritone Horn TC,Flugelhorn,Trombone,Trumpet - Level 4 - Digital Download

SKU: A0.1121043

Composed by Thomas Morley. Arranged by Richard Decker. Contest,Early Music,Festival,Multicultural,Renaissance,World. 36 pages. Charles Decker Music Press #722234. Published by Charles Decker Music Press (A0.1121043).

These three lively madrigals arranged for brass trio provide an engaging interlude to any chamber concert, indoors or outdoors. As composer and organist, editor and publisher, Thomas Morley was a significant influence in the musical absorption of the Italian Madrigal style into English vocal music during the last decade of the 16th century.  Trained by William Byrd, Morley and his early Three-Part Canzonets (1593) showed his remarkable ability to combine his own individual musical creativity with the essence of the popular Italian Madrigals, resulting in the golden era of the English Madrigal School. The trio is scored for trumpet in B-flat with an alternate C trumpet part, horn in F with an alternate flugelhorn part, and trombone with an alternate treble clef euphonium part. The recording is of the entire edition.

See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.  

Use this link to
Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.

English Madrigal Suite No. 2 for Brass Trio
$12.99 12.22 € PDF SheetMusicPlus

Brass Quintet Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 4 - Digital Download

SKU: A0.1139644

Composed by Claudio Monteverdi. Arranged by Richard Decker. Baroque,Chamber,Multicultural,Renaissance,World. 55 pages. Charles Decker Music Press #739914. Published by Charles Decker Music Press (A0.1139644).

As one of the most creative composers leading the musical changes from the Renaissance into the Baroque, Claudio Monteverdi instilled into his noteworthy Madrigals not only the contemporary explorations of dissonance and form but also mastered the art of tone-painting of human emotions to an extraordinary level. Scored for a brass quintet of two B-flat trumpet with alternate C trumpet parts, horn in F with substitute flugelhorn part, trombone and tuba, these Madrigal arrangements provide an additional unique opportunity for performances using all conical brass instruments (two B-flat cornets, horn, euphonium and tuba). These spirited Madrigals showcase all the quintet members and will add excitement and drama to performances.

See more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. See also 50+ homogeneous brass group editions with Charles Decker Music Press at Sheet Music Plus for horn, trumpet and trombone ensembles. Check out the Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.

Use this link to
Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.

Centone V: Four Madrigals for Brass Quintet Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$17.99 16.93 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Mixed voices (STTTBarB) - Digital Download

SKU: S9.Q42747

(The I Tatti Madrigals). Composed by Gavin Bryars. Choral Music of Our Time. Downloadable, Choral score. Schott Music - Digital #Q42747. Published by Schott Music - Digital (S9.Q42747).

Italian.

The choice of 16th century texts, by Bronzino and Battiferri, reflects the interests of the dedicatee of these sonnets - Craig Hugh Smyth, a fine art historian and former director of the Villa I Tatti, who was a specialist in Bronzino and Pontormo. Bronzino's sonnet is a lament on the death of Pontormo, his teacher; Laura Battiferri's poem is a direct response to that of Bronzino. As I was also asked to set sonnets by Petrarca, I chose two of his closely linked sonnets, numbers 229 and 230 in the Rime Sparse. I had written a work for I Tatti some five years earlier setting Petrarca (A qualunque animale, the first in my Fourth Book of Madrigals) and was familiar with the context. However, through correspondence with Kathryn Bosi, Music Librarian at I Tatti and, through her, Craig Smyth's family, I became increasingly aware of his unusual and quite special character. From his undergraduate days at Princeton and indeed throughout his life, although a great scholar and writer, he was at the same time an aficionado of jazz, loving above all Louis Armstrong, being photographed with Duke Ellington, taking his children to see Thelonious Monk, listening to Ben Webster and playing the tenor saxophone himself. Indeed, he had told Kathryn Bosi that he had been proud to walk in procession at the funerals of black musicians in New Orleans. In some ways his life was almost an obverse mirror image of parts of my own - I was a professional jazz musician but found myself teaching art history for a time. As Fiorella Superbi of I Tatti has said: Craig was a maestro di vita. I raise a glass in his memory and dedicate these sonnets to him. Gavin Bryars.

Fifth Book of Madrigals ("I Tatti")

$16.99 15.98 € PDF SheetMusicPlus






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