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Concert Band - Grade 1 - Digital Download

SKU: B0.PDF-BAND-FRA-293

Composed by Jerry Frazier. Multicultural. Score and Parts. 29 pages. PDF Band Music #PDF-BAND-FRA-293. Published by PDF Band Music (B0.PDF-BAND-FRA-293).

8.5 x 11 inches.

Flexercise for young bands is a valuable tool for teaching various techniques. The eight exercises are a combination of finger slurs for the woodwinds, lip slurs for brass, and various percussion techniques. The exercises may be used in sectionals or full band rehearsals. In the clarinet part suggestions for slurring from open G to B or C are given. In trumpet, baritone, and trombone parts alternate fingerings and positions are suggested. Tempo and dynamics are not marked. Each band will have different needs in these areas.

Flexercise for Young Bands
Orchestre d'harmonie

$37.50 35.69 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download

SKU: A0.1510585

By 2Pac. By Larry Troutman, Mikel Hooks, Norman Durham, Roger Troutman, Ronnie Hudson, and Woody Cunningham. Arranged by Ray Flores. 20th Century,Hip-Hop,Pop,R & B,Standards. 32 pages. Flo Flo Music LLC #1085785. Published by Flo Flo Music LLC (A0.1510585).

Program Notes:

California Love is an absolute banger from the legendary 2Pac, featuring the one and only Dr. Dre! This tune marked 2Pac's triumphant return to the music scene after getting out of prison in 1995, and was his first single as the newest artist of Death Row Records. The track snagged a posthumous nod for the Grammy Award for Best Rap Performance by a Duo or Group in 1997. I hope you enjoy this arrangement!

www.rayfloresmusic.com

Teacher Resources can be found here:
* Play Along Click Tracks
* Melodic Charts
https://rayfloresmusic.com/california-love/.

California Love (Remix)
Orchestre d'harmonie
2Pac
$49.99 47.58 € Orchestre d'harmonie PDF SheetMusicPlus

String Ensemble,String Quintet Viola - Level 3 - Digital Download

SKU: A0.813813

Composed by Gustav Holst. Arranged by Regis Bookshar. 20th Century,Contemporary,Sacred,Standards,Wedding. Score and parts. 9 pages. Regis Bookshar #6487275. Published by Regis Bookshar (A0.813813).

O Spirit All-Embracing (Thaxted) (Bb) (Viola Quintet) - Intermediate - Digital Download. This marvelous arrangement of O Spirit All-Embracing, a hymn tune based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, would be a fabulous addition to any music library and could be performed for church services, especially Weddings and Funerals, but would be appropriate any time during the church year. However, if you are looking to perform this selection for concerts or recitals, I would suggest you look for the arrangement of Jupiter (Andante Maestoso from Jupiter, the Bringer of Jollity from The Planets), also by Regis Bookshar. These arrangements are suitable for high school and college students but professional musicians would also enjoy playing these selections as well. Included are a score and a complete set of parts (9 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time. We have performed the Trumpet Quintet version of this composition quite often for numerous weddings and other special occasions.
The Planets, written between 1914 and 1917 by the English composer Gustav Holst, premiered at the Queen's Hall in London, on September 29, 1918 for an invited audience of about 250 people. In the fourth movement, Jupiter, the Bringer of Jollity, Holst portrays Jupiter's supposedly characteristic abundance of life and vitality. Nobility and generosity are allegedly characteristics of those born under Jupiter, and in the slower, middle section marked Andante Maestoso, perhaps the most well-known theme from The Planets (and the theme on which this arrangement is based), Holst provides a broad tune embodying these traits. In 1921, Holst adapted the theme to fit the patriotic poem I Vow to Thee, My Country by Cecil Spring Rice, and was written as a unison song with orchestra. It did not appear as the hymn tune until 1926, when Holst harmonized this melody, named Thaxted, named after the English village where he had lived for many years. Holst's friend Ralph Vaughan Williams included it in Songs of Praise. It has since been performed at numerous occasions, most notably for the wedding of Prince Charles and Diana, Princess of Wales in 1981, and also at the funerals of Princess Diana in 1997, Margaret Thatcher in 2013 and Senator John McCain where it was performed at the Washington National Cathedral on September 1, 2018. In addition to being used as the melody for the solemn, patriotic hymn I Vow to Thee, My Country, other settings of this hymn tune also include O God, Beyond All Praising, by Michael Perry in 1982, O Spirit All-Embracing by Delores Dufner in 1995 and We Praise You and Acknowledge You, O God, a paraphrase of the Te Deum Laudemus by Stephen P. Starke in 1999.
Regis Bookshar thought that it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to the Trumpet Quintet version and this version for a Viola Quintet, he has made quite a few other arrangements of this selection. There are Quintets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are added as often as possible. I'm certain that this beautiful arrangement of O Spirit All-Embracing based on the Andante Maestoso section from Jupiter, the Bringer of Jollity from Gustav Holst's The Planets, will continue to entertain both performers.

