Digital Download SKU: HX.294087 By Mariah Carey and Michael Buble. Arranged by Mark A. Brymer. Christmas,Holiday,Winter. Choral Instrumental Pak. 8 pages. Hal Leonard - Digital #7401. Published by Hal Leonard - Digital (HX.294087).

Digital Download SKU: HX.416154 By Pentatonix. Arranged by Mark A. Brymer. This edition: scorch. Broadway,Musical/Show. Choral Instrumental Pak. 2 pages. Duration 170. Hal Leonard - Digital #610450. Published by Hal Leonard - Digital (HX.416154).

Digital Download SKU: HX.294086 By Mariah Carey and Michael Buble. Arranged by Mark A. Brymer. Christmas,Holiday,Winter. Choral Instrumental Pak. 8 pages. Hal Leonard - Digital #7401. Published by Hal Leonard - Digital (HX.294086).

Composed by Lindy Thompson and Mark A. Miller. General, Confirmation, Baptism, Thanksgiving. Sacred. Octavo. 16 pages. Chorister's Guild - Digital #CGA1701. Published by Chorister's Guild - Digital

(Accompaniment Only) - Digital Download SKU: HX.430421 Composed by Marc Shaiman. Arranged by Mark A. Brymer. Disney,Film/TV,Musical/Show. Choral. Duration 205. Published by Hal Leonard - Digital (HX.430421).

Digital Download SKU: HX.269914 By Pink. Arranged by Mark A. Brymer. Concert,Pop,Rock. Choral Instrumental Pak. 2 pages. Duration 210. Hal Leonard - Digital #228069. Published by Hal Leonard - Digital (HX.269914).

(Full Performance) - Digital Download SKU: HX.464312 Composed by Benj Pasek and Justin Paul. Arranged by Mark A. Brymer. Broadway,Light Concert,Musical/Show. Choral. Duration 149. Published by Hal Leonard - Digital (HX.464312).

Easy Piano - Level 2 - Digital Download SKU: A0.1262853 Composed by Jeremiach Clarke. Arranged by Darek. Baroque,Classical,Early Music. Score. 2 pages. Darek #855861. Published by Darek (A0.1262853). Trumpet Voluntary (EASY PIANO) “Prince of Denmark's March� [Jeremiach Clarke]Simplified arrangement for pianists of Trumpet Voluntary “Prince of Denmark's March� by Jeremiach Clarke. Prince of Denmark's March | For Piano Keyboard or Organ | Beginner Version in F Major | Easy version for pianists | Easy piano arrangement. Included: Fingering, Dynamics, Articulations and video Youtube tutorial.  Step into the regal world of classical music with my meticulously crafted easy-level piano sheet music for the iconic Trumpet Voluntary, also known as Prince of Denmark's March, composed by Jeremiah Clarke. Perfectly suited for beginner pianists, this timeless piece allows you to immerse yourself in the grandeur of the Baroque era. Experience the thrill of performing this majestic composition as you follow the expertly marked fingering, articulation, and dynamics in the sheet music. These essential notations provide the necessary guidance to bring out the beauty and brilliance of each note. To enhance your learning journey, my sheet music package includes a captivating video YouTube tutorial. This tutorial serves as your personal instructor, offering valuable insights, techniques, and interpretations, allowing you to master the piece with confidence and finesse. Indulge in the allure of classical music as you grace your piano with the magnificent melodies of the Trumpet Voluntary. With my sheet music, you'll embark on a musical adventure that cultivates your skills, transports you to a bygone era, and evokes a sense of elegance and majesty. Keywords: sheet music, piano, pianist, beginner, easy level, Jeremiah Clarke, Trumpet Voluntary, Prince of Denmark's March, Baroque era, fingering, articulation, dynamics, video tutorial, classical music, melody, composition, regal, grandeur, musical adventure, elegance, majesty.

SATB choir divisi (a cappella) - Medium - Digital Download SKU: MQ.50-5221-E Composed by Craig Carnahan. 9 pages. MorningStar Music Publishers - Digital Sheet Music #50-5221-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-5221-E). English.This SATB (divisi) a cappella setting exhibits one of this composer's trademarks: an ability to be fresh and creative without sacrificing the familiarity of the original material. In this case the spiritual is marked Tenderly and sustained, with rubato. The lush harmonies support this concept throughout.

Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.534711 Composed by Anne-Louise Brillon de Jouy. Classical,Concert,Folk,Holiday,Patriotic,Standards. Score and parts. 12 pages. Musik Fabrik Music Publishing #6359041. Published by Musik Fabrik Music Publishing (A0.534711). SONATA NO. 8 IN A MINOR  I. [Allegro]II. Minuetto e Trio The composer and harpsichordist Anne-Louise Brillon de Jouy was born in Paris in 1744, and died in 1824 in Villers-sur-Mer in Normandie. She married Jacques Brillon de Jouy 22 years her senior,and had two daughters, Cunégonde and Aldegonde, Anne-Louise Brillon de Jouy had a salon in Passy whose guests included the violinist Jean-Pierre Pagin and cellist and composer Luigi Boccherini. Benjamin Franklin was also a frequent vistor and Madame Brillon has an extensive correspondence with him, including the period after his stay in Paris during the American Revolution .Many of her compositions were purchased in 1957 by the American Philosophical Society of Philadelphia, in honor of this friendship.In 2021, French Pianist Nicolas Horvath recorded a landmark CD for Grand Piano (GP872-73) of Brillon’s keyboard noatas with extensive notes by Aliette de Laleu, Deborah Hayes and Nicolas Horvath and Christine de Pas The keyboard sonatas published here are intended to document this reocrding.The twelve numbered sonatas, marked “Troisième Recueil de Sonates pour le pianoforte ou clavecin avec accompagnement d’un viiolon ad libitumâ€�, are in the hand of a copyist and are contained in a bound volume labeled as her Troisième Recueil (‘Third Collection’) and dedicated to Mesdemoiselles Brillon. Evidently the composer at some point chose these 12 sonatas to be copied as a sampling of her work for her two daughters. The manuscript is in the collection of the American Philosopical Society in Philadelphia.  

