Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1347969 By Lin-manuel Miranda & Ben Platt. By Benj Pasek, Justin Paul, and Lin-Manuel Miranda. Arranged by Max Stannard. Broadway,Musical/Show. Brass Band. 32 pages. Max Stannard Music #932783. Published by Max Stannard Music (A0.1347969). Found/Tonight is a mash-up charity single of two popular musical theatre tracks from Hamilton and Dear Evan Hansen, with the proceeds partially donated to the March for Our Lives anti-gun violence movement. The song's lyrics and melodies are borrowed from The Story of Tonight from Hamilton, and You Will Be Found from Dear Evan Hansen. The track is performed by actor Ben Platt, who originated the role of Evan Hansen, and Hamilton creator and star Lin-Manuel Miranda, and was arranged by frequent Miranda collaborator Alex Lacamoire. It was released on March 19, 2018. This arrangement takes this mash up and adapts it for traditional British Brass Band.

Flöte in C, 3 Klarinetten in B, Klarinette in Es, 3 Trompeten in B, Tromba in Es, 2 Flügelhörner in B, 4 Waldhörner in Es, 3 Tenorhörner in B, Bariton in C, 3 Posaunen, 2 Tuben, Pauken in Es und As, Schlagzeug wind band - Digital Download SKU: S9.Q557603 Gott mit Dir, du Land der Bayern. Composed by Konrad Max Kunz. Arranged by Hermann Haenicke. Downloadable, Set of parts. Edition Hieber - Digital #Q557603. Published by Edition Hieber - Digital (S9.Q557603). Der Freistaat Bayern wird häufig um seine Hymne beneidet. Die eingängige Melodie von Konrad Max Kunz aus dem Jahr 1860 und die originalen Textstrophen von Michael Öchsner wird in ganz Bayern zu den verschiedensten Anlässen gern gespielt. Musikdirektor Konrad Max Kunz, geboren 1812 in Schwandorf, gestorben 1875 in München, war Chordirigent der königlichen Oper in München und „Singmeister der Münchner Bürger-Sänger-Zunft. Michael Öchsner, geboren 2.2.1816, gestorben 8.10.1893, war Lehrer in München sowie Begründer und Herausgeber zwei bekannter Lehrerzeitungen.

Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.1247252 Composed by Max Reger. Arranged by William J. Bullock. 19th Century,Christmas,Religious,Sacred,Traditional. Octavo. 4 pages. T.U.X. People's Music #841799. Published by T.U.X. People's Music (A0.1247252). This charming Christmas hymn by Max Reger, reminiscent of a lullaby, can be performed by a soloist or unison voices, making it a flexible and accessible addition to any Christmas program. The original German text is illuminated by William J. Bullock’s prosodic English translation.

Full Orchestra - Level 4 - Digital Download SKU: A0.1391370 Composed by Max Bruch. Arranged by Paul Wood. Romantic Period. 77 pages. MyMusicScores.com #974911. Published by MyMusicScores.com (A0.1391370). Max Bruchâ??s â??Ave Mariaâ?� is a poignant concert piece for violoncello and orchestra, inspired by the sixth movementâ??a prayer sceneâ??from his cantata â??Das Feuerkreuzâ?� (The Fiery Cross), Opus 52. The cantata, drawing from Sir Walter Scottâ??s â??Lady of the Lake,â?� underwent a lengthy creative process before reaching completion in 1888-89.Bruchâ??s deep affection for the Prayer Scene led him to publish it separately for voice and orchestra. However, at the urging of his friend, cellist Robert Hausmann, he reimagined it in 1892 for violoncello and orchestra, transposing it from D minor to A minor. This transformation allowed it to stand alongside his successful work â??Kol Nidrei,â?� Opus 55.The PDF file contains the score and all parts.As the PDF file is large you will find bookmarks in the file to help you find the parts easily.

Easy Piano - Level 1 - Digital Download SKU: A0.1509432 By The Weeknd. By Abel Tesfaye, Max Martin, and Oscar Holter. Arranged by Annabelle Ayl. 21st Century,Contemporary,Funk,Pop,R & B. Score. 4 pages. PianoTutorialsInCMajor #1084671. Published by PianoTutorialsInCMajor (A0.1509432). Are you a fan of The Weekend's hit song Dancing In The Flames? Enhance your musical experience with this printable sheet music for Dancing In The Flames! Performed, written and produced by Oscar Holter, Abel Tesfaye, Max Martin, The Weekend. Ideal for piano players, musicians, and fans of The Weekend or the tune of Dancing In The Flames, this digital download provides the full music piano score, allowing you to enjoy playing this captivating song at home or with friends and family.Key Features:- High-quality PDF format - Suitable for piano players - Transposed to C major making it easy for beginners - Clear, easy-to-read notation - Instant download for immediate accessEnrich your music collection with Dasha's hit Austin! Print it, play it, and share the joy with other music lovers. Perfect for both beginners and experienced musicians, this sheet music is an essential addition to your repertoire.YouTube Link for Song: [Dancing In The Flames- The Weekend] (https://youtu.be/MLlSSJ0z7xM?si=IEVMdeyEenxYR2a9)This digital and printable sheet music in PDF format spans four (4) pages. The high-quality 300 dpi PDF file ensures excellent print quality on common international paper sizes, such as A4 and US Letter.Please note, this product is a digital PDF that you will receive instantly upon purchase and can print at your convenience. Downloads are not available through the Etsy app and must be done via an internet browser. Due to the nature of digital products, no refunds or exchanges are accepted.All Rights ReservedEnjoy learning and practicing this new piece with friends and family, and jam together to The Weekend's Dancing In The Flames song! <3 YouTube Link https://youtu.be/MLlSSJ0z7xM?si=IEVMdeyEenxYR2a9.

String Orchestra - Level 4 - Digital Download SKU: A0.1400531 Composed by Max Bruch. Arranged by Paul Wood. Romantic Period. 35 pages. MyMusicScores.com #983728. Published by MyMusicScores.com (A0.1400531). Arrangement for cello and String Orchestra.Max Bruch’s “Ave Maria� is a poignant concert piece for violoncello and orchestra, inspired by the sixth movement—a prayer scene—from his cantata “Das Feuerkreuz� (The Fiery Cross), Opus 52. The cantata, drawing from Sir Walter Scott’s “Lady of the Lake,� underwent a lengthy creative process before reaching completion in 1888-89.Bruch’s deep affection for the Prayer Scene led him to publish it separately for voice and orchestra. However, at the urging of his friend, cellist Robert Hausmann, he reimagined it in 1892 for violoncello and orchestra, transposing it from D minor to A minor. This transformation allowed it to stand alongside his successful work “Kol Nidrei,� Opus 55.The PDF file contains the score and all parts.

Piano,Violin - Digital Download SKU: A0.805662 Composed by Max Bruch. Arranged by Marcus Martin. Jewish,Romantic Period,Sacred. 11 pages. Cornelius Edition (uk) #6703693. Published by Cornelius Edition (uk) (A0.805662). German Composer Max Bruch (1838-1920) completed this work in 1880 whilst in Liverpool, England. It is dedicated to - and premiered by - Robert Hausmann, who had requested a cello piece from Bruch. The work is styled as an ‘Adagio on 2 Hebrew Melodies’. The first theme, which gives the work its title, imitates the voice of the cantor who chants the liturgy during the evening service on every Yom Kippur. The second theme is derived from English composer Isaac Nathan’s arrangement of Byron’s O weep for Those that Wept on Babel’s Stream and is given a more Schumannesque treatment in the tonic major key.Although originally scored for full orchestra, the work is frequently and effectively performed with piano accompaniment. The violin is ideally suited to the solo line and this makes an excellent recital piece.

Mixed choir a cappella - intermediate - Digital Download SKU: S9.Q43307 Composed by Bernd Lehmann, Felix Woyrsch, and Max Reger. Arranged by Wolfgang Helbich. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Schott Music - Digital #Q43307. Published by Schott Music - Digital (S9.Q43307). German.This edition contains pieces of two almost forgotten composers, Bernd Lehmann's 'Abendsegen' and Felix Woyrsch's 'Bleibe bei uns', and is completed by a choral arrangement for mixed choir of Max Reger's 'Am Abend' from '12 Spiritual Songs' Op. 137.

Clarinet,Piano - Digital Download SKU: A0.805661 Composed by Max Bruch. Arranged by Marcus Martin. Jewish,Romantic Period,Sacred. Score and part. 16 pages. Cornelius Edition (uk) #6703583. Published by Cornelius Edition (uk) (A0.805661). German Composer Max Bruch (1838-1920) completed this work in 1880 whilst in Liverpool, England. It is dedicated to - and premiered by - Robert Hausmann, who had requested a cello piece from Bruch. The work is styled as an ‘Adagio on 2 Hebrew Melodies’. The first theme, which gives the work its title, imitates the voice of the cantor who chants the liturgy during the evening service on every Yom Kippur. The second theme is derived from English composer Isaac Nathan’s arrangement of Byron’s O weep for Those that Wept on Babel’s Stream and is given a more Schumannesque treatment in the tonic major key. Although originally scored for full orchestra, the work is frequently and effectively performed with piano accompaniment.  This arrangement includes parts for both Bb and A clarinet and would be a very effective recital item.

Cello,Piano - Digital Download SKU: A0.805660 Composed by Max Bruch. Arranged by Marcus Martin. Concert,Jewish,Praise & Worship,Sacred. Score and part. 13 pages. Cornelius Edition (uk) #6703211. Published by Cornelius Edition (uk) (A0.805660). German Composer Max Bruch (1838-1920) completed this work in 1880 whilst in Liverpool, England. It is dedicated to - and premiered by - Robert Hausmann, who had requested a cello piece from Bruch. The work is styled as an ‘Adagio on 2 Hebrew Melodies’. The first theme, which gives the work its title, imitates the voice of the cantor who chants the liturgy during the evening service on every Yom Kippur. The second theme is derived from English composer Isaac Nathan’s arrangement of Byron’s O weep for Those that Wept on Babel’s Stream and is given a more Schumannesque treatment in the tonic major key. Although originally scored for full orchestra, the work is frequently and effectively performed with piano accompaniment. It is a popular recital piece.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1404653 Composed by Terry Vosbein. 21st Century,Chamber,Classical. 102 pages. Max Frank Music #987719. Published by Max Frank Music (A0.1404653). Experience the hauntingly beautiful Vonnegut Trilogy, a three movement suite for woodwind quintet composed to celebrate the centennial of acclaimed author Kurt Vonnegut. This captivating and thought-provoking piece captures the essence of Vonnegut's literary works through quirky arrangements and evocative melodies. Dive into the world of Vonnegut and let the music transport you to new and inspiring heights.Player Piano was Vonnegut’s first published novel and serves as the fist movement to this trilogy. The music begins with the sounds of a well-oiled-machine, with carefully played melodies interacting in classical synchronicity. But throughout there are interruptions by the unrest and displeasure that surrounds the harmonious flow.Who Am I This Time? is a short story from Vonnegut’s 1961 collection entitled Welcome to the Monkey House. It is a beautiful, yet quirky, love story. This movement explores a multitude of duets, symbolizing the two main characters as they maneuver through their courtship. It is a slow dance. In one of the few literal musical depictions in this suite, the questioning final chord represents both the title, and the last line of the story.The third movement is inspired by Breakfast of Champions, a 1973 novel that explores a mul- titude of themes through the eyes and actions of a prosperous midwestern car salesman and an obscure science fiction writer. The music is off and running from the start with a rhythmic them that reappears and connects the various diversions.

Medium voice and piano - intermediate - Digital Download SKU: S9.Q46013 Composed by Max Kowalski. This edition: Sheet music. Downloadable. Op. 2. Duration 28 minutes. Schott Music - Digital #Q46013. Published by Schott Music - Digital (S9.Q46013). German.Max Kowalski (1882–1956) was a full-time lawyer who never gave up on his passion for music: singing lessons during his law studies, conducting and counterpoint classes, among others, at Dr. Hoch’s Konservatorium in addition to his work at his own law office in Frankfurt. While studying, he already published his first works; 15 song cycles were published until 1933. In the years that followed, the Jewish-born Kowalski was restricted in working both as a lawyer and as a composer due to his persecution by the National Socialists. In 1938 he was arrested, deported to the concentration camp of Buchenwald and finally forced to flee into exile in London. Contemporaries called Kowalski a lyricist among the composers. The choice of texts of his songs shows his great knowledge and love of German literature. For example, he set to music texts by Friedrich Hölderlin or Rainer Maria Rilke, but also Indian or Japanese poems. Kowalski left numerous unpublished songs which are published by Schott Music in a two-volume edition: Volume 1 (ED 22586) contains his Jewish songs (1935-37), the Heinrich Heine cycle (1937) and all English-language songs (1941-46). Volume 2 (ED 22587) contains Kowalski's late works: the songs based on texts by Friedrich Hölderlin (1950) and the Geisha Lieder according to Klabund (1951).

French Horn Duet Horn - Level 4 - Digital Download SKU: A0.1080563 Composed by Max Reger. Arranged by Phil Beaman. 20th Century,Standards. Score. 11 pages. Phil Beaman #684790. Published by Phil Beaman (A0.1080563). The Praeludium from Suite No 3 in A minor is originally for unaccompanied Cello solo by Max Reger (1873-1916, written 1914). For this unaccompanied duet arrangement the melody was creatively deconstructed into two parts that continuously interact as if each instrument is finishing the other's thoughts. The harmonies are inspired by the original double stops. The arrangement remains stylistically faithful to Reger's use of constantly shifting dynamics and ever-present expression marks. This 4 1/2 minute work is a worthy challenge for a serious concert or recital. A new approach to this Masterwork of the repertoire. A live performance will be considerably freer and more expressive than the temporary MIDI recording attached. Range - same note range for both parts which is a wide 2 1/2 octaves. 5 page score, 3 pages each part.

Viola Duet Viola - Level 4 - Digital Download SKU: A0.1080179 Composed by Max Reger. Arranged by Phil Beaman. 20th Century,Standards. Score. 11 pages. Phil Beaman #684393. Published by Phil Beaman (A0.1080179). The Praeludium from Suite No 3 in A minor is originally for unaccompanied Cello solo by Max Reger (1873-1916, written 1914). For this unaccompanied duet arrangement the melody was creatively deconstructed into two parts that continuously interact as if each instrument is finishing the other's thoughts. The harmonies are inspired by the original double stops. The arrangement remains stylistically faithful to Reger's use of constantly shifting dynamics and ever-present expression marks. This 4 1/2 minute work is a worthy challenge for a serious concert or recital. A new approach to this Masterwork of the repertoire. A live performance will be considerably freer and more expressive than the temporary MIDI recording attached. Range - same note range for both parts which is a wide 2 1/2 octaves. 5 page score, 3 pages each part.

Instrumental Duet Bassoon,Instrumental Duet - Level 4 - Digital Download SKU: A0.844372 Composed by Max Reger. Arranged by Phil Beaman. 20th Century,Standards. Score and parts. 11 pages. Phil Beaman #2930045. Published by Phil Beaman (A0.844372). The Praeludium from Suite No 3 in A minor is originally for unaccompanied Cello solo by Max Reger (1873-1916, written 1914). For this unaccompanied duet arrangement the melody was creatively deconstructed into two parts that continuously interact as if each instrument is finishing the other's thoughts. The harmonies are inspired by the original double stops. The arrangement remains stylistically faithful to Reger's use of constantly shifting dynamics and ever-present expression marks. This 4 1/2 minute work is a worthy challenge for a serious concert or recital. A new approach to this Masterwork of the repertoire. A live performance will be considerably freer and more expressive than the temporary MIDI recording attached. Range - same note range for both parts which is a wide 2 1/2 octaves. 5 page score, 3 pages each part.