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Concert Band - Level 3 - Digital Download SKU: A0.750863 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 123 pages. BJE Music #4319867. Published by BJE Music (A0.750863). Shades of Eltham (Eltham Concert Band - 35 Years of Music) - Concert Band VersionDedicated to Ern and Beattie Shade for their contribution to the Eltham Concert Band. The title of this piece is a play on words, of course, indicating both the Shades themselves and the various shades or moods of the music or even perhaps, the shady bushland setting of the area itself. I composed this piece with a few simple ideas in mind. The letters E and A in the word Eltham suggested to me an interval of a fourth, or the other way around, an interval of a fifth – which are both used in many of entries of the themes and musical motifs throughout the work – especially the brass. There are several variations and counter melodies within the work: a bright two-four march-like theme, probably the Main theme, and a variation of this theme in slower three-four time in a minor key with two counter melodies - representing a gentler contrasting mood. On occasions, two or even three themes play simultaneously. A bridging passage in four-four occurs about the two thirds into the composition leading up to a restatement of the main theme. The final climax or Coda actually has both three four melody against the two-four one resolving in the last few bars in a dramatic way.I hope you enjoy my musical tribute to the Shades. The MP3 was recorded with NotePerformer.Now available as an orchestral arrangement as well. See Related Scores.
Shades of Eltham (Eltham Concert Band - 35 Years of Music) - Concert Band Version Score and Parts PD
Orchestre d'harmonie

$30.00 25.58 € Orchestre d'harmonie PDF SheetMusicPlus

Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.590556 Composed by David McKeown. Celtic,Folk,Holiday,Love,Wedding. Score and parts. 4 pages. David McKeown #6212693. Published by David McKeown (A0.590556). Grá, (Irish for Love), is a beautiful original composition by David McKeown, arranged as a duet for one Oboe and one Bassoon.This duet is inspired by the Irish sean-nós style of singing. Originally sung unaccompanied in the Irish Gaelic language, in more recent times the melodies have been adapted as instrumentals, harmonised and given accompaniment. The songs are most often about love and loss and Grá aims to capture this melancholy mood.Grá is written for players at an intermediate standard and upwards. Expressive throughout, the first part of the melody is played above a drone. Simple accompaniment then builds towards a climax before the melody slips away like a distant echo. Players can add their own appropriate ornaments and variations to the melody if they wish. Grá has a performance time of a little over three minutes. Click the link above to hear a full performance of the Clarinet version of Grá on Youtube.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
Grá, (Irish Gaelic for Love), Oboe and Bassoon Duet
Hautbois, Basson (duo)

$3.99 3.4 € Hautbois, Basson (duo) PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1369590 Composed by Gareth Jones. 21st Century,Contemporary,New Age. Score. 7 pages. Gareth Jones #953956. Published by Gareth Jones (A0.1369590). The opening key of A Natural Minor depicts a cold and eerie morning before the dawn has broken. The key change to A Major warms the listener as the day approaches, and creatures from the earth and sky begin to wake. Notice the sounds of the day including bird calls (bar 35), the sun rising (bar 45), and church bells pealing in the distance (bar 58). As the texture in the music intensifies, it symbolises all forms of life engaging in their daily activities (bar 63). As the climax unfurls (bar 73), the focus returns to the majestic sun, as it continues its journey into the sky.This piece is to be played with the sustain pedal throughout. Specific pedal suggestions have been marked in various bars. Touches of rubato are required at times to allow the piece space. The melodic line must always be emphasized over the accompaniment, regardless of the clef.
First Light
Piano seul

