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Piano,Trombone - Level 1 - Digital Download SKU: A0.548699 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 4 pages. Jmsgu3 #3411147. Published by jmsgu3 (A0.548699). A Trombone Christmas/Easter classic! Duration: 4:55 Score: 3 pg. Trombone part: 1 pg. Piano reads from the score. Schubert seems to have composed this piece as a song-setting. This is because he wanted to portray a poignant emotional event from a poem. The poem was Walter Scott's The Lady of the Lake. Consequently, this song became an integral part of Schubert's Song cycle. Therefore the cycle is called: the Lady of the Lake. In the poem, Ellen Douglas is the Lady of the Lake. The lake is probably Loch Katrine in the Scottish Highlands. First of all, Ellen goes with her father to stay in the Goblin's cave. They go because he earlier refused to join in a rebellion against King James. Roderick Dhu, the chief of the rebellious Alpine Clan, marches up the mountain with his army. But before the battle, he, first of all, hears Ellen singing. She is singing a prayer calling for help from the Virgin Mary. Schubert's piece was first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria.  Schubert dedicated the arrangement to her, and as a result, she became famous as the lady of the lake.The incipit of Ellen's song is Ave Maria which is Latin for Hail Mary. It seems like this similarity led Schubert to adapt the melody to accommodate the Roman Catholic prayer Ave Maria. Consequently, the Latin version of Ave Maria finally became more famous than the original so that consequently many believe he wrote the Latin version first. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.  
Schubert: Ave Maria for Trombone & Piano
Trombone et Piano

$29.95 25.69 € Trombone et Piano PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.924873 Composed by Stanley M. Hoffman. 20th Century,Contemporary,Jewish. Octavo. 8 pages. Stanleymhoffman.com #4784655. Published by stanleymhoffman.com (A0.924873). The poem sometimes called I Am due to its repetition of the phrase, hence the title of the present composition. Is the poem inspired? The tetragrammaton Hebrew name for God, which transliterates roughly to YHWH, means I am that I am. There is something almost mystical about this poem as it was poet’s first one. Mary Elizabeth Frye was an orphan who had never received a formal education. In 1932, she and her spouse offered shelter from the Holocaust to a young Jewish woman named Margaret Schwarzkopf. When Margaret received news that her mother had died in Germany, the distressed houseguest told Mary in all hopelessness that she had never had the chance to stand by my mother’s grave and shed a tear. Mary then wrote the poem on a torn-off section of a brown paper bag. She said the words just came to her..
I Am
Chorale SATB

$2.00 1.72 € Chorale SATB PDF SheetMusicPlus

PDF Score (Collection | Single) - Digital Download SKU: H1.8701DP Composed by Mary McDonald. Musicals for Adults. Lent, Holy Week, Easter Sunday, General Worship. SATB Score. 72 pages. Hope Publishing - Digital #8701DP. Published by Hope Publishing - Digital (H1.8701DP). Rose Aspinall.Lent & Easter Musical From Mary McDonald and Rose M. Aspinall this is a musical treatment of the events of Holy Week. It embraces the love Jesus expressed to us on Calvary through new and familiar texts and tunes. Its purpose is to give pause to those dreadful occurrences but, more importantly, to share the hope and love of our Savior to all who seek him. This 35-minute work features narration for two readers. Mary's piano score can carry the work alone, while Ed Hogan's orchestration powerfully supports the sweep and drama of this thrilling program. Orchestrations consists of: Conductor's Score, Flute, Oboe (or Soprano Sax* or Clarinet*), Clarinet, Horn in F (or Alto Sax* or Clarinet*) 2 Trumpets (or Alto Sax*), 2 Trombones (or Baritone T. C. * or Tenor Sax*), Percussion 1 & 2, Piano, Synth, Electric Bass, 2 Violins, Cello/Basson (or Bass Clarinet*), String Reduction. *Parts are included on the CD-ROM.
My Savior's Love

