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Choral Choir (SATB) - Digital Download

SKU: A0.981235

Composed by Judith Cloud. Contemporary. Octavo. 11 pages. Judith Cloud #6710263. Published by Judith Cloud (A0.981235).

1. Feet o' Jesus (From the cantata FEET OF JESUS by Judith Cloud (text by Langston Hughes)

Feet of Jesus is a cantata for mixed chorus, soprano saxophone, soprano and baritone soloists and organ. It is made up of seven movements: 1) Feet of Jesus; 2) Prayer; 3) Shout; 4) Litany/Sinner; 5) Fire; 6) Angels Wings; 7) Spirituals. It is approximately eighteen minutes in length. It has been performed by church choirs, professional choirs and amateur choirs, as well as university choirs.

I was very fortunate to have Anders Paulsson believe in the beauty and significance of Feet of Jesus. He promoted it in Sweden and returned to the United States to perform it in San Francisco. In May of 1997, the Saint Jacobs Chamber Choir under the direction of Gary Graden recorded Feet of Jesus, along with some other original works by Anders Paulsson and arrangements of spirituals. I requested that the soloists be African-Americans, Marymal Holmes and John Williams. The cross-cultural exchange was a vibrant one and proved to be enlightening. The very idea of what was truly considered spiritual in music was put to the question and answered admirably by Gary Graden and his marvelous Swedish choir. The BIS Northern Lights CD was released under the title Spirituals.

7. Spirituals From the from the cantata FEET OF JESUS by Judith Cloud (text by Langston Hughes) Sop
Chorale SATB

$2.99 2.78 € Chorale SATB PDF SheetMusicPlus

Brass Ensemble - Level 4 - Digital Download

SKU: A0.808709

By Eldridge/Gillespie. By Leo Mosley, Mary Lou Williams, William Luther Johnson, and William Willie Johnson. Arranged by F. Leslie Smith. Contemporary. Score and parts. 28 pages. Sweetwater Brass Press #6433397. Published by Sweetwater Brass Press (A0.808709).

    Mary Lou Williams learned to play piano on her own at age 3. By age 6 she was playing piano to help support her large family. At age 15, she turned professional, and by the time she was 20, she had made a name for herself nationally not only as a jazz musician but also as an arranger and composer. In 1943, she wrote a piece titled Satchel Mouth Baby, which she recorded the next year with her group, Mary Lou and her Chosen Five. Three years later, Bill Johnson and His Musical Notes recorded Williams’ song after he and Leo Snub Mosley had worked on the lyrics and changed the title to Pretty Eyed Baby. Others would go on to record Pretty Eyed Baby, among them: Frankie Laine and Jo Stafford, Jane Turzy, Johnnie Ray, Peggy Lee and Roy Eldridge.
    This arrangement skips along at about 120 bpm. It contains common swing rhythmic figures, and all notes are well within the normal playing range of most brass musicians. Horn in F and Trombone carry the melodic load, but all instruments get a turn at playing lead. This is a fun piece, so don’t be surprised if your audience starts clapping along while you’re playing.
    Completed in 2021, performance time for Pretty Eyed Baby runs about 3 minutes,9 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.

Pretty Eyed Baby
Ensemble de cuivres
Eldridge/Gillespie
$12.99 12.06 € Ensemble de cuivres PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download

SKU: A0.1373864

By Bobby Darin. By Paul Francis Webster and Sonny Burke. Arranged by Peet du Toit. Blues. 17 pages. Peet du Toit #958338. Published by Peet du Toit (A0.1373864).

Black Coffee is a song with music by Sonny Burke and words by Paul Francis Webster. The song was published in 1948.
It's first two measures are nearly identical to Mary Lou Williams' 1938 piece What's Your Story Morning Glory, and both songs share melodic motifs drawn from blues (including a strong melodic emphasis on the flat third and flat seventh intervals, known as blue notes). Williams felt that Burke and Webster plagiarized her composition, and reportedly considered taking legal action over the matter. The two songs have significant melodic and rhythmic differences after the first two measures of their respective 'A' sections, and Black Coffee has a unique bridge section that has no parallel in Morning Glory. However, during her piano solo, Williams plays both the identical feel and harmonies that appear on Black Coffee, with dominant chords moving up and down by half steps in lieu of staying on the tonic chord. While not a carbon copy, Burke and Webster arguably picked sections of What's Your Story Morning Glory to string together to create a new song. Coincidentally, jazz trumpeter Paul Webster (no relation to lyricist Paul Francis Webster) was given co-writer credit for Morning Glory by Williams when she published her song in 1938.

My dear friend, Sam Harrill, has added his percussion magic some years later, and I am re-posting this for greater effect. Nothing in the brass parts changed. Thank you, Sam!

Black Coffee
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Bobby Darin
$17.00 15.78 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus






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