Concert Band - Level 4 - Digital Download SKU: A0.1433990 By Albert Ketelbey. By Albert Ketelbey. Arranged by John Ivor Holland. 20th Century,Classical,Multicultural,World. 85 pages. John Ivor Holland #1014221. Published by John Ivor Holland (A0.1433990). Albert William Ketèlbey (1875-1959) was an English composer, conductor and pianist, best known for his short pieces of light orchestral music. He was born in Birmingham and moved to London in 1889 to study at Trinity College of Music. After a brilliant studentship he did not pursue the classical career predicted for him, becoming musical director of the Vaudeville Theatre before gaining fame as a composer of light music and as a conductor of his own works. One of his earliest works in the genre, 'In a Monastery Garden' (1915), sold over a million copies and brought him to widespread notice; his later musical depictions of exotic scenes caught the public imagination and established his fortune. Such works as 'In a Persian Market' (1920), 'In a Chinese Temple-Garden' (1923), and 'In the Mystic Land of Egypt' (1931) became best-sellers in print and on records; by the late 1920s he was Britain's first millionaire composer. Ketèlbey's popularity began to wane during the Second World War and his originality also declined; many of his post-war works were re-workings of older pieces and he increasingly found his music ignored by the BBC. In 1949 he moved to the Isle of Wight, where he spent his retirement, and he died at home in obscurity. On the last night of the 2009 Proms season, the orchestra performed his 'In a Monastery Garden', marking the fiftieth anniversary of Ketèlbey's death—the first time his music had been included in the festival's finale. This arrangement of 'In a Chinese Temple-Garden' has been created with the modern concert band in mind and is sensitively cross-cued for smaller ensembles.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1468129 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. 19th Century,Chamber,Folk,Historic,Traditional. 49 pages. Sweetwater Brass Press #1046440. Published by Sweetwater Brass Press (A0.1468129). In 1856 Joseph P. Webster, a Wisconsin songwriter, met Henry D.L. Webster (no relation), formerly the minister of Zanesville, Ohio’s Universalist Church.  Joseph was in the process of writing a song but needed lyrics to go with his melody.  Henry obliged by writing a longish poem about the love of his life, Ella Blocksom.  She had been his fiancée, but the engagement had been broken and, apparently, so had Henry’s heart.  Joseph’s melody needed a name that would fit into a three-note phrase, so “Ella” was changed to “Lorena.”  Chicago’s Higgins Brothers published the song in 1857, and it became widely popular.  When the American Civil war broke out, “Lorena” was beloved by both Union and Confederate soldiers as they thought of the wives and girlfriends they had left behind.       J.P. Webster’s “Lorena” is beautiful and plaintive. It is no wonder that this song has remained a sentimental favorite over the years and is still performed and recorded.  In this composition, “Lorena: A Brass Quintet Setting,” the “Lorena” tune has been expanded and transformed to create additional melodies that enhance and complement the original.  You’ll find it a pleasure to play and a real crowd pleaser for audiences.     This composition is 201 measures in length.  It begins in the key of E-flat, transitions to B-flat at section C (measure 51) and goes to F at section G (measure 141).  Initial tempo marking is Adagio, increasing to Moderato at section C.  There are a number of temporary tempo variations and fermata marks, and the last 9 measures are characterized by a gradual slowing.     The introduction is 21 measures in length.  It leads to the second section, which consists of a plain, simple and straightforward statement of J.P. Webster’s “Lorena” theme, complete with grace notes and gruppetto.  In this section, Horn and Trumpet 1 do the honors, eventually joined by Tuba, and it should be played with great expression.       At section C, tempo then picks up, and the arrangement presents a series of explications of the theme in various styles.       The final section, I (measure 179), reprises most of the variations and ends with a partial reiteration of the “Lorena” theme.     Performance time is about eight minutes, forty seconds.  Tuba plays several notes near the top of its scale; otherwise, all notes are within the normal playing range of each instrument.     The composer, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  Contact him at lessmith61@bellsouth.net.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1487167 By Pet Shop Boys. By Chris Lowe and Neil Tennant. Arranged by John Ivor Holland. 20th Century,Film/TV,Pop,Rock. Brass Band. 56 pages. John Ivor Holland #1064138. Published by John Ivor Holland (A0.1487167). It's A Sin is taken from Pet Shop Boys' second studio album, 'Actually', released in June 1987 as the lead single. It became their second number-one in the UK, spending three weeks at the top. Additionally, the single topped the charts in Austria, Denmark, Finland, Germany, Ireland, Norway, Portugal, Spain, Sweden and Switzerland, reaching number nine on the US Billboard Hot 100. In the song, Tennant describes some impressions he took from his time at a Catholic high school in Newcastle upon Tyne. He ended up feeling that everything he had done or was going to do was a sin. Directed by Derek Jarman, the It's A Sin video marked the director's first of several collaborations with the band; it extended the lyrical themes of the song by showing Tennant under arrest by an inquisition with Lowe as his jailer and Ron Moody ('Fagin' in the musical, 'Oliver!') in the role of his judge, interspersed with brief clips of personifications of the seven deadly sins. This arrangement for brass band opens with the fanfare used in the orchestral Overture to the Pet Shop Boys' 'Performance' tour, segueing into the song and featuring, in the middle, a half-time feel, riffing off Tennant's own suggestion that It's A Sin, at its heart, is a heavy metal record. Your players and audience are sure to love this stone-cold pop classic and have fun with the 'thunder' sound effects to ramp up the dramatic effect!

Cello,Flute,Harpsichord,Violin - Level 3 - Digital Download SKU: A0.1487810 Composed by Leopold Hofmann. Arranged by Allan Badley. Classical. 48 pages. Artaria Editions #1064748. Published by Artaria Editions (A0.1487810). Artaria Editions AE198For flute, violin, cello, harpsichord, and basso (usually a second cello)The present work was advertised by Breitkopf (Supplement IV) in 1769 along with two of the composer's keyboard concerti.Most of Hofmann's keyboard music appears to date from his years as Hofklaviermeister (1769-1774) and we can assume that a good deal of it was intended as teaching material. In the circumstances it is tempting to suggest that this attractive and unusually-scored work was composed for Hofmann's imperial pupils and that Joseph II perhaps played the cello part in a domestic concert at court. This edition is based on a set of MS parts now preserved in the Staatsbibliothek zu Berlin under the shelfmark Mus.ms. 10733/3. The wrapper reads: 'A/ Concertino / a / Cembalo / Flauto Traverso / Violino / Violoncello / e / Basso / del Sigr. Leop: Hoffmann / Grave' . The intended 'basso' instrument is uncertain but in all likelihood it was played by a second cello. In the absence of both the autograph score and an authentic set of parts, this edition presents as faithfully as possible the intentions of the composer as transmitted in the Berlin copy. The simple continuo realisation, printed here in smaller type, has been added by a later hand and is certainly not the work of the composer. As is often the case in Hofmann's chamber music there are few dynamic markings in the parts although considerable care is taken with articulation. The style and notation of these have been standardised throughout, and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets. Like most eighteenth-century sources, the present manuscript is inconsistent at times in its notation of appoggiature ; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Allan Badley.

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1030615 Composed by William Billings. Arranged by Mike Allsen. Classical,Praise & Worship,Renaissance,Sacred,Spiritual. Score and parts. 41 pages. Aaron Hettinga #636010. Published by Aaron Hettinga (A0.1030615). William Billings (1746-1800) was North America’s first great choral composer. He spent most of his life in Boston, working at various times as a tanner or as minor civic official, and occasionally as a church musician. Billings seems to have had little formal music training, but when he was just 22, he also set himself up as an itinerant singing-master, teaching “singing-schools,� where children and adults could learn the rudiments of musical notation and solfege. To feed the market he and other singing-masters had helped to create, Billings published six collections of music, mostly for SATB voices, The first of these, The New England Psalm-Singer (1770) featured a frontispiece engraved by his friend Paul Revere. Billings was fairly prosperous by 1780s, but his good fortune faded in the 1790s. His final collection of music, The Continental Harmony of 1794, was published for his benefit by a group of Boston friends. Billings died destitute in 1800. Billings composed some 340 pieces, mostly collected in his printed editions. This music has a rough-edged and sturdy beauty that is distinctly different from anything in contemporary Europe. The vast majority of Billings’s works were hymns or “psalm tunes.� He was particularly attracted to the great English hymn-writer Isaac Watts (1674-1748), though Billings himself wrote verses for many of his hymns. One of the most famous Billings “psalm tunes,� Chester is not a Christian hymn, but rather a patriotic song of defiance directed against the British. Billings spent nearly all of the Revolutionary War in Boston and made no secret of his patriot sentiments. Chester was first published in 1770, but when he republished it in his The Singing-Master’s Assistant during the height of the war in 1778, Billings added a verse calling out the “infernal league� of the leading British generals Howe, Burgoyne, Clinton, Prescot and Cornwallis. Many brass-players will know Chester from the finale of William Schuman’s 1957 band piece A New England Triptych. Billings also composed over 50 “fuging-tunes�—a genre that usually included a short introduction and a repeated contrapuntal section. (These fuging sections usually begin with imitation, but they are otherwise not at all like classical fugues written in Europe at the time.) The fuging-tune Creation is one of his later works, published in The Continental Harmony of 1794, and experiments with the form. It sets two verses of the Watts hymn “When I With Pleasing Wonder Stand� though final line of verse 1 is repeated in a striking phrase that suddenly moves twice as fast (m.15). The fuging section begins in m.30, and rather than the usual exact repeat, Billing writes an entirely new and more elaborate second section beginning at m.44. Billings first published the simple but beautiful Africa in 1770, and published a revised version in 1778; the later version appearing with the Isaac Watts hymn “Now Shall My Inward Joys Arise.� I first arranged Africa in 1995, for the Glenwood Moravian Trombone Choir (Madison, WI), and I edited it for this publication. Phrasing and articulations marked here reflect the original vocal texts. Africa has long been a favorite of the Glenwood group. Chester and Creation were arranged in 2022. Mike Allsen February 2022.