Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...

Concert Band - Level 5 - Digital Download SKU: A0.971646 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score and parts. 27 pages. Musicart Publications #4325189. Published by Musicart Publications (A0.971646). This is an 11 x 17 PDF download SCORE for large wind ensemble. A standard Grade 5 work, The Gates of Madrid is inspired by two things found at the heart of Madrid's civic identity: historic stone and iron gateways (such as the Puerta de Hierro from the 18th Century) and Spanish Flamenco music. In this beautiful and challenging composition, the music unfolds as two arching sections, similar in character to a Flamenco song, with shifting meter and contrasts in harmony, dynamics, and tone color. As one takes this musical walk through the streets of Madrid old fanfares are heard, contrasting the intimate Flamenco-like melody that is developed. The Gates of Madrid concludes with a triumphant fanfare. Band performance parts are available on rental: please contact musicart.publications.editor@gmail.com for further information. Jeffrey Hoover's compositions - music ranging from works for soloist to symphony orchestra -have received recognition through the prestigious Trieste prize, the international Luigi Russolo competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing. Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as  and .Sc. from Ball State University. His career in higher education has included both faculty and arts administration appointments.

Viola Solo - Level 4 - Digital Download SKU: A0.823979 Composed by TK Tim Murray. 20th Century,Concert. Individual part. 5 pages. TK (Tim) Murray #4758659. Published by TK (Tim) Murray (A0.823979). Suite for Solo Viola consists of 3 varied movements. The 1st. movement is a reflective, nostalgic Prelude. This is followed by a Sarabande - a slow dance and finally an exciting Moto Perpetuo 3rd Movement. This work initially exploits the soulful character of the Viola whilst also covering the full range of the instrument in the 2nd. & 3rd. The later is a vibrant and Jubilant ending to the whole. First performed by Patrick Ireland. (c. 10 mins)Originally from Glasgow, Timothy studied at the Royal College of Music, London and the Banff Centre, Canada. He was the Pianist for the Isis Piano Trio and Ballet Creations and is now in demand as an accompanist and chamber musician having performed with artists such as Dame Sarah Connolly and Tasmin Little. He has toured widely internationally and has recorded for BBC Radio 3 and Classic FM as well as TV appearances in Russia and Egypt. Murray’s compositions have been recorded by The Fibbonnaci Sequence and Piers Lane among others with reviews such as ‘Corruscating’ (Independent) and ‘Highly imaginative’ (The Sunday Times).  contact; tkmurraycomp@aol.com

Small Ensemble - Level 3 - Digital Download SKU: A0.746004 Composed by Betsy Lee Bailey. Broadway,Children,Contemporary,Musical/Show. Score and parts. 27 pages. Betsy Lee Bailey #2897217. Published by Betsy Lee Bailey (A0.746004). Never Cry Wolf – a Children’s Musical for ages 5-14.  Itis a retelling of the Aesop Fable The Boy Who Cried Wolf.  Set in Ancient Greece, the story revolves around Alec, the boy who would just rather goof off all the time.  The people around him would like him to learn to work and always be sincere.  They show him that everybody works.  This play has many opportunities for study of the culture of ancient Greece -- from learning about the political origins of democracy to women's work of spinning and weaving.  And don't forget the cute factor of having some little children portray the sheep.  The Production Kit (27 pages) contains a reproducible Booklet script and Song Sheets, a coloring activity page, and Performance License for one series of shows.Additional: The Director's Script (44 pages) contains suggestions for staging, costuming, choreography, set designs, and Acting Games and the Piano/VocalScore downloadable in two groups: Part 1 (46 pages) and Part 2 (45 pages) are valuable production guides and should be purchased and downloaded separately.  Individual accompaniment MP3 files of the songs may be purchased separately from SMP Press.  See song lists, guide vocal recordings, photos, video of past productions and other helps at BaileyKidsMusicals.com

Piano Solo - Level 4 - Digital Download SKU: A0.818289 By Stephen R Dalrymple. By Composer – Johann Sebastian Bach (piano transcription by Busoni). Arranged by edited by Stephen R Dalrymple (Dalrymple Designs). Baroque,Christmas. Score. 13 pages. Stephen R Dalrymple #4985125. Published by Stephen R Dalrymple (A0.818289). ♫ Ferruccio Busoni (1 April 1866 – 27 July 1924) was an Italian composer, pianist, conductor, editor, writer, and teacher. His international career and reputation led him to work closely with many of the leading musicians, artists and literary figures of his time, and he was a sought-after keyboard instructor and a teacher of composition. ♫ From an early age, Busoni was an outstanding if sometimes controversial pianist. He studied at the Vienna Conservatory and then with Wilhelm Mayer and Carl Reinecke. After brief periods teaching in Helsinki, Boston, and Moscow, he devoted himself to composing, teaching, and touring as a virtuoso pianist in Europe and the United States. ♫ He began composing in his early years in a late romantic style, but after 1907, when he published his Sketch of a New Esthetic of Music, he developed a more individual style, often with elements of atonality. His visits to America led to interest in North American indigenous tribal melodies which were reflected in some of his works. His compositions include works for piano, among them a monumental Piano Concerto, and transcriptions of the works of others, notably Johann Sebastian Bach … (condensed from Wikipedia October 2022) ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.

