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Instrumental Duet,Keyboard - Digital Download SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself.  Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians.  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
2 Pianos, 4 mains
dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians  The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking
$20.00 17.14 € 2 Pianos, 4 mains PDF SheetMusicPlus

String Ensemble,String Trio Cello - Level 4 - Digital Download SKU: A0.1170613 Composed by Phil Rawle. Classical,Contemporary. Score and parts. 12 pages. Phillip Rawle #770985. Published by Phillip Rawle (A0.1170613). Rustic Fanfare - 'Cello Trio.The first section is an opening flourish or fanfare in choppy eight-bar phrases with no instrument being more prominent than the others. There follows a slower, more thoughtful passage with the instruments moving together in the main, before returning to the original tempo. The third part is much spikier and altogether more chaotic within a staccato, canon figure being conspicuous before calming down into a lyrical, descending passage exploring some harmonic modulations. It ends with a reprise of the third theme before coming to a loud climax. The piece lasts for about three and a half minutes.
Rustic Fanfare - 'Cello Trio
Trio à Cordes: 3 violoncelles

$5.00 4.29 € Trio à Cordes: 3 violoncelles PDF SheetMusicPlus

Clarinet Quartet,Woodwind Ensemble - Level 5 - Digital Download SKU: A0.1184712 Composed by Alan Bullard. 20th Century,Chamber,Contemporary. 48 pages. Colne Edition / BullardMusic #784397. Published by Colne Edition / BullardMusic (A0.1184712). Overtones is a single-movement virtuoso work that exploits the contrast between the different registers of the clarinet and their associated timbres.The basic material uses a scale derived from the clarinet’s characteristic overtones (or harmonic series), and is displayed at the opening of the work in the form of a toccata-like passage followed by a more relaxed section in which a solo line is echoed by the other clarinets.  These two groups of ideas are then subjected to a variety of developments and juxtapositions, culminating in a dissonant climax of note-clusters, followed by a shortened and varied repetition of the opening sections (but without the toccata-like characteristics) climbing up the overtone series and disintegrating into nothingness.The pdf contains the score and the four instrumental parts.www.alanbullard.co.uk.
Overtones (for four clarinets in B flat)
Quatuor de Clarinettes: 4 clarinettes

$25.00 21.43 € Quatuor de Clarinettes: 4 clarinettes PDF SheetMusicPlus

Piano,Violin - Level 4 - Digital Download SKU: A0.773649 Composed by Anthony Giamanco. Concert,Contemporary,Standards. 10 pages. Whole Tone Press #3412313. Published by Whole Tone Press (A0.773649). A bold, modern work for piano and violin. It begins with a rhythmic, driving A section which eases into a more lyrical B section, returning to A, then on to a fiery climax. Moderately advanced. Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper. Anthony's music can be heard on his website, anthonygiamanco.com, on SoundCloud (https://soundcloud.com/tony-giamanco), and on his YouTube channel (https://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg) Contact info:tony@shalomlife.org.
Capriccio for Violin and Piano
Violon et Piano

$3.95 3.39 € Violon et Piano PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.584654 Composed by Jeff Tincher. 20th Century,Contemporary. 19 pages. Jeff Tincher #6017671. Published by Jeff Tincher (A0.584654). This begins with a 7/4 time signature in A minor. The initial passage was created to sound like an industrial region in a run-down town. The machines continue to progress until the complete building is running like a well-oiled machine, to quote a anecdote. As it continues the business runs smooth like a waltz in 3/4 time. For a moment the initial passage returns before a climax in A major. The finale concludes as the day ends with the original passage returning in 7/4 time as the business closes for the day. Hear the full version of composition on Jeff Tincher's For Saxophone Quartet CD. Duration = 4:00. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
Quartet #1
Quatuor de Saxophones: 4 saxophones

$12.99 11.13 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Concert Band - Digital Download SKU: A0.1012109 Composed by Jannes Jacobs. Contemporary. Score and parts. 359 pages. Jannes Jacobs #3569171. Published by Jannes Jacobs (A0.1012109). Medioevo is a Composition based on impressions from the dark ages. The composer wrote the piece to take you on a journey through this remarkable period of time.Part 1: The Promised Beginning Land Of Departurethe part opens with a decisive rhythm in the lower brass, woodwind and percussion section. The theme played by the woodwinds is written to give the listeners a middle eastern feeling. This represents the crusades. The higher brass section play a nice and static counter theme.Part 2: Enchanted DominionThis section a bit mysterious and magic, played by mallets and flutes. The theme from the Oboe represents the ghost of a warlock trapped on the dominion. As we pas trough the dominion we need the protection of the church represented by the Harpsichord (clavecimbel) and clarinets.Part 3: The rustling ForestsAfter leaving the Enchanted Dominion we gallop with our horse trough the Rustling Forests. These forest show fast winds and have a lyric theme played by the trumpets and saxesPart 4: The SquareOnce trough the Forests we get to the Village square where the market is on going. We have several sales men selling their goods. These are represented in the themes of the woodwinds. The confusion gets to much and we try to hide from the sales men. The trumpets represent this part in a piano 5/4 movement which bring a big contrast trough the noises from the market place. In the end we need to get through the market place so we find a way to keep the sales men away by playing a wonderful legato melody which the dwarf’s taught us.Part 5: Dwarf’sThese social and kind people have a little village outside of the town where joyful melodies sound from both children as adults and elderly dwarf’s. the themes are divided under the different solo players of the woodwind sections.Part 6: Run or HideAfter a nice time with the Dwarf’s we continue our path but soon we face a large army coming our way. What do we do Run or Hide? This part is full of different melodies and counter melodies to represent the indecisiveness of the Dark Ages.Part 7: NeverlandWe arrive in the land of the elves where the tenor sax and horns play an agitato atmosphere to represent our hart beat when we see these beautiful creatures. The themes from the flutes and euphoniums show the grace and beauty of the elves. While the harp creates an elf like atmosphere.Part 8 The castle Gardenswe arrive in the castle gardens. These gardens are the most beautiful in the whole land. It makes the orchestra say Ahh. While the percussion section gives it a magical feeling. After being amassed we soon find out that these gardens are made for the Authorities and paid by our tax money which gives us a double feeling. Should this money not be better spend on good music?Part 9 Black Powderafter we find out the castle lord wrongly used or tax money we go and find some black powder to blow him up. After being hunted down by the castle lord trying to get some black powder. We find ourselves in the glorious fight.Part 10: Rageour glorious fight with the castle lord continues into an enormous climax where we are stroke down and ends up with a one way ticket to the graveyard.Part 11: The GraveyardThe whole orchestra sings a spiritual song to guide us into the afterlives. An angle comes to collect our soul (represented by the piccolo flute). And slowly or name is forgotten.
Medioevo By Jannes Jacobs
Orchestre d'harmonie

