SATB choir (choir divisi) and orchestra or piano - Medium - Digital Download SKU: MQ.6572-E Composed by Gwyneth W. Walker. 16 pages. E. C. Schirmer Music Company - Digital #6572-E. Published by E. C. Schirmer Music Company - Digital (MQ.6572-E). English.Poem by Norah Mary Holland. Here is the dark, strong, passionate sea, the “waters, wild and wide.� This is sustained and powerful music, with the rolling sea often portrayed by the string arpeggios and the surging wave patterns in the woodwinds and brass.

SSATB choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.9196-E Composed by IV Alvez Barkoskie. Secular, Advent, Christmas, Christmas-Sacred, Christmas-Secular/Holiday. 4 pages. E. C. Schirmer Music Company - Digital #9196-E. Published by E. C. Schirmer Music Company - Digital (MQ.9196-E). Latin.This meditative work uses stunning harmonies and chant-based melody to evoke the text of the adoration of Mary.

SATB choir unaccompanied - Medium - Digital Download SKU: MQ.8252-E Composed by Robert Lehman. Magnificat/Nunc Dimittis, Annunciation, 21st Century. Octavo. 20 pages. Duration 6 minutes, 15 seconds. E. C. Schirmer Music Company - Digital #8252-E. Published by E. C. Schirmer Music Company - Digital (MQ.8252-E). UPC: 600313482526. English. Luke 1:46-55; Luke 2:29-32.There is a strong and enduring relationship that has been forged between the Roman Catholic Benedictine Abbey of St. Mary and St. Louis, and the Episcopal Church of St. Michael & St. George in St. Louis, Missouri. Each season, the monks visit and sing Vespers at the church and, in turn, the Choir of the Church of St. Michael & St. George travels to the Abbey to sing Evensong. This setting of the evening canticles was composed for one such visit. The stunning acoustics of the Abbey Church are captured fully by the its slow harmonic motion and expansive writing.Duration: 6:15.

SATB choir, flute and piano (ad lib.) - Moderately Difficult - Digital Download SKU: MQ.7540-E Composed by Derek Healey. Instrument part. 9 pages. E. C. Schirmer Music Company - Digital #7540-E. Published by E. C. Schirmer Music Company - Digital (MQ.7540-E). English.These songs are dedicated to William Osborne. The title Three Sacred Songs: was given to these pieces rather than the more usual terms anthem or motet because of the strongly secular presence in the texts. The songs were written over a period of some eighteen months. The Shepherd Lad was finished on February 29, 2008. The Round Day and Magdalene’s Song were completed in Brooklyn on June 11, 2009, the music having been originally sketched-out on Christmas Day and Boxing Day 2008, at Putnam Valley, New York. In the first song, The Round Day, the singer hears the voice of the Blessed Virgin Mary as she sings to the glory of God throughout the day. The text was written on June 7, 2008. In The Shepherd Lad, the Spanish mystic Saint John of the Cross describes a shepherd lad’s (Jesus’s) love for a shepherdess (the Church) and how another (the Devil) tempted his love away. Heartbroken, the shepherd climbed a tree, “And threw wide his arms in sweetest charity, Since by His Shepherdess He was forsaken.� The original Spanish text was translated and adapted into Villanelle form by the composer in early December 2004. The text of Magdalene’s Song describes the feelings of a mystic, or a devotee of Jesus, inspired by the fresh beauty, grace and power of the Lord of creation. The main body of the text is given to a soprano solo. The text was written on April 27, 2008. These sacred songs were conceived as being performed either as a set or individually. The composer had secular ensembles in mind, such as college or concert choruses, but these songs may, of course, also be performed in a liturgical setting. The accompanying flute provides introductions, interludes and codas throughout the set and, on a few occasions, plays with the voices. The piano part is ad lib. (optional).

SATB choir (choir divisi) unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8865-E Composed by Jessica French. Christmas. 18 pages. E. C. Schirmer Music Company - Digital #8865-E. Published by E. C. Schirmer Music Company - Digital (MQ.8865-E). UPC: 600313488658. English.Commissioned by Choral Arts Northwest, Robert Bode, director, this text focuses on the beauty of love and peace that can be found in the wondrous mystery of Christ’s birth. The bright light from the star and angels shining down on the manger is represented by the upper voices descending into clustered chords of light on the words “love came down.� The second element is a melody, initially sung by the tenors, that has a gentle, rocking motion—like that of a lullaby—representing Jesus’ mother Mary holding and rocking her child to sleep. These two themes weave together throughout the piece and finally coalesce to express the brightness of the sign that is signaled by the star and angels, as the upper voices sing the words “love divine,� painting colors of gold and white light illuminating the peaceful manger scene.

