Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.997152 Composed by Bernard Fanning. Arranged by Christine Grodd. A Cappella. Octavo. 5 pages. Christine Grodd #5866905. Published by Christine Grodd (A0.997152). A 3-part a cappella arrangement of a beautiful acoustic song Bernard Fanning wrote as a hymn to his older brother (look on Youtube for footage of a live performance - just him and a guitar - and he explains why he wrote it).This SAT arrangement has 5 pages and is at intermediate or early-intermediate level. The melody is shared between the alto (verses) and tenor (chorus) parts. It suits all-women's voices - the alto and tenor parts have about the same pitch range overall - but male tenors may also easily manage either of those 2 parts as they're in the lower part of the alto range (upper part of male tenor range).

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1086786 By Billy Joel. By Billy Joel. Arranged by Isabelle Ryder. Pop. Score. 5 pages. Isabelle Ryder #690970. Published by Isabelle Ryder (A0.1086786). This is the piano accompaniment for the song. It's based on what Billy Joel played, but is much more patterned and less improvisatory, so is easier for an advanced intermediate player to manage. This version is in D major, which is a semitone down from the original, and will suit many singers.

Brass Ensemble - Level 5 - Digital Download SKU: A0.845754 Composed by Henry Purcell. Arranged by Robert Newth. Baroque,Opera. Score and parts. 7 pages. Robert Newth #6215525. Published by Robert Newth (A0.845754). Let us wander was originally written for the opera The Indian Queen. Unfortunately Purcell died before the opera could be completed but he did manage to finish several arias and instrumental sections of the work, including this song.This arrangement is for standard trombone quartet of 3 Bb trombones and 1 bass trombone. The PDF download contains a full score and all four parts.If you have enjoyed this arrangement, please leave a review!

Small Ensemble - Level 5 - Digital Download SKU: A0.956662 Composed by Felix Bartholdy Mendelssohn. Arranged by Catriona Melville-Mason. Romantic Period. Score and parts. 127 pages. C Melville-Mason #6735335. Published by C Melville-Mason (A0.956662). This is an arrangement of Mendelssohn’s overture The Hebrides (Fingal’s Cave), intended for a medium-sized woodwind group of perhaps 20 – 30 players.  It has been categorised as ‘advanced’, as the length and tempo of the work make it quite challenging.  However, provided the main parts are covered by competent players, those with less experience can either double, judiciously omitting any problem sections, or opt for the appropriate ‘easier’ add-on part.This is great fun to attempt, even if your ensemble may not manage it up to performance standard!The piece is scored for the following instrumentation: Essential Parts: Part 1: Flute Part 2: Flute Part 3: Oboe Part 4: Clarinet in B-flat Part 5: Clarinet in B-flat (contains essential divisi, so minimum of 2 players essential) Part 6: Clarinet in B-flat Part 7: Clarinet in B-flat  OR          Part 7: Alto Saxophone Part 8: Alto Saxophone Part 9: Alto Saxophone Part 10: Bassoon              OR          Part 10: Bass Clarinet in B-flat (low C instrument essential)   Optional add-ons:   Easier Flute/Oboe Low Clarinet in B-flat Easier Alto Saxophone Easier Tenor Saxophone Mini-Bassoon in F (an extra, NOT an easy, part) Easier Bassoon   Mendelssohn visited Scotland in 1829 and, after a tour of the Highlands, travelled by steamer from Fort William to Oban and thence to the Hebridean island of Mull.  From there, he made the short boat trip to the small island of Staffa, to visit Fingal’s Cave – a sea cave formed of hexagonal basalt columns, with a highly intriguing natural acoustic. The Hebrides overture was inspired by this segment of Mendelssohn’s Scottish travels.  The work is an early example of a tone poem: a musical representation of the scenery, wind and weather of the Scottish Hebridean islands, reflecting their sudden and infinite changeability. After some revisions, the overture received its first performance in May 1832 and remains a favourite with audiences to this day.  It has been central in establishing – and sustaining – the popularity of Fingal’s Cave as a tourist destination. This arrangement was originally created for a woodwind course held on another Scottish island – Skye, which is the largest and most northerly of the Inner Hebrides.

