Flute Solo - Level 5 - Digital Download SKU: A0.946513 Composed by Yanouv. 20th Century,Contemporary. Individual part. 9 pages. Yanouv #6330009. Published by Yanouv (A0.946513). A virtuoso and moving Solo for transverse flute Its a progressive piece that starts as a minimalist scale and leads to a breathtaking climax: showcase your breathing, your skills and the depth of your musicality. The audience will be mesmerized. Appropriate for advanced to professional levels. It works great for concerts, festivals Practice daily as a brilliant way of doing your scales Written by Yanouv in 2019 6.18 minutesPurchase Yanouv's music: https://yanouv.bandcamp.com/

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1486606 Composed by Traditional. Arranged by Christian Morris. Traditional. 25 pages. Hoopla Sheet Music #1063670. Published by Hoopla Sheet Music (A0.1486606). An upbeat rock arrangement of the beloved patriotic U.S. song. After an atmospheric introduction an infectious riff powers a series of statements of the main theme, eventually building to a dramatic climax.Includes score and parts.

SATB choir and organ or piano - Digital Download SKU: OX.9780193537088 Composed by Bob Chilcott. Sheet music. Octavo. 8 pages. Oxford University Press Digital #9780193537088. Published by Oxford University Press Digital (OX.9780193537088). ISBN 9780193537088.For SATB and organ or piano. This setting of St Benedict's 6th-century prayer begins with a gentle recurring figure in the keyboard, building to a rousing climax. The primarily homophonic texture allows the timeless text to shine through, while expansive vocal writing and expressive use of harmony create a sense of awe towards the Almighty God.

Chamber Orchestra - Level 5 - Digital Download SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Brandon (A0.1453498). Legacy is a three-movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission in 2007 by the Washington Sinfonietta, Rufus Jones, conductor and rewritten for chamber orchestra in 2023. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate isquieted by a measure of repeated chords that could be the words, stop it! stop it now!” A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries brings the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressing the harshness of the climate. Colleen McCullough's book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato creating a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Score prints on legal size paper and parts on letter.

Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.1459231 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Homco/Crinion. Contemporary,Pop,Wedding. 5 pages. Homco/Crinion #1038172. Published by Homco/Crinion (A0.1459231). This song was released by Calum Scott in 2017, but a duet vesion in 2018 with Leona Lewis charted internationally to even greater success. This male/female duet lends itself well to translation as a violin/cello version. Thus, in this arrangement, the cello opens with the melody before handing off to the violin. Close harmonies between the two instruments make for some very lush and sensual moments. There is also a section where the violin melody is in the upper register while accompanied by arpeggios in the cello's lower register. This spacing gives a dramatic climax in sound exactly where it is needed. The ending mysteriously decrescendos to a whisper for an effect that makes the listener want more.

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1343670 By Herbie Hancock. By Herbie Hancock. Arranged by John Yao. Instructional,Jazz. 84 pages. Yaotones Music #916776. Published by Yaotones Music (A0.1343670). Arranged by composer, arrannger John Yao, this big band chart features the Flugel (or trumpet 4) on Herbie Hancock's  classic tune Tell Me a Bedtime Story.  This soft-spoken chart stays close to the original song with melody stated by the Flugelhorn who is supported by colorful textures in the brass and saxes.   About two-thirds of the way through when it shifts gears and is energized by a double time vamp providing additional solo space for the flugelhorn and eventually building to the climax of the chart.Tell me a Bedtime Story works well if you're looking to feature a strong solost in your band or you're looking to break up your program with a relaxing straight 8th chart.  This chart is easily adapted to feature any instrument, just contact me at john@johnyao.com to inquire.Trumpet Range - B5Trombone Range - Ab4The YT Link track is performed by NYC based big band John Yao and His 17-piece Instrument and features extraordinary Trumpeter Dave Smith on Flugel.To view other arrangements by John Yao, please visit Sheet Music Plus, Sheet Music Direct, or Ejazzlines.For more info or questions, please visit www.johnyao.com or email me at john@johnyao.com.  Follow me on Instagram, Facebook and subscribe to my You Tube Channel.

Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.590546 Composed by David McKeown. Celtic,Folk,Holiday,Love,Wedding. Score and parts. 4 pages. David McKeown #6212673. Published by David McKeown (A0.590546). Grá, (Irish for Love), is a beautiful original composition by David McKeown, arranged as a duet for one Clarinet and one Violin.This duet is inspired by the Irish sean-nós style of singing. Originally sung unaccompanied in the Irish Gaelic language, in more recent times the melodies have been adapted as instrumentals, harmonised and given accompaniment. The songs are most often about love and loss and Grá aims to capture this melancholy mood.Grá is written for players at an intermediate standard and upwards. Expressive throughout, the first part of the melody is played above a drone. Simple accompaniment then builds towards a climax before the melody slips away like a distant echo. Players can add their own appropriate ornaments and variations to the melody if they wish. Grá has a performance time of a little over three minutes. Click the link above to hear a full performance of the Clarinet version of Grá on Youtube.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Concert Band - Digital Download SKU: AX.00-PC-0016611_C1 1st B-flat Clarinet. Composed by Michael Story. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016611_C1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016611_C1). UPC: 654979188537.An original musical depiction of one of nature's more violent events. Beginning with a serene introduction . . . the calm before the storm . . . the music quickly portrays the fury. After gradually building to an intense percussive climax, the storm quickly moves away. Peace and calm return once again. This is a very impressive composition. Highly recommended. (2:45).

Organ - Level 4 - Digital Download SKU: A0.912506 Composed by Thomas R. Schadl. Concert,Contemporary,Easter,Spiritual,Standards. Score. 5 pages. Thomas R. Schadl #6519091. Published by Thomas R. Schadl (A0.912506). My inspiration for writing this music came from listening to Jehan Alain’s (1911-1940) organ piece CHORAL DORIEN. The work begins softly and builds up sound intensity until it reaches the climax, depicting the longing for joy and peace to come. After the climactic part of the piece is stated, the sound intensity begins to decrease and concludes in a major key. The work is suitable for recital purposes, and may also be performed in church-related events, such as the Lenten and Good Friday services. Organ registrations and tempo indications are only suggestions.

Small Ensemble Horn,Piano,Violin - Digital Download SKU: A0.506269 Composed by Ho Fong Leong. Classical,Contemporary,New Age. Score and parts. 18 pages. Published by Marco leong (A0.506269). Dedicated to Simon, Leo and Wellington School as a parting gift. Scored for Violin, Horn and Piano. Premiered in St George's Bristol, September 2019. “And then we see� is dedicated to the wonderful people I have met throughout my journey in Wellington School, especially to two of my very good friends – Simon, a euphonist; and Leo, a ‘cellist. Originally planned to be written for Piano, ‘Cello and Euphonium, and to be finished and performed in our last school concert as a goodbye gift, I had however not managed to complete the work before graduation. I have therefore taken this opportunity to express my emotions and sentiments from the time with this newly written piece. One can therefore very easily sense the nostalgia pouring right from the very beginning of the music, as I reminisce our years together. It is based loosely on a ternary structure (ABA) – the A section depicts the moment of farewell. One can hear the violin plays a very simple, bell-like melody, representing the bell-strikes which signify that it is the end of a long journey – time to say goodbye. The B section, based on the very same melody, transforms itself into a 6/8 dance. This dance depicts the pang and melancholia as we bid farewell, leading to a passionate climax. The A section then returns with the melody in its original form, announced by the horn. The coda concludes the piece, trying to move away from the tonic, representing the start of a new chapter in our journey and our optimistic feelings about it. Throughout the piece there are also quotes from the famous Westminster chimes, and variants of it, enforcing the bell imagery.

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1402173 Composed by A. Cyril Barham-Gould Words by Kate B. Wilknson. Arranged by Wanda J. Cooley. Classical,Religious,Sacred,Spiritual,Traditional. Score. 5 pages. Wanda J. COOLEY #985381. Published by Wanda J. COOLEY (A0.1402173). This hymn speaks of transformation into Christ's likeness -- our inward being, thoughts, and actions. The style is simple, a bit contrapuntal, and gains momentum using triplets for verse 3 to reach the climax. The tag ending reflects the opening introductory measures.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1223683 By George B Chave. By Claude Debussy. Arranged by George B Chave. 20th Century,Classical. 9 pages. BrassMagicMusic.com #819834. Published by BrassMagicMusic.com (A0.1223683). This arrangement features horn on the primary melody, and generally places the work in the lower and darker registers of the other instruments.  At the climax the first trumpet climbs out of the darkness and into the bright upper register.  As the theme is recalled/remembered at the end, trumpet with harmon mute lends a nostalgic feeling.  Combined with my arrangement of General Lavine and Heather, this would make a great recital set of Debussy's music.  Buy all three Debussy Preludes as a set (including Heather, The Girl With The Flaxen Hair, and General Lavine) and save over 14%. Just Search: Three Debussy Preludes (brass quintet).

Brass Ensemble - Level 3 - Digital Download SKU: A0.774879 Composed by Sir Arthur Seymour Sullivan. Arranged by Bill Wilson. 20th Century. Score and parts. 22 pages. Alexander Wilson #553031. Published by Alexander Wilson (A0.774879). Arthur Sullivan wrote the music to The Lost Chord at his brother's deathbed. It is wistful, introspective, emotional, and rises to a powerful climax. There are arrangements of this fabulous song for brass quintet, but they omit what I feel are important harmonic elements that are included in this brass sextet version. This powerful piece is suitable in a serious concert setting or in a church setting where the message is about loss. A Toot Suite Brass Arrangement for two Bb trumpets, French horn, trombone, baritone, and tuba.  Performance time is approximately 3:30.  Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.

Concert Band - Digital Download SKU: AX.00-PC-0016611_TX1 B-flat Tenor Saxophone. Composed by Michael Story. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016611_TX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016611_TX1). UPC: 654979188537.An original musical depiction of one of nature's more violent events. Beginning with a serene introduction . . . the calm before the storm . . . the music quickly portrays the fury. After gradually building to an intense percussive climax, the storm quickly moves away. Peace and calm return once again. This is a very impressive composition. Highly recommended. (2:45).

Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Score. 1 pages. Heidi Savoie #960870. Published by Heidi Savoie (A0.1376326). This is a solo piano arrangement of Almost May, best suited for an early intermediate player. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost May�. Like springtime in the Northern Hemisphere, “Almost May� unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax.