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SATB choir unaccompanied - Moderately Easy - Digital Download SKU: MQ.1.3407-E Composed by James McCullough. Secular, 20th Century, Creation/Nature, Folk Song. 10 pages. Duration 4 minutes, 45 seconds. Galaxy Music Corporation - Digital #1.3407-E. Published by Galaxy Music Corporation - Digital (MQ.1.3407-E). English. Psalms 55:6.This haunting folk tune is classified as Type I, which are hymns sung to settings of traditional ballad tunes. This classification was devised by Phillips Barry (1880–1937), who was a pioneering Early American folk hymn specialist and folk tune collector. The melody of O Tell Me Where the Dove Has Flown is in the Dorian mode. It is repeated five times in this edition, making the design of the entire work strophic in structure. The text authorship of the verses is unknown, rendering them as a traditional text. This setting includes five of the surviving six ABAB rhymed verses.This work was first performed in 1965 by the Boston University Marsh Chapel Choir conducted by Dr. Max Miller in a worship service. Duration: 4:45.
O Tell Me Where the Dove Has Flown (Downloadable)
Chorale SATB

$2.65 2.25 € Chorale SATB PDF SheetMusicPlus

Concert Band - Level 2 - Digital Download SKU: A0.1503484 Composed by Rohan Miller. 21st Century,Contest,Festival. 105 pages. Rohan Miller #1078933. Published by Rohan Miller (A0.1503484). 'The City of Manaus' incorporates various musical elements such as multimetre time signatures and vast tambral exploration to represent a chase through the Amazon Jungle. The driving pulse, short note lengths and quick tempo reflect an action-packed chase. This climaxes before a reduction in texture - exploring of the tone colours of the woodwinds, and brass, representative of the birds and pristine environment of the natural world. The tension then grows as the texture thickens before the chase resumes, racing once again through the jungle. The 'City of Manaus' is located deep within the Amazon in Northern Brazil. The actual town was founded in 1693 but the history of colonisation of the area begun in 1499 after the Spanish discovered the mouth of the Amazon River. Being the largest city in the Amazon, Manaus is the centre of life in the region, and the namesake of this piece arises from the way this city seems to be the beacon of humanity in a totally natural landscape. Written for Concert Band, this piece is one which takes the listener on a journey to the depths of the Amazon rainforest to find the 'City of Manaus'. It is suitable for Highschool aged students and professional groups alike and can be performed with flexible instrumentation due to doubling in numerous parts. Grade 2.5-3.
City of Manaus
Orchestre d'harmonie

$29.99 25.45 € Orchestre d'harmonie PDF SheetMusicPlus

Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1437299 Composed by Carl Sigman and Jerry Gray. Arranged by Keith Terrett. Instructional,Jazz,Multicultural,Standards,World. 27 pages. Keith Terrett #1017368. Published by Keith Terrett (A0.1437299). An arrangement of Pennsylvania 6-5000 for Clarintet Quintet. By Jerry Gray, Carl Sigma.Pennsylvania 6-5000 (also written Pennsylvania Six-Five Thousand) is a 1940 swing jazz and pop standard recorded by Glenn Miller and His Orchestra as a Bluebird 78 rpm single. The music was by Jerry Gray and the lyrics by Carl Sigman.Many big band musicians played in Hotel Pennsylvania's Cafe Rouge in New York City, including the Glenn Miller Orchestra.The hotel's telephone number, Pennsylvania 6-5000, inspired the Glenn Miller 1940 Top 5 Billboard hit of the same name, which had a 12-week chart run.[2] The instrumental was recorded on April 28, 1940 at the RCA Victor Studios at 155 East 24th Street in New York City. The 78 single was released in June, 1940 as RCA Victor Bluebird 78 B-10754-A backed with Rug Cutter's Swing. The song was also an advertisement for attendance at the band's live performances, as a call could be put through to Hotel Pennsylvania’s venue the Cafe Rouge for a reservation.Johnny Best played the improvised trumpet solo on the recording. The Carl Sigman lyrics were not used, only the refrain was shouted by the band after the ringing of the telephone.Two different sheet music covers were released with different photos of Glenn Miller.The song became a jazz and big band standard also recorded by the Andrews Sisters, Judy Garland and Martha Raye in a duet, the Brian Setzer Orchestra, Jimmy Mundy and His Orchestra (1959), Louise Gold, Kathy Miller, Martin Brushane Big Band, the Blue Moon Big Band (1999), in a 1976 Carol Burnett Show episode in a tribute to Glenn Miller, Syd Lawrence, Michael Maxwell and His Orchestra, Richard Hunt and Jerry Nelson (Bobby Benson and the Baby Band) in The Muppet Show (1979, Episode 319), Fud Candrix and His Orchestra, Jerry Gray, Mina, Lou Haskins, Jack Livingston, Raquel Rastenni (1941) in Copenhagen, Starlight Orchestra, Klaus Wunderlich, New 101 Strings Orchestra, Heptet, Meco, Tex Beneke, The Modernaires, Jack Million Band, Al Pierson Big Band, BBC Big Band Orchestra, SWR Big Band, and by Captain Cook und seine singenden Saxophone in 2012.Fats Waller's arrangement of the song for piano was published in the UK songbook Francis & Day's Album of Fats Waller: Musical Rhythms in the 1940s.
Pennsylvania 6-5000
Quintette de Clarinettes: 5 clarinettes
Jerry Gray, Carl Sigma

Pennsylvania 6-5000 (also written Pennsylvania Six-Five Thousand) is a 1940 swing jazz and pop standard recorded by Glenn Miller and His Orchestra as a Bluebird 78 rpm single

$14.99 12.72 € Quintette de Clarinettes: 5 clarinettes PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1129024 Composed by Benny Carter. Arranged by Peter Stöve. 20th Century,Jazz. Score and parts. 76 pages. Peter Stove #729548. Published by Peter Stove (A0.1129024). Peter Stöve ‘What If Benny Goodman…’ series, Vol. 1! (A take-off on events that could have happened with the Benny Goodman Orchestra’s book of arrangements if things in jazz history had taken another turn). What if Benny Carter had not sailed for Europe in 1935 to become staff arranger with the BBC, but instead had helped out Benny Goodman with providing scores for his ‘Let’s Dance’ program? And suppose Carter had done the same trick that Fletcher Henderson pulled later on, e.g. adapting already existing scores of his own band for the Benny Goodman Orchestra? Carter’s ‘Symphony In Riffs’ is presented here as a piece that could have been a cornerstone of the Goodman band library. The sax soli written by Carter is there, but the clarinet dominates the second strain in a Glenn Miller-styled section, and of course later with an extended solo. Other soloists include trb 1, piano, tpt 2 and ts 1. The two different strains are juxtaposed to each other, to make for a maximum of variety. Scored for the line-up of the Benny Goodman Orchestra of 1935: solo clt/2 as/2 ts/3 tpt/2 trb/rhy. Tpt 1 to Eb3. Difficult for multiple reasons: • The clarinet soloist must be a first-class ‘BG-wannabe’. Fluent soloist, comfortable in the upper register. • Strong lead-alto required, with an old-skool ‘singing’ tone. • Lead trumpet must be able to ‘carry off’ the final section from bar 197 onwards. • Driving rhythm section needed; swinging (preferably acoustic) rhythm guitarist and a bassist who doesn’t shy away from playing compelling bass-lines. If your band meets these requirements: have fun!
Symphony In Riffs
Ensemble Jazz

$49.99 42.43 € Ensemble Jazz PDF SheetMusicPlus






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