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Small Ensemble Boomwhackers,Piano Accompaniment - Level 2 - Digital Download

SKU: A0.569868

By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Children,Christmas,Folk,Multicultural,Sacred,World. Score and parts. 9 pages. Sharon Wilson #6609329. Published by Sharon Wilson (A0.569868).

This sheet music is arranged for a one octave, 13-note chromatic scale Boomwhackers® choir with Piano accompaniment. The piano provides an introduction then the Boomwhackers® play the melody and occasional 2-part harmony. An optional repeat and second ending is included in case a longer song is desired.

Included in this set of scores is a combined score with both instruments (Boomwhackers® and Piano) on a grand staff plus a separate color-coded score for the Boomwhackers®. The color-coded Boomwhackers® score uses the Chroma-Notes™ Colored Music System. If you have a set of tubes with a different color scheme, Chroma-Notes Stick Ons can be purchased and applied so the Boomwhackers® match this color scheme.

A color-coded note chart is also provided showing the Boomwhackers® notes used for this arrangement as well as the number of times each note is played. The note distribution is helpful when assigning notes to whackers. You may want to assign fewer notes to beginners or evenly distribute the tubes between all whackers.

The color-coded score is enlarged so the colors are easier to distinguish and all sharps and flats are displayed (shown in the key of C) as reminders for beginning whackers. Also, only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see.

Other suggestions and uses:
*
use multiple sets of Boomwhackers® to amplify the sound and allow more people to enjoy whacking the tubes
* use as part of the music education for children at school, home, or church
* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, just to name a few

Permission is granted to make up to 10 copies of each score. For more than 10 copies, please purchase additional sets.

This arrangement is one of the 10 songs in the collection Christmas Carols (Collection of 10 Color-Coded Arrangements for One Octave Boomwhackers® with Piano).

Boomwhackers® is a registered trademark of Rhythm Band Instrument, LLC. Used by permission.

“O Come, O Come, Emmanuel” for One Octave Boomwhackers® with Piano accompaniment (Color Coded Notes) Accompagnement Piano
Sharon Wilson
$5.99 5.69 € Accompagnement Piano PDF SheetMusicPlus

Brass Ensemble Bass Trombone,Flugelhorn,Trumpet,Tuba - Level 4 - Digital Download

SKU: A0.1248961

Composed by Giovanni Gabrieli. Arranged by Frank Stubbs. Chamber,Christmas,Early Music,Renaissance,Sacred. 18 pages. Frank Stubbs #843436. Published by Frank Stubbs (A0.1248961).

O Magnum Mysterium is a responsorial chant from the Matins of Christmas. Though the music is beautiful at any time of the year!!
This setting by Giovanni Gabrieli uses his trademark multiple choirs (in this case 2 choirs of 4 parts).
In this instance I have arranged the music for 8 Brass players. In Choir 1 we have 2 Trumpets French Horn (with a part for Trumpet if you aren't using Horn) and Trombone, Choir 2 has Flugelhorn, Trombone, Bass Trombone and Tuba (you can substitute Trumpet for Flugel and Tenor Trombone instead of Bass Trombone if you wish). This instrumentation contrasts a more Brash sounding Choir 1 with a more mellow Choir 2. 
Would be suitable for higher grade players to professional standard artistes.

O Magnum Mysterium

$17.50 16.62 € PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download

SKU: A0.1500348

Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christmas,Historic,Holiday,Traditional. 16 pages. Jmsgu3 #1076427. Published by jmsgu3 (A0.1500348).

O Christmas Tree, originally known as O Tannenbaum, is a significant holiday carol with deep cultural and historical roots. Here are some key points regarding its importance:

Origins and Evolution
German Roots: The carol originated in Germany, where O Tannenbaum was a traditional folk song that celebrated the fir tree's beauty and symbolized faithfulness and endurance. The melody dates back to the 16th century, and the modern lyrics were adapted by German composer Ernst Anschütz in 1824.

