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Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1149129 By John Coltrane. By John Coltrane. Arranged by Keith Terrett. 20th Century,Blues,Jazz,Multicultural,Standards,World. 11 pages. Keith Terrett #749258. Published by Keith Terrett (A0.1149129). An arrangement of John Coltrane's classic Equinox for Brass Quintet with optional drum kit. Equinox is a minor blues jazz standard by American jazz saxophone player and composer John Coltrane. Originally released on Coltrane's Sound[ played in C# minor with a slow swing feel. However, it is usually played in the key of C Minor and often covered on the flute Coltrane’s wife Naima named the song Equinox. The equinox occur twice a year, when the tilt of the Earth’s axis is inclined neither away from nor towards the sun. John Coltrane was born on September 23, 1926, the day of the official autumn equinox of that year. The release of Equinox was delayed until 1964 when Atlantic issued the album Coltrane’s Sound. Before he recorded it, Coltrane performed Equinox several times in live venues, including a session with Miles Davis’ rhythm section and at the 1960 Monterey Jazz Festival. Unfortunately, the other Atlantic recordings of Equinox were lost in the 1978 warehouse fire before they were released.Unlike Naima and My Favorite Things, Equinox would not become part of Coltrane's repertoire. Coltrane's attitude in writing Equinox is described by Dr Lewis Porter as Coltrane was a serious blues player and his blues pieces reflect the desire to get back to a primal mood, and away from the emotionally lighter, harmonically more complicated and complex blues of the boppers. Equinox is introduced by McCoy Tyner and Elvin Jones with a Latin rhythmic passage which shifts into the slower tempo of the theme. The composition evokes a sense of mystery. Coltrane then enters on the horn (a tenor), his playing slow and pensive. The theme is repeated for two choruses and then stating the theme twice. He then proceeds with an improvisation of unusual emotional depth - reminiscent of a preacher exhorting his congregation. Elvin Jones make dramatic use of drum rolls and cymbal crashes throughout the song to maintain the sense of mystery. McCoy Tyner comps with a light feel.
Equinox
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
John Coltrane
$14.99 12.86 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Full Orchestra - Digital Download SKU: A0.507783 Composed by Earl Brent and Matt Dennis. Arranged by Kevin Riley. 20th Century,Standards. Score and parts. 38 pages. Published by Kevin Riley (A0.507783). Angel Eyes is a jazz standard which has inspired many interpretations. Many singers have recorded versions of the song, including Nat King Cole (already in 1953), Frank Sinatra, June Christy with Stan Kenton, Chet Baker, Shirley Bassey, Neil Sedaka, Willie Nelson with Ray Charles, and Sting. Ella Fitzgerald, who recorded Angel Eyes at least four times, named it her favorite song.[2] Instrumental versions were recorded not as often as vocal takes, by the likes of Benny Carter, the Modern Jazz Quartet, Dave Brubeck, Kenny Burrell, Joe Albany, and more recently by McCoy Tyner, Gary Thomas and Joe Lovano. In the anime Neon Genesis Evangelion the song Rei I (composed by ShirĹŤ Sagisu) is heavily based off Angel Eyes, following an almost similar composition. This version is for Solo Trombone and orchestra. Although the trombone part is semi improvised the soloist is free to do as they please!
Angel Eyes
Orchestre

$50.00 42.9 € Orchestre PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.693002 Composed by Ben Dockery. Contemporary,Instructional,Jazz,Standards. Score. 3 pages. Ben Dockery #3129605. Published by Ben Dockery (A0.693002). This fast, boisterous piece for piano (app. 1 min. 20 sec.) utilizes drum rudiments (the para-diddle) that should be very familiar to any snare-drum student.  The highly dissonant and chromatic A-section is followed by a contrasting modal B-section that echoes sounds of jazz pianists McCoy Tyner and Chick Corea.  Performers should take care to exaggerate accents throughout.  Otherwise, the larger pulse gets obscured and the effect is lost.  Also pay attention to suggested fingerings for the LH at the end of the B-section.  This composition would be a good fit for advanced intermediate students who are tired of playing pretty and would like to make some musical noise. 
Pianodiddle or Piano for Drummers
Piano seul

$2.99 2.57 € Piano seul PDF SheetMusicPlus






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