SATB choir, with optional piano, harp, or orchestra - Digital Download SKU: MQ.8736-E Composed by Kirke F. Mechem. Christmas. 4 pages. E. C. Schirmer Music Company - Digital #8736-E. Published by E. C. Schirmer Music Company - Digital (MQ.8736-E). Kirke Mechem composed the Seven Joys of Christmas for the Chamber Singers of the San Francisco College for Women. He set out with the goal of setting lesser-known, but none the less attractive, carols from different countries in order to paint different aspects of joy for the Christmastide. He employed the number Seven because it is considered a magical number (as it is applies to mystery in the liturgy). The final carol, God bless the master of this house, is an amusing combination of all the carols in the composition, in addition to other well-known Christmastide melodies. In certain passages, two, three, even four different carols are being performed at the same time!

Piano Solo - Level 4 - Digital Download SKU: A0.734644 Composed by Joseph Hasper. 20th Century,Contemporary. Score. 22 pages. Joseph Hasper #59351. Published by Joseph Hasper (A0.734644). A 2015 Piano Contest selection! Dream Trajectories was inspired by dreams and how we experience them. In dreams, the laws of nature and physics do not always apply--at least not in the way they normally do. Cause and effect can be reversed, or done away with. The same events can be played out repeatedly with different results. The familiar becomes unfamiliar, and we may at times have uncanny insights and magical abilities. Time takes on a different quality in dreams, too. Scenes from a long time ago can be juxtaposed with recent events. The passage of years can occur in a blink. Sometimes there is no perception of time at all, and we simply experience events without any reference to time. And sometimes dreams are scary.

SATB choir, with optional piano, harp, or orchestra - Digital Download SKU: MQ.8737-E Composed by Kirke F. Mechem. Christmas. 8 pages. E. C. Schirmer Music Company - Digital #8737-E. Published by E. C. Schirmer Music Company - Digital (MQ.8737-E). Kirke Mechem composed the Seven Joys of Christmas for the Chamber Singers of the San Francisco College for Women. He set out with the goal of setting lesser-known, but none the less attractive, carols from different countries in order to paint different aspects of joy for the Christmastide. He employed the number Seven because it is considered a magical number (as it is applies to mystery in the liturgy). The final carol, God bless the master of this house, is an amusing combination of all the carols in the composition, in addition to other well-known Christmastide melodies. In certain passages, two, three, even four different carols are being performed at the same time!

Guitar,Piano - Level 4 - Digital Download SKU: A0.1371176 Composed by Emiliano Brunetti. Chamber,Contemporary. Score and part. 12 pages. Emiliano Brunetti #955426. Published by Emiliano Brunetti (A0.1371176). Spandex-Hendrix is a celebration of both my origins as a performing musician and who I am now as a composer. I used to be ashamed of not being classically trained since my childhood – but now I celebrate those experiences by embracing and celebrating my culture and influences. Spandex-Hendrix serves as a portrait to my teenage years, being able to enjoy from the loudest version of Voodoo Child (Hendrix) to the magical experience of Because (Beatles). This piece is my first attempt to explore atonality through the use of the pitch class set theory. I took the Hendrix Chord (C – E – Bb – Eb), inverted its direction starting from the same root (A – D – Ab – C) and mixed the result in a new scale (C – D – Eb – E – Ab – A – Bb).

SATB choir, with optional piano, harp, or orchestra - Digital Download SKU: MQ.8738-E Composed by Kirke F. Mechem. Christmas. 10 pages. E. C. Schirmer Music Company - Digital #8738-E. Published by E. C. Schirmer Music Company - Digital (MQ.8738-E). Kirke Mechem composed the Seven Joys of Christmas for the Chamber Singers of the San Francisco College for Women. He set out with the goal of setting lesser-known, but none the less attractive, carols from different countries in order to paint different aspects of joy for the Christmastide. He employed the number Seven because it is considered a magical number (as it is applies to mystery in the liturgy). The final carol, God bless the master of this house, is an amusing combination of all the carols in the composition, in addition to other well-known Christmastide melodies. In certain passages, two, three, even four different carols are being performed at the same time!