$12.95 11.11 € PDF SheetMusicPlus

Piano,Voice Duet Piano,Voice - Level 4 - Digital Download SKU: A0.534403 Composed by Jacques Leguerney. 20th Century,Christian,Concert,Sacred,Standards. 15 pages. Musik Fabrik Music Publishing #3457407. Published by Musik Fabrik Music Publishing (A0.534403). This is one of two duets that Leguerney wrote for Geneviève Touraine and her brother, the famous French baritone Gérard Souzay. It was completed on 21 January 1950. The first performance, with Souzay and Touraine, was 21 June 1950 in the Parisian Salle Gaveau with Jacqueline Robin (Bonneau) at the piano.  Previously unpublished, De l’abîme profond, was first recorded by soprano Danielle Borst and baritone Philippe Huttenlocher with Mary Dibbern at the piano. This was for the CD 50-9618, 28 Mélodies issued by Claves Records-Radio Suisse Romande: Espace 2 in 1996. The recording was recognized with the Grand Prix du Disque de l’Académie Charles Cros. The US premiere performance was by soprano Jill Pearon and baritone David Pittman-Jennings, accompanied by Mary Dibbern, during a recital at the Crane School of Music, SUNY-Potsdam, New York, 23 October 2007. The vocal range for the soprano line is C1-G#2 and for the baritone line is B-F1. The text’s poet, Jean de La Céppède (1550-1622), was born in Marseille and spent most of his life working as a lawyer and magistrate in Aix–en–Provence. His principal work, Théorèmes, consists of 515 sonnets dealing with the life of Jesus Christ and the “sacred mysteries of our redemption.†La Céppède’s poem is a translation of a psalm by David from the Old Testament of the Bible. Leguerney also set a psalm of David for medium voice and chamber orchestra, which was premiered by Gérard Souzay in 1954. This orchestral Psaume LXII de David is also published by Musik Fabrik. The French author Jean Roy, reviewing this duet in Le Monde de la Musique (January, 1997), wrote: “There is a grandeur and a dramatic sentiment that surpasses [a] work that one might dismiss as minor.†For a detailed discussion of the music and both a word-by-word English translation and International Phonetic Alphabet transcription of the French text, see The Songs of Jacques Leguerney: A Guide for Study and Performance by Mary Dibbern, Carol Kimball and Patrick Choukroun. Series VOX MUSICAE: The Voice, Vocal Pedagogy, and Song. General Editor : Kathleen L. Wilson. New York: Pendragon Press, 2001. 
Jacques Leguerney: De L'Abîme Profond for soprano, baritone and piano
Voix duo, Piano

$12.95 11.11 € Voix duo, Piano PDF SheetMusicPlus

Guitar - Level 2 - Digital Download SKU: A0.1050065 Composed by F. Shubert. Arranged by Calum Wood. Classical,Praise & Worship,Sacred,Wedding. Guitar Tab. 2 pages. Calum Wood #654468. Published by Calum Wood (A0.1050065). Are you a guitarist looking to accompany a singer or instrumentalist? Look no further than our new music score of the beloved classic, Ave Maria.Our score is meticulously crafted to perfectly complement any lead instrument or vocal performance, elevating your rendition to the next level. With its enchanting melody and soul-stirring harmonies, Ave Maria has been a cherished piece for centuries, and our music score captures the essence of this timeless classic.What sets our Ave Maria music score apart from the rest is the level of detail and precision we've put into its creation. Every note and dynamic is carefully notated to ensure that your performance captures the true essence of the song. Our music score will enable you to bring the emotional depth of Ave Maria to life, leaving your audience captivated and moved.Our Ave Maria music score is the perfect addition to your performance repertoire, whether you're a soloist, a choir, or a small ensemble. With its exquisite melodies and rich harmonies, it's sure to leave a lasting impression on your listeners.So don't wait any longer - order your copy of our Ave Maria music score today and take your performance to the next level!The History of the Song 'Ave Maria'The song Ave Maria is one of the most beloved and recognized pieces of classical music. It is a musical setting of the Latin prayer Hail Mary and is often performed at religious ceremonies such as weddings and funerals. The history of Ave Maria dates back several centuries and has been shaped by numerous composers and cultural influences.The origins of the prayer Hail Mary can be traced back to the Bible, where it is recorded in the Gospel of Luke. The prayer is a traditional Catholic devotional that honors the Virgin Mary, and has been an important part of Catholic liturgy and piety for centuries.The musical setting of Ave Maria that is most commonly known today was composed by the Austrian composer Franz Schubert in 1825. Schubert's version of Ave Maria was originally written as part of a song cycle titled Die schöne Müllerin (The Beautiful Miller's Wife) but it soon became popular as a standalone piece.Schubert's version of Ave Maria was written for voice and piano, and its soaring melody and gentle accompaniment captured the beauty and reverence of the prayer. Schubert's composition has been performed and recorded countless times by musicians around the world, and it remains one of his most beloved and enduring works.In addition to Schubert's version, Ave Maria has been set to music by many other composers over the years, including Johann Sebastian Bach, Charles Gounod, and Giulio Caccini. Each composer's interpretation of the prayer reflects their own unique cultural and musical influences, and has contributed to the diverse and rich history of this beloved piece of music.Today, Ave Maria remains a cherished part of religious and cultural celebrations around the world, and its timeless beauty and spiritual power continue to inspire and uplift listeners of all backgrounds and beliefs.
Ave Maria
Guitare notes et tablatures

