Large Ensemble Bass Drum,Drums,Marimba,Multi-Percussion,Snare Drum,Vibraphone,Xylophone - Level 5 - Digital Download SKU: A0.935386 Composed by Dan Heslink. Contemporary. Score and parts. 46 pages. Pharaoh Publications #6058011. Published by Pharaoh Publications (A0.935386). Sinfonietta                                                                                                                  composed by Dan Heslink Sinfonietta is a trio for vibraphone, marimba and percussion (xylophone, snare drum, and bass drum). Its expression is intended to be non-representational, presenting only an interesting technical construction in a suave formal organization. With the title the composer designates a single movement, with length and seriousness of expression approaching a symphonic movement. Its form approximates an expanded version of the classical sonata-allegro, dividing materials into three large sections. Beginning are the two main phrases of the principal theme, which establish patterns that are idiomatic throughout the movement. The first measure’s quartal harmonies divide into rhythms alternating the two hands, the right-hand posing a melody and the left-hand complementing it with harmony and rhythmic repetition. The phrase at measure 7 is a long-breathed melody for vibes accompanied by undulating chords in the marimba. A transition comprising highly qualitative rhythms (stated first by the marimba in m. 20.) has much identity. By measure 41, the transition has grown into a full secondary theme, one that is developed and repeated often throughout the movement. The exposition closes with a theme beginning in measure 51. It is announced by the vibes as another long-breathed melody unfolding over the active rhythm of the second theme. After a gradual dissipation, the development section starts at measure 92 with a new but related theme, heard first in the vibes. It offers a different key and an expressive melody slowly unfolding over rhythmically active harmonies. The remainder of this middle section explores nuances of the secondary and closing themes, and ultimately leads to the movement’s first climax. It eventually dissipates through a gradual reduction of density and tempo.  The Reprise begins vigorously at m. 118 with statements of both the principal theme’s phrases. Then the second theme is transformed by the addition of bass drum strokes, which sets up a codetta. This section comprises a long crescendo on the new theme over a rhythmic tattoo derived from the second theme, and builds to a bold conclusion.  Pedaling on the vibes is indicated with a solid bracket below the connected notes, and half pedaling with a dashed bracket. It is imperative that the percussion part be heard but not dominate. The performer is encouraged to experiment with a piccolo snare drum and 28 bass drum. Sinfonietta would serve equally well in a professional, college or advanced high school percussion recital. The composer assigns a difficulty level of medium difficult. Duration is 8:10. The composer, Dan Heslink, can be contacted at dan@dheslink.com.  

Marching Band - Level 4 - Digital Download SKU: A0.1448939 By Metallica. By James Hetfield and Lars Ulrich. Arranged by Andreas Marinello. Contemporary,Contest,Festival,Rock. 31 pages. Woodnote Publishing #1028754. Published by Woodnote Publishing (A0.1448939). Introducing an electrifying marching band arrangement of Metallica's iconic hit, Until It Sleeps, meticulously crafted to captivate audiences and ignite passion within your band!This arrangement seamlessly blends the raw intensity of Metallica's original composition with the precision and flair of a marching band showcase, with a thunderous drumline and soaring winds.Our arrangement stays true to the essence of Until It Sleeps, infusing it with a fresh, dynamic energy that will leave spectators in awe, from the haunting introduction to a dramaic climax.Stand out from the crowd with this unique addition to your repertoire, guaranteed to thrill both your band members and your audience alike. Whether you're performing on the field at halftime or wowing crowds at competitions, this arrangement will elevate your band to new heights of excellence.Don't miss out on the opportunity to bring the power and intensity of Metallica to your marching band performances. Embrace the challenge, unleash your band's potential, and make a lasting impression with this exhilarating arrangement of Until It Sleeps!

Full Orchestra - Level 3 - Digital Download SKU: A0.1281289 By Jvke. By Jake Lawson and Zachary Lawson. Arranged by Diogo Martins and Sara Lopes. Pop. Score and Parts. 19 pages. Diogo Martins #867334. Published by Diogo Martins (A0.1281289). Golden Hour is a captivating musical masterpiece composed by Jvke (Jake Lawson) and arranged for tenor saxophone solo and concert band. This enchanting composition takes its inspiration from the magical moments that occur during the twilight of a sunlit day. As the sun begins to set, casting its warm, golden glow across the landscape, a sense of tranquility and introspection permeates the air. The piece opens with a gentle and lyrical marimba and vibraphone duo playing the iconic melody of the piano that Jvke played.The concert band, in turn, weaves a tapestry of harmonies and textures that complement the soloist's performance. The lush instrumentation adds depth and color to the overall experience, accentuating the serene ambiance of the Golden Hour. Soft woodwind harmonies, shimmering brass chords, and delicate percussion accompaniment provide a seamless backdrop for the saxophone solo, creating a harmonious balance between the soloist and the ensemble.As the piece progresses, the music gradually builds in intensity, representing the gradual transition from twilight to dusk. The interplay between the soloist and the ensemble intensifies, symbolizing the beauty and complexities of life's fleeting moments.In the climax, the saxophone's soaring melodies soar over the powerful ensemble, culminating in a breathtaking and emotionally charged finale. The music captures the essence of the fleeting beauty of a golden hour, leaving the audience captivated and moved by its evocative storytelling.

Piano Solo - Level 5 - Digital Download SKU: A0.933374 Composed by Michael S. Bryson. 20th Century,Contemporary,Standards. Score. 13 pages. Bryson Music #495011. Published by Bryson Music (A0.933374). An exciting advanced piano solo. Duration: approx. 8 min. 1. Marche Humoresque - an energetic march that includes LH tone clusters. Inspired by the finale of Ravel's Piano Concerto for the LH. People often comment that this movement reminds them of a parade of cartoon characters. 2. Nocturne - begins as a gentle lullaby that builds to a majestic climax before fading away into mysterious chords. The return of the tender opening melody will bring tears to your listeners' eyes. 3. Presto - blurring and frantically playful with a bombastic conclusion to the set. Michael S. Bryson (ASCAP) www.michaelsbryson.com Contact me with any questions: michaelsbryson@gmail.com.

SSAA choir and piano - Medium - Digital Download SKU: MQ.8811-E Composed by Stephen Chatman. 9 pages. Duration 1 minute, 45 seconds. E. C. Schirmer Music Company - Digital #8811-E. Published by E. C. Schirmer Music Company - Digital (MQ.8811-E). English.The opening line of Sara Teasdale’s poem, After Love, “There is no magic any more,� establishes the theme of vanishing love. Stephen Chatman’s setting of the poignant text, in the key of E flat major, emphasizes the natural rhythm of the words, mixed meters, and irregular phrase lengths. The climax of the melody embraces sustained, intense vocal lines in contrary motion supported by an undulating piano accompaniment. One of a set of six of Teasdale's love songs. Duration: 1:45.

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1210354 Composed by Thomas Newman. Arranged by Robert Luke Thompson. Classical,Contemporary,Film/TV. Brass Band. 33 pages. Monkspath Music #808128. Published by Monkspath Music (A0.1210354). The Night Window is a hauntingly beautiful instrumental piece that features in Sam Mendes’ World War I film, 1917. Composed by Thomas Newman, the score is a masterpiece of orchestration that captures the emotional intensity of war.This arrangment for Brass Band will work perfectly in any film music concert, or even a Remembrance related event. The Night Window is featured in a pivotal scene where the film's protagonist, Lance Corporal Schofield, takes refuge in an abandoned house during a tense night-time sequence. As Schofield takes a moment to rest and recover from his harrowing journey, he notices a window covered in beautiful stained glass that casts an ethereal glow over the room. The haunting melody of The Night Window begins to play as Schofield reflects on his experiences and contemplates the task ahead of him – saving the lives of sixteen-hundred men. As the title suggests, the music conveys the image of a night scene. The piece begins softly, with a gentle motif that evokes the stillness of the night. As the piece progresses, the music gradually builds in intensity and texture, whilst the camera slowly zooms in on the window, highlighting its beauty and fragility. The piece reaches its climax as Schofield gazes out of the window, and the camera pulls back to reveal the ruins of a once-beautiful town, now ravaged by war. The Night Window perfectly captures the sense of loss and devastation that war brings, while also conveying a glimmer of hope and beauty amid the darkness. A powerful piece of music that perfectly captures the emotions and themes of 1917. Its haunting beauty and evocative melodies make it a standout track in the film's score, and a piece that will linger in the listener's mind long after the credits have rolled.For further pieces, view the Monkspath Music catalogue and click here!

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1278173 Composed by Trevor Wilson. 21st Century,Chamber,Classical. 15 pages. Trevor's Music Studio #869870. Published by Trevor's Music Studio (A0.1278173). This brass quintet piece is fast, energetic, and full of life! A short but exciting flurry of rhythms play between instruments, creating a sense of urgency and scherzo-like patterns. Everything seems to be uneasy until the piece's climax when everything finally comes together. Fast articulations is key to keeping up the tempo. Perfect for an intermediate group looking to add something new to their repertoire. Performance time is just over 3 minutes, depending on how fast you want to take the vivace section!

Choir Sacred 2 flutes, oboe, 2 clarinets, 3 trumpets, 3 trombones, tuba, 2 French horns, harp, 2 violins, viola, 2 celli, string bass, percussion, dir. score, opt. 2 alto sax, 2 tenor sax, bass clarinet, synth strings - Digital Download SKU: JX.00-24354 With Amazing Grace. Composed by Jonathan Rea and Keith Getty. Arranged by Michael Lawrence and Thomas Fettke. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. All Saints Day; Holy Week; Lent; Sacred; Spring. Part(s); Score. 91 pages. Jubilate Music Group - Digital #00-24354. Published by Jubilate Music Group - Digital (JX.00-24354). English. Joshua 1:1-9, 1 Chronicles 17:16-27, John 1:14-18, John 9:24-34, Romans 5:12-21, 1 Corinthians 1:18-31, Ephesians 1:3-12, Ephesians 2:1-13, 1 Timothy 2:1-7.Incorporating Amazing Grace, Tom Fettke has transformed Keith Getty and Jonathan Rea's superb contemporary praise hymn, God of Grace, into a worship song for the ages. The seamless blend of the two tunes journeys through a succession of subtle yet powerful key changes, soaring to a dramatic climax as God's faithful people sing of His amazing grace. InstruPax includes parts for 2 flutes, oboe, 2 clarinets, 3 trumpets, 3 trombones, tuba, 2 French horns, harp, 2 violins, viola, 2 cello, double bass, percussion, dir. score, opt. 2 alto sax, 2 tenor sax, bass clarinet, synth strings.

