Choral Choir,Choral,SATB Chorus divisi - Level 3 - Digital Download SKU: A0.1408928 Composed by Martin O'donnell. Arranged by Susan Korstanje. Contemporary,Medieval,Video Game. 10 pages. Susan Korstanje #991532. Published by Susan Korstanje (A0.1408928). This epic theme from the popular “Halo� video game series will appeal to gamers and non-gamers alike. A gong introduces the mysterious Gregorian chant melody, which frames a dramatic middle section in which layered SSATB voices build to a climax over a driving drum rhythm. Percussion parts are flexible and may be played by a single player on any drum, gong(s) and/or hanging cymbal. Performance time is approximately 3:00.A full-length audio recording is available at Halo (arr S Korstanje) audio recording.

Full Orchestra - Level 2 - Digital Download SKU: A0.1501066 Composed by Peter Ilyich Tchaikovsky. Arranged by Guilherme Sparrapan. 19th Century,Classical,Holiday. 88 pages. Guilherme Sparrapan #1077022. Published by Guilherme Sparrapan (A0.1501066). This arrangement of Tchaikovsky's Overture 1812 is set in G major to simplify the string parts. The range for the woodwinds and brass has been chosen to maintain the music's richness while avoiding excessive difficulty. I’ve selected several moods and passages from the original work. The arrangement spans 8 minutes and is divided into four distinct sections, culminating in a climax at the end.

Soprano solo or unison treble choir, violin, harp, and organ or string orchestra - Medium - Digital Download SKU: MQ.8103-E Composed by David Conte. 9/11 Service, Funeral. Instrument part. 8 pages. Duration 12 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #8103-E. Published by E. C. Schirmer Music Company - Digital (MQ.8103-E). Latin.Commissioned by the American Music Research Center, Boulder, Colorado, Thomas Riis, director, in loving memory of Don Campbell. The work received its premiere performance at l’Église de la Sainte-Trinité, Paris, on October 24, 2013 by Alexis Galpérine, violin, Magali Léger, soprano, Saori Kikuchi, harp, and Carolyn Shuster Fournier, organist. The work consists of  three Latin texts from the Requiem Mass. The first, Exaudi, is in “Larghettoâ€� tempo and serves as a prelude. The second, Dies Iræ, marked “Allegro agitato,â€� is an intense and dark scherzo in D minor with chromatic runs in the organ and violin which accompany the soprano. A central, more lyrical section follows based on the “Lacrymosaâ€� text in a slower tempo, leading to the song’s only serene moment: “Pie Jesu Domine.â€� The “Dies Iraeâ€� music returns, and the song ends violently and decisively. The third song, In Paradisum, introduces the harp. The soprano melody is modeled very closely on the Gregorian chant based on this text. A gentle climax occurs on the text “habeas eternam,â€� and the song slowly winds down to its end, having laid to rest life’s struggles in the eternity of heaven. Duration: 12:30.

Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.899158 Composed by Tom Shelton, Susan C. Hunter. Broadway,Children,Musical/Show. Score. 7 pages. Sleep Till Noon Productions #44949. Published by Sleep Till Noon Productions (A0.899158). A charming trio for kid singers. Carol Ryrie Brink’s Newbery Award-winning novel Caddie Woodlawn is brought to exuberant life as a musical. Caddie (the iconic, high-spirited Wisconsin pioneer girl beloved by generations of readers) leads her willing siblings in a series of thrilling adventures and memorable songs. In a dramatic climax, Caddie single-handedly diffuses a potentially deadly clash between the terrified settlers and the local Dakota tribe through a daring and dangerous act. Ultimately, Caddie learns invaluable lessons about reconciling the head-strong child she’s been, and the responsible adult she is soon to be. Through it all, the sacredness of tradition – passed from one generation to the next – is powerfully dramatized. As one wise friend tells Caddie: Families – they’re our link to forever, lass. Performance rights available from Samuel French (samuelfrench.com.

Piano Solo - Level 4 - Digital Download SKU: A0.931663 Composed by Charles Wesley - words and Thomas Campbell - music. Arranged by Wanda J. Cooley. Baroque,Christian,Easter,Sacred. Score. 9 pages. Wanda J. COOLEY #6257989. Published by Wanda J. COOLEY (A0.931663). Crisp staccatos and detailed phrasings make this a delight to play. Five-finger patterns fit the hand with ease as the piece slowly gains momentum until it crests into a grandiose climax reminding us that the Savior died 'for me'!  This concise, contrapuntal Prelude of fiery energy in Baroque Style is 1:30 minutes in length.  Also included is the Overhead PDF PowerPoint Text which sequences the words to the piano.AND CAN IT BE? is also available at SMP within IN THE CROSS, a pianist's kit for presenting the Gospel thru 10 hymn arrangements sequenced with Overhead PowerPoint Texts.  Included are program and organizational aids, narratives, and promotional graphics so that the pianist's only responsibility is playing the music!