O Spirit All-Embracing (Thaxted) (Bb) (Viola Quintet)
Ensemble d'Altos

$10.00 9.52 € Ensemble d'Altos PDF SheetMusicPlus

Concert Band - Grade 2 - Digital Download

SKU: B0.PDF-BAND198

Composed by Lee Shook. January March is a compelling choice for Grade 2 level band students. Multicultural. Score and Parts. 54 pages. PDF Band Music #PDF-BAND198. Published by PDF Band Music (B0.PDF-BAND198).

8.5 x 11 inches.

January March, written for 2nd or 3rd year players, is a spirited concert march that contains a wealth of valuable teaching material for young bands. All sections get an opportunity to play the melody complete with march style articulations and dynamic expressions that are clearly marked in the score. Instrument ranges are limited to the concert Bb scale and the orchestration helps to insure that this piece will work for bands with limited instrumentation. .

January March
Orchestre d'harmonie

$38.70 36.83 € Orchestre d'harmonie PDF SheetMusicPlus

Alto Flute,Instrumental Solo,Piano - Level 4 - Digital Download

SKU: A0.1049315

Composed by Cecile Chaminade. Arranged by Phil Beaman. Romantic Period,Standards. Score and individual part. 9 pages. Phil Beaman #653686. Published by Phil Beaman (A0.1049315).

Cecile Louise Chaminade (1857-1944) was a French Romantic composer and pianist. She is often overlooked as a musician yet she was the first female composer to win the Ordre National de la Legion d'Honneur, France's highest award. In 1890 she wrote a piano piece whimsically titled La Lisonjera (The Flatterer). It is a great example of late Romantic writing for the masses with an eye to publishing. She is lyrical, expressive, and emotional; using dynamics, wider note ranges, and chromaticism. It exhibits her trademark of being 'passionate yet virtuosic'. I have arranged La Lisonjera for Alto Flute and Piano, keeping all of the traditional Romantic characteristics intact. I have added greater contrast between the themes, making the A theme appassionata, and reserving her molto capriccioso for the B theme which I also slow down a bit to allow for more playfulness. It is my own interpretation of articulation and simplified virtuosic passages. The accompaniment is my own reduction to allow the solo to shine freely. The arrangement is still marked as Advanced Intermediate because the range is 2 1/2 octaves and there are many articulation markings. This arrangement is perfect for Recital and Repertoire as a performance of the 'overheated emotions' of the late Romantic era. Enough virtuosity to show the violinist's technique. Accessible and enjoyable for all audiences. (3:30 minutes; 2 without repeat) 6 page score, 3 page part.

La Lisonjera - alto flute-piano

$6.99 6.65 € PDF SheetMusicPlus

Flute,Piano - Level 4 - Digital Download

SKU: A0.1049312

Composed by Cecile Chaminade. Arranged by Phil Beaman. Romantic Period,Standards. Score and part. 9 pages. Phil Beaman #653682. Published by Phil Beaman (A0.1049312).

Cecile Louise Chaminade (1857-1944) was a French Romantic composer and pianist. She is often overlooked as a musician yet she was the first female composer to win the Ordre National de la Legion d'Honneur, France's highest award. In 1890 she wrote a piano piece whimsically titled La Lisonjera (The Flatterer). It is a great example of late Romantic writing for the masses with an eye to publishing. She is lyrical, expressive, and emotional; using dynamics, wider note ranges, and chromaticism. It exhibits her trademark of being 'passionate yet virtuosic'. I have arranged La Lisonjera for Flute and Piano, keeping all of the traditional Romantic characteristics intact. I have added greater contrast between the themes, making the A theme appassionata, and reserving her molto capriccioso for the B theme which I also slow down a bit to allow for more playfulness. It is my own interpretation of articulation and simplified virtuosic passages. The accompaniment is my own reduction to allow the solo to shine freely. The arrangement is still marked as Advanced Intermediate because the solo part has a range of 2 1/2 octaves and many articulation markings. This arrangement is perfect for Recital and Repertoire as a performance of the 'overheated emotions' of the late Romantic era. Enough virtuosity to show the violinist's technique. Accessible and enjoyable for all audiences. (3:30 minutes; 2 without repeat) 6 page score, 3 page part.

La Lisonjera - flute-piano
Flûte traversière et Piano

$6.99 6.65 € Flûte traversière et Piano PDF SheetMusicPlus

B-Flat Clarinet,Piano - Level 4 - Digital Download

SKU: A0.1049325

Composed by Cecile Chaminade. Arranged by Phil Beaman. Romantic Period,Standards. Score and part. 9 pages. Phil Beaman #653697. Published by Phil Beaman (A0.1049325).

Cecile Louise Chaminade (1857-1944) was a French Romantic composer and pianist. She is often overlooked as a musician yet she was the first female composer to win the Ordre National de la Legion d'Honneur, France's highest award. In 1890 she wrote a piano piece whimsically titled La Lisonjera (The Flatterer). It is a great example of late Romantic writing for the masses with an eye to publishing. She is lyrical, expressive, and emotional; using dynamics, wider note ranges, and chromaticism. It exhibits her trademark of being 'passionate yet virtuosic'. I have arranged La Lisonjera for Bb Clarinet and Piano, keeping all of the traditional Romantic characteristics intact. I have added greater contrast between the themes, making the A theme appassionata, and reserving her molto capriccioso for the B theme which I also slow down a bit to allow for more playfulness. It is my own interpretation of articulation and simplified virtuosic passages. The accompaniment is my own reduction to allow the solo to shine freely. The arrangement is still marked as Advanced Intermediate because the solo has a range of 2 1/2 octaves and many articulation markings. This arrangement is perfect for Recital and Repertoire as a performance of the 'overheated emotions' of the late Romantic era. Enough virtuosity to show the violinist's technique. Accessible and enjoyable for all audiences. (3:30 minutes; 2 without repeat) 6 page score, 3 page part.

La Lisonjera - clarinet-piano
Clarinette et Piano

$6.99 6.65 € Clarinette et Piano PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download

SKU: A0.864441

Composed by Mark D. Templeton. 20th Century,Contemporary. Octavo. 12 pages. Mark Templeton Choral Music #2343381. Published by Mark Templeton Choral Music (A0.864441).

Lesbia mi dicit semper male, commonly known as Catullus 92, consists of two elegiac couplets written by Gaius Valerius Catullus (84-54 B.C.E) for his lover, Lesbia. Lesbia was the name believed to have been given by Catullus to his mistress. Her real name was Clodia, the sexually promiscuous wife of proconsul Quintus Caecilius Metellus Celer, known as Metellus. Catullus’ earlier poem, 83, brings some context to 92. In the first part of 83, Catullus says:

Lesbia keeps insulting me in front of her husband:

this fills the fatuous idiot with delight.

Mule, do you perceive nothing? If she shut up and ignored me

that’d show healthy indifference;…

In 92, Catullus expounds on the idea of why Clodia insults him in front of Metellus. Catullus reckons that he is always cursing her, and he loves her. She always curses him, so she must love him as well. In his desperation, Catullus uses his wit and humor to reason that his obsessive love for Coldia is reciprocated. This setting of 92 uses incessant driving rhythms in the women’s voices to paint the words, Lesbia mi dicit semper male nec tacet umquam de me (Lesbia always speaks ill of me, never shuts up about me). The repeating rhythms return in the men’s voices when Catullus says he does the same, quia sunt totidem mea: deprecor illam assidue (…it’s the same with me: I’m continually complaining.) The piece comes to a final rest after Catullus realizes the he will always be cursed to love her.








Lesbia mi dicit semper male
Chorale SATB

$2.00 1.9 € Chorale SATB PDF SheetMusicPlus






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