Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.553824 Composed by Gioachino Rossini. Arranged by Ray Thompson. Opera,Romantic Period,Standards. Score and parts. 61 pages. RayThompsonMusic #4838169. Published by RayThompsonMusic (A0.553824). L'Italiana in Algeri  (The Italian Girl in Algiers) is an operatic dramma giocoso in two acts by Gioachino Rossini to an Italian libretto by Angelo Anelli, based on his earlier text set by Luigi Mosca. It premiered at the Teatro San Benedetto in Venice on 22 May 1813. The music is characteristic of Rossini's style, remarkable for its fusion of sustained, manic energy with elegant, pristine melodies.This is the overture arranged double wind quintet/bass.

Piano Trio Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.1142148 Composed by William Heath. Classical,Contemporary,Film/TV,Thriller. 19 pages. William Heath #742526. Published by William Heath (A0.1142148). A Piano Trio, written for the Leeds University Union Music Society Winter Concert Series. Performed by the Hughes Trio featuring Christopher Hughes (Piano), Amy Howe (Violin), and Nikki Kemp (Cello) Programme Notes: This is a rather melodramatic piece that follows the Five Stages of Grief. I first sketched the piece for string quartet after an absolutely horrific interview at the Royal Northern College of Music. Feeling disheartened and dejected, I got home and messily scribbled on some manuscript paper An Elegy for Hopes and Dreams, and started writing this extremely over-dramatic and self-indulgent piece. I had abandoned this piece for an entire year before reviving it and writing the whole piece in just over a week and a half, now reimagined for Piano Trio. The piece starts with an atonal representation of grief before quickly moving into an upbeat Denial section which features a sort of fragile and manic sense of repression as a theme that initially sounds upbeat quickly unravels with whole-tone scales and chromatic movement. A representation of Anger is then seen with the whole trio playing the same melody with a jarring Bb in the harmony. The denial and anger sections repeat and regress before abruptly moving to a Bargaining section in which the original theme, ominously played in the lower piano and cello registers, is juxtaposed with a conjunct, major variation of the same theme in the violin. The Depression section takes the form of a cello solo as I find it to be one of the most emotive and expressive instruments and I take inspiration from Elgar's Cello Concerto, which I angstily listened to on the flight home from my aforementioned interview. A lilting and lamenting cello solo is contrasted with an atonal, aimless piano accompaniment which reflects the topic of depression. The bargaining theme reprises slightly with both strings performing the major variation before leading to the final climax. The Acceptance section sees the principal theme finally fully resolved in a major mode and with diatonic harmony. This is an expressive section as the whole trio plays the same melody with very simple yet emotive harmonic accompaniment underneath. Here the depression theme pairs with the principal theme coming to a final resolution. For individual parts for performance please contact owhcomposer@gmail.com.

Guitar - Level 3 - Digital Download SKU: A0.1254653 By Wage War. By Chris Gaylord, Cody Quistad, Jeremy Wade Mckinnon, and Seth David Blake. Arranged by koki31. Rock. Guitar Tab. 5 pages. Koki31 #848242. Published by koki31 (A0.1254653). Song : High Horse artist : Wage War album : Manic(2021)  Turning: (Low to high) C-G-C-F-A-D.

Solo Guitar - Level 5 - Digital Download SKU: A0.987853 Composed by Robert M. Greenberg. 20th Century. Individual part. 21 pages. Robert M. Greenberg #115407. Published by Robert M. Greenberg (A0.987853). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 21 minutes Year of composition: 1996 Program Note: I. Toccata/Hands of Steel II. Strum/Serenade III. O Tanenbaum (Toccata reprise) IV. Two-Part Contention V. John Doe VI. True Pluck A number of years ago, the great English guitarist Julian Bream told David Tanenbaum - the dedicatee of tonight's premiere - not to premiere a guitar work unless he knew for a fact it was the composer's second guitar work. Sage advice. The guitar is an instrument that gives up its secrets to a non-guitar playing composer only reluctantly. Indeed, the timbral, digital and chordal subtleties of this most subtle and intimate instrument are truly understood by the guitarist only. Pity the outlander who composes for the guitar for the first time! With this last thought in mind I had, until last fall, managed to avoid writing a guitar piece. However, even the most abject compositional coward will relent when a musician like David Tanenbaum asks for a piece and offers his assistance and critical judgement in its composition. So it was with PLUCK, composed between November of 1995 and January of 1996. Bream's advice notwithstanding, PLUCK is my first guitar piece. Tanenbaum is brave. The title, PLUCK, thus refers to both the action of plucking strings as well as pluck - bravery, grit, true grit. PLUCK is written in six interrelated movements. The first movement, Toccata/Hands of Steel introduces much of the essential pitch and harmonic material of the piece, as well as Flamenco-style rasgueado strumming which, try as I might, I could not resist using. Movement two, Strum/Serenade, explains itself in its title. Movement three, O Tanenbaum (a designation for which David has forgiven me) reprises the Toccata and describes, well, a sort of musical tree (David has forgiven me for this, too). Two-Part Contention is a combatative, argumentative movement that pits the treble strings of the guitar against the bass. Movement 5, John Doe is a lyric and mysterious moment of rest before the manic finale. Movement 6, True Pluck, is a fast, furious and virtuosic finale. PLUCK is dedicated, with greatest respect and affection, to my friend David Tanenbaum. May he only want to play my second guitar piece.

Digital Download SKU: A0.1072631 Composed by Steven Silverstein. Broadway,Film/TV,Musical/Show. Full Performance. Duration 158. Steven Silverstein #3915207. Published by Steven Silverstein (A0.1072631). Pictures I Draw is from the musical THE HUMAN HEART (which received a Billy Rose foundation grant, and deals with manic depressiveness). Written with lyricist Michael Colby. The song is an upbeat musical theater style song excellent for auditions.

Digital Download SKU: HX.352626 By Manic Street Preachers. Pop. Guitar Chords/Lyrics. 3 pages. Published by Hal Leonard Europe (HX.352626).

Piano Solo - Level 5 - Digital Download SKU: A0.1039610 By Sean A. Ryan. By Sean A. Ryan. Classical,Contemporary,New Age. Score. 5 pages. Sean A. Ryan #644520. Published by Sean A. Ryan (A0.1039610). This is a manic and bombastic sounding short but technically challenging piano piece for advanced to professional level pianists. An excellent closer for any piano recital.

Choral Choir (SATB divisi) - Digital Download SKU: A0.776294 By Justin Timberlake. By Johan Schuster, Justin Timberlake, Max Martin, and Shellback. Arranged by arr. Shawn Pearce. A Cappella,Dance,Pop. Octavo. 29 pages. Shawn Pearce #5322085. Published by Shawn Pearce (A0.776294). This is your closer.   Seriously, from how it starts (which isn't how you would think) to the power breakdown before the big finish, this goes out of the gate and never stops moving.   You will want beatbox and all of the energy your group can pull together for this manic a cappella tour through this Justin Timberlake Hit, as well as some other musical variations on the ideas of stop, dance and feeling.   .