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Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.1217040

Composed by Carrie Jacobs-Bond. Arranged by Phil Beaman. Classical,Jazz,New Age,Standards,Wedding. Score. 25 pages. Phil Beaman #813570. Published by Phil Beaman (A0.1217040).

Vintage Wedding Songs is a collection of 5 songs that were #1 pop hits in their day and wildly popular at weddings from 1905-1920.  They all were originally written by female composer Carrie Jacobs-Bond.  I have taken the original lyrics and melodies and set them to new piano accompaniments which fuse turn of the century ballads with a bit of Classical, a bit of Early Jazz, and a bit of New Age.  Perfect for any wedding, vintage or modern, when you want something timeless instead of trendy.  
On this site you will find Vintage Wedding Songs in three different voice ranges:   Medium range is from Low B to High D, High range is from Low D to High G, and Low range is from Low G to High B.  (These are average ranges, individual songs my vary by a note more or less on either end.)  Also on this site, each of the songs are also published separately and in each range.  
Songs included are:  I Love You Truly; In a Foreign Land; Walking In Her Garden; Life's Garden; The Hand of You.   
25 total pages of book;  total performance time 11:15 minutes  (3:00, 1:46, 2:30, 1:40, 2:15)  Recordings are of Medium Voice version.

Vintage Wedding Songs - low voice/piano
Piano, Voix

$10.45 9.89 € Piano, Voix PDF SheetMusicPlus

Piano,Voice Duet Alto Voice,Piano,Tenor Voice - Level 4 - Digital Download

SKU: A0.1385571

By Jeanni Gould. By Traditional. Arranged by Jeanni Gould. Christian,Easter,Lent,Praise & Worship,Spiritual. 10 pages. Jeanni Gould #969542. Published by Jeanni Gould (A0.1385571).

NEW VERSION: Male/Female VOCAL DUET ONLY
No Choir needed!

By popular request, 2 versions are available for your needs.

Fresh new sound for two Amazing hymns, interweaving the lyrics to surprising and wonderful new meanings. This is the VOCAL DUET verson, perfect for church services and worship performances.
Joyful and reverent. Keep the tempo moving.

CHOIR VERSION ALSO AVAILBLE: Duet and SATB Choir (FULL GOSPEL CHOIR)
Includes bonus harmonies not heard even in the YouTube video:
TB Duet AND SSA Trio. Wow! 

Amazing Grace/ I Stand All Amazed MASHUP_Male/Female VOCAL DUET (no Choir needed)
Voix duo, Piano
Jeanni Gould
$3.99 3.78 € Voix duo, Piano PDF SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download

SKU: A0.532832

Composed by Therese Brenet. Contemporary. Score and parts. 29 pages. Musik Fabrik Music Publishing #45039. Published by Musik Fabrik Music Publishing (A0.532832).

This work uses wordless-vocalize (singing on Ah, Oh or with the mouth closed, ad libitum). The vocal part is generally quite free, allowing the singer to express herself freely. The orchestration is for tymp/perc/vibra/hp/cel/harps/strings(minimum : 44222) Like a supple vine, the voice seems to unfold across the orchestra, with the warm expressive themes and shining strings, with the support of the harpsichord, the vibraphone and other percussion. Certainly, there is a coloristic note in the orchestral palette, but also a wish to combine the colors of the voice and the orchestra in different manners. Through this osmosis and through the tempo rubato suggested several times, by the absence of metronomic movements, the composer has tried to create music which breathes through freedom, suppleness and poetry, in the infinite spirals of beauty and love, outside of space and time.. The orchestral version of the work was recorded in 2014 with Isaure Equilez, mezzo-soprano and the National Polish Radio Orchestra under the direction of Paul Wehage The orchestral parts are available from the publisher on rental.

Thérèse Brenet : Perles d'Ambre, vocalize for female voice and orchestra - score
Orchestre de chambre

$19.95 18.89 € Orchestre de chambre PDF SheetMusicPlus

Small Ensemble - Level 4 - Digital Download

SKU: A0.534549

Composed by Gregory Sullivan Isaacs. Concert,Contemporary,Standards. Score and parts. 10 pages. Musik Fabrik Music Publishing #3627069. Published by Musik Fabrik Music Publishing (A0.534549).

Text by William Shakespeare (A Midsummer Night's Dream Act V, Scene I)

The ultimate overblown death scene for an actor of limited abilities

In the play, Nick Bottom thinks that he is the greatest actor alive. However, he is appallingly dreadful - he shamelessly overplays every line, mugs incessantly and makes word errors. He thinks that he is fabulous when, in fact, he is ridiculous. His suicide scene is one of the great moments for comic actors and it can take as long as the actor wishes - even up to 5 minutes. This aria is set in the same manner and many buffo singers immediately come to mind as models for such satire. This selection cannot be overplayed. It can be sung by any male voice

TEXT: Sweet Moon, I thank thee for thy sunny beams.
I thank thee, Moon, for shining now so bright.
For by thy gracious, golden, glittering gleams,
I trust to take of truest Thisbe sight.—
But stay, O spite!
But mark, poor knight,
What dreadful dole is here!
Eyes, do you see?
How can it be?
O dainty duck! O dear!
Thy mantle good,
What, stained with blood?
Approach, ye Furies fell!
O Fates, come, come,
Cut thread and thrum.
Quail, crush, conclude, and quell!
O wherefore, Nature, didst thou lions frame?
Since lion vile hath here deflowered my dear,
Which is—no, no—which was the fairest dame
That lived, that loved, that liked, that looked with cheer.
Come, tears, confound!
Out, sword, and wound!
The pap of Pyramus—

 

Ay, that left pap
Where heart doth hop. (stabs himself)
Thus die I, thus, thus, thus.
Now am I dead.
Now am I fled.
My soul is in the sky.
Tongue, lose thy light.
Moon, take thy flight.
Now die, die, die, die, die.

(dies)


Gregory Sullivan Isaacs: The Death of Pyramus for bass buffo or baritone voice and piano

$11.95 11.31 € PDF SheetMusicPlus






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