Small Ensemble - Level 3 - Digital Download SKU: A0.1203599 By The Beatles. By John Lennon and Paul McCartney. Arranged by Yumiko Matsuoka. A Cappella,Pop. Score and parts. 42 pages. Yumiko Matsuoka #802172. Published by Yumiko Matsuoka (A0.1203599). Originally written for Boston University’s a cappella ensemble In Achord, the Beatles classic retains its original classical flavor, with the voices emulating the string ensemble at the beginning. Featuring various soloists and key changes, it builds to a climax, followed by a somber and introspective finale. Approx. performance time: 2:50.

Concert Band - Digital Download SKU: AX.00-PC-0015365_TB1 Tuba. Composed by Robert Buckley. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0015365_TB1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015365_TB1). UPC: 038081431383.Imagine a misty hall of mirrors where, one by one, colorful, bizarre characters materialize out of the shadows and begin dancing a wild, mysterious waltz. Starting tentatively at first, the music whirls and twirls, spinning and turning, eventually becoming faster and faster, building to a frenzied climax when, in a puff of smoke, everyone disappears! Featuring solos for trumpet, alto saxophone, flute, and clarinet, and a duet for piccolo and tuba, Smoke and Mirrors is full of sweeping melodies, energetic percussion, harmonic surprises, and dramatic shifts in dynamics. Sure to bring a spark of magic to any concert. (5:00)Concert/Contest.

String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.984564 Composed by Tito Abeleda. 20th Century,Concert,Contemporary. Score and parts. 28 pages. Visionary Quest Records #6102063. Published by Visionary Quest Records (A0.984564). Pathétique means to move someone emotionally - to evoke sadness, to evoke pity. Pathétique was composed by Tito Abeleda for string orchestra and string sextet. Tito wrote this original poignant piece as a means to catharsis for processing sadness, reflection, and deep contemplation. Pathétique begins with an expressive violin solo, which sets the melodic motif and tone for the entire piece. Pathétique slowly builds, adding each string part as its own contrapuntal layer, which creates ever-growing, rich, lush harmonies that seeks to climb to the pinnacle of musical climax, resonating the fullness of emotional release. Pathétique (for String Sextet) conveys its own intimate yet powerful sense of deep emotionality.Special Thanks to photographer Rene Asmussen for Sheet Music photo.Contact Tito for original compositions: http://bit.ly/TitoAbeleda_SoundBetterEmail: tito@visionaryquestrecords.comHttps://www.visionaryquestrecords.comPRO: BMI.com Follow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1124512 Composed by Anon. Arranged by Robert Luke Thompson. Christian,Christmas,Holiday,Renaissance,Traditional. 12 pages. Monkspath Music #725261. Published by Monkspath Music (A0.1124512). Gaudete! is Christmas carol, believed to originate from the 16th Century. It was published widely in 1582 in the collection of sacred songs known as Piae Cantiones. Whilst the plainchant for the refrain (Gaudete) is clearly published, there is much debate as to where the melody for the verses came from. To preserve the plainchant style of the verses, each member of the quartet has a solo verse – with a few alterations made to preserve each instrument’s unique voice. An additional refrain is included to create a suitable crescendo towards the climax of the piece – highlighting the meaning of Gaudete! (Rejoice!) This version is suitable for quartets of any level, especially those who desire an easily legible and flexible arrangement, ready for a Christmas concert, carol service, or other event. For further pieces, view the Monkspath Music catalogue and click here!

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.927824 Composed by Beethoven, Traditional. Arranged by EDDY CLEMENT. A Cappella,Christmas,Sacred,Spiritual. Octavo. 13 pages. Eddy Clement #5857239. Published by Eddy Clement (A0.927824). With an eternally timely message of Peace (These our nations once divided, now rejoined in unity. Let us build a world of union. Peace for all humanity.), this compilation song explodes with hope and Joy! Skillfully intertwining two Traditional Christmas Carols: How Great Our Joy and Joy to the World around the texture of Beethoven's beloved Ode to Joy, this arrangement is innovative and clever. Strong sectional writing highlights all voices as each song is introduced, then smartly used to layer contrapuntal effects until the climax when all three songs happening simultaneously. As the centerpiece, an a cappella chorale of Ode to Joy is presented reverently, with original German text, English translation or alternate common text options. Men's choruses of moderate and above skill level (some divisi) will shine with this work. Small Instrumental ensemble (Fl or Ob, Hp, StrBs, Perc) can be added to this Piano part, if desired [Instrumental Pack available on sheetmusicplus.com].

