Piano,Viola - Level 3 - Digital Download SKU: A0.1216985 Composed by Saint-Saëns, Camille (1835-1921). Arranged by Kamada, Mikio. 20th Century,Opera. Score and part. 9 pages. ACORDO Sheet Music #813513. Published by ACORDO Sheet Music (A0.1216985). The story of Samson and Delilah is found in the Old Testament. Gaza, an ancient city of Israel, was once ruled by the Philistines. However, the Hebrew hero Samson killed the governor of Gaza. In revenge, the Philistine beauty Delilah tempted Samson to reveal his weakness. This led to the aria Mon cœur s'ouvre à ta voix, sung at the climax of Delilah's seduction. The aria, written for a mezzo-soprano, beautifully expresses the seductive atmosphere and Delilah's intense passion. It's considered one of the finest arias in all opera.In the scores, the solo part plays both Delilah's and Samson's parts. In the duets period, Delilah's part is played by the piano and the solo instrument plays Samson's part. Samson's part is written in a lower range, emphasizing the contrast with Delilah's part.The original piece is written in D-flat major, which can be challenging for some string players. This version is transposed to G major for their convenience.

Choral SATB choir with optional brass & timpani - Digital Download SKU: H1.C5373DP Composed by Allen Pote. Piano Accompaniment with Optional Brass & Timpani. Latin Text, Christmas. Octavo. 12 pages. Hope Publishing - Digital #C5373DP. Published by Hope Publishing - Digital (H1.C5373DP). Luke 2:14.Original anthem From Allen Pote, here is a triumphant Christmas Gloria. The accompaniment of organ with optional brass and timpani generates a thrilling choral fabric and builds to a fitting climax proclaiming, Gloria in excelsis Deo. Let us all rejoice and sing: Glory to God in the highest. .

Flute - Level 5 - Digital Download SKU: A0.1488955 Composed by Robert Dusek. Chamber,Classical,Contemporary. 24 pages. DaCapo, LLC #1065808. Published by DaCapo, LLC (A0.1488955). This musical work borrows from the literary concept of troping.  Scored for two flutes, it begins softly but developes into a complex and virtuosic climax.  An exciting recital piece.

String Orchestra - Level 3 - Digital Download SKU: A0.984565 Composed by Tito Abeleda. 20th Century,Contemporary. Score and parts. 30 pages. Visionary Quest Records #6100945. Published by Visionary Quest Records (A0.984565). Pathétique means to move someone emotionally - to evoke sadness, to evoke pity. Pathétique was composed by Tito Abeleda for string orchestra. Influenced by Samuel Barber, Tito wrote this original poignant piece as a means to catharsis for processing sadness, reflection, and deep contemplation. Pathétique begins with an expressive violin solo, which sets the melodic motif and tone for the entire piece. Pathétique slowly builds, adding each string part as its own contrapuntal layer, which creates ever-growing, rich, lush harmonies that seeks to climb to the pinnacle of musical climax, resonating the fullness of emotional release. Digital Download = 30 Pages Level = Intermediate Duration = 15:38 minutes Music Score Tutorial Video - http://bit.ly/Pathetique_StringOrchestra_YouTube Special Thanks to photographer Rene Asmussen for Sheet Music photo.Email Tito Abeleda: tito@visionaryquestrecords.comPRO: BMI.com Follow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes

Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Download SKU: A0.584687 Composed by Jeff Tincher. Contemporary. 39 pages. Jeff Tincher #6018207. Published by Jeff Tincher (A0.584687). This composition is a Bolero in 12/8. It begins with the initial rhythm that is played throughout the piece. The piece begins at ppp and increases in volume as each instrument plays the melody section. As each instrument enters, it forms a round of the same melody. The bridge begins with the continuing rhythm with each instrument adding their own note with the same rhythm until the complete quartet is playing the same rhythm in a chord. The bridge leads to the climax section where the initial rhythm continues with the third instrument imitates a tympani while the upper two instruments play the melody in harmony at fff volume. The finale is a repeat of the layering bridge to a single accented chord. Duration = 6:43. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1029365 Composed by Keara EE Parciak. Contemporary,Sacred. Octavo. 9 pages. Keara Parciak #4835659. Published by Keara Parciak (A0.1029365). This piece is a setting of the entire Latin text of the Adoramus Te and is an arrangement of the SAB English setting We Adore You Christ.  The somberness of the piece is meant to reflect the reverence of the text as well as to symbolize the solemness during the Stations of the Cross.  Like We Adore You Christ, the tempo is meant to symbolize the steps that Jesus Christ took on the journey to Calvary.  The climax section is when he is nailed to the cross.  .