SATB choir, with optional piano, harp, or orchestra - Digital Download SKU: MQ.8732-E Composed by Kirke F. Mechem. Christmas. 7 pages. E. C. Schirmer Music Company - Digital #8732-E. Published by E. C. Schirmer Music Company - Digital (MQ.8732-E). Kirke Mechem composed the Seven Joys of Christmas for the Chamber Singers of the San Francisco College for Women. He set out with the goal of setting lesser-known, but none the less attractive, carols from different countries in order to paint different aspects of joy for the Christmastide. He employed the number Seven because it is considered a magical number (as it is applies to mystery in the liturgy). The final carol, God bless the master of this house, is an amusing combination of all the carols in the composition, in addition to other well-known Christmastide melodies. In certain passages, two, three, even four different carols are being performed at the same time!

Piano Solo - Level 2 - Digital Download SKU: A0.744991 By Diego Spitaleri. By Diego Spitaleri. Arranged by Diego Spitaleri. Classical,Contemporary,New Age. Score. 3 pages. Diego Spitaleri #352986. Published by Diego Spitaleri (A0.744991). I composed The Dream of Medea for a play inspired by one of the most fascinating and controversial characters in Greek mythology. Medea is a woman with magical powers, always struggling between reason and passion, very strong and cruel but, at the same time, weak and passionate. In this song I like to think of Medea as she surrenders to a sweet dream.

SATB choir, with optional piano, harp, or orchestra - Digital Download SKU: MQ.8735-E Composed by Kirke F. Mechem. Christmas. 11 pages. E. C. Schirmer Music Company - Digital #8735-E. Published by E. C. Schirmer Music Company - Digital (MQ.8735-E). Kirke Mechem composed the Seven Joys of Christmas for the Chamber Singers of the San Francisco College for Women. He set out with the goal of setting lesser-known, but none the less attractive, carols from different countries in order to paint different aspects of joy for the Christmastide. He employed the number Seven because it is considered a magical number (as it is applies to mystery in the liturgy). The final carol, God bless the master of this house, is an amusing combination of all the carols in the composition, in addition to other well-known Christmastide melodies. In certain passages, two, three, even four different carols are being performed at the same time!

Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1366668 Composed by Claude Debussy. Arranged by Ray Thompson. 20th Century. 17 pages. RayThompsonMusic #950991. Published by RayThompsonMusic (A0.1366668). Debussy: Piano Preludes Bk.2 No.5 Bruyères (Heather) - symphonic wind dectetArranged double wind quintet/bassDebussy's Préludes are 24 pieces for solo piano, divided into two books of 12 preludes each. Unlike some notable collections of preludes from prior times, such as Chopin's Op. 28 preludes, or the preludes from Johann Sebastian Bach's The Well-Tempered Clavier, Debussy's do not follow a strict pattern of tonal centres.This is from the 2nd Book.I have arranged all of these preludes from both books:Book 1Danseuses de DelphesVoilesLes sons et le parfums…..Des pas sur le neige La fille aux cheveux de linLa Cathédral engloutieMinstrelsBk.2BruyèresGeneral LevineHommage à S.Pickwick EsqCanopeAs if by magic, we are transported to heather covered V it shows that this shepherd is a distant cousin of ‘la fille heathland with a piece much reminiscent of la Fille aux cheveux de lin’. The same calm, the same purityaux Cheveux de Lin from book one. Nature and innocence demand a spontaneous and laidback approach to those delicate and poetic riffs to match the colour and aroma of fragrant purple shrubs. Birds may be heard calling, accompanied by the distant refrain of a shepherd’s flute in this harmonious and homogeneous prelude — an admirable contrast to numbers IV and VI.In direct connection with this prelude, Marguerite Long mentions a Debussy souvenir pairing the scent of sea mist and coastal pines, and if she is correct this would take us to Arcachon in south west France. It is possible that the young composer first went there in 1880 with the baroness Nadejda Von Meck and later in 1904 when he stayed with the uncle of Emma Bardac (ne�e Moyse), his future bride.The pastoral and familiar poetry of a woodland scene where the earth’s pervasive scent mingles with the subdued display of patches in purple.— CortotA peaceful melody on a shepherd's pipe, resonating on the silent moorland. With its Celtic pentatonic structureand the same diatonic transparency, time-signature and tempo provide a clear link.— Harry Halbreich

Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1318234 By Coco Joura and Juan María Solare. By Juan María Solare. 20th Century,21st Century,Classical,Contemporary,Latin. Score. 10 pages. Juan Maria Solare #906905. Published by Juan Maria Solare (A0.1318234). Aserrando a una mujer (Sawing a Woman in Half)This might well be the first coloratura tango in history. And while it is innovative, it is deeply rooted in the tango tradition, both musically and thematically: one of the recurring themes of primitive tango was precisely the circus. The act of sawing a woman is the circus magic trick par excellence. This song was written and composed in mid-August 2023 and is dedicated to Coco Joura, who suggested the subjet. Lyrics and music by Juan María Solare. Premiere: Coco Joura (soprano) and Juan María Solare (piano), 19th Milonga Hemelingen, Bürgerhaus Hemelingen (Bremen, Germany), November 11, 2023.Aserrando a una mujer - videoAserrando a una mujerEste acaso sea el primer tango de coloratura de la historia. Y si bien es innovador, está muy arraigado en la tradición tanguera, por la música y por la temática del texto: uno de los temas recurrentes del tango primitivo era precisamente el circo. El número de aserrar a una mujer es el truco circense de magia por antonomasia.Esta canción fue escrita y compuesta a mediados de agosto de 2023 y está dedicada a Coco Joura, quien sugirió la temática. Letra y música: Juan María Solare. Estreno: Coco Joura (soprano) y Juan María Solare (piano), 19ª Milonga Hemelingen, Bürgerhaus Hemelingen (Bremen, Alemania), 11 de noviembre de 2023.Aserrando a una mujer - videoAserrando a una mujer (Zersägte Frau)Dies könnte möglicherweise der erste Koloratur-Tango der Geschichte sein. Und obwohl er innovativ ist, ist er fest in der Tangotradition verwurzelt, sowohl musikalisch als auch thematisch: Eine der wiederkehrenden Themen im primitiven Tango war genau der Zirkus. Die Nummer, eine Frau zu sägen, ist der Zirkustrick par excellence.Dieses Lied entstand Mitte August 2023, es ist Coco Joura gewidmet, die das Thema vorschlug. Text und Musik: Juan María Solare. IPremiere: Coco Joura (Sopran) und Juan María Solare (Klavier) bei der 19. Milonga Hemelingen, Bürgerhaus Hemelingen (Bremen, Deutschland), 11. November 2023.Aserrando a una mujer - videolyricsAserrando a una mujertango de coloraturaJuan María Solare(letra y música)Para el truco de magia más famosonecesito una sierra y una mina;una caja más grande que un cadávery dos tipos que quieran serruchar.La pebeta está atada, y está viva.Obediente, se mete en el cajón.Un serrucho la parte en dos mitades.Al abrir, nuestra víctima está ilesa.La cortaron en dos (coloratura)...Les arruino el secreto de este truco.Con alerta de espóiler, ¡ya avisé!:La percanta recoge las gambitas,se acurruca, chiquita, en el arcón.El chabón que inventó esta maravillase llamó P. T. Selbit y era inglés.Lo garcó un colega en Yankilandia:mejoró la ilusión, la patentó.La cortaron en dos (coloratura)...De este acto nació un arquetipo,un modelo con facha de cliché:la mujer en peligro, rescatada;la asistente atractiva, vulnerable.Conocemos el truco y sin embargonos fascina el engaño, la ficción.Preferir la mentira es indoloro;en la magia, en el circo y fuera de él.La cortaron en dos (coloratura)...