SATB choir, congregation, and organ - Medium - Digital Download SKU: MQ.8561-E Composed by Mary Beth Bennett. Funeral. Instrument part. 10 pages. E. C. Schirmer Music Company - Digital #8561-E. Published by E. C. Schirmer Music Company - Digital (MQ.8561-E). English.Winner of the 2018 AGO/ECS Publishing Award in Choral Composition, and composed in May 2017 on this specified text. The opening’s atmospheric and mysterious tone suggests a quiet mist over tranquil water, reflecting the trail of slaves through the Great Dismal Swamp in Virginia escaping captivity. The chorus is used here as tonal color while the organ moves slowly beneath as a winding, rippling river. As this ends, the music breaks into a faster motive utilizing an underlying mixed meter. With the words “Oh don’t you want to go…,� the phrases become shorter and more urgent. As the chorus proclaims “That promised land...,� the work comes to an animated climax, the organ then emerging as a solo, dancing and finally growing quieter to the choral entrance at “where all is peace.� The congregation enters singing the traditional melody while three part women’s voices add a harmonic descant commentary. Finally, returning to the opening mysterioso style, the congregation sings “I want to cross over into campground.� Duration: 5:00.

Soprano voice solo, SATB choir, flute and piano (ad lib.) - Moderately Difficult - Digital Download SKU: MQ.7542-E Composed by Derek Healey. Instrument part. 13 pages. E. C. Schirmer Music Company - Digital #7542-E. Published by E. C. Schirmer Music Company - Digital (MQ.7542-E). English.These songs are dedicated to William Osborne. The title Three Sacred Songs: was given to these pieces rather than the more usual terms anthem or motet because of the strongly secular presence in the texts. The songs were written over a period of some eighteen months. The Shepherd Lad was finished on February 29, 2008. The Round Day and Magdalene’s Song were completed in Brooklyn on June 11, 2009, the music having been originally sketched-out on Christmas Day and Boxing Day 2008, at Putnam Valley, New York. In the first song, The Round Day, the singer hears the voice of the Blessed Virgin Mary as she sings to the glory of God throughout the day. The text was written on June 7, 2008. In The Shepherd Lad, the Spanish mystic Saint John of the Cross describes a shepherd lad’s (Jesus’s) love for a shepherdess (the Church) and how another (the Devil) tempted his love away. Heartbroken, the shepherd climbed a tree, “And threw wide his arms in sweetest charity, Since by His Shepherdess He was forsaken.� The original Spanish text was translated and adapted into Villanelle form by the composer in early December 2004. The text of Magdalene’s Song describes the feelings of a mystic, or a devotee of Jesus, inspired by the fresh beauty, grace and power of the Lord of creation. The main body of the text is given to a soprano solo. The text was written on April 27, 2008. These sacred songs were conceived as being performed either as a set or individually. The composer had secular ensembles in mind, such as college or concert choruses, but these songs may, of course, also be performed in a liturgical setting. The accompanying flute provides introductions, interludes and codas throughout the set and, on a few occasions, plays with the voices. The piano part is ad lib. (optional).

Soprano solo with piano accompaniment and optional 4-part choral Ending - Easy - Digital Download SKU: MQ.0125-E Composed by Randall Thompson. Mother's Day. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #0125-E. Published by E. C. Schirmer Music Company - Digital (MQ.0125-E). English. Luke 2:19.Lullaby (Upon my lap my sov'reign sits) is from Scene 6 (The Adoration) of Randall Thompson's The Nativity According to St. Luke, a musical drama in 7 scenes. It is strophic with a common refrain and contains an optional ending for a chorus as well. While the song is predominantly a poem by Richard Rowlands, the optional choral ending comes directly from scripture. But Mary kept all these things and ponder'd them in her heart. -Luke 2:19.

Tenor voice solo, SATB choir unaccompanied - Medium - Digital Download SKU: MQ.8478-E Composed by John David Earnest. 12 pages. E. C. Schirmer Music Company - Digital #8478-E. Published by E. C. Schirmer Music Company - Digital (MQ.8478-E). English, Italian.The conductor of Choral Arts Northwest, Robert Bode, asked the composer to write a work based on a text about The Blessed Virgin Mary. The final poem in Petrarch's most famous work, Il Canzoniere, was chosen, because it is a prayer to the Blessed Virgin. The composer first quotes a melody by Guillaume Dufay (1397-1474,) and then continues with his own interpretation of the poem, simultaneously using both the original Italian and its English translation, and a few other references to Dufay's music. Duration: ca. 5:20A review of CANW's performance of this piece comments: Perhaps the heart of the program came with the premiere of John David Earnest’s “Vergine Bella.� This gorgeous work caught up the listener from the start, the choir softly singing the first phrases on one note, while the solo tenor came in soaring above them in a beautiful melody..

SSAA choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8699-E Composed by Carlos Cordero. 7 pages. E. C. Schirmer Music Company - Digital #8699-E. Published by E. C. Schirmer Music Company - Digital (MQ.8699-E). Latin.Salve Regina, for SSAA chorus unaccompanied, is mostly homophonic and showcases lyrical lines that form a prayer to the Virgin Mary. The work evolves and grows in tension until reaching serenity and peace at the end. This piece is dedicated to Concert Women's Chorus and Dr. Jeb Mueller, at the University of Houston's Moores School of Music. Duration: c. 4:00.