Cultural Adaptation: In the 19th century, the song transitioned into English as O Christmas Tree, aligning with the growing Christmas tree tradition in Western cultures, particularly in the UK and the US. This adaptation reflects the broader cultural exchange and the incorporation of German customs into English-speaking Christmas celebrations.

Symbolism
Evergreen Significance: The lyrics of O Christmas Tree emphasize the tree's evergreen nature, which serves as a metaphor for reliability and hope. The fir tree is celebrated for its beauty and ability to remain vibrant throughout the seasons, symbolizing steadfastness and renewal.

Christmas Tradition: The song has become synonymous with Christmas celebrations, marking the festive season for many families. It encapsulates the joy and warmth associated with decorating Christmas trees, a practice that has become a worldwide central aspect of holiday traditions.

Musical and Cultural Impact
Widespread Popularity: O Christmas Tree is one of the most recognized Christmas carols, performed in various versions across different cultures. Its melody and themes resonate with audiences, making it a staple in holiday music repertoires.

Educational Value: The carol serves as an educational tool, introducing children to concepts of cultural heritage, music history, and the significance of seasonal traditions. It allows for discussions about the evolution of holiday practices and the blending of cultural influences.

In summary, O Christmas Tree is important as a beloved holiday song and a cultural artifact that reflects historical traditions, symbolism, and the spirit of Christmas.

O Christmas Tree for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$34.95 33.2 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download

SKU: A0.861941

Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pages. Mark O'Connor Musik International #6208223. Published by Mark O'Connor Musik International (A0.861941).

Surrender The Sword (violin solo part â€“ violin and string orchestra) MO136B

Violin Solo Part (score and parts available)

Music by Mark O’Connor

7 pages - 9:30 minutes in length

 

Surrender The Sword for violin and string orchestra was composed and orchestrated by Mark O’Connor and used as one of the themes for the critically acclaimed PBS documentary, Liberty! The American Revolution. On the companion recording Liberty!, album notes author Thomas Fleming writes, ...something remarkable was taking shape in his imagination – sounds more extraordinary than he had ever experienced. On a trip to Key West, he visited Ernest Hemingway’s house. In the sundrenched garden, music leapt into O’Connor’s mind and in a breathtaking two hours, Surrender the Sword – and its orchestral outline – was on paper. It is unquestionably one of the most passionate orchestral pieces he has ever written. In the A part, the music is busy. You can imagine voices, perhaps in Congress, perhaps in a crowd in New York or Philadelphia, wondering what is going to happen next, as General George Washington is about to resign as commander-in-chief of the American army, O’Connor says. Then comes a long melodic arc, swelling with a triumphant confidence that depicts the great military leader extending his sword to surrender it forever. The music is suited for advanced and intermediate levels.

 

Original music printed from the composer’s manuscripts.

Music editing, copying and engraving by Mark O’Connor

using Finale on Apple Macintosh 1997

 

Composed by Mark O’Connor

Can be heard on Liberty! Sony Classical and The Essential Mark O’Connor Sony Classical

Mark O’Connor - violin, Nashville Symphony, Kenneth Schermerhorn

  

Catalogue Number MO136B

Copyright © 1997 by Mark O’Connor Music International

 

For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visit

www.markoconnor.com

 

For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:

www.oconnormethod.com

Surrender The Sword (violin solo part – violin and string orchestra)
Orchestre à Cordes

$15.00 14.25 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download

SKU: A0.861942

Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 51 pages. Mark O'Connor Musik International #6208225. Published by Mark O'Connor Musik International (A0.861942).

Surrender The Sword (string parts – violin and string orchestra) MO136C-G

String Parts (parts available)

Music by Mark O’Connor

51 pages - 9:30 minutes in length

 

Surrender The Sword for violin and string orchestra was composed and orchestrated by Mark O’Connor and used as one of the themes for the critically acclaimed PBS documentary, Liberty! The American Revolution. On the companion recording Liberty!, album notes author Thomas Fleming writes, ...something remarkable was taking shape in his imagination – sounds more extraordinary than he had ever experienced. On a trip to Key West, he visited Ernest Hemingway’s house. In the sundrenched garden, music leapt into O’Connor’s mind and in a breathtaking two hours, Surrender the Sword – and its orchestral outline – was on paper. It is unquestionably one of the most passionate orchestral pieces he has ever written. In the A part, the music is busy. You can imagine voices, perhaps in Congress, perhaps in a crowd in New York or Philadelphia, wondering what is going to happen next, as General George Washington is about to resign as commander-in-chief of the American army, O’Connor says. Then comes a long melodic arc, swelling with a triumphant confidence that depicts the great military leader extending his sword to surrender it forever. The music is suited for advanced and intermediate levels.