Marimba Solo - Level 4 - Digital Download SKU: A0.869300 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Individual part. 6 pages. Thomas Oboe Lee #2023703. Published by Thomas Oboe Lee (A0.869300). Program note. Program note:Eight Tarot Cards for Madam Rubio! was originally a 22-movement work for two pianos entitled, The Visconti-Sforza Tarot Cards. I sent a copy of the two-piano version to Nancy Zeltsman who, with Janis Potter, recently created the marimba duo, Madam Rubio. They thought some of the pieces could translate very well as pieces for marimba duo. I have to give complete credit to Nancy's ingenuity and creativity for this version. The transcription, arrangement and order of Eight Tarot Cards for Madam Rubio! are completely hers. [The numbering of the movements may look bizarre, but it is the original Tarot numbering.] I. Il Saltimbanco ... The Mountebank shuffles his cards and does a samba. XVI. La Torre ... The Tower topples and crashes onto the populace gathered below. II. La Papessa ... The High Priestess concocts a magic potion. XXI. Il Mondo ... The World would be a happier place if we all dance together. XIII. La Morte ... Death lurks around the corner. X. La Ruota della Fortuna ... Fortunes rise and fall unpredictably. III. L'Imperatrice ... The Empress dances all night. XIX. Il Sole ... Sunshine, margaritas and salsa cubana. And if an encore is requested ... XVII. La Stella ... Twinkle, twinkle, little star ... [Marimba I requires a 4.5 octave (low E) instrument and Marimba II requires a 5-octave (low C) instrument.]

Small Ensemble - Level 4 - Digital Download SKU: A0.869289 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 6 pages. Thomas Oboe Lee #2022187. Published by Thomas Oboe Lee (A0.869289). Program note. Program note:Eight Tarot Cards for Madam Rubio! was originally a 22-movement work for two pianos entitled, The Visconti-Sforza Tarot Cards. I sent a copy of the two-piano version to Nancy Zeltsman who, with Janis Potter, recently created the marimba duo, Madam Rubio. They thought some of the pieces could translate very well as pieces for marimba duo. I have to give complete credit to Nancy's ingenuity and creativity for this version. The transcription, arrangement and order of Eight Tarot Cards for Madam Rubio! are completely hers. [The numbering of the movements may look bizarre, but it is the original Tarot numbering.] I. Il Saltimbanco ... The Mountebank shuffles his cards and does a samba. XVI. La Torre ... The Tower topples and crashes onto the populace gathered below. II. La Papessa ... The High Priestess concocts a magic potion. XXI. Il Mondo ... The World would be a happier place if we all dance together. XIII. La Morte ... Death lurks around the corner. X. La Ruota della Fortuna ... Fortunes rise and fall unpredictably. III. L'Imperatrice ... The Empress dances all night. XIX. Il Sole ... Sunshine, margaritas and salsa cubana. And if an encore is requested ... XVII. La Stella ... Twinkle, twinkle, little star ... [Marimba I requires a 4.5 octave (low E) instrument and Marimba II requires a 5-octave (low C) instrument.]