Two-part chorus - Digital Download SKU: C7.CGA381 Composed by Tom Mitchell. Easter. With Handbells, bass. Sacred Anthem. Octavo. 12 pages. Chorister's Guild - Digital #CGA381. Published by Chorister's Guild - Digital (C7.CGA381). UPC: 749193004425.Taking for her inspiration the refrain used by Helen Kemp in her presentation on children's choir methods, Sue Ellen Page has composed an effective setting with additional text by her husband, Eric. This is one of four anthems commissioned by Westminster Choir College for the second Festival of Singing Children to be premiered in May 1987 in Princeton, New Jersey. The addition of percussion instruments and flute give a colorful spirit to the anthem. The changing meters should not be difficult to teach, and the changing keys help build to a stunning climax. Composer: Page, Sue Ellen Text Author: Johnson, Eric D. and Kemp, Helen.

Small Ensemble Clarinet,Piano,Tuba - Level 4 - Digital Download SKU: A0.775974 Composed by Cason Cooman. Contemporary,Standards. Score and parts. 48 pages. Musik Fabrik Music Publishing #2034873. Published by Musik Fabrik Music Publishing (A0.775974). Shadowbook (Three Songs in the Night) (2013) for clarinet, tuba, and piano was commissioned by and is dedicated to Kevin and Susan Wass. As the title implies, it is music that possesses a certain dark energy. It evokes not so much a night of tranquility, but rather one of great intensity. The titles of the movements are poetic, not programmatic-each intends to give a sense of the mood that pervades the music. The Bearer of Bad News begins obsessively with re-iterations of a unison pitch. The movement unfolds lyrically outwards from this texture, finally reaching a climax in an intense return of the re-iterations, before a coda brings the energy back down. A Desperate Peace draws from the spirit of fierce lament. It evokes a line from Tecumseh of the Shawnee American Indian tribe: When your time comes to die, be not like those whose hearts are filled with fear of death, so that when their time comes they weep and pray for a little more time to live their lives over again in a different way. Sing your death song, and die like a hero going home. In Towards Morning an obsessive rhythmic pulse pushes the music forwards towards the coming day. The night’s dark energy, however, is not soon forgotten. The set includes a piano score and parts for Bb clarinet and tuba.

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - Digital Download SKU: A0.1454080 By Pentatonix. By Buddy Greene and Mark Lowry. Arranged by J Richardson. Advent,Chamber,Christmas,Pop,Spiritual. Brass Band. 29 pages. Jenny Richardson #1033254. Published by Jenny Richardson (A0.1454080). Experience the powerful and evocative rendition of Mary, Did You Know? as you've never heard it before, reimagined for a full brass band. Inspired by Pentatonix's hauntingly beautiful a cappella version, this arrangement brings a new dimension to the beloved Christmas classic, blending rich, resonant brass tones with intricate harmonies and dynamic contrasts.From the moment the first note sounds, you'll be captivated by the lush, full-bodied textures that only a brass band can provide. The arrangement opens with a serene and introspective solo, gradually building as each section of the band joins in, creating a tapestry of sound that is both majestic and intimate.Highlights include: Soulful Solos: Featuring emotive solos for flugelhorn and euphonium that echo the poignant vocal lines of the original. Rich Harmonies: The arrangement masterfully captures the intricate harmonies of Pentatonix, translated into the warm, powerful voices of the brass ensemble. Dynamic Interest: Experience the swelling crescendos and dramatic pauses that enhance the narrative of the song, leading to a powerful and triumphant climax. Versatile Performance: Perfect for holiday concerts, church services, and festive events, this arrangement is designed to showcase the versatility and expressive range of a brass band. Whether you're a conductor looking to add a unique piece to your repertoire, a brass band enthusiast, or simply a lover of Christmas music, this arrangement of Mary, Did You Know? promises to deliver an unforgettable listening experience. Elevate your holiday season with the profound beauty and majestic sound of a brass band performance that pays homage to one of the most touching Christmas songs of our time.

Soprano Saxophone Duet Soprano Saxophone - Level 3 - Digital Download SKU: A0.590565 Composed by David McKeown. Celtic,Folk,Holiday,Love,Wedding. Score. 4 pages. David McKeown #6212715. Published by David McKeown (A0.590565). Grá, (Irish for Love), is a beautiful original composition by David McKeown, arranged as a duet for two Soprano Saxophones.This duet is inspired by the Irish sean-nós style of singing. Originally sung unaccompanied in the Irish Gaelic language, in more recent times the melodies have been adapted as instrumentals, harmonised and given accompaniment. The songs are most often about love and loss and Grá aims to capture this melancholy mood.Grá is written for players at an intermediate standard and upwards. Expressive throughout, the first part of the melody is played above a drone. Simple accompaniment then builds towards a climax before the melody slips away like a distant echo. Players can add their own appropriate ornaments and variations to the melody if they wish. Grá has a performance time of a little over three minutes. Click the link above to hear a full performance of the Clarinet version of Grá on Youtube.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1125331 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Classical,Contest,Festival,Wedding. 12 pages. Jmsgu3 #726115. Published by jmsgu3 (A0.1125331). Score: 5 pages. Duration: 2:38.Johann Sebastian Bach's Prelude & Fugue in G Major BWV 557 is a piece of organ music composed in 1703 and first published in 1714. It is a two-part composition with a prelude followed by a fugue. The prelude is a stately and joyful piece in the Baroque style. It is built around a series of themes, each repeated with slight variations, before culminating in a grand climax. The fugue is similarly constructed and features a clear exposition, with a main theme followed by several episodes. The piece has become one of Bach's most beloved works, due to its simple structure and its remarkable balance between prelude and fugue. It has been used in films, television, and other media, and is a staple of the organ repertoire.