 

Original music printed from the composer’s manuscripts.

Music editing, copying and engraving by Mark O’Connor

using Finale on Apple Macintosh 1997

 

Composed by Mark O’Connor

Can be heard on Liberty! Sony Classical and The Essential Mark O’Connor Sony Classical

Mark O’Connor - violin, Nashville Symphony, Kenneth Schermerhorn

  

Catalogue Number MO136C-G

Copyright © 1997 by Mark O’Connor Music International

 

For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visit

www.markoconnor.com

 

For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:

www.oconnormethod.com

 

Surrender The Sword (string parts – violin and string orchestra)
Orchestre à Cordes

$37.50 35.62 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download

SKU: A0.861940

Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 28 pages. Mark O'Connor Musik International #6208217. Published by Mark O'Connor Musik International (A0.861940).

Surrender The Sword (score – violin and string orchestra) MO136A

Score (parts available)

Music by Mark O’Connor

24 pages - 9:30 minutes in length

 

Surrender The Sword for violin and string orchestra was composed and orchestrated by Mark O’Connor and used as one of the themes for the critically acclaimed PBS documentary, Liberty! The American Revolution. On the companion recording Liberty!, album notes author Thomas Fleming writes, ...something remarkable was taking shape in his imagination – sounds more extraordinary than he had ever experienced. On a trip to Key West, he visited Ernest Hemingway’s house. In the sundrenched garden, music leapt into O’Connor’s mind and in a breathtaking two hours, Surrender the Sword – and its orchestral outline – was on paper. It is unquestionably one of the most passionate orchestral pieces he has ever written. In the A part, the music is busy. You can imagine voices, perhaps in Congress, perhaps in a crowd in New York or Philadelphia, wondering what is going to happen next, as General George Washington is about to resign as commander-in-chief of the American army, O’Connor says. Then comes a long melodic arc, swelling with a triumphant confidence that depicts the great military leader extending his sword to surrender it forever. The music is suited for advanced and intermediate levels.

 

Original music printed from the composer’s manuscripts.

Music editing, copying and engraving by Mark O’Connor

using Finale on Apple Macintosh 1997

 

Composed by Mark O’Connor

Can be heard on Liberty! Sony Classical and The Essential Mark O’Connor Sony Classical

Mark O’Connor - violin, Nashville Symphony, Kenneth Schermerhorn

 

Catalogue Number MO136A

Copyright © 1997 by Mark O’Connor Music International

 

For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visit

www.markoconnor.com

 

For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:

www.oconnormethod.com

Surrender The Sword (score – violin and string orchestra)
Orchestre à Cordes

$20.00 19 € Orchestre à Cordes PDF SheetMusicPlus

Piano and voice (solo and SATB chorus) - Digital Download

SKU: LV.11111

Fraternal organizations, Religion. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.11111).

When Darkness Brooded O'er the Deep! A Masonic Ode. The Words by John Cole (John Pattison, Esq.). Published [n.d.] by John Cole, No. 125 Market Street in Baltimore. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Fraternal organizations, Religion. First line reads When darkness brooded o'er the deep, when nature lay enchain'd asleep..

About The Lester S. Levy Collection

The Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.

WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

When Darkness Brooded O'er the Deep! A Masonic Ode
Chorale SATB

$5.99 5.69 € Chorale SATB PDF SheetMusicPlus

Brass Ensemble - Level 2 - Digital Download

SKU: A0.773704

Arranged by Anthony Giamanco. Christmas,Concert,Sacred,Standards,World. Score and parts. 8 pages. Whole Tone Press #3686625. Published by Whole Tone Press (A0.773704).