Small Ensemble - Level 4 - Digital Download SKU: A0.869294 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 7 pages. Thomas Oboe Lee #2022199. Published by Thomas Oboe Lee (A0.869294). Program note. Program note:Eight Tarot Cards for Madam Rubio! was originally a 22-movement work for two pianos entitled, The Visconti-Sforza Tarot Cards. I sent a copy of the two-piano version to Nancy Zeltsman who, with Janis Potter, recently created the marimba duo, Madam Rubio. They thought some of the pieces could translate very well as pieces for marimba duo. I have to give complete credit to Nancy's ingenuity and creativity for this version. The transcription, arrangement and order of Eight Tarot Cards for Madam Rubio! are completely hers. [The numbering of the movements may look bizarre, but it is the original Tarot numbering.] I. Il Saltimbanco ... The Mountebank shuffles his cards and does a samba. XVI. La Torre ... The Tower topples and crashes onto the populace gathered below. II. La Papessa ... The High Priestess concocts a magic potion. XXI. Il Mondo ... The World would be a happier place if we all dance together. XIII. La Morte ... Death lurks around the corner. X. La Ruota della Fortuna ... Fortunes rise and fall unpredictably. III. L'Imperatrice ... The Empress dances all night. XIX. Il Sole ... Sunshine, margaritas and salsa cubana. And if an encore is requested ... XVII. La Stella ... Twinkle, twinkle, little star ... [Marimba I requires a 4.5 octave (low E) instrument and Marimba II requires a 5-octave (low C) instrument.]

Small Ensemble - Level 4 - Digital Download SKU: A0.869296 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 6 pages. Thomas Oboe Lee #2022197. Published by Thomas Oboe Lee (A0.869296). Program note. Program note:Eight Tarot Cards for Madam Rubio! was originally a 22-movement work for two pianos entitled, The Visconti-Sforza Tarot Cards. I sent a copy of the two-piano version to Nancy Zeltsman who, with Janis Potter, recently created the marimba duo, Madam Rubio. They thought some of the pieces could translate very well as pieces for marimba duo. I have to give complete credit to Nancy's ingenuity and creativity for this version. The transcription, arrangement and order of Eight Tarot Cards for Madam Rubio! are completely hers. [The numbering of the movements may look bizarre, but it is the original Tarot numbering.] I. Il Saltimbanco ... The Mountebank shuffles his cards and does a samba. XVI. La Torre ... The Tower topples and crashes onto the populace gathered below. II. La Papessa ... The High Priestess concocts a magic potion. XXI. Il Mondo ... The World would be a happier place if we all dance together. XIII. La Morte ... Death lurks around the corner. X. La Ruota della Fortuna ... Fortunes rise and fall unpredictably. III. L'Imperatrice ... The Empress dances all night. XIX. Il Sole ... Sunshine, margaritas and salsa cubana. And if an encore is requested ... XVII. La Stella ... Twinkle, twinkle, little star ... [Marimba I requires a 4.5 octave (low E) instrument and Marimba II requires a 5-octave (low C) instrument.]

Small Ensemble - Level 4 - Digital Download SKU: A0.869290 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 5 pages. Thomas Oboe Lee #2022195. Published by Thomas Oboe Lee (A0.869290). Program note. Program note:Eight Tarot Cards for Madam Rubio! was originally a 22-movement work for two pianos entitled, The Visconti-Sforza Tarot Cards. I sent a copy of the two-piano version to Nancy Zeltsman who, with Janis Potter, recently created the marimba duo, Madam Rubio. They thought some of the pieces could translate very well as pieces for marimba duo. I have to give complete credit to Nancy's ingenuity and creativity for this version. The transcription, arrangement and order of Eight Tarot Cards for Madam Rubio! are completely hers. [The numbering of the movements may look bizarre, but it is the original Tarot numbering.] I. Il Saltimbanco ... The Mountebank shuffles his cards and does a samba. XVI. La Torre ... The Tower topples and crashes onto the populace gathered below. II. La Papessa ... The High Priestess concocts a magic potion. XXI. Il Mondo ... The World would be a happier place if we all dance together. XIII. La Morte ... Death lurks around the corner. X. La Ruota della Fortuna ... Fortunes rise and fall unpredictably. III. L'Imperatrice ... The Empress dances all night. XIX. Il Sole ... Sunshine, margaritas and salsa cubana. And if an encore is requested ... XVII. La Stella ... Twinkle, twinkle, little star ... [Marimba I requires a 4.5 octave (low E) instrument and Marimba II requires a 5-octave (low C) instrument.]