Full Orchestra - Digital Download SKU: AX.00-PC-0002371_T3 3rd B-flat Trumpet. Composed by Michael Kamen. Arranged by Roy Phillippe. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0002371_T3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0002371_T3). UPC: 654979037057.Based on the lovely anthem from the HBO mini-series, this rich arrangement builds to a dynamic climax through each variation of the thematic material. Even if you haven't seen the movie, this is energetic concert literature that will be appreciated by performers and listeners as well. (5:53)Concert/Contest.

Full Orchestra - Level 5 - Digital Download SKU: A0.928012 Composed by Malcolm D Robertson. Contemporary. 171 pages. Mr Malcolm D Robertson #6638445. Published by Mr Malcolm D Robertson (A0.928012). Composed between the 21st July & the 18th October 2021, my 3rd Symphony, at around 34 minutes in duration, is the longest of my three symphonies to date & my most substantial purely orchestral score. The Symphony is in four movements following a fast-slow-fast-slow format. It is a dark probing & at times disturbing score. The Symphony makes much use of the very dark Locrian mode with its prominent diminished 5th (tritone). The 1st movement is angry & driven with a swirling energy. The 2nd movement is a kind of sad processional which builds to protesting battering climax before ending in a sense of resignation. The 3rd movement marked 'with malice' ranges from a sense of waspish humour to downright arrogant brutallity. The slow 4th movement is the longest movement, the opening hinting at two works by Wagner & Holst. The movement has a sense of questioning & searching, perhaps a single word 'why?' sums the movement up & to some extent the Symphony too. Parts are available upon request.

Piano Solo - Level 3 - Digital Download SKU: A0.1495478 By Damien Gauci. By Damien Gauci. Classical,Contemporary. Score. 4 pages. Damien Gauci #1071995. Published by Damien Gauci (A0.1495478). This track sets the scene for the whole album, a short but exciting story about the adventure of the curious squirrel named Whiskers. The title of this piece is a cliché for fairy tales but I thought it would fit for this album as the idea of the album is a bit of a fairy tale, or somewhat of a magical story.The piece encapsulates the entire story from beginning to end, a kind of foreshadowing of what is to come. It begins with a slow but curious melody reflecting the curious nature of Whiskers and then the melody becomes more active as things begin to escalate. It then takes a turn into a very active melody with lots of movement as the story reaches its climax. Finally, the melody returns to the original motif that we heard at the start which leaves the door open for the rest of the story. We had a brief look into what is to come, but we are yet to actually start the story.

Percussion (one player: vibraphone, marimba, cymbals, tom-tom, etc.). Advanced soprano saxophone and percussion - difficult - Digital Download SKU: S9.Q54669 Composed by Bertold Hummel. This edition: performance score. Cymbal sound - multiphonic. Downloadable, Performance score. Volume op. 88a. Duration 8 minutes. Advance Music GmbH - Digital #Q54669. Published by Advance Music GmbH - Digital (S9.Q54669). The overall form of this work in one movement is in seven sections. A slow introduction begins with multiphonics of the saxophone and sounds of cymbals played with a double-bass bow. Vibraphone and marimbaphone provide the chordal foundation for a fanfare-like invocation by the saxophone. The atmosphere of the following Allegro is dominated by an ostinato series of notes taken from the chords of the introduction and played by the marimbaphone; over this, starting from a four-note series, the saxophone develops jazz-influenced figures. The constructional elements are worked into a cadenza-like section, followed by an arioso passage, leading over lightly-pulsating sounds to a final climax with a B-A-C-H (B flat - A - C - B) quotation in the saxophone. Once again, it continues with a cadenza-like section. Slap in the saxophone and stopped notes in the vibraphone and marimbaphone introduce new ideas and sonorities for discussion, the constructional elements are played off against each other in a loose sequence. At the end of this second cadenza, the B-A-C-H (B flat - A - C - B) quotation re-appears in the saxophone. A varied reprise of the first Allegro section leads to a concluding passage, taking up the atmosphere of the introduction, combined however with clear references to the four-note series of the Allegro. The interval of a third is heard and remains hovering in the air to the very end, closing the work in pianissimo.