This solid arrangement of the popular Christmas carol, O Tannenbaum/O Christmas Tree is an excellent choice for French Horn trio, and is especially suitable for good high school players. Professional ensembles will find it easy to master, yet quite musically satisfying. Ideal for school or church Christmas concerts, recitals, as well as solo and ensemble.

Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper. Anthony's music can be heard on his website, anthonygiamanco.com, on SoundCloud (https://soundcloud.com/tony-giamanco), and on his YouTube channel (https://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg) Contact info:tony@shalomlife.org.

O Tannenbaum (French Horn Trio)
Ensemble de cuivres

$3.75 3.56 € Ensemble de cuivres PDF SheetMusicPlus

String Quartet String Quartet - Level 5 - Digital Download

SKU: A0.861788

Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 32 pages. Mark O'Connor Musik International #6201733. Published by Mark O'Connor Musik International (A0.861788).

String Quartet No. 3 Old-Time (violin 2 part – two vlns, vla, cel) MO169C

Violin 2 Part (score and parts available)

Music by Mark O’Connor

28 pages - 24:00 minutes in length


Movement I (5:02)

Movement II (5:38)

Movement III (3:18)

Movement IV (9:46)


String Quartet No. 3 (Old-Time) was composed on the occasion marking 400 years of history dating from the days of the first European settlements. My specific task from the Hudson Commission was to concentrate music based on the natural habitat and beauty of the Hudson as well as on the time of the first European settlers. It was natural for me to think about old-time fiddling in this light. In 1909 Washington Irving described the Catskill Mountains as a dismembered branch of the Appalachian Mountains. My own Dutch ancestors settled in the Hudson Valley in the early 1600’s, and eventually traveled down the Appalachians to settle in the South in the early 1800’s. The old-time fiddling that dominated those areas along that route is the musical language utilized in creating this String Quartet.

For the musical genesis of the Quartet, I initially created phrases from the fiddle that were molded out of old-time fiddling tradition. With technical twists and turns, the phrases became unique and new but all the while still connected to the tradition. It is these phrases that I used as material to create the String Quartet. Through the process of composing, techniques such as re- harmonization, development, canonic applications spill over each other like the Hudson tributaries in the Adirondacks. The counterpoint of the Quartet invigorates and establishes itself. The result is a wholly participating body emphasizing transitions from the traditional to the contemporary in sound and style. The music here is no longer fiddle music as the inventions of the quartet embarks on a new story, a new way to play, and with a new musical idea to put forward.

 

Original music printed from the composer’s manuscripts.

Music editing, copying and engraving by Mark O’Connor

using Finale on Apple Macintosh 2007

 

Composed By Mark O’Connor

Commissioned by the Santa Fe and La Jolla Chamber Music Festivals

String Quartet No. 2 Bluegrass) can be heard on String Quartets No.’s 2 & 3 OMAC Records

Recorded by Mark O’Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cello

https://omacrecords.com/omac-14-string-quartets-2-3

 

Catalogue Number MO169C

Copyright © 2007 by Mark O’Connor Music International


For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visit

www.markoconnor.com

 

For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:

www.oconnormethod.com

  

String Quartet No. 3 "Old-Time" (violin 2 part - two vlns, vla, cel)
Quatuor à cordes: 2 violons, alto, violoncelle
Mark O’Connor

Commissioned by the Santa Fe and La Jolla Chamber Music Festivals

String Quartet No 2 Bluegrass) can be heard on String Quartets No
$15.00 14.25 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet String Quartet - Level 5 - Digital Download

SKU: A0.861791

Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 28 pages. Mark O'Connor Musik International #6201737. Published by Mark O'Connor Musik International (A0.861791).

String Quartet No. 3 Old-Time (cello part – two vlns, vla, cel) MO169E

Cello Part (score and parts available)

Music by Mark O’Connor

24 pages - 24:00 minutes in length


Movement I (5:02)

Movement II (5:38)

Movement III (3:18)

Movement IV (9:46)


String Quartet No. 3 (Old-Time) was composed on the occasion marking 400 years of history dating from the days of the first European settlements. My specific task from the Hudson Commission was to concentrate music based on the natural habitat and beauty of the Hudson as well as on the time of the first European settlers. It was natural for me to think about old-time fiddling in this light. In 1909 Washington Irving described the Catskill Mountains as a dismembered branch of the Appalachian Mountains. My own Dutch ancestors settled in the Hudson Valley in the early 1600’s, and eventually traveled down the Appalachians to settle in the South in the early 1800’s. The old-time fiddling that dominated those areas along that route is the musical language utilized in creating this String Quartet.

For the musical genesis of the Quartet, I initially created phrases from the fiddle that were molded out of old-time fiddling tradition. With technical twists and turns, the phrases became unique and new but all the while still connected to the tradition. It is these phrases that I used as material to create the String Quartet. Through the process of composing, techniques such as re- harmonization, development, canonic applications spill over each other like the Hudson tributaries in the Adirondacks. The counterpoint of the Quartet invigorates and establishes itself. The result is a wholly participating body emphasizing transitions from the traditional to the contemporary in sound and style. The music here is no longer fiddle music as the inventions of the quartet embarks on a new story, a new way to play, and with a new musical idea to put forward.

 

Original music printed from the composer’s manuscripts.

Music editing, copying and engraving by Mark O’Connor

using Finale on Apple Macintosh 2007

 

Composed By Mark O’Connor

Commissioned by the Santa Fe and La Jolla Chamber Music Festivals

String Quartet No. 2 Bluegrass) can be heard on String Quartets No.’s 2 & 3 OMAC Records

Recorded by Mark O’Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cello

https://omacrecords.com/omac-14-string-quartets-2-3

 

Catalogue Number MO169E

Copyright © 2007 by Mark O’Connor Music International


For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visit

www.markoconnor.com

 

For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:

www.oconnormethod.com

  

String Quartet No. 3 "Old-Time" (cello part - two vlns, vla, cel)
Quatuor à cordes: 2 violons, alto, violoncelle
Mark O’Connor

Commissioned by the Santa Fe and La Jolla Chamber Music Festivals

String Quartet No 2 Bluegrass) can be heard on String Quartets No
$15.00 14.25 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet String Quartet - Level 5 - Digital Download

SKU: A0.861790

Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 32 pages. Mark O'Connor Musik International #6201735. Published by Mark O'Connor Musik International (A0.861790).

String Quartet No. 3 Old-Time (viola – two vlns, vla, cel) MO169D

Viola Part (score and parts available)

Music by Mark O’Connor

28 pages - 24:00 minutes in length


Movement I (5:02)

Movement II (5:38)

Movement III (3:18)

Movement IV (9:46)


String Quartet No. 3 (Old-Time) was composed on the occasion marking 400 years of history dating from the days of the first European settlements. My specific task from the Hudson Commission was to concentrate music based on the natural habitat and beauty of the Hudson as well as on the time of the first European settlers. It was natural for me to think about old-time fiddling in this light. In 1909 Washington Irving described the Catskill Mountains as a dismembered branch of the Appalachian Mountains. My own Dutch ancestors settled in the Hudson Valley in the early 1600’s, and eventually traveled down the Appalachians to settle in the South in the early 1800’s. The old-time fiddling that dominated those areas along that route is the musical language utilized in creating this String Quartet.

For the musical genesis of the Quartet, I initially created phrases from the fiddle that were molded out of old-time fiddling tradition. With technical twists and turns, the phrases became unique and new but all the while still connected to the tradition. It is these phrases that I used as material to create the String Quartet. Through the process of composing, techniques such as re- harmonization, development, canonic applications spill over each other like the Hudson tributaries in the Adirondacks. The counterpoint of the Quartet invigorates and establishes itself. The result is a wholly participating body emphasizing transitions from the traditional to the contemporary in sound and style. The music here is no longer fiddle music as the inventions of the quartet embarks on a new story, a new way to play, and with a new musical idea to put forward.

 

Original music printed from the composer’s manuscripts.

Music editing, copying and engraving by Mark O’Connor

using Finale on Apple Macintosh 2007

 

Composed By Mark O’Connor

Commissioned by the Santa Fe and La Jolla Chamber Music Festivals

String Quartet No. 2 Bluegrass) can be heard on String Quartets No.’s 2 & 3 OMAC Records

Recorded by Mark O’Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cello

https://omacrecords.com/omac-14-string-quartets-2-3

 

Catalogue Number MO169D

Copyright © 2007 by Mark O’Connor Music International


For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visit

www.markoconnor.com

 

For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:

www.oconnormethod.com

  

String Quartet No. 3 "Old-Time" (viola part - two vlns, vla, cel)
Quatuor à cordes: 2 violons, alto, violoncelle
Mark O’Connor

Commissioned by the Santa Fe and La Jolla Chamber Music Festivals

String Quartet No 2 Bluegrass) can be heard on String Quartets No
$15.00 14.25 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

String Quartet String Quartet - Level 5 - Digital Download

SKU: A0.861789

Composed by Mark O'Connor. 20th Century,Contemporary,Folk,Traditional. Score and parts. 34 pages. Mark O'Connor Musik International #6201731. Published by Mark O'Connor Musik International (A0.861789).

String Quartet No. 3 Old-Time (Score – two vlns, vla, cel) MO169B

Violin 1 Part (score and parts available)

Music by Mark O’Connor

30 pages - 24:00 minutes in length


Movement I (5:02)

Movement II (5:38)

Movement III (3:18)

Movement IV (9:46)


String Quartet No. 3 (Old-Time) was composed on the occasion marking 400 years of history dating from the days of the first European settlements. My specific task from the Hudson Commission was to concentrate music based on the natural habitat and beauty of the Hudson as well as on the time of the first European settlers. It was natural for me to think about old-time fiddling in this light. In 1909 Washington Irving described the Catskill Mountains as a dismembered branch of the Appalachian Mountains. My own Dutch ancestors settled in the Hudson Valley in the early 1600’s, and eventually traveled down the Appalachians to settle in the South in the early 1800’s. The old-time fiddling that dominated those areas along that route is the musical language utilized in creating this String Quartet.

For the musical genesis of the Quartet, I initially created phrases from the fiddle that were molded out of old-time fiddling tradition. With technical twists and turns, the phrases became unique and new but all the while still connected to the tradition. It is these phrases that I used as material to create the String Quartet. Through the process of composing, techniques such as re- harmonization, development, canonic applications spill over each other like the Hudson tributaries in the Adirondacks. The counterpoint of the Quartet invigorates and establishes itself. The result is a wholly participating body emphasizing transitions from the traditional to the contemporary in sound and style. The music here is no longer fiddle music as the inventions of the quartet embarks on a new story, a new way to play, and with a new musical idea to put forward.

 

Original music printed from the composer’s manuscripts.

Music editing, copying and engraving by Mark O’Connor

using Finale on Apple Macintosh 2007

 

Composed By Mark O’Connor

Commissioned by the Santa Fe and La Jolla Chamber Music Festivals

String Quartet No. 2 Bluegrass) can be heard on String Quartets No.’s 2 & 3 OMAC Records

Recorded by Mark O’Connor - violin, Ida Kavafian - violin, Paul Neubauer - viola, Matt Haimovitz - cello

https://omacrecords.com/omac-14-string-quartets-2-3

 

Catalogue Number MO169B

Copyright © 2007 by Mark O’Connor Music International


For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visit

www.markoconnor.com

 

For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:

www.oconnormethod.com

  

String Quartet No. 3 "Old-Time" (violin 1 part - two vlns, vla, cel)
Quatuor à cordes: 2 violons, alto, violoncelle
Mark O’Connor

Commissioned by the Santa Fe and La Jolla Chamber Music Festivals

String Quartet No 2 Bluegrass) can be heard on String Quartets No
$15.00 14.25 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus


1 ....91 106 121 136 151 ....2161




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