$2.99 2.55 € Piano seul PDF SheetMusicPlus

Large Ensemble Alto Saxophone,B-Flat Trumpet,Baritone Saxophone,Horn,Soprano Saxophone,Tenor Saxophone,Tenor Trombone,Tuba - Level 4 - Digital Download SKU: A0.1036423 Composed by P. F. Strohm. 20th Century,Contemporary,Contest,Festival,Jazz. Score and parts. 108 pages. Pete Strohm Music #641446. Published by Pete Strohm Music (A0.1036423). Dialogue (for Brass and Saxophone Ensemble), from American composer P. F. Strohm, is an up-tempo, jazz-based work written for a unique 10-part ensemble, comprised of a brass quintet (two Trumpets, Horn, Trombone and Tuba), and a saxophone quintet (Soprano, Alto 2 Tenors, Baritone with low A key). It employs two quintet groupings to create straight-ahead, ensemble energy. The two quintets trade off melodic and rhythmic figures throughout the opening. In the mid-section, two trumpets and the soprano sax trade solo lines, then combine in a riveting climax. The two quintets then trade tight, challenging phrases as the piece rockets to a big tutti ending. Dialogue is an exciting work for ensembles with players looking for more modern and demanding parts. If you already have a big band and want to give the horns their own showpiece without the rhythm players, this would be ideal (if you have the Horn and Tuba available)! Medium-Advanced level of difficulty. Performance time is 4:00. Member, ASCAP.
Dialogue (for Brass and Saxophone Ensemble)

$12.99 11.08 € PDF SheetMusicPlus

Choral Choir (SATB) - Digital Download SKU: A0.1011792 Composed by Olivia Ahyoung. A Cappella. Octavo. 7 pages. Olivia Ahyoung #4767455. Published by Olivia Ahyoung (A0.1011792). This tuneful, lilting anthem is suitable for small to medium sized church choirs, and can be effectively performed with just a few rehearsals. It is especially suited to Thanksgiving but can be used throughout the year.  The flowing piano introduction which is sight-readable, is maintained throughout as a contrast to the long notes in the melody.  The middle section showcases the male voices in the choir while the descant in the last section adds to the intensity as the anthem builds to a climax.  An optional accompaniment has been added to the A Capella section if needed.A review of this work is welcomed.
How shall I repay the Lord for SATB with descant and pianoforte accompaniment.
Chorale SATB

$2.00 1.71 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1103869 By Lyric: Thomas Campion (1567~1620) and Suncheon City Choir (conductor: Junhaeng Jang). By Hyun Kook. A Cappella. Octavo. 5 pages. Hyun Kook #707151. Published by Hyun Kook (A0.1103869). The composer picked this poem from his father’s 80-year old poem book THE GOLDEN TREASURY (edited by Oscar Williams) and the composer immediately wrote the song just after seeing Campion’s famous poem. This antique text is paired with homophonic, but charming melody that were sung by soprano, bass, or solo in an alternate fashion. According to the structure of poem, the music also contains two verses, but the second verse travels the variation with soprano solo, which then develops into large climax. The entire choir ends up mysteriously like taking-off into the sky in the calm morning.
Shall I come?
Chorale SATB
Lyric: Thomas Campion (1567~1620) and Suncheon City Choir (conductor: Junhaeng Jang)
$2.99 2.55 € Chorale SATB PDF SheetMusicPlus