Piano Solo - Level 4 - Digital Download SKU: A0.818307 By Stephen R Dalrymple. By Johann Sebastian Bach (Busoni transcription). Arranged by edited by Stephen R Dalrymple (Dalrymple Designs). Baroque. Score. 15 pages. Stephen R Dalrymple #5322405. Published by Stephen R Dalrymple (A0.818307). In dir ist Freude (In You is Joy) choral prelude for pipe organ by Johann Sebastian Bach (from Das Orgelbuchlein 1713-17) from Ten Chorale-Preludes “Transcribed for the piano in chamber style� by Ferruccio Busoni (between 1907-1909) ♫ Ferruccio Busoni (1 April 1866 – 27 July 1924) was an Italian composer, pianist, conductor, editor, writer, and teacher. His international career and reputation led him to work closely with many of the leading musicians, artists and literary figures of his time, and he was a sought-after keyboard instructor and a teacher of composition. ♫ From an early age, Busoni was an outstanding if sometimes controversial pianist. He studied at the Vienna Conservatory and then with Wilhelm Mayer and Carl Reinecke. After brief periods teaching in Helsinki, Boston, and Moscow, he devoted himself to composing, teaching, and touring as a virtuoso pianist in Europe and the United States. ♫ He began composing in his early years in a late romantic style, but after 1907, when he published his Sketch of a New Esthetic of Music, he developed a more individual style, often with elements of atonality. His visits to America led to interest in North American indigenous tribal melodies which were reflected in some of his works. His compositions include works for piano, among them a monumental Piano Concerto, and transcriptions of the works of others, notably Johann Sebastian Bach … (condensed from Wikipedia October 2022) ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.

Piano Solo - Level 4 - Digital Download SKU: A0.818280 By Stephen R Dalrymple. By Johann Sebastian Bach (piano transcription by Busoni). Arranged by Edited by Stephen R. Dalrymple (Dalrymple Designs). Baroque,Sacred. Score. 14 pages. Stephen R Dalrymple #4898545. Published by Stephen R Dalrymple (A0.818280). Wachet auf, ruft uns die Stimme (Awake, the Voice commands) by JS Bach BWV 645 from Cantata BWV 140 - choral prelude for pipe organ by Johann Sebastian Bach (from Das Orgelbuchlein 1713-17) from Ten Chorale-Preludes “Transcribed for the piano in chamber style� by Ferruccio Busoni (between 1907-1909) ♫ Ferruccio Busoni (1 April 1866 – 27 July 1924) was an Italian composer, pianist, conductor, editor, writer, and teacher. His international career and reputation led him to work closely with many of the leading musicians, artists and literary figures of his time, and he was a sought-after keyboard instructor and a teacher of composition. ♫ From an early age, Busoni was an outstanding if sometimes controversial pianist. He studied at the Vienna Conservatory and then with Wilhelm Mayer and Carl Reinecke. After brief periods teaching in Helsinki, Boston, and Moscow, he devoted himself to composing, teaching, and touring as a virtuoso pianist in Europe and the United States. ♫ He began composing in his early years in a late romantic style, but after 1907, when he published his Sketch of a New Esthetic of Music, he developed a more individual style, often with elements of atonality. His visits to America led to interest in North American indigenous tribal melodies which were reflected in some of his works. His compositions include works for piano, among them a monumental Piano Concerto, and transcriptions of the works of others, notably Johann Sebastian Bach … (condensed from Wikipedia October 2022) ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.