$1.99 1.71 € Guitare notes et tablatures PDF SheetMusicPlus

Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.877670 Composed by Samuel Micah Hunter. Christian,Christmas,Contemporary,Sacred. Octavo. 7 pages. Samuel Hunter #3417653. Published by Samuel Hunter (A0.877670). Samuel M. Hunter's brand new setting of the biblical Latin text, Ave Maria combines Gabriel's greeting of the Virgin Mary at the Annunciation with Mary's cousin Elizabeth's greeting to Mary: Ave Maria gratia plena, Dominus tecum.  Benedicta tu, et benedictus fructus ventris tui, Jesus.  A beautiful, varied, and accessible piano accompaniment supports a floating, connected, and expressive vocal line which splits naturally and gracefully into two (and occasionally three) parts, using tasteful modern harmony and interesting counterpoint to color important words in the classic Latin text.  A truly beautiful piece, Ave Maria presents many opportunities for exploring creative choral expressivity and an accessible opportunity for young singers to become familiar with the classic Ave Maria text.  Also, please note that in addition to the concert hall, this piece is also appropriate in the sacred realm in both Catholic and Protestant contexts, as it adheres strictly to the biblical text of the Latin Vulgate itself.  .
Ave Maria
Chorale 3 parties

$2.40 2.06 € Chorale 3 parties PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.866581 Composed by Richard Cook. Children,Christian,Christmas,Musical/Show,Spiritual. Octavo. 121 pages. RCM Enterprises #2545169. Published by RCM Enterprises (A0.866581). Packet includes:Piano/Vocal ScoresProduction ScriptConcert Version ScriptSets and Props List with ImagesCostuming Suggestions with sketchesSample VideosThe order for this musical is 26 copies based on $8 each (the total is $208 before discounts) providing enough for all 16 characters and an unlimited amount of choir members. With this purchase, we extend permission to print as many additional copies as needed. ​​Can be performed in concert style as well as fully staged.Based on the real life of George Müller and his Orphans. Set in Bristol Downs, England during the mid 1800s.We meet George (Papa) Müller and Mary (Mama), his wife. We meet 7 orphans, 2 village gossips, the wicked landlord and kind, generous characters who bring Christmas to the Müller orphanage.George Müller was often referred to as the great man of faith because he never fund raised, he believed and taught his orphans in the many orphanages he founded in Great Britain that God was faithful and would always provide. Miraculous provisions confirmed his teaching. This musical will not only bring the audience and performers into the Christmas spirit with the Old English setting, but will teach everyone about the great faithfulness of God to provide for all our needs.Cast of Characters:Papa MüllerMama MüllerMrs. PerkinsMrs. MurphyMr. Gruber, Landlord7 Orphan Children (ages 3 - 16)Mr. StoneMrs. StoneEdgar Stone (young boy)Martha Stone (young girl)The Choir (Townspeople).
Joy to the The Children
Chorale SATB

$208.00 178.45 € Chorale SATB PDF SheetMusicPlus

Bass Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.533420 Arranged by Musik Fabrik Music Publishing. Concert,Romantic Period,Standards. 11 pages. Musik Fabrik Music Publishing #2913427. Published by Musik Fabrik Music Publishing (A0.533420). A setting of a poem by Paul Verlaine. Edited by Jared Schwartz and Mary Dibbern.Recorded on Ange Flégier: Mélodies for Bass Voice and Piano.Toccata Classics, 2016. In Bb minor Duration: aprox. 4 minutes 30 secondsJe ne sais pourquoiMon esprit amerD’une aile inquiète et folle vole sur la mer.Tout ce qui m’est cher,D’une aile d’effroiMon amour le couve au ras des flots. Pourquoi, pourquoi ?Mouette à l’essor mélancolique,Elle suit la vague, ma pensée,À tous les vents du ciel balancéeEt biaisant quand la marée oblique,Mouette à l’essor mélancolique,Ivre de soleilEt de liberté,Un instinct la guide à travers cette immensité.La brise d’étéSur le flot vermeilDoucement la porte en un tiède demi-sommeil.Parfois si tristement elle crieQu’elle alarme au lointain le pilote,Puis au gré du vent se livre et flotteEt plonge, et l’aile toute meurtrieRevole, et puis si tristement crie !Je ne sais pourquoiMon esprit amerD’une aile inquiète et folle vole sur la mer.Tout ce qui m’est cher,D’une aile d’effroiMon amour le couve au ras des flots. Pourquoi, pourquoi ?
Ange Flégier: Je ne sais pourquoi for bass voice and piano
Voix basse, Piano

$10.35 8.88 € Voix basse, Piano PDF SheetMusicPlus

Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.533421 Composed by Ange Flégier. Concert,Romantic Period,Standards. 11 pages. Musik Fabrik Music Publishing #2913647. Published by Musik Fabrik Music Publishing (A0.533421). A setting of a poem by René de Saint-Prest. Edited by Jared Schwartz and Mary Dibbern.Recorded on Ange Flégier: Mélodies for Bass Voice and Piano.Toccata Classics, 2016. In Eb major Duration: aprox. 3 minutes 30 secondsHolà! qu’on m’apporte ma coupe,Et qu’on appelle mes amis!Si vous m’en croyez, de tous nos soucisNous allons chasser la hideuse troupe!Il faut nous égayer morbleu!Que dites-vous du vin d’Espagne?Réchauffons vite à son doux feuNos coeurs que le froid gagne!Refrain:À moi, ma coupe, à moi, chère maîtresse!Au nectar qui jaillit de ton sein généreuxLaisse-moi noyer la tristesse,Ah! donne-moi l’ivresseQui rend heureux!Jadis, oui, j'ai fait la folieDe croire à de tendres serments!Quels rêves deçus! quels affreux tourments!Par bonheur, un jour, tout cela s’oublie.Hein? qui donc parle ici d’amour?Au diable! la trompeuse flamme!Ma coupe m’aime, et sans détourC’est une rude femme!
Ange Flégier: Ma coupe for baritone voice and piano
Voix Baryton, Piano

