Voice (TTBB) - Level 3 - Digital Download SKU: A0.1312200 By Barry Manilow. By Hugh Martin and Ralph Blane. Arranged by Andrew Wittenberg. A Cappella,Barbershop,Christmas,Holiday,Jazz. Barbershop Quartet. 3 pages. Wittenberg Arrangements #901059. Published by Wittenberg Arrangements (A0.1312200). A barbershop/jazz fusion of the popular Christmas song, Have Yourself a Merry Little Christmas. Written for TTBB ensembles, this arrangement starts tenderly and grows to a dramatic climax before returning to the intro material.

Bass Trombone - Level 5 - Digital Download SKU: A0.792668 Composed by Richard Wagner. Arranged by Randall Malmstrom. Opera,Romantic Period. 13 pages. Gordon Cherry #5333815. Published by Gordon Cherry (A0.792668). Wagner's Prelude to Act I from Lohengrin is magical, spiritual, sublime and intensely majestic as the music builds from a whisper to an ecstatic climax. Randall Malmstrom has once again shown his fine skills with his arrangement for 8-part Trombone Ensemble. Appropriate for advanced performers.

Piano Solo - Level 4 - Digital Download SKU: A0.894659 Composed by Jerome Gilmer. Contemporary,Sacred,Standards. Score. 4 pages. Jerome Gilmer Music #3578457. Published by Jerome Gilmer Music (A0.894659). A beautiful, very expressive piece that recalls the pastoral Irish countryside of an earlier time. It begins with a single note melody, rises to an intense climax and then returns to a calming and reverential close.  An excellent offertory or recital piece for the advanced intermediate to advanced performer.  Duration 2:46. © 2005 Jerome Gilmer Music, BMIFrom my CD,Remember Well, available on Amazon, iTunes, CD Baby. Please visit my website https://jeromegilmer.com Social Media https://www.facebook.com/jeromegilmer https://www.linkedin.com/in/jeromegilmer/ https://soundcloud.com/jeromegilmer

2tpt. Hn. Tbn. tba - Intermediate - Digital Download SKU: F2.FM341 Composed by Josef Gabriel Rheinberger. Arranged by Robert Rainford. Brass Quintet - 2 Trumpets, Horn, Trombone, Tuba. Score and Parts. 8 pages. Forton Music - Digital #FM341. Published by Forton Music - Digital (F2.FM341). ISBN 9790570482405.A relatively simple yet beautiful arrangement of a choral piece by Rheinberger. Chordal passages alternate with some simple counterpoint building to a magnificent climax in the middle of the piece. Players of grade 3 standard should be able to get a lot out of this piece.

Full Orchestra - Digital Download SKU: A0.1209483 By Jud Conlon Chorus. By Amphibia Cultural Legacy. Arranged by Amphibia Cultural Legacy. 19th Century,20th Century,Broadway,Classical,Film/TV,Musical/Show. Score and Parts. 5 pages. Amphibia Cultural Legacy #807612. Published by Amphibia Cultural Legacy (A0.1209483). Amphibia Cultural Legacy, a musical group known for their instrumental covers of classic Disney songs, has released a new remix of Alice In Wonderland from the 1951 movie of the same name. The original song was sung by the Jud Conlon Chorus, and Amphibia Cultural Legacy has added additional instruments to create a unique spin on this beloved tune. This new version is sure to delight both fans of the original film and music enthusiasts alike.The addition of extra instruments adds depth to an already catchy melody, making it perfect for dancing or just enjoying as background music. The group's attention to detail shines through in every note played, perfectly capturing the whimsical feel of Walt Disney's Alice in Wonderland. Those who are familiar with Amphibia Cultural Legacy's previous works will not be disappointed with this latest release, which is sure to become a fan favorite among their extensive discography.Amphibia Cultural Legacy is proud to present its orchestral cover of Alice In Wonderland, the central theme in the 1951 animated movie. Initially written by the Jud Conlon Chorus for Walt Disney's Alice In Wonderland, this piece has stood the test of time and remains a beloved classic. Amphibia Cultural Legacy has taken this iconic tune and given it new life with its unique arrangement.The Jud Conlon Chorus version of Alice In Wonderland intends initially as a fun and whimsical introduction to the fantastical world that awaited viewers in the film. The song features playful lyrics and an upbeat melody that perfectly captures the adventure spirit permeating Alice's journey. Amphibia Cultural Legacy's version pays homage to these themes while adding their flair through orchestral instruments.Amphibia Cultural Legacy has done it again with their latest release, an orchestral cover of Alice In Wonderland. Initially written by the Jud Conlon Chorus in Walt Disney's Alice In Wonderland, this classic song has been given a fresh new sound thanks to the fantastic talent and creativity of Amphibia Cultural Legacy.Listening to this cover is like going down the rabbit hole into a magical world filled with wonder and imagination. Various instruments help create a whimsical atmosphere that perfectly captures the essence of Lewis Carroll's timeless tale. The music builds up gradually, taking listeners through different emotions and moods before finally reaching its climax at the end.The attention to detail in this cover is truly remarkable, with every instrument perfectly timed and synchronized throughout the entire piece.

