C Instrument - Digital Download SKU: A0.1078071 By Thelonious Monk. By Bernie Hanighen, Cootie Williams, and Thelonious Monk. Arranged by Mark W. Huxhold. Jazz. Lead Sheet / Fake Book. 2 pages. Mark Wayne Music, LLC #682276. Published by Mark Wayne Music, LLC (A0.1078071). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC is ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only 4 measure phrase per line - melody written in simple rhythms (the player is left to swing it) Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A, ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys are included with each title, each key having its own page. * This particular arrangement is presented in the original key of Eb minor in both treble and bass clef.

Concert Band - Level 3 - Digital Download SKU: A0.1455063 Composed by Joseph Hasper. 21st Century,Classical,Contemporary,Contest,Festival. 26 pages. Joseph Hasper #1034135. Published by Joseph Hasper (A0.1455063). Twelve short movements for wind ensemble by Joseph Hasper composed in 2024. Program notes: Tik, Tik, Tik, Tik, Tik, Tik the rich tapestry of harmonic possibilities across all twelve keys. Each movement is a concise musical vignette, delving into the unique character and mood of its respective key while reflecting a post-modern approach that embraces eclecticism, irony, and an intertextual dialogue with past musical traditions. This work is deeply influenced by the innovative spirit of Leonard Bernstein and Charles Ives, two iconic American composers who challenged conventional musical boundaries. Bernstein's ability to seamlessly blend diverse musical genres, from classical to jazz, resonates in the stylistic pluralism of this piece. Each movement offers a distinct musical landscape, reminiscent of Bernstein's kaleidoscopic score for West Side Story, where classical and contemporary idioms collide and coalesce into a vibrant sonic tapestry. Echoes of Charles Ives can be heard in the fragmented, juxtaposed themes and the adventurous harmonic language that defies traditional expectations. Like Ives' Three Places in New England, this composition revels in the collision of disparate musical elements, creating a rich tapestry that reflects the complexity and plurality of the modern musical landscape. Ives’ technique of layering different melodies and harmonies simultaneously is reflected in several movements where multiple key centers overlap, creating a soundscape that is at once disorienting and captivating. Tik, Tik, Tik, Tik, Tik, Tik invites listeners to experience a post-modern journey through sound, where each movement stands as an independent piece, yet contributes to a greater whole. The brevity of each segment—each capturing a distinct emotional and harmonic essence—echoes the concept of musical snapshots, offering a fleeting yet profound exploration of the vast possibilities within the twelve keys. This work is not merely a cycle through the keys, but a commentary on the diversity and potential of musical expression in the post-modern era.

Piano Solo - Intermediate - Digital Download Composed by Ludwig van Beethoven (1770-1827). Arranged by Flavio Regis Cunha. Romantic Period, Repertoire, Funeral, Graduation, Recital. 8 pages. Published by Flavio Regis Cunha

C Instrument - Digital Download SKU: A0.808276 Composed by James Van Heusen. Arranged by Mark W. Huxhold. Jazz. Lead Sheet / Fake Book. 3 pages. Mark Wayne Music, LLC #3626719. Published by Mark Wayne Music, LLC (A0.808276). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only  4 measure phrase per line - melody written in simple rhythms (the player is left to swing it)  Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A,   ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page.*This particular piece is 56 measures and is presented at 80% of full size to fit on one page. Visit us at markwaynemusic.com

Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158678 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Historic. 30 pages. Https://gildedmusicpress.com/ #758696. Published by https://gildedmusicpress.com/ (A0.1158678). The opening of this 4-minute piece is dance-like, intimating a celebratory mood up front—alone at first, but shared with the ensemble throughout the piece. After much celebration, the piece ends solemnly, as if giving each other final hugs and good-byes. Every Airman has a story to tell. “Farewell Celebration� is part of my story as an Airman musician. It is a fitting farewell to the Heartland of America Band stationed at Offutt Air Force Base in Bellevue, Nebraska, and to the entire American Midwest, as my family and I finalized our plans to uproot for an extraordinary three-year adventure in Asia. Work on this composition began toward the end of July and beginning of August 2021 as a melody with instructions to be the opening of a brass quintet piece, beginning with trumpet alone. It remained in that state until January 2022 when I entered this sketch into the computer to be worked on sporadically along with several other works in progress. When I contracted Covid-19 in July 2022, all of these works and other incipient pieces received attention, but this one more than most others. In the fall, I felt an urgency to complete it as a sentimental gesture of enthusiastic good-byes due to many life changes taking place. In particular, my fourth son, Paul, was departing for two years for Brazil. I was compelled to complete this work before he left on October 17, 2022, which I accomplished the day prior to his departure. In addition to Paul’s farewell, two co-workers with whom I had worked closely in the Air Force brass quintet called “Offutt Brass,� were also moving on with new exciting chapters in their lives. MSgt Ben Kadow, our fantastic trombonist, had received an assignment to move to Germany, leaving us on November 8. And MSgt Ryan Heseltine, our unparalleled French horn player, retired at the end of the year. On top of all that, in September I was given an assignment to move to Japan the following summer. Some farewells are more difficult to endure than others, though all seem to have varied brands of profound emotion. In contrast to saying good-bye to a loved one who passes away, all of these farewells were joyful, albeit poignant. “Farewell Celebration� is dedicated to my son Paul, to my outstanding professional colleagues, Ben Kadow and Ryan Heseltine, and to all our friends and family members who we left behind as we moved to Japan.

