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Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
CONJUNCTION: The Christmas Star of 2020
Orchestre

$95.00 79.83 € Orchestre PDF SheetMusicPlus

Violin Duet Violin - Level 4 - Digital Download SKU: A0.1395327 Composed by Ulrich Lehensteiner. 21st Century,Classical,Contemporary. 75 pages. Ulrich Lehensteiner #978795. Published by Ulrich Lehensteiner (A0.1395327). The Double-Sonata is a trio-setup-piece (two violins and piano) all about duality and contrast. Led by not just one violin but two, the roles of leading voice and accompaniment constantly switch between the three instruments.All three movements feature two strongly contrasting themes and each of the three approaches the themes' development in a unique way.The first movement's tension resolves in a kind of anti-climax, a moment of greatest fragility after the built-up tension, which then returns to a (almost) note-perfect reprise of the exposition, to show that in the end nothing has changed.The second movement even intensifies the struggle between the two themes, with ultimately one of them taking over.In the third movement, an energetic waltz, no effort is even made to unify it's two themes, they just stand block-like against each other.
Double Sonata
2 Violons (duo)

$26.90 22.61 € 2 Violons (duo) PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.946955 Composed by Daniel B. Towner & Julia H. Johnston, Fanny Crosby & William H. Doane. Arranged by Wanda Cooley. 20th Century,Easter,Sacred. Score. 14 pages. Wanda J. COOLEY #6259173. Published by Wanda J. COOLEY (A0.946955). This arrangement begins in a flowing style which builds to a cascade of five-finger embellishments at its climax.  Motifs unify and propel as the accelerating motion leads to the reiteration of the paramount message:  God's Grace...(is)...Greater than all our Sin!  The hymn Jesus Keep Me Near the Cross appears briefly to support this reflection. Length: 3:45 min.  PDF Overhead PowerPoint Text sequences to the piano score.GRACE CREATER THAN OUR SIN is also available at SMP inside IN THE CROSS, a pianist's complete kit for presenting the Gospel thru 10 hymn arrangements sequenced with Overhead PowerPoint Texts.  Also included are bulletin and program templates and organizational aids, narratives, and promotional graphics so that the pianist's only responsibility is playing the music!   Grace Greater than Our Sin - Daniel B. Towner & Julia H. Johnston, Jesus Keep Me Near the Cross - Fanny Crosby & William H. Doane.
GRACE GREATER THAN OUR SIN with Overhead PDF Text
Piano seul

$3.99 3.35 € Piano seul PDF SheetMusicPlus

Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.1242954 Composed by Words: Susan Bentall Boersma, Music: David Lantz III. Christmas,Sacred. Octavo. 8 pages. Lantz Choral Publications #838007. Published by Lantz Choral Publications (A0.1242954). Susan Bentall Boersma’s Nativity text, full of imagery, beautifully depicts the simplicity of the manger scene: “Into the stillness of a stable Jesus cameâ€.  David Lantz’s music begins softly, progressing to a large climax with the words: “No pomp and pageantry to herald the birthday of a Kingâ€, and slowly tapers to a quiet ending. Full score and parts for SAB and Chamber Orchestra: LCP0153Accompaniment track mp3: LCP0163Also available for SATB (LCP0094)NOTE: This audio recording is of the SATB version
Into the Stillness
Chorale 3 parties

$2.35 1.97 € Chorale 3 parties PDF SheetMusicPlus

Woodwind Ensemble - Level 5 - Digital Download SKU: A0.1073232 Composed by An-lun Huang. 20th Century,Classical,Contemporary,Multicultural,Traditional,World. 107 pages. DoReMi Edition #677496. Published by DoReMi Edition (A0.1073232). CHINESE RHAPSODY No.3 For Saxophone with various ensemble An-lun Huang Op.46(1988) Chinese Rhapsody No.3 was composed e in Toronto, Canada , 1988. Huang dedicated the piece to the Canadian Saxophonist Paul Brodie who premiered it in Parry sound of Ontario in the same year. Written in Saibei Folk Style, the music is divided into 5 movements without stop. As usual, Huang didn‘t use any folk song . But the typical taste of Huang’s “Zhang Jia Kou[張家å£] accent†is pretty easy to be identified. With the concert virtuosity, the 1st movement is composed as an emotional Cadenza which expresses the profound affections to the land of Saibei. Using the same Alto Sax., the lyric 2nd movement is followed by a folk dance, the 3rd movement. Chang to a Soprano Saxophone, the 4th movement is sound like a dreamy nocturne which is interrupted by the percussions of the fiery 5th movement. The whole Rhapsody ends on a climax of the Chinese Northern west “wind and percussion “styleâ€. Brodie found more than 300 trills in this piece. Perhaps this is the key to perform the music in real Chinese style. Huang has composed 5 versions of these pieces for different ensembles: saxophone solo with piano, or strings, or winds/brasses, or Chinese traditional orchestra, or symphony orchestra. The attached mp3 was performed by the German saxophonist Jurgen Demmler with pianist Peter Grabinger in 1996. Duration: 20’.
CHINESE RHAPSODY No.3 For Saxophone with Wind Orchestra, Op.46(1988) [All parts]

$200.00 168.07 € PDF SheetMusicPlus

Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1499262 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. Score and part. 43 pages. James A. Yeager #1075315. Published by James A. Yeager (A0.1499262). Foreword:Each movement revisits classic paradigms— (I & II) ternary song form,(III) theme & variations. The third movement treats the two themes as children at play with games such as tag and hide-and-seek as variations. Both themes become partner songs leading to fugue, which is, after all, the ultimate musical game.Performance Notes:I Moderato,  slurs in the flute suggest phrasing but are optional in terms of breathing. The B section at letter C has a canon between flute and piano (left-hand) which suggests imitation in articulations and dynamics. The climax just before letter D can be stretched slightly more than poco rit. implies. II Slowly gently, must not be played slower than indicated. The middle section at letter B begins with a subito forte. At 3 measures before letter C the fermatas allow a certain freedom. When the flute releases the piano can continue the left-hand chord. The piano should use una corda in the bridge at letter C. Elsewhere, the piano may also employ una corda in quiet places ad libitum. At final note the flute can fade to nothing if breath runs out and just remain in pose as the final note of the piano is allowed to vanish.III Majestic with vigour, two given themes from ca. 1934 are Old Abram Brown by Benjamin Britten and Kookabura Sits on the Old Gum Tree by Marion Sinclair and both are rounds for children. The flute boldly declares theme one at the outset. The piano arpeggiations begin sonorously and quiet before letter A. In Variation 1 the piano must begin softer than the low register flute. The piano left-hand upper notes [A, then G, then D-A fifth) may require use of the sostenuto pedal. Variation 2 is a caccia or chase. Variation 3 is a barcarolle where theme 1 is hiding in the flute part. Variation 4 introduces the second theme (flute) in partnership with theme 1 (piano). Four measures before letter I the piano makes an ogre of theme 2 and should be humorously ponderous. The fugue subject might be the teacher who brings everyone into the final partner song of themes. The piece finishes as it began except for a wistful ending.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). While in Colorado he composed two film scores for student filmmakers as well as choral and organ compositions. He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. He led choirs of all ages from children through the elderly. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano(2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
Sonatina for Flute and Piano

$30.00 25.21 € PDF SheetMusicPlus






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