Small Ensemble Harp,Voice - Level 5 - Digital Download SKU: A0.799604 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary. Score and parts. 4 pages. Nicole Elyse DiPaolo #3417119. Published by Nicole Elyse DiPaolo (A0.799604). This short song was composed in 2012 during my doctoral coursework at Indiana University's Jacobs School of Music. It was written for tenor, but given its accessible range (Db4 to G5 in the original key), it would work well for lighter voices in many fachs, including light lyric sopranos, baritones, and mezzos. The text, translated from a poem by Takuboku Ishikawa (1886-1912), is gender-neutral. This would be a great introduction to new music for an undergraduate singer with strong aural skills and a still-light voice (since young dramatics might overpower the harp).If you'd like to talk about commissioning a transposed score, please get in touch! Transposition options will be a bit more limited with the harp than with the piano, but I'm sure we could make something work.Poem text (in English translation, as it appears in the score)Setting sun, Drifting clouds, New moon, Evening twilight, What do they matter to me?Composer biography:Nicole Elyse DiPaolo is a versatile composer, teacher, collaborative pianist, and music theorist currently based in Bloomington, Indiana. Currently a PhD candidate in music theory at Indiana University, she recently completed a doctoral minor in composition, having studied with Claude Baker, Don Freund, P. Q. Phan, and David Schneider. She also holds a B.Mus. from the University of Michigan, where she studied composition with Bright Sheng and piano with Louis Nagel. Nicole's music has been heard across the world: along with numerous performances in the Midwest, her commissioned song settings of Muscogee poet laureate Alexander Posey's texts have been performed at Shorter College (GA) and Lincoln University (PA), and the Smithsonian Institution procured copies of two of these (Nature's Blessings and A Vision) to archive at the National Museum of the American Indian. Additionally, Nicole's viola duo Three Episodes was featured at Ball State University's 40th Annual New Music Festival in February 2010. Her early compositions have been garnering interest as well: music students in Kenya performed several of Nicole's such pieces in May 2013 through a pedagogical project spearheaded by IU faculty member Kimberly Carballo. Nicole's music also received its Mexican premiere in October 2013 with a performance of her Divertimento, written for the International String Quartet of Yucatán. In 2014, Nicole published a set of twenty short pedagogical pieces in uncommon keys, entitled Venturing Beyond, available on SheetMusicPlus. Also a sought-after teacher and adjudicator, Nicole frequently judges regional and divisional MTNA composition competitions at all levels, ranging from elementary to college-level Young Artists, and she also served as the composition department chair at Blue Lake Fine Arts Camp in 2014. For more on Nicole DiPaolo and her varied musical pursuits, visit her website at http://ndipaolo.musicaneo.com !

Trombone Quartet Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Flugelhorn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1336713 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Classical,Contest,Festival,Folk,Medieval,Traditional. 71 pages. John van Gulik #922489. Published by John van Gulik (A0.1336713). Here is a collection of 51 performance oriented arrangements for Trombone Quartet complete with a cover page and index.  Each part is sold as a separate book that may be printed double sided for convenience.  All of the arrangements are also available for individual purchase.  Note that these arrangements will work with most brass quartets using various instrumentation.All tracks can be heard here : https://www.jvgmusiconline.com/trombone-mp3sPart 1 - Trombone (Bass, Tenor, Treble)Part 2 - Trombone (Bass, Tenor, Treble)Part 3 - Trombone (Bass, Tenor, Treble)Part 4 - Bass Trombone in Bass clefPart 4 - Eb and Bb Bass in Treble clefMany of the arrangements also include optional drum kit parts (available free with any purchase from vangulk.john@gmail.com)For a complete set of books, percussion or alternate parts, alternate keys, accompaniment tracks, or other arrangements, contact me at vangulik.john@gmail.com or visit my website at https://jvgmusiconline.comSingle Page QuartetsAbendfeier in VenedigAch Elselein,  Liebses Elslein meinAdagio for Horn QuartetAir from RinaldoAir on a G StringAmazing GraceAve VerumBeautiful SaviourDer FreischutzEternal FatherFarewell to Nova ScotiaGreensleevesHornpipe from Water MusicHow Beautiful the SkiesHymn of the CherubimJupiterLand of the Silver BirchMy Bonnie LassMy Luve is like a Red Red RoseNearer My God to TheeNessun DormaNimrodO Magnum MysteriumPassion ChoraleSarabandeSecond Suite in F - Song Without WordsShe's Like the SwallowShenandoahThe Leaves of the FallTrisagionUn Canadien errantVa Pensiero from NabuccoWaly, WalyWhen the SaintsDouble Page QuartetsAchieved is the Glorious WorkBeethoven Fifth SymphonyChriste Redemptor OmniumDanny BoyElsa's Procession to the CathedralGoing HomeHall of the Swing KingHallelujah ChorusItalian Anthem Inno di MameliLa ChasseLiberty BellLittle Light SwingNobody KnowsSecond Suite in F - MarchShostakovich Waltz No 2Swing LowThree Equali.