Various Instruments - Digital Download SKU: H1.9051DP Composed by Joel Raney. Musicals for Adults. Spirituals & Gospel, Hymn Arrangements, Christmas, Birth of Jesus Christ. Choral score. 104 pages. Hope Publishing - Digital #9051DP. Published by Hope Publishing - Digital (H1.9051DP). A Christmas celebration for SATB choirs This gospel-flavored musical reflects on the promise of peace delivered by the angels on the night of Jesus' birth. The iconic ballad, Let There Be Peace on Earth is used as musical bookends: its theme is briefly stated in the second movement and then returns in full-blown gospel style at the end to provide an emotion-filled climax. In between, the Christmas story is told through scriptural narration and six beloved carols set in a variety of styles ranging from jazz, to gospel, to calypso. Accompaniment can be provided by piano, full orchestra, or a smaller set of rhythm parts, arranged by Ed Hogan. Performance time is 35 minutes.

Instrumental Duet Alto Saxophone,Instrumental Duet,Soprano Saxophone - Level 3 - Digital Download SKU: A0.590563 Composed by David McKeown. Celtic,Folk,Holiday,Love,Wedding. Score and parts. 4 pages. David McKeown #6212711. Published by David McKeown (A0.590563). Grá, (Irish for Love), is a beautiful original composition by David McKeown, arranged as a duet for one Soprano and Alto  Saxophone.This duet is inspired by the Irish sean-nós style of singing. Originally sung unaccompanied in the Irish Gaelic language, in more recent times the melodies have been adapted as instrumentals, harmonised and given accompaniment. The songs are most often about love and loss and Grá aims to capture this melancholy mood.Grá is written for players at an intermediate standard and upwards. Expressive throughout, the first part of the melody is played above a drone. Simple accompaniment then builds towards a climax before the melody slips away like a distant echo. Players can add their own appropriate ornaments and variations to the melody if they wish. Grá has a performance time of a little over three minutes. Click the link above to hear a full performance of the Clarinet version of Grá on Youtube.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1170861 Composed by Traditional. Arranged by Dana Graybeal. A Cappella,Barbershop,Patriotic,Traditional. Octavo. 2 pages. Dana Graybeal #771204. Published by Dana Graybeal (A0.1170861). This practical TTBB arrangement of the Star Spangled Banner is suitable for acappella chorus or quartet. The soaring climax ensures an enthusiastic audience response.

Brass Ensemble - Level 4 - Digital Download SKU: A0.754787 By Margery McKay. By Richard Rodgers. Arranged by Sy Brandon. Broadway,Film/TV. Score and parts. 6 pages. Sy Brandon #1955123. Published by Sy Brandon (A0.754787). After a two-measure introduction, the music begins softly and builds to a climax. Arranged by ASCAP award-winning composer/arranger Sy Brandon.

Concert Band - Digital Download SKU: AX.00-PC-0016397_T2 2nd B-flat Trumpet. Composed by Chris M. Bernotas. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016397_T2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016397_T2). UPC: 038081481692.A tuneful way to introduce students to the lyrical style and rollicking feel of traditional Scottish/Irish music. The Air is the melody from Gilderoy and is set with a contemporary harmonic palette that concludes with an exciting climax before transitioning to the jig. The Jig of Slurs is a traditional Irish dance with a melody and feel that is infectious! (2:30) Air and Jig correlates to Book 2, Level 2 of Sound Innovations for Concert Band.Concert/Contest; Festival.

SATB chorus a cappella - Digital Download SKU: BJ.1504 Composed by Emma Anstey. Secular. 6 pages. Bo Ejeby Forlag - Digital #1504. Published by Bo Ejeby Forlag - Digital (BJ.1504). 8.27 x 11.7 inches.A musically playful interpretation of Rudyard Kipling's text The Dawn Wind.The poem describes how the wind sweeps through the landscape at dawn. Nature is brought to life and the day brightens when the sun is invoked in the piece's powerful climax. The wind also becomes a metaphor for change that sweeps through a society and gives people hope for a new freedom. - Emma Anstey.

Easy Piano - Level 3 - Digital Download SKU: A0.821279 Composed by Edvard Grieg. Arranged by Judith. L. Maggs. Classical,Halloween,Holiday,Romantic Period,Standards. Score. 6 pages. Maggs #6021345. Published by Maggs (A0.821279). In the Hall of the Mountain King from Grieg's Peer Gynt Suite is a delightfully fun piece, and it's relentless minor tune works especially well around Halloween. This arrangement (which uses the full length of the original piece) is at an intermediate piano level, and is really quite easy to play, because of all the repetition. The fun is in getting faster and faster and louder and louder, until the frantic climax.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.1440099 By BYU-I Wind Quintet. By George W. Meyer and Harry A. Dean. Arranged by Ryan Terry. 21st Century,Chamber,Praise & Worship,Religious,Spiritual. 4 pages. Ryan Terry #1020048. Published by Ryan Terry (A0.1440099). An original arrangement of two sacred works, arranged by composer and clarinetist Ryan Terry. This spiritual piece is arranged for a standard wind quintet ensemble. Both hymn tunes are heard throughout the piece, culminating to the climax, where both melodies are interweaved. This arrangement was originally written for and performed by the Brigham Young University-Idaho Clarinet Studio in the Winter 2019 semester, and was re-arranged for wind quintet in the Fall 2022 semester.Estimated duration of piece: 4 min, 10 secondsEmail me for the sheet music for the individual parts, or let me know if you're going to perform this piece!ryansterry2000@gmail.com.

Piano Solo - Level 5 - Digital Download SKU: A0.1438489 Composed by Alan Silvestri. Arranged by David McCaulley. 20th Century,Contemporary,Film/TV. Score. 11 pages. David McCaulley #1018510. Published by David McCaulley (A0.1438489). In the exciting climax of the 1985 film Back to the Future, Alan Silvestri's score matches that intense excitement and more in this cue. His score for this film is filled with all sorts of interesting orchestral colors and timbres, which fits extremely well with this '80s classic. This cue is part 1 of the culmination of all of the musical ideas Silvestri had for this score, and it provides so much energy and excitement. In this advanced piano arrangement, there's a lot of really unique challenges for any skill level that will be sure to keep you on your toes!

French Horn Solo - Level 5 - Digital Download SKU: A0.767345 Composed by Mike Lyons. Contemporary. Individual part. 7 pages. Lyons Music Services #3518541. Published by Lyons Music Services (A0.767345). This is my second Horn Sonata for unaccompanied horn. Like the first, it has 3 movements, each of which can be played on their own. 1st. Movement: Andante piacere The music of the first section is based on the opening idea. The descending glissandos and the repeated note figures should be taken in a leisurely way, a piacere, rather than in totally strict time. In bar 10, the flz should appear out of the tied note, without a fresh tongue. From letter A, the music is based on the repeated note patterns which are gradually developed and metamorphosed into new shapes in a gradual process. At letter B, a second motif is added which is more expressive and dynamically diverse. The development of this idea reaches a climax at the rall before letter C, from where this idea becomes more frenetic and agitated until it 'tires itself out' in the pauses before letter D. Here the original repeated note motif reappears to provide a basic ternary shape as the original ideas, changed by the development process are re-stated in their new forms. The closing pauses should be played as marked, with comma breaks, but not between the two notes in the penultimate bar. 2nd Movement: Adagio This movement is slow and wistful, atmospheric and drifting. Each phrase should be given its own space. Each individual motif has its own rises and falls and these should be tastefully exaggerated to give them as much definition as possible. 3rd. Movement: Allegro vivace This movement is intended to be flashy and full of life. The 7/8 time signature gives it plenty of off-beat vivacity. Players will need to make sure they know what the pulse is as it shifts from 2+2+3 to 2+3+2 and 3+2+2. Much of the material (motifs) are related to the music of the first two movements so this rousing finale will brig a sense of completeness to the performance of the sonata, though it can, of course, be played as a separate piece in its own right. This movement is both enjoyable and challenging, requiring a good technique and counting skills. The subtle shifts to 6/8 and 5/8 - and even 3/4 time need to be treated with care.