$10.35 8.88 € Voix Baryton, Piano PDF SheetMusicPlus

Bass Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.533422 Composed by Ange Flégier. Concert,Romantic Period,Standards. 11 pages. Musik Fabrik Music Publishing #2913649. Published by Musik Fabrik Music Publishing (A0.533422). A setting of a poem by René de Saint-Prest. Edited by Jared Schwartz and Mary Dibbern.Recorded on Ange Flégier: Mélodies for Bass Voice and Piano.Toccata Classics, 2016. In Db major Duration: aprox. 3 minutes 30 secondsHolà! qu’on m’apporte ma coupe,Et qu’on appelle mes amis!Si vous m’en croyez, de tous nos soucisNous allons chasser la hideuse troupe!Il faut nous égayer morbleu!Que dites-vous du vin d’Espagne?Réchauffons vite à son doux feuNos coeurs que le froid gagne!Refrain:À moi, ma coupe, à moi, chère maîtresse!Au nectar qui jaillit de ton sein généreuxLaisse-moi noyer la tristesse,Ah! donne-moi l’ivresseQui rend heureux!Jadis, oui, j'ai fait la folieDe croire à de tendres serments!Quels rêves deçus! quels affreux tourments!Par bonheur, un jour, tout cela s’oublie.Hein? qui donc parle ici d’amour?Au diable! la trompeuse flamme!Ma coupe m’aime, et sans détourC’est une rude femme!
Ange Flégier: Ma coupe for bass voice and piano
Voix basse, Piano

$10.35 8.88 € Voix basse, Piano PDF SheetMusicPlus

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1335082 By M. Ryan Taylor. By Traditional. Arranged by M. Ryan Taylor. Advent,Christmas,Classical,Folk,Holiday. Score. 24 pages. Vocal Works #920929. Published by Vocal Works (A0.1335082). High, Medium High, Medium Low and Low Voice editions all included with this omnibus edition of The Wexford Carol, with a new 4th verse by arranger M. Ryan Taylor.Good people all, this Christmas time,Consider well and bear in mindWhat our good God for us has doneIn sending His beloved SonWith Mary holy we should pray,To God with love this Christmas DayIn Bethlehem upon that morn,There was a blessed Messiah born.Near Bethlehem did shepherds keepTheir flocks of lambs and feeding sheepTo whom God's angels did appearWhich put the shepherds in great fearPrepare and go, the angels saidTo Bethlehem, be not afraidFor there you'll find, this happy mornA princely Babe, sweet Jesus, born.With thankful heart and joyful mindThe shepherds went the babe to findAnd as God's angel had foretoldThey did our Saviour Christ beholdWithin a manger He was laidAnd by his side the virgin maidAttending on the Lord of LifeWho came on earth to end all strife.NEW 4th VERSEThe shepherds ranged both far and nearTo spread the word of Christmas cheer.So we are called, as they of old,To share our joy, sung in anthems bold.For, on this night we feel againThe hope that Jesus brought all men.So sing the songs of star and birth,As angels sang of peace on earth. Copyright © 2023 M. Ryan Taylor | Vocal Works | Choirworks.com
The Wexford Carol for Voice and Piano (Omnibus Edition)
Piano, Voix
M Ryan Taylor
$9.99 8.57 € Piano, Voix PDF SheetMusicPlus

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.840865 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Easter,Praise & Worship,Sacred,Spiritual. Score. 9 pages. Kevin G. Pace #447589. Published by Kevin G. Pace (A0.840865). A sacred vocal solo with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: Oh, Savior of my soul; make me whole. Oh, make me whole. Lend comfort to my mourning heart for errors I still owe. Pure penitence burns deep within; I implore thy grace. Let mercy claim my broken pledge as I seek thy face. Oh, trust my contrite plea; set me free. Oh, set me free. As deepest anguish stirs inside, oh, seek me searchingly. Consuming fire leaves no stain; cleanse my ev’ry thought. Oh, lead me to thy suff’ring side where I can be taught. Now I will wait ‘til I see thy face, ‘til my soul receives comfort in thy warm embrace. Oh, teach me to discern as I learn. Oh, I will learn. My promise is to heed thy voice when my sore conscience burns. So blessed am I who grieve for sins; I can know thy Name. I will remember, gratefully, thy redeeming pain. Oh, Savior at the gate; I will wait. Oh, I will wait. Sure comfort comes with strains of love when solemn vows I make. Thy covenant assures true peace, lending holiness. Then beauty for sweet ashes gives my eternal rest. Now I’m whole, I am whole; I can see thy face. Oh, now my soul is comforted in thy warm embrace.
Make Me Whole, a sacred vocal solo
Piano, Voix

$3.99 3.42 € Piano, Voix PDF SheetMusicPlus






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