Soprano voice solo, SATB choir, flute and piano (ad lib.) - Moderately Difficult - Digital Download SKU: MQ.7541-E Composed by Derek Healey. Instrument part. 9 pages. E. C. Schirmer Music Company - Digital #7541-E. Published by E. C. Schirmer Music Company - Digital (MQ.7541-E). English.These songs are dedicated to William Osborne. The title Three Sacred Songs: was given to these pieces rather than the more usual terms anthem or motet because of the strongly secular presence in the texts. The songs were written over a period of some eighteen months. The Shepherd Lad was finished on February 29, 2008. The Round Day and Magdalene’s Song were completed in Brooklyn on June 11, 2009, the music having been originally sketched-out on Christmas Day and Boxing Day 2008, at Putnam Valley, New York. In the first song, The Round Day, the singer hears the voice of the Blessed Virgin Mary as she sings to the glory of God throughout the day. The text was written on June 7, 2008. In The Shepherd Lad, the Spanish mystic Saint John of the Cross describes a shepherd lad’s (Jesus’s) love for a shepherdess (the Church) and how another (the Devil) tempted his love away. Heartbroken, the shepherd climbed a tree, “And threw wide his arms in sweetest charity, Since by His Shepherdess He was forsaken.� The original Spanish text was translated and adapted into Villanelle form by the composer in early December 2004. The text of Magdalene’s Song describes the feelings of a mystic, or a devotee of Jesus, inspired by the fresh beauty, grace and power of the Lord of creation. The main body of the text is given to a soprano solo. The text was written on April 27, 2008. These sacred songs were conceived as being performed either as a set or individually. The composer had secular ensembles in mind, such as college or concert choruses, but these songs may, of course, also be performed in a liturgical setting. The accompanying flute provides introductions, interludes and codas throughout the set and, on a few occasions, plays with the voices. The piano part is ad lib. (optional).

Oboe Solo - Level 2 - Digital Download SKU: A0.1231894 By Molly Parker. By 2 and Daniel Hart. Arranged by Alex Nunes Rodrigues. Film/TV. Individual part. 1 pages. Alex Rodrigues #827599. Published by Alex Rodrigues (A0.1231894). The song All Grown Up is a lullaby that appears in the movie Peter Pan & Wendy, released in 2023 by Disney+. The song was written and produced by Daniel Hart and performed by Molly Parker, who plays the role of Mary Darling, Wendy's mother. The song is sung by Mary to Wendy after a conversation about the fear of growing up and leaving home, before the arrival of Tinker Bell and Peter Pan at the Darling family's house. The song expresses Mary's love for Wendy and her desire for her to enjoy her childhood while it lasts. The song has a gentle and sweet melody, with a tone of nostalgia and tenderness.

Oboe Solo - Level 2 - Digital Download SKU: A0.1231892 By Molly Parker. By 2 and Daniel Hart. Arranged by Alex Nunes Rodrigues. Film/TV. Individual part. 1 pages. Alex Rodrigues #827597. Published by Alex Rodrigues (A0.1231892). The song All Grown Up is a lullaby that appears in the movie Peter Pan & Wendy, released in 2023 by Disney+. The song was written and produced by Daniel Hart and performed by Molly Parker, who plays the role of Mary Darling, Wendy's mother. The song is sung by Mary to Wendy after a conversation about the fear of growing up and leaving home, before the arrival of Tinker Bell and Peter Pan at the Darling family's house. The song expresses Mary's love for Wendy and her desire for her to enjoy her childhood while it lasts. The song has a gentle and sweet melody, with a tone of nostalgia and tenderness.

Piano and voice - Digital Download SKU: LV.4252 Composed by Horace E. Kimball. Waterfronts, Sunrises & sunsets, Windows, Gardens, Sadness, Courtship, Love, Absences, Prayer. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4252). His Footstep at the Door. Song & Chorus. Words by Mary E. Kail. Music by Horace E. Kimball. Published 1872 by S. Brainard's Sons in Cleveland. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Waterfronts, Sunrises & sunsets, Windows, Gardens, Sadness, Courtship, Love, Absences, Prayer. First line reads I am waiting, I am waiting, fondly waiting for my sweet.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Woodwind quartet - Grade 3 - Digital Download SKU: DX.130410 Composed by Mary Bowley Peters. Arranged by Douglas Smith. Easter. Sheet Music. Sacred instrumental music. Score and parts. 13 pages. David E. Smith - Digital Sheet Music #130410. Published by David E. Smith - Digital Sheet Music (DX.130410). A Woodwind quartet for two flutes and 2 clarinets. The begins with the tune in the upper line and then shifted to activity in the inner lines. And then back to the voicing of the beginning, coming to a solid conclusion.