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.925020 Composed by Jen Wagner. 20th Century,Classical,Contemporary,Romantic Period,Sacred. Octavo. 12 pages. Jen Wagner #4623157. Published by Jen Wagner (A0.925020). Octavo Available www.jenwagnermusic.com  p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Baskerville; color: #000000; -webkit-text-stroke: #000000} span.s1 {font-kerning: none} The text Lacrimósa is taken from the Dies Irae sequence in the Roman Catholic Requiem Mass.  The piece is composed in three sections, representative of the Father, Son and Holy Spirit.  The close harmonies create the mournful emotional tension.  Word painting and story telling is apparent throughout, especially in passages such as resúrget, in which a solo soprano soars above the choir representing the ascension to heaven, and the repeated Lacrimósa, paints an image of tears falling down ones face.  A sense of urgency begins to build in the  Judicándus section, and the melodic and harmonic structure changes.  As the harmonies build and tempo increases you can feel the fear of the unknown future which lies ahead.  Begging and pleading for forgiveness ensues as the voices call out, párce Déus, to be seated at the Father’s side. As the tension builds and harmonies become more complex the piece escalates to its climax and comes to an abrupt end. After a slight pause, the calm settles in.  Judgement has been passed and the tenors transition us to the Píe Jésu section with Dóna éis réquiem, surrounded by the return of the melodic motif meant to appear as the angels delivering the assurances of God’s mercifulness.  The final phrase dóna éis réquiem, is sung with cross voicing found in the tenor and bass section representing the ascension to heaven as the harmonies settle into their final resting place.  

Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.939946 Composed by Adolphe-Charles Adam. Arranged by Greg Wheatley. Christian,Christmas,Sacred. Octavo. 2 pages. Greg Wheatley #3011433. Published by Greg Wheatley (A0.939946). Greg Wheatley's arrangement of the much-loved O Holy Night was written as a finale for the Glen Ellyn-Wheaton Chorale's Christmas concert Wintersong. It captures the wonder and awe of that night divine when Christ was born. The organ provides a shimmering backdrop for the choir, including richly textured added-note chords.  After building to a full climax, the piece ends with sopranos sustaining a single note, with the full choir echoing quietly O holy night.

SATB choir, organ SKU: LO.10-4975S Composed by Christina Harmon. Choral. Sacred Anthem. Octavo. Sacred Music Press #10/4975S. Published by Sacred Music Press (LO.10-4975S). ISBN 9780787759292.John Clare's text celebrates God's pleasure with the joys of nature, and the vivid imagery is matched with brilliant and expressive music by Christina Harmon. Beginning quietly, the work builds towards a powerful climax and features a very significant organ part.

Choral Choir (4-Part) - Level 3 - Digital Download SKU: A0.996561 Composed by Bert Kalmar and Harry Ruby. Arranged by Rebecca J. Wood. Contemporary. Octavo. 5 pages. Rebecca J. Wood #5324813. Published by Rebecca J. Wood (A0.996561). Hear 30 second clip, beginning at measure 1.  Arrangement about 1 min 30 secs performance time.  This arrangement has a surprise ending, so the title needs to be just Angels.  The chords bring wonderful emotions which climax at m 52, followed by the surprise ending, the heart-swell.  Could be done by YWIH, high school age girls or Women's Choruses.  Use for shows, but not for Competition.  Some churches might allow it for Mother's Day services.  Feedback would be appreciated.  After thinking about ANGELS, I HAVE TO TELL YOU the most important line in the song.  After the Daddy tells the child what angels are, he says, They call them angels in Heaven (beautiful spot in the son), but we call them MOTHERS down here.  Such a tear-jerker, I think!!

Brass Ensemble - Level 4 - Digital Download SKU: A0.1026133 Composed by Christian Petzold (1677-1733). Arranged by Richard Jones. Baroque,Contemporary,Jazz. Score and parts. 52 pages. Richard Jones #5968417. Published by Richard Jones (A0.1026133). Until the 1970s the Minuet in G Major was attributed to the great Johann Sebastian Bach. For centuries musicologists believed it was an original composition as it was a part of the manuscript notebook compiled by Bach and his wife Anna Magdalena Bach, in 1725.Petzold was born in Konigstein, Germany, in 1677 and little is known about his exact birth date. Relatively few pieces ofhis have survived the centuries, but the inclusion of his two minuets in the Anna Magdalena Notebook, remain the most famous of these.The theme to the Minuet in G was used in 1966 by the American pop group The Toys, in their song 'A Lover's Concerto'.In this arrangement I have syncopated the theme and accompanying parts to create a jazz feel. From letter A the theme appears in the cornet and euphonium lines and then at letter B the theme is transferred to the horn section. Whilst the theme is in the horn section there is a counter riff in the baritones and trombones, and a simple jazz syncopation in the cornets. At C the key changes to the sub-dominant key of C and the back row cornets get the tune in a simple but syncopated form whilst a flowing counter melody continues in the lower instruments. Then at D the euphoniums, baritones and basses have their chance and the syncopation appears in the horns and interjections in the cornets. After the D.S the the piece goes to the Coda, which hasthe tune split between each of the sections of the band with a fortissimo climax. 

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download SKU: A0.961996 Composed by Ma Shui Long 馬水é¾�. 20th Century,Contemporary. Score and parts. 47 pages. SpringAutumnmusic #2341877. Published by SpringAutumnmusic (A0.961996). 《木管五é‡�å¥�》2002年（賴德和撰寫）   æœ¬æ›²æ˜¯2002年馬水é¾�教授特地為次å­�婚禮ç�¾å ´æ¼”出所譜寫。  é€™ä¸€é¦–活潑愉悅的曲å­�概分為五段：第一主題五è�²éŸ³éšŽå¾µèª¿å¼�，主旋律出ç�¾åœ¨é•·ç¬›è�²éƒ¨ã€‚這個主題轉到五度上的調，先後輪æµ�出ç�¾åœ¨é›™ç°§ç®¡ã€�豎笛å�Šå·´æ�¾ç®¡ã€‚由法國號å�¹å¥�å�‘å�—æ—�的「婚禮之歌ã€�是形æˆ�å°�比的慢æ�¿ç¬¬äºŒä¸»é¡Œã€‚接著活潑愉悅的第一主題å†�ç�¾ï¼Œèª¿æ€§è½‰åˆ°é™�D音徵調å¼�，出ç�¾åœ¨é›™ç°§ç®¡è�²éƒ¨ï¼ŒæŽ¥è‘—在豎笛è�²éƒ¨åŠ ä»¥è®Šå¥�。第三主題速度加快，出ç�¾åœ¨å·´æ�¾è�²éƒ¨çš„主旋律是泰雅æ—�的「å�£ç°§å°�æ­Œã€�。這是一首男女é�’年一é�¢å�¹å¥�單簧å�£ç�´ï¼Œä¸€é�¢æ¼”唱情歌的舞曲。這個熱情的舞曲先後在雙簧管和豎笛è�²éƒ¨åŠ ä»¥è®Šå¥�之後çµ�æ�Ÿç¬¬ä¸‰ä¸»é¡Œã€‚最後第一主題å†�ç�¾ï¼Œå †ç–Šå‡ºé«˜æ½®å¼�çš„å°¾è�²ã€‚   å€¼å¾—é‡�視的是，父親é€�給兒å­�çš„çµ�婚禮物，還費盡巧æ€�精挑細é�¸äº†å…©é¦–原ä½�民跟愛情çµ�婚有關的音樂，æ�®ç�‘出一闕別緻的婚禮迴旋曲。  ※本曲於2002年首演於å�°åŒ—亞都飯店，演å¥�家為長笛黃馥茗ã€�雙簧管洪å�ƒæ™ºã€�單簧管黃貞è�¯ã€�低音管郭怡芬ã€�法國號黃義敦。 《Woodwind Quintet》（2002）     The piece was composed for the wedding ceremony of the composer’s second son. This pleasant and lively composition is divided into five parts, a small rondo form. The first theme is in Zi-pentatonic mode, mainly play by flute. The main theme is later transposed a fifth higher and orchestrated between the oboe, clarinet and bassoon parts.     The second theme is in a slower, more sentimental mood. It builds up as a contrast section to the first theme. French horn plays the traditional Wedding Song of the Puyuma tribe and dominates in this section.     In the third part of this composition, the melodic line returns to the first theme, transformed to D-flat Zi-pentatonic mode. The oboe plays the main theme and later the clarinet plays the variations of this melodic line.     The fourth section brings out the third theme of this piece: a traditional Atayal tribe’s Jew Harp Song melody that plays by the bassoon. This passionate, fast-tempo dancing theme is then composed into several variations and plays by oboe and clarinet.     In the last section of the composition, the first theme returns again. Building up and reaches the climax then leads to the final of the piece.     Professor Ma selected two aboriginal tribal songs, related to weddings and love, and quoted them in this piece and presented as a wedding gift for his beloved son. This father-son relationship and love, and also this unique composition, made that wedding ceremony a memorable event for the guests.     This piece was premiered in 2002 at The Landis Taipei Hotel by Fu-Ming Huang (Flute), Chien-Chih Hung (Oboe), Jen-Hwa Huang (Clarinet), Yi-Fen Kuo (Bassoon) and Yih-Duen Huang (Horn).

Harp - Level 4 - Digital Download SKU: A0.1073747 By Claire Swanson. By Claire Swanson. Arranged by Claire Swanson. Christmas,Holiday,Sacred,Traditional. Score. 4 pages. Claire Swanson #677990. Published by Claire Swanson (A0.1073747). Claire Swanson’s arrangement of the traditional French carol “O Come, O Come, Emmanuel� is for solo lever or pedal harp. Swanson says, “The arrangement begins wistfully, builds to a climax of expectant joy, and ends with the same longing feeling that it began with, painting a picture of Israel’s faith and hope that the Son of God would one day come to ‘ransom captive Israel.'.

Piano Solo - Level 3 - Digital Download SKU: A0.901539 Composed by Ginger Fairbanks. Arranged by Ginger Fairbanks. Christian,Holiday,Praise & Worship,Sacred. Score. 4 pages. Ginger Fairbanks #3892703. Published by Ginger Fairbanks (A0.901539). Though written in 1757, this hymn by Robert Robinson and John Wyeth continues to resonate with Christians seeking divine grace. Ginger’s powerful arrangement expresses the emotions of the text, with poignant soft sections, a soaring climax, and dissonant notes that reveal the conflict in the phrases, Prone to wander, Lord, I feel it, Prone to leave the God I love. Throughout the song, the arrangement carries an air of hope, then ends triumphantly as the words invite us to turn our will to God and ask him to make us something more than ourselves, saying, Here’s my heart, O take and seal it, Seal it for thy courts above. This melody-centric arrangement for the intermediate pianist is well-suited for worship services and occasions when you want to inspire your listeners.Listen to this song in its entirety on Spotify: https://open.spotify.com/artist/68sJ3cgLo60l50ngysdki2

Piano Solo - Level 3 - Digital Download SKU: A0.1464125 Composed by Alan Menken. Arranged by Eric. R. Broadway,Contemporary,Film/TV,Musical/Show. Score. 10 pages. Overture & Storybook Musical Arrangements #1042839. Published by Overture & Storybook Musical Arrangements (A0.1464125). 'Eric to the Rescue' is the score for the climax scene from The Little Mermaid (1989), in which Eric battles Ursula. This is the first villain battle score from Alan Menken's extensive repertoire of Disney animated film scores. 'Eric to the Rescue' includes musical motifs from Poor Unfortunate Souls, Part of Your World, Flotsam and Jetsam, as well as The Storm, and weaves them all together in Menken's signature thematic style. The Little Mermaid (1989) score garnered Alan Menken his first 2 Academy Awards (best original score and best original song), with many more Oscar winnings to follow. This arrangement for solo piano is a reduction of the full orchestra, and is suited for intermediate pianists. It has some extended versions of certain themes, and fewer time signature changes than the final recording - making it more natural to play as a solo on the piano.

Piano Solo - Level 3 - Digital Download SKU: A0.800933 Composed by Ludwig van Beethoven. Arranged by Louis Drummond. Pop,Rock. Score. 5 pages. Louis Drummond Van Rensburg #6487661. Published by Louis Drummond Van Rensburg (A0.800933). By the time Beethoven's Symphony No 9, with its huge Ode to Joy climax, was premiered on 7 May 1824, the composer was profoundly deaf. Beethoven's revolutionary Ninth Symphony is one of the greatest works in classical repertoire. In 1972 the Council of Europe made Ode to Joy its official anthem. In 1985 the Eorpean Union did the same.My solo piano arrangement of Ode to Joy for intermediate students is in a Rock style and includes an optional written improvised solo.