$15.00 12.86 € Orchestre d'harmonie PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1125331 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Classical,Contest,Festival,Wedding. 12 pages. Jmsgu3 #726115. Published by jmsgu3 (A0.1125331). Score: 5 pages. Duration: 2:38.Johann Sebastian Bach's Prelude & Fugue in G Major BWV 557 is a piece of organ music composed in 1703 and first published in 1714. It is a two-part composition with a prelude followed by a fugue. The prelude is a stately and joyful piece in the Baroque style. It is built around a series of themes, each repeated with slight variations, before culminating in a grand climax. The fugue is similarly constructed and features a clear exposition, with a main theme followed by several episodes. The piece has become one of Bach's most beloved works, due to its simple structure and its remarkable balance between prelude and fugue. It has been used in films, television, and other media, and is a staple of the organ repertoire.
Bach: Prelude & Fugue in G Major BWV 557 for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$28.95 24.81 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Brass Quintet - Level 4 - Digital Download SKU: A0.1489523 Composed by Dr. Daniel N. Thrower. 21st Century,Chamber,Classical,Film/TV. 31 pages. Https://gildedmusicpress.com/ #1066386. Published by https://gildedmusicpress.com/ (A0.1489523). Dimension Traveler, Op. 150, for brass quintet was completed 26 Mar 2024.  When I wrote the first few distinctive notes into the computer, my ten-year-old son said that it sounded “futuristic.”  Somehow that sparked memories of a novel I had started years ago, titled “Dimension Traveler,” based on dimensional theories I had developed.  With that fresh inspiration in mind, the piece wrote itself with opening movie credits in mind.The form is thematically palindromic, the center point being m. 77.  The beginning to rehearsal letter A mirrors K to the end; A to B is parallel to J-K; B-C = I-J; C-D = H-I; D-E = G-H; and the central thematic sections E-F = F-G.  Concerning that central turning point, the thematic material shifts from the trumpets’ first statement at letter E to low brass with the trumpets taking on the pointillistic accompaniment at letter F.  Of interest is the parallel of C-D and H-I wherein the motivic material, including dynamics, is quite literally reversed note for note to a climax.For aural aesthetics in performance, there is an optional cut from letter K to m. 142.  Thematically, the structure remains chiastic, but taking the cut simply truncates the end for a motivic flavor rather than repeating the entire opening entrée.  There is nothing wrong with purists performing the work in its entirety—it is simply a matter of taste among the performing ensemble members.Stylistically, this piece strays far from my typical compositions.  Besides the pervasive echoing eighth-note motifs, the key never changes, and there is no chromaticism.  Inspired in that regard by the masterpiece “Quintet” by Michael Kamen, the diatonicism often flows in planed clusters mildly influenced by the choral works of Eric Whitacre.  Another deviation from my well-established compositional habits is the instrumentation including bass trombone instead of tuba.  Of course the part can be played by a tubist, though the bass trombone meshes more seamlessly with the timbres of the other instruments in passing along the pervasively echoing eighth-notes.The individual brass parts appear deceptively simple, and indeed, they are not technically demanding besides a couple high notes in the trumpets.  However, putting this piece together in an ensemble setting is rhythmically treacherous!The four-minute final product indeed sounds like it could be the opening to an epic movie of the same title, based on the novel-in-progress.
Dimension Traveler, Op. 150
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$24.95 21.39 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1233606 Composed by Stephen Jenkins. Chamber,Funk,Jazz. 29 pages. Edition BlechMafia #829193. Published by edition BlechMafia (A0.1233606). The tuba starts it all off. Then the trombone, horn and percussion add a little spice to the mix, providing a rhythmic backdrop for the trumpets to soar above.It all builds to a climax with “Brass-Percussion†and an optional drum solo before fading out in the same way it all started.Simply a funk tune that creates a good mood and a good groove!Duration: 3:00Parts include:Trumpet 1 in Bb or CTrumpet 1 in Bb or CHorn in FTrombone in C (Bass Clef) or Bb (Treble Clef)TubaDrum KitFor alternative transpositions or any other questions, contact me here: stephen@blechmafia.de.
Funk To Go
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$20.00 17.14 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus






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