Concert Band - Digital Download SKU: AX.00-PC-0016397_AX1 E-flat Alto Saxophone. Composed by Chris M. Bernotas. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016397_AX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016397_AX1). UPC: 038081481692.A tuneful way to introduce students to the lyrical style and rollicking feel of traditional Scottish/Irish music. The Air is the melody from Gilderoy and is set with a contemporary harmonic palette that concludes with an exciting climax before transitioning to the jig. The Jig of Slurs is a traditional Irish dance with a melody and feel that is infectious! (2:30) Air and Jig correlates to Book 2, Level 2 of Sound Innovations for Concert Band.Concert/Contest; Festival.

Concert Band - Digital Download SKU: AX.00-PC-0000833_WPTN1TC (wp) 1st B-flat Trombone T.C.. Composed by Craig Andrew Fitzpatrick. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0000833_wpTN1TC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0000833_WPTN1TC). UPC: 038081274300.All things . . . for concert band, is a setting of the traditional tune All Things Bright and Beautiful. The melody, while undergoing quite a few variations and transformations, still remains true to the original lyric quality hymn tune. Initially, the hymn is fragmented and slowly is presented in larger pieces as the work progresses. At the climax of the piece a clear and exuberant presentation of the original tune can be heard. The piece then concludes by returning to where it began by fragmenting the melody again and fading into the distance.Concert/Contest.

Picc. 5 Fl. Afl. Bfl. (Cbfl) - Intermediate-Advanced - Digital Download SKU: F2.FM532 Composed by Tony Bridgewater. Flute Ensemble. Score and Parts. 138 pages. Forton Music - Digital #FM532. Published by Forton Music - Digital (F2.FM532). ISBN 9790570484317.Tony Bridgewater's 'Sonata for Flutes' was written in 2014-2015 for the UK based National Flute Orchestra, founded by Margaret Lowe in 2008, and was performed in Birmingham, England, conducted by the composer. It is in three movements. The first is based around lively, dancing 7/8 rhythms, with playful changes in metre, and ideas thrown between the instruments in a busy texture. There is a slow, reflective middle section, much more serious in tone, featuring various flute solos. This gradually returns to the opening ideas of the movement in an abbreviated reprise, before the music ends, fading away into the distance, on the dancing rhythm of the opening. The second movement is slow, and suggests a misty dawn landscape with its spare, calm texture. This is followed by a series of lonely solo flute melodies which gradually combine and build up into a rich, imitative texture. Tension and dissonance builds, but at the climax a solemn, low melody on bass and alto flute returns the music to a reprise of the first section, which ends very quietly and mysteriously. The rousing final movement returns to the joyful dancing rhythms of the first, now based around 10/8 time. It is a rondo, with many playful variations of the returning theme shared between all of the flutes at each appearance, while contrasting episodes are a little more relaxed and lyrical. A final coda briefly reprises motifs from earlier in the piece, before building to an exciting conclusion.

Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1373285 Composed by Ronald Owen. Arranged by Ronald Owen. Sacred,Traditional. 7 pages. Ronald Owen #957629. Published by Ronald Owen (A0.1373285). This anthem exalts God in all of His holiness. Driving rhythms in the piano and optional organ accompaniment move the music and message forward to an exhilarating climax. Written in the key of C minor.

Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.996561 Composed by Bert Kalmar and Harry Ruby. Arranged by Rebecca J. Wood. Contemporary. Octavo. 5 pages. Rebecca J. Wood #5324813. Published by Rebecca J. Wood (A0.996561). Hear 30 second clip, beginning at measure 1.  Arrangement about 1 min 30 secs performance time.  This arrangement has a surprise ending, so the title needs to be just Angels.  The chords bring wonderful emotions which climax at m 52, followed by the surprise ending, the heart-swell.  Could be done by YWIH, high school age girls or Women's Choruses.  Use for shows, but not for Competition.  Some churches might allow it for Mother's Day services.  Feedback would be appreciated.  After thinking about ANGELS, I HAVE TO TELL YOU the most important line in the song.  After the Daddy tells the child what angels are, he says, They call them angels in Heaven (beautiful spot in the son), but we call them MOTHERS down here.  Such a tear-jerker, I think!!

Piano Solo - Level 4 - Digital Download SKU: A0.773806 Composed by Traditional. Arranged by Anthony Giamanco. Concert,Contemporary,Instructional,Standards. Score. 7 pages. Whole Tone Press #5710401. Published by Whole Tone Press (A0.773806). This advanced piano solo, reminiscent of the folk song arrangements of Bartok, is essentially a set of variations which culminates in a fiery climax. An ideal recital piece! Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper. Anthony's music can be heard on his website, anthonygiamanco.com, on SoundCloud (https://soundcloud.com/tony-giamanco), and on his YouTube channel (https://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg) Contact info:tony@shalomlife.org.

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1416369 Composed by Johannes Brahms. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 9 pages. Jmsgu3 #998049. Published by jmsgu3 (A0.1416369). Brahms composed this short piano piece in 1853, when he was around 20 years old, as a contribution to a guest album. It was recently rediscovered and published in an Urtext edition. The piece has a pastoral, four-bar central theme featuring parallel thirds in the hands, giving it an orchestral character. The B section becomes more transparent, with the parallel thirds disappearing. Brahms later reused the theme of the Albumblatt in the Trio section of the Scherzo movement of his Horn Trio Op. 40, composed around 12 years later. This reworking shows the composer expanding on his original idea and making it richer and more satisfying in his mature work. The Albumblatt is considered an early, relatively simple composition compared to Brahms' three piano sonatas written that same year. However, it is still a valuable example of the young composer's genius. The main editorial issue is the unexpected piano marking in measure 47, which seems out of place for achieving a melodic climax and may have been a mistake by Brahms.

SATB choir divisi (a cappella) - Medium - Digital Download SKU: MQ.50-6312-E Composed by Michael John Trotta. Evensong. 6 pages. MorningStar Music Publishers - Digital Sheet Music #50-6312-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-6312-E). English.While this ancient Greek evening hymn text Phos hilaron is set for a cappella SATB divisi voices, it is within the reach of most mixed-voice choirs. Michael John Trotta makes tasteful use of seconds in the harmonies, lending a modern sound to the largely homophonic writing. A contrasting middle section assigns a rhythmic melody to the sopranos and builds to a climax before returning to the original unhurried material. Observing the dynamic and tempo variations will ensure an expressive performance. Duration 3:00.

Baritone voice solo and TTBB choir unaccompanied - Moderately Easy - Digital Download SKU: MQ.1.3428-E Composed by Alice Parker and Naomi Shemer. Arranged by Alice Parker. Advanced/Collegiate. Secular, 21st century. Octavo. 16 pages. Duration 6 minutes, 30 seconds. Galaxy Music Corporation - Digital #1.3428-E. Published by Galaxy Music Corporation - Digital (MQ.1.3428-E). Hebrew.This arrangement was commissioned jointly by Brad Spencer, Scott Spencer, and the Washington Men's Camerata and first performed by the Camerata on June 13, 2015, at the John F. Kennedy Center for the Performing Arts in Washington, D.C. Naomi Shemer wrote this lovely poem honoring the fabled city, Jerusalem. Its history and mystery are evoked in each verse and in the passionate refrain. At the beginning, Jerusalem is seen asleep, alone, guarding the Temple Wall at its center. Then we picture a deserted, conquered city, empty and desolate. In the third verse, the writer reveals herself as the latest and least of all the notable scribes who have invoked the city, those writers of magnificent Psalms, odes and poems. At the end, people have returned to the city, enlivening its streets and neighborhoods, adding new chapters to its story. Naomi Shemer's music, with its mixture of nostalgia, melancholy, and desire, lifts her verses to memorable phrases: one does not want the song to end. In performing the work, follow the given dynamic markings and allow the song to slowly accumulate dramatic tension, saving the climax for the final refrain. -Alice ParkerDuration: 6:30.