Brass Quintet Baritone Horn TC,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1273084 By Keith Terrett. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 20th Century,Jazz,Standards. 11 pages. Keith Terrett #865274. Published by Keith Terrett (A0.1273084). An arrangement of C Jam Blues for Brass Quintet. The extra parts are not necessary, but are provided if you have extra players such as a Bb Piccolo Trumpet & Bb Trombone/Euphonium in TC.New Orleans-born clarinetist Barney Bigard is likely the originator of this tune, a simple blues riff in the key of C. Since Bigard was a veteran member of Duke Ellington’s Orchestra in 1941, Duke had a slice of the pie, too, and undoubtedly arranged the piece for the orchestra. Yet Duke referred to the number somewhat disparagingly as “one of our more or less trite things.â€The number was introduced in a Soundie short film. These three-minute features, produced to be shown on a jukebox-type player, illustrated the band miming to a pre-recorded performance. Entitled “Jam Session†the Soundie was filmed late in 1941 along with four other Ellington numbers. Duke introduces various band members, who then solo: Ray Nance (violin), Ben Webster (tenor sax), Rex Stewart (cornet), Joe “Tricky Sam†Nanton (trombone), and Sonny Greer (drums). The complete ensemble carries the tune to its finish with composer Bigard (clarinet) providing some improvised upper register piping.“C Jam Blues†was formally recorded under that title in January, 1942, for RCA Victor Records. It continued be a staple of the Ellington repertoire, generally featuring a handful of the soloists in the band.Co-composer Barney Bigard left Duke’s band in June 1942, and after a period of freelancing joined Louis Armstrong’s All-Stars in August, 1947. “C Jam Blues†was one of his nightly features with Satch’s ensemble along with “Tea for Two.†Despite playing the tune hundreds, or perhaps even thousands of times during his tenure with Ellington and Armstrong, he continued to perform it during his freelance years in the 1950s until shortly before his death in 1980.In the late-1950s very simple words were added (“Baby, let’s go down to ‘Duke’s Place’,†etc.) which strangely took a three-member team of writers to assemble: songwriters William Katz and Ruth Roberts and record producer Bob Thiele. Clarinetist Barney Bigard was not included in the composer credits of the song version, although he was a member of Louis Armstrong’s All-Stars when they recorded “Duke’s Place,†featuring Louis on the vocal, with Ellington in 1961.The piece typically features several improvised solos. The final solo continues in the upper register as the entire ensemble comes in and the music grows to a climax. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke’s Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between mid-1945 through 1947 as part of the Tiffany Transcriptions.The 10-note occasional riff formed the basis of the Bonzo Dog Doo-Dah Band’s novelty song Intro Outro.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
C Jam Blues for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Keith Terrett
$12.99 11.08 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.533606 Composed by Carson Cooman. Concert,Contemporary,Standards. Score. 16 pages. Musik Fabrik Music Publishing #3030525. Published by Musik Fabrik Music Publishing (A0.533606). I. Mourning at SunsetII. Beyond Distant EchoesIII. Whispers of MortalityFourth Piano Sonata (2005) was commissioned by and is dedicated to pianist Donna Amato.The work is in three movements, each using the exact same musical material. Eachmovement presents a trajectory towards a greater integration of the disparate pieces ofmaterial.The first movement, Mourning at Sunset, presents the basic material in clearly definedblocks. An opening section of forceful, declamatory chords alternates with a more lyricalsection of interlocking lines. The forceful music returns before a slow, desolate section ispresented. This builds to a small climax before dying down again. The opening then returns.The second movement, Beyond Distant Echoes, is slow and ethereal. Sounds of distant gongsalternate with brittle, spasmodic interjections.The third movement, Whispers of Mortality, is inspired by the finale of Frederic Chopin'sPiano Sonata in B-flat minor. It is fast and fleeting and too short. The musical materialhas transformed into pure running roulades of raw notes. The movement evaporates into theuppermost register.
Carson Cooman: Fourth Piano Sonata
Piano seul

$19.95 17.01 € Piano seul PDF SheetMusicPlus

Concert Band - Level 2 - Digital Download SKU: A0.725227 By Edvard Grieg and Paul Barker Music. By Edvard Grieg. Arranged by Paul Barker. Classical,Contemporary,Contest,Festival,Romantic Period,Standards. Score and parts. 43 pages. Paul Barker Music #6255799. Published by Paul Barker Music (A0.725227). Morning from Peer Gynt by Grieg is a magical yet powerful arrangement in our Classical Concert Series for Grade 2+ flex-bands, orchestras and ensembles of all sizes. The iconic 'Morning' motif is shared sensitively between performers gradually building towards a fabulous musical climax featuring all instruments as the morning sun finally bursts through. Accompaniment & Part-Dominant rehearsal tracks are available as multi-user MP3 downloads for your entire ensemble to rehearse and perform with from www.paulbarkermusic.com The Flexi-Band Classical Concert Series allows conductors to mix and match orchestration to meet available resources. Suitable for all common combinations of C, Bb, Eb, F, Treble, Viola, Bass Clef Orchestral/Band instruments, Keyboards and Percussion. ​Duration: 2:20 Level: Early Level Bands (Grade 2+) Occasion: General Concert - Band Repertoire - Ensemble Examinations Orchestration: Flexi-Band (Mix & Match Orchestration)
Morning from Peer Gynt (Flexible Instrumentation)
Orchestre d'harmonie
Edvard Grieg and Paul Barker Music
$29.95 25.54 € Orchestre d'harmonie PDF SheetMusicPlus






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