Piano Solo - Level 4 - Digital Download SKU: A0.946955 Composed by Daniel B. Towner & Julia H. Johnston, Fanny Crosby & William H. Doane. Arranged by Wanda Cooley. 20th Century,Easter,Sacred. Score. 14 pages. Wanda J. COOLEY #6259173. Published by Wanda J. COOLEY (A0.946955). This arrangement begins in a flowing style which builds to a cascade of five-finger embellishments at its climax.  Motifs unify and propel as the accelerating motion leads to the reiteration of the paramount message:  God's Grace...(is)...Greater than all our Sin!  The hymn Jesus Keep Me Near the Cross appears briefly to support this reflection. Length: 3:45 min.  PDF Overhead PowerPoint Text sequences to the piano score.GRACE CREATER THAN OUR SIN is also available at SMP inside IN THE CROSS, a pianist's complete kit for presenting the Gospel thru 10 hymn arrangements sequenced with Overhead PowerPoint Texts.  Also included are bulletin and program templates and organizational aids, narratives, and promotional graphics so that the pianist's only responsibility is playing the music!   Grace Greater than Our Sin - Daniel B. Towner & Julia H. Johnston, Jesus Keep Me Near the Cross - Fanny Crosby & William H. Doane.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1281185 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. Christian,Easter,Lent,Praise & Worship,Sacred. Score. 9 pages. Kevin Longley #872527. Published by Kevin Longley (A0.1281185). He Will Lead Me Home (choral church anthem composed in 2023)The InspirationA few Easter seasons ago, during one of our Tuesday Choir rehearsals, we were preparing for “Good Shepherd Sunday�. Diane our Choir director commented “there are very few Good Shepherd pieces to choose from�. One of our sopranos replied “Let's write our own�. I made note of it and this past year finally found the time and inspiration to give it a try. I did my usual research on the subject matter and then found a drawing of a Shepherd standing at the top of a hill with his sheep lined up behind him. Leaning on his staff the Shepherd was contemplating the safest route home. Upon his decision he looked back and called to his sheep. The MusicThe music begins with a piano introduction depicting the Shepherd standing at the top of the hill contemplating the safest route home, as noted earlier. Stately in nature it features a simple melodic idea, played by the right hand, which is then answered by a series of majestic chords. This “back and forth� continues until it reaches its climax at a D flat major chord against a slur from a high G to F. At this point we hear what will be a reoccurring chordal theme of C major to F major and later C minor to F major. The accompaniment begins, now in three quarter time signifying the sheep beginning to move in response to the shepherds call. The verse melody is drawn from the opening three notes of the introduction but with a different rhythm and repeats it self with underlying harmonic changes. The melody and chord structure is somewhat impressionistic in nature. Lyrically a contrast is drawn between how the Shepherd (Jesus) provides for his sheep (followers) and how God provides for the “sheep� (animals) through nature. As the verse comes to an end we are lead to the realization that “the shepherd is the Lord our King, the Good Shepherd King�. The refrain begins with the tenor continuing to solo on the main melody. �He Will Lead Home� is realized and proclaimed! A soprano descant is added for contrast. Harmonically the music makes use of the various minor key options, “melodic, harmonic and natural�. The refrain concludes proclaiming “The Good Shepherds the Way He's our Life!�. The second verse shadows the thought pattern of verse one leading to the refrain once more but this time a bridge is introduced to add drama with the piano playing a significant role. A return to the refrain is varied with the tenor singing a portion of it against softly played chords; but then resumes its rhythmic drive to its ultimate conclusion by repeating “the Good Shepherds the Way He's our Life!�.Program NotesVoicing can be varied based on what types of singers are available. For example this could be sung by 2 tenors with one singing the descant down an octave. Finally as noted in the score, the intro is optional though I prefer it be played; the shepherd contemplating a safe route is important in the music with its contrast to the verse music and important in our life of faith. 

Piano - Digital Download SKU: A0.1068112 Composed by Bill Bridenback. Arranged by Melissa C. Westman. Children,Christian,Christmas. Accompaniment. Duration 163. Melissa C. Westman #36503. Published by Melissa C. Westman (A0.1068112). This is an accompaniment track for Praise the Lord, All Ye Heavenly Hosts, composed by Bill Bridenback and arranged by Melissa C. Westman. Praise the Lord, All Ye Heavenly Hosts is a children’s Christmas song of praise. This lively and upbeat praise tune is written for a two-part children’s choir. Its message reminds us of all the wonders surrounding Jesus’ birth, thus making this a good climax and ending to any children’s Christmas program.