Small Ensemble Clarinet,Tenor Saxophone,Trumpet - Level 4 - Digital Download SKU: A0.948698 Composed by Mark S. Massey. Jazz,Latin. Score and parts. 5 pages. Geofonica Artistworks #6038067. Published by Geofonica Artistworks (A0.948698). This is a Bb lead sheet (including original flute and piano lines, transposed for Bb instruments) for Que Garota Linda. It's a high energy, very exciting, Brazilian-Latin style instrumental from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International. The piano and flute interact, with the flute (performed by guest flutist Justo Almario) and piano trading sections of the main melody, and then providing dynamic background hooks and counterpoint. (These piano-flute lines are transposed here for Bb instruments. The tune is a great vehicle for musical interplay, jazz improvisation, and high energy rhythm section playing. The API track featured Eric Stiller on acoustic bass and Aldo Bentivegna on drums, with guest percussionist Alex Acuña of Weather Report, backing Mark Massey and Justo Almario. Que Garota Linda was also covered by jazz guitarist Charles Small, a dynamic version the style of Wes Montgomery, which can be heard here: https://youtu.be/wNS3m8rydEwABOUT MARK: In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions (including Que Garota Linda, offered here, inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been issued. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, API Coverbop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, an.

C Instrument - Digital Download SKU: A0.808272 By Miles Davis. By Miles Davis. Arranged by Mark W. Huxhold. Jazz. Lead Sheet / Fake Book. 1 pages. Mark Wayne Music, LLC #3603421. Published by Mark Wayne Music, LLC (A0.808272). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only  4 measure phrase per line - melody written in simple rhythms (the player is left to swing it)  Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A,   ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page. Visit us at markwaynemusic.com

C Instrument - Digital Download SKU: A0.808252 Composed by Harold Arlen. Arranged by Mark W. Huxhold. Contemporary. Lead Sheet / Fake Book. 6 pages. Mark Wayne Music, LLC #3539819. Published by Mark Wayne Music, LLC (A0.808252). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only  4 measure phrase per line - melody written in simple rhythms (the player is left to swing it)  Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A,   ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page. Visit us at markwaynemusic.com

C Instrument - Digital Download SKU: A0.808248 By Jo Stafford. By Victor Schertzinger. Arranged by Mark W. Huxhold. Contemporary. Lead Sheet / Fake Book. 4 pages. Mark Wayne Music, LLC #3539295. Published by Mark Wayne Music, LLC (A0.808248). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only  4 measure phrase per line - melody written in simple rhythms (the player is left to swing it)  Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A,   ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page. Visit us at markwaynemusic.com

C Instrument - Digital Download SKU: A0.808154 Composed by Layton/Creamer. Arranged by Mark Huxhold. Jazz. Lead Sheet / Fake Book. 3 pages. Mark Wayne Music, LLC #2343577. Published by Mark Wayne Music, LLC (A0.808154). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only  4 measure phrase per line - melody written in simple rhythms (the player is left to swing it)  Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A,   ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page. Visit us at markwaynemusic.com

C Instrument - Digital Download SKU: A0.808251 By Duke Ellington. By Albany Bigard, Duke Ellington, and Irving Mills. Arranged by Mark W. Huxhold. Jazz. Lead Sheet / Fake Book. 2 pages. Mark Wayne Music, LLC #3539831. Published by Mark Wayne Music, LLC (A0.808251). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only  4 measure phrase per line - melody written in simple rhythms (the player is left to swing it)  Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A,   ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page. Visit us at markwaynemusic.com

C Instrument - Digital Download SKU: A0.808127 Composed by Paul Dresser. Arranged by Mark Huxhold. Jazz. Lead Sheet / Fake Book. 1 pages. Mark Wayne Music, LLC #2333713. Published by Mark Wayne Music, LLC (A0.808127). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only  4 measure phrase per line - melody written in simple rhythms (the player is left to swing it)  Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A,   ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page. Visit us at markwaynemusic.com

C Instrument - Digital Download SKU: A0.808193 Composed by Traditional 18th C. English. Arranged by Mark W. Huxhold. Jazz. Lead Sheet / Fake Book. 2 pages. Mark Wayne Music, LLC #3478933. Published by Mark Wayne Music, LLC (A0.808193). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only  4 measure phrase per line - melody written in simple rhythms (the player is left to swing it)  Left bar lines -heavy left bar lines that infer the song form (AABA-heavy bar line at B and last A,   ABAC-heavy bar line at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page. Visit us at markwaynemusic.com

C Instrument - Digital Download SKU: A0.808099 Composed by Hart A.Wand. Arranged by Mark Huxhold. Blues,Jazz. Lead Sheet / Fake Book. 1 pages. Mark Wayne Music, LLC #2331565. Published by Mark Wayne Music, LLC (A0.808099). Gig worthy! Made for the working or aspiring jazz professional, lead sheets from Mark Wayne Music, LLC are ideal for use on gigs. The lead sheets are free of eye clutter and can easily be read at a glance. All songs up to 40 measures in length are on 1 page with repeats and endings being avoided whenever possible. Other features include: 18 pt font for chord symbols - clef (treble) and key signature on the first line only  4 measure phrase per line - melody written in simple rhythms (the player is left to swing it)  Left bar lines -heavy left barlines that infer the song form (AABA-heavy barline at B and last A,   ABAC-heavy barline at second A) Primary sources consulted and current performance practices considered for the arrangement Common performance keys included with each title, each key having its own page. Visit us at markwaynemusic.com