Instrumental Duet,Piano Instrumental Duet,Piano,Violin,Voice - Level 1 - Digital Download SKU: A0.836254 Composed by Traditional Christmas Song. Arranged by Edna J. Bloom. Children,Christmas,Folk,Instructional,World. Score and parts. 9 pages. Bloom Musicnotes #6638525. Published by Bloom Musicnotes (A0.836254). This is arrangement is especially designed to help players manage the repetitions of this popular cumulative song.  Every verse is completely written out. Instructions show how to assemble the score for easy page turns. The texture is supported using just two basic chords and minimal left hand involvement. DOWNLOAD INCLUDES: 6 pages of music marked for 3 hole punch1 lyric sheet with all the lyrics for each verse1 lyric sheet listing the basic 12 gifts .

Viola Solo - Level 2 - Digital Download SKU: A0.1237587 By Ricky Martin Featuring Maluma. By Anne Wik, Carl Ryden, Enrique Martin, Juan Luis Londono Arias, Justin Stein, Lars Pedersen, Mauricio Reglero Rodriguez, Nermin Harambasic, Ricardo Andres Reglero, and Ronny Svendsen. Arranged by Musikeo. Contest,Disco,Festival,Latin,Multicultural,Pop,World. Individual part. 1 pages. Musikeo #833104. Published by Musikeo (A0.1237587). Vente Pa' Ca (transl. Come Over Here) is a song recorded by Puerto Rican singer Ricky Martin, featuring a guest appearance from Colombian singer Maluma. It was written by Justin Stein, Martin, Maluma, Nermin Harambašić, Anne Judith Wik, Carl Ryden, CheifOne, Mau y Ricky, and Ronny Svendsen, while the production was handled by Alexander Castillo. The song was released for digital download and streaming as a single by Sony Music Latin on September 23, 2016. A Spanish language reggaeton and pop song, it contains various sexual innuendos. The song received widely positive reviews from music critics, who complimented its danceable rhythm and fusion of genres. It was ranked as one of the best Latin songs of the year by multiple publications, including The Guardian.The song was nominated for the awards of Record of the Year and Song of the Year at the 18th Annual Latin Grammy Awards. Vente Pa' Ca was one of the most commercially successful Spanish-language songs of 2016, reaching number one in seven countries, including Argentina and Mexico, as well as the top five in Spain and on the Billboard Hot Latin Songs chart in the United States. It also reached the summit of the Billboard Latin Airplay, Latin Pop Airplay, and Tropical Airplay charts. Additionally, it was ranked among the top 10 best performing songs of 2017 in six Latin American countries. The song has received several certifications, including quadruple platinum in Spain.An accompanying music video, released simultaneously with the song, was directed by Jessy Terrero and filmed at the SLS South Beach Hotel in Miami Beach, Florida. It depicts several parties in different locations in the hotel and has received over 1.8 billion views on YouTube. To promote Vente Pa' Ca, Martin and Maluma performed it on several television programs and award shows, including both the Premio Lo Nuestro and the Premios Juventud in 2017. Multiple contestants on various music talent shows have covered the song, including Patricia Manterola and Màxim Huerta. Several remixes and other versions have accompanied the song, such as English versions featuring Delta Goodrem, and Wendy of Red Velvet. The latter reached number one on Melon's international music chart.Musically, Vente Pa' Ca is a Spanish language upbeat reggaeton and pop song, written by Justin Stein, Martin, Maluma, Nermin Harambašić, Anne Judith Wik, Carl Ryden, CheifOne, Mau y Ricky, and Ronny Svendsen. Its production was handled by Alexander Castillo, and the song features elements of vallenato and Latin music. The track runs for a total of 4 minutes and 19 seconds, and Billboard described it as a party track set over a sultry reggaetón beat.Lyrically, Vente Pa' Ca which translates to Come Here in English, contains various sexual innuendos, with lyrics including, Si tú quieres nos bañamos / Si tú quieres nos soplamos / Pa secarnos lo mojao / Si tu boca quiere beso / Y tu cuerpo quiere de eso / Arreglamos (If you want we can swim / If you want we can dry ourselves / If your mouth wants a kiss / And your body wants that / Then we can manage).Vente Pa' Ca was one of the biggest Spanish-language songs of 2016. The song debuted at number four on the US Billboard Hot Latin Songs chart on October 15, 2016, with a first-week tally of 5,000 downloads sold, 1.1 million streams, and 14 million radio impressions.

Woodwind Ensemble,Woodwind Trio Flute - Level 5 - Digital Download SKU: A0.767564 Composed by Mike Lyons. 20th Century,Children,Contemporary. 57 pages. Lyons Music Services #6035581. Published by Lyons Music Services (A0.767564). This is a highly programmatic piece for flute trio, loosely based around one of the Grimm Brothers’ Fairy Tales Hansel and Gretel. The first movement depicts the children wandering off into the dark forest, initially surrounded by twittering birds and sunlight, but as the movement progresses, the music becomes darker. As the light fades, the children strew breadcrumbs to guide their way out of the forest when they decide to return to the village. At letter C, the mysterious chords suggest something disturbing, perhaps trees with scare faces or giant spiderwebs. At D, the change to 3/4 time suggests the children are anxious and scurrying through the trees, feeling scared, with the use of flutter tonguing suggesting their shivers of fear. Finally, out of breath, they reach the dark clearing with the Gingerbread house. The second movement describes the witch’s Gingerbread house. The top line shows the house’s roof, the middle line shows the windows and the third line marks out the porch and the front door. The children wonder at the strange building and chatter to each other as they explore it, perhaps nibbling here and there. The motif that describes the shape of the house appears from time to time throughout this section as they explore it from different angles. At letter D, after the G.P., the children begin to sense that they are not alone in the house. The low trill on the third flute is meant to be a breathy whisper (it doesn’t matter if the notes fail in performance for this reason) as the witch mutters under her breath. She attempts to pounce on the children and force them into her oven, but they are too fast for her. They trick her into the oven and slam the door shut (Bar before F.) They run from the clearing, not caring if they are going in the right direction. They glance back - once catching sight of the Gingerbread house which has begun to collapse in on itself - before they finally stop for breath as night begins to fall and they find a safe place to sleep (Lento before G.) The third movement sees our young heroes looking for the trail of breadcrumbs to take them back to the village. They are plodding through the deep forest, accompanied once more by the birds. Occasionally they find a crumb or two, but the birds have eaten most of them. They eventually manage to backtrack to the village (the music reflects this as it’s a retrograde of some of the music from movement 1) and they finally reach the village where they are greeted with a party for having killed the witch and returned safely home. This music is in a ‘pastoral style (6/8) and fades away as …they all lived happily ever after.

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.845750 Composed by Henry Purcell. Arranged by Robert Newth. Baroque,Opera. Score and parts. 7 pages. Robert Newth #6212649. Published by Robert Newth (A0.845750). Let us wander was originally written for the opera The Indian Queen. Unfortunately Purcell died before the opera could be completed but he did manage to finish several arias and instrumental sections of the work, including this song.This arrangement is for standard string quartet of Violin I, Violin II, Viola, and Cello. The PDF download contains a full score and all four parts.If you have enjoyed this arrangement, please leave a review!

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.596693 By The Clash. By Joe Strummer and Mick Jones. Arranged by James H. Marler, II. Punk,Rock. Score. 9 pages. Alicorn Music (ASCAP) #3224461. Published by Alicorn Music (ASCAP) (A0.596693). This sultry jazz arrangement is a fresh take on the classic hit by The Clash. Arranged for piano and voice.This arrangement is also available with orchestration for a jazz combo (Piano, Bass, Drums, Guitar, 2 Trumpets, and 2 Trombones) at https://smppress.sheetmusicplus.com/p/manage-products/261049.

Brass Ensemble Horn - Level 5 - Digital Download SKU: A0.845753 Composed by Henry Purcell. Arranged by Robert Newth. Baroque,Opera. Score and parts. 7 pages. Robert Newth #6214931. Published by Robert Newth (A0.845753). Let us wander was originally written for the opera The Indian Queen. Unfortunately Purcell died before the opera could be completed but he did manage to finish several arias and instrumental sections of the work, including this song.This arrangement is for standard french horn quartet of 4 horns in F.. The PDF download contains a full score and all four parts.If you have enjoyed this arrangement, please leave a review!

Piano Solo - Level 2 - Digital Download SKU: A0.1400559 Composed by Vaggelis Xatzimanolakis (E.M.Xatz). 21st Century. Score. 2 pages. Vaggelis Xatzimanolakis #983755. Published by Vaggelis Xatzimanolakis (A0.1400559). Hello everyone, this little piece of mine has been sitting idle in a corner for almost a year, it was the second composed piece of mine, composed during a time when I was starting to learn how to use the various music notation programs. Anyway, this piece of mine is obviously very experimental with a very loose structure, it was meant to be performed by people of the intermediate level of mastery and above, but with enough patience and time I believe that anyone can manage it without any issue. So, have fun!

Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1406742 By Nathan Evans. By Traditional. Arranged by B.McCormick. Folk,Multicultural,Singer/Songwriter,Traditional,World. Score. 3 pages. B. McCormick #989497. Published by B. McCormick (A0.1406742). Dive into the world of sea shanties with this engaging arrangement of “The Wellerman�. This timeless tune, brought back to life by Nathan Evans, has captured the hearts of millions around the globe and has become a viral sensation on TikTok.“The Wellerman� is a 19th-century sea shanty that was made famous by Scottish musician Nathan Evans. His version of the song quickly gained popularity on TikTok, garnering almost 5 million views. The song even reached number one in the UK charts, proving its widespread appeal.This arrangement is designed for piano, vocals, and guitar, making it a versatile piece for any music lover. The melody is notated above a simple piano accompaniment, with guitar chords marked for easy reference. The piano part vamps on the song’s chords, creating an approachable piece for beginners.One of the unique features of this arrangement is its efficient notation. Slight variations between verses are handled elegantly by aligning lyrics with the correct beats. This means performers know exactly what notes to sing for each verse without the need for individual notation of every variation. This thoughtful formatting significantly reduces the number of pages needed, making it eco-friendly and easy to manage.As a bonus, a guitar chord sheet is included. This can be handed to a fellow musician to play along, adding another layer of fun to your musical journey.So why wait? Dive into the captivating world of sea shanties with this “The Wellerman� arrangement. It’s more than just sheet music; it’s a doorway to a musical adventure. Purchase now and let the music begin!

Instrumental Duet Clarinet,Flute,Instrumental Duet - Level 4 - Digital Download SKU: A0.956616 Composed by Ludwig van Beethoven. Arranged by Catriona Melville-Mason. Concert,Standards. Score and parts. 6 pages. C Melville-Mason #6481183. Published by C Melville-Mason (A0.956616). This is the first movement of a //Sonatina in F// for piano, attributed to Beethoven – although scholars now doubt that he was indeed the composer.  A Sonatina tends to be a shorter, less demanding version of a sonata, usually fairly light-hearted in character.  Those who have at some time or another taken piano lessons will probably be familiar with this piece!This version, for duo of flute and clarinet in B-flat, is tricky to manage smoothly at speed, hence its classification as 'advanced intermediate'.

Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lustenhouwer #795094. Published by Annemieke Lustenhouwer (A0.1195919). What happens when you close your eyes and you see yourself standing next to Mother Mary when Jesus dies? What do you see and what do you feel? That was what I’ve been asking myself for years when I read the text Stabat Mater. This composition tells about this experience and this questions. Sometimes a motif tells quite literally about this story, like the moment when Jesus is nailed down the cross: first the right hand, then the left hand and finaly with one nail both feet. In the first part of the composition, the viola tells with sforzato accents about this.This Stabat Mater is not only an expression of the pain of the Virgin Mother, but is also a tribute to JS Bach as well. Bach is by some seen as a fith evangelist. Nowadays there are still a lot of people who are affected by how his music tells about biblical stories, like I am. In this Stabat Mater I use the number 5 to express that: the first part is written in 5/4th and the last part Quando corpus et Amen is written with 5 parts in the choir. There can also be found a reworked choral in the choir passages of  O quam tristis et afflicta. It is the choral Wie nahe mir mein Ende from BWV 166.Polyfony is a returning presence in this Stabat Mater. I had an visual idea about this. When I was young I saw in an exhibition a tapestry with all kinds of colours and threads, and everything felt in motion. It was a kind of organized mess, but it was beautiful and felt perfect. I wondered if I could manage to express this idea in music as well. Under one of the polyphonic passages there is a Latin-American dance rhythm to express that motion. I heard that rhythm in my childhood in a rhythmbox of the keyboard of my dad. Another passage has the baroque sarabande-rhythme underneath in the double bass.A lullaby-feeling in some parts of the Stabat Mater tells about another story that got intertwined with this composition. It’s the story of a mother who rocks her terminal dying little son in her arms. I once read that story and it felt connected with the Stabat Mater text for a long time. I decided to express that as well.This composition is dedicated to the Dutch conductor Geert van den Dungen. However I saw many conductors, while playing the oboe and clarinet from a young age, there was nobody who let me think very deeply about music. Geert was the one who changed that for me. I started to study scores and developed a great interest in music analysis and music psychology. Many moments of inspiration and understanding for this Stabat Mater happened on choir rehearsals and concerts where Geert was working. I am very grateful for that.String parts only, see for conductors/ choir score Sheet Music plus and Sheet music direct.