Trombone Quartet Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Flugelhorn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1336703 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Classical,Contest,Festival,Folk,Medieval,Traditional. 71 pages. John van Gulik #922478. Published by John van Gulik (A0.1336703). Here is a collection of 51 performance oriented arrangements for Trombone Quartet complete with a cover page and index.  Each part is sold as a separate book that may be printed double sided for convenience.  All of the arrangements are also available for individual purchase.  Note that these arrangements will work with most brass quartets using various instrumentation.All tracks can be heard here : https://www.jvgmusiconline.com/trombone-mp3sPart 1 - Trombone (Bass, Tenor, Treble)Part 2 - Trombone (Bass, Tenor, Treble)Part 3 - Trombone (Bass, Tenor, Treble)Part 4 - Bass Trombone in Bass clefPart 4 - Eb and Bb Bass in Treble clefMany of the arrangements also include optional drum kit parts (available free with any purchase from vangulk.john@gmail.com)For a complete set of books, percussion or alternate parts, alternate keys, accompaniment tracks, or other arrangements, contact me at vangulik.john@gmail.com or visit my website at https://jvgmusiconline.comSingle Page QuartetsAbendfeier in VenedigAch Elselein,  Liebses Elslein meinAdagio for Horn QuartetAir from RinaldoAir on a G StringAmazing GraceAve VerumBeautiful SaviourDer FreischutzEternal FatherFarewell to Nova ScotiaGreensleevesHornpipe from Water MusicHow Beautiful the SkiesHymn of the CherubimJupiterLand of the Silver BirchMy Bonnie LassMy Luve is like a Red Red RoseNearer My God to TheeNessun DormaNimrodO Magnum MysteriumPassion ChoraleSarabandeSecond Suite in F - Song Without WordsShe's Like the SwallowShenandoahThe Leaves of the FallTrisagionUn Canadien errantVa Pensiero from NabuccoWaly, WalyWhen the SaintsDouble Page QuartetsAchieved is the Glorious WorkBeethoven Fifth SymphonyChriste Redemptor OmniumDanny BoyElsa's Procession to the CathedralGoing HomeHall of the Swing KingHallelujah ChorusItalian Anthem Inno di MameliLa ChasseLiberty BellLittle Light SwingNobody KnowsSecond Suite in F - MarchShostakovich Waltz No 2Swing LowThree Equali.

Trombone Quartet Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Flugelhorn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1336704 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Classical,Contest,Festival,Folk,Medieval,Traditional. 71 pages. John van Gulik #922479. Published by John van Gulik (A0.1336704). Here is a collection of 51 performance oriented arrangements for Trombone Quartet complete with a cover page and index.  Each part is sold as a separate book that may be printed double sided for convenience.  All of the arrangements are also available for individual purchase.  Note that these arrangements will work with most brass quartets using various instrumentation.All tracks can be heard here : https://www.jvgmusiconline.com/trombone-mp3sPart 1 - Trombone (Bass, Tenor, Treble)Part 2 - Trombone (Bass, Tenor, Treble)Part 3 - Trombone (Bass, Tenor, Treble)Part 4 - Bass Trombone in Bass clefPart 4 - Eb and Bb Bass in Treble clefMany of the arrangements also include optional drum kit parts (available free with any purchase from vangulk.john@gmail.com)For a complete set of books, percussion or alternate parts, alternate keys, accompaniment tracks, or other arrangements, contact me at vangulik.john@gmail.com or visit my website at https://jvgmusiconline.comSingle Page QuartetsAbendfeier in VenedigAch Elselein,  Liebses Elslein meinAdagio for Horn QuartetAir from RinaldoAir on a G StringAmazing GraceAve VerumBeautiful SaviourDer FreischutzEternal FatherFarewell to Nova ScotiaGreensleevesHornpipe from Water MusicHow Beautiful the SkiesHymn of the CherubimJupiterLand of the Silver BirchMy Bonnie LassMy Luve is like a Red Red RoseNearer My God to TheeNessun DormaNimrodO Magnum MysteriumPassion ChoraleSarabandeSecond Suite in F - Song Without WordsShe's Like the SwallowShenandoahThe Leaves of the FallTrisagionUn Canadien errantVa Pensiero from NabuccoWaly, WalyWhen the SaintsDouble Page QuartetsAchieved is the Glorious WorkBeethoven Fifth SymphonyChriste Redemptor OmniumDanny BoyElsa's Procession to the CathedralGoing HomeHall of the Swing KingHallelujah ChorusItalian Anthem Inno di MameliLa ChasