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Piano Solo - Level 4 - Digital Download SKU: A0.1311047 By Carmen Consoli. By Allan Roberts and Doris Fisher. Arranged by Timothy Stapay. Film/TV,Latin,Multicultural,Singer/Songwriter,Standards,World. Score. 8 pages. Timothy Stapay #900025. Published by Timothy Stapay (A0.1311047). An arrangement of Amado Mio from the film-noir masterpiece Gilda, starring Rita Hayworth in the title role.  In the film, she dances and sings this song in a famous performance.The song has been covered by many bands; including the group Pink Martini.This arrangement is written in a rhumba rhythm.Lyrics:Amado MioAmado mioLove me foreverAnd let forever begin tonightAmado mioWhen we're togetherI'm in a dream worldOf sweet delightMany times I've whisperedAmado mioIt was just a phraseThat I heard in playsI was acting a partBut now when I whisperAmado mioCan't you tell I careBy the feeling there'Cause it comes from my heartI want you everI love my darlingWanting to hold youAnd hold you tightAmado mioLove me foreverAnd let foreverBegin tonightMany times I've whisperedAmado mioIt was just a phraseThat I heard in playsI was acting a partBut now when I whisperAmado mioCan't you tell I careBy the feeling there'Cause it comes from my heartI want you everI love my darlingWanting to hold youAnd hold you tightAmado mioLove me foreverAnd let foreverBegin tonightAnd let foreverBegin tonightAnd let foreverBegin tonight.
Amado Mio
Piano seul
Carmen Consoli
$7.99 6.95 € Piano seul PDF SheetMusicPlus

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1180574 Composed by Thomas Oboe Lee. 20th Century,Chamber,Contemporary. Score. 24 pages. Thomas Oboe Lee #780478. Published by Thomas Oboe Lee (A0.1180574). John Cage and I share the same birthday: September 5th. He was born in 1912 and my birth year is 1945. There must be some cosmological link between us because he has always intrigued me - philosophically and musically. Recently I was in my colleague Prof. Jeremiah McGrann's office waiting for him to join me for a martini lunch after a day of teaching. I noticed on his desk a hardcover copy of John Cage I-VI. I asked what it was and he said it is John Cage's Charles Elliot Norton Lecture he gave at Harvard University in 1988-89. I looked inside and there were these mesostics. Very sparsely distributed on each page, and it looked fascinating, like some hieroglyphic art. I was immediately intrigued by it and thought right on the spot that I should buy a copy and maybe create a song cycle from the texts. Upon further research, I found out that John Cage compiled the content for his lecture using excerpts from works by Thoreau, Emerson, Wittgenstein, McLuhan, Buckminster Fuller, plus passages from The Wall Street Journal, The Christian Science Monitor and The New York Times. He then created the final text for his lecture by using chance operations with the assistance of a computer program that he created. And so I did the unthinkable, create a song cycle of words that has no meaning nor narrative in the traditional sense. Quoting John Cage: I have nothing to say, I am saying it, and that is poetry. John Cage I-VI (2023) is in six movements, scored for soprano and piano.
John Cage I-VI (2023) piano-vocal score
Piano, Voix

$9.99 8.7 € Piano, Voix PDF SheetMusicPlus

Concert Band - Level 4 - Digital Download SKU: A0.1027430 Composed by Robert L. Anello. Arranged by Robert Anello. 20th Century,Traditional. Score and parts. 22 pages. Robert Anello #4765283. Published by Robert Anello (A0.1027430). A couple of years ago, I was thinking about how Elvis Presley in 1956 turned the Civil War-era ballad Aura Lee into a hit love song. Over time, I identified a half-dozen ballads and folk tunes that Presley and his writers reworked into hit tunes. I mused on Elvis’ popular title as the King of Rock and Roll, and thought of another king, as Karl L. King is often called the King of the Circus March. I decided to write a march paying tribute to both Elvis Presley and Karl L. King: March: The Kings. I composed the march loosely styled on King’s famous circus marches but overlay the march with five original, public domain ballads and folk tunes later arranged into popular love songs performed by Elvis. • Plaisir d’Amour (Jean-Paul Martini, 1784) • O Sole Mio (Edorado de Capua, 1899) • Muss i denn (Friedrich Silcher, 1827) • Torna a Surriento (Ernesto DeCurtis, 1902) • Aura Lee (George Poulton, 1861) I hope you enjoy this pleasant little novelty piece.  Your audience will have fun guessing the names of the hit tunes Elvis Presley adapted from these ballads and folk tunes.
March: The Kings (Conductor's Score)
Orchestre d'harmonie

$4.99 4.34 € Orchestre d'harmonie PDF SheetMusicPlus






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