Choral (Choral, Orchestra) - Digital Download SKU: H1.C5298DP Composed by Darlene Zschech. Arranged by Jack Schrader. Piano Accompaniment with Optional Orchestra. Contemporary, General Worship, Gospel. Octavo. 12 pages. Hope Publishing - Digital #C5298DP. Published by Hope Publishing - Digital (H1.C5298DP). By Darlene Zschech. 2 Samuel 22:3 - 2 Samuel 22:31 - Proverbs 14:26 - Proverbs 18:10 - Proverbs 30:5 - Psalms 119:76 - Psalms 150:6 - Psalms 16:1 - Psalms 2:12 - Psalms 29:1 - Psalms 29:2 - Psalms 29:3 - Psalms 29:4 - Psalms 29:5 - Psalms 29:6 - Psalms .Popular praise chorus by Darlene Zschech Jack Schrader's arrangement of Darlene Zschech's popular praise chorus captures the power and passion of the song builds to a thrilling climax, and concludes in a compelling, meditative mood. Our top-seller in 2001, this blockbuster arrangement is now available in an SAB setting. The Orchestration by Don Hart contains a Conductor's Score and parts for: Flute, Oboe, Clarinet, Horn 1, 2 & 3, Trumpet 1, 2, & 3, Trombone 1 & 2, Trombone 3/Tuba, Percussion 1 & 2, Harp, Rhythm, Violin 1 & 2, Viola Cello, and Bass.

Brass Ensemble - Level 5 - Digital Download SKU: A0.792497 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque,Classical,Renaissance. Score and parts. 27 pages. Gordon Cherry #4988365. Published by Gordon Cherry (A0.792497). J. S. Bach’s massive work, The Art of Fugue, is a summation of his powers as a composer of contrapuntal music. Each fugue is a masterpiece in its own right. Number 15 is an unfinished four-voice, quadruple fugue. Only the first three subjects are introduced, the third being a chromatic subject built from the letters of Bach’s name-B (B-flat), A, C, H (B-natural). Just at the point where all three subjects are combined, the manuscript breaks off, and C. P. E. Bach wrote in the score that the composer has died. Bach clearly intended that the original Art of Fugue theme was to be the final subject and all four themes would combine in a glorious climax. Whether he intended to finish the work or leave it up to others to complete is conjecture. About 8 minutes in length.

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.827144 Composed by Bob Marshall. Jazz,Latin. Score and parts. 75 pages. Bob Marshall #2920511. Published by Bob Marshall (A0.827144). Transport your audience back to the psychedelic, hippiest Age of Aquarius with this Jazz Band original by Bob Marshall. Reminiscent of Woody Herman's The Herd, Don Ellis Big Band, Thad Jones-Mel Lewis Band and others, Marshall perfectly captures the style and drive of those bands in that era with The Dream Maker. After a rhythmic, full ensemble intro, the piece settles into a fluid melody featuring Flugelhorn (a la Chuck Mangione). The melody restates with a soli of 2 trumpets and 2 trombones before going into a driving soprano sax lead section soli. But wait, it's not over yet: the ensemble breaks down to just the rhythm section in unison. Adding sections one at a time the chart continues to build to a roaring climax before a D.S. that features a wailing tenor sax solo. Restating the melody once more and a big outro The Dream Maker ends the journey and all is well! Written for a standard 17-piece jazz ensemble: 5 saxes (Tenor 1 doubling Soprano Sax), 4 trumpets (2nd doubling Flugelhorn), 4 trombones, guitar (acoustic), electric bass, piano, drums. Key of Ab.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1284434 Composed by Michael G. Giacchino. Arranged by Trevor Wilson. Chamber,Film/TV,Patriotic,Video Game. 10 pages. Trevor's Music Studio #875606. Published by Trevor's Music Studio (A0.1284434). “You have been assigned to a mission few would qualify for; a mission few would survive. Valor, duty, leadership, and sacrifice. Can one man truly make a difference?� Explore the musical themes from Medal of Honor: Allied Assault, the first-person shooter video game from 2002, from before Michael Giacchino’s Hollywood debut! This arrangement by Trevor Wilson for brass quintet explores several subgroups of instruments within the ensemble, creating unique trios and duets, all coming together for an epic climax. Performance time is just over 3:10, and is great for a video game themed concert, Americana, World War 2, or memorial type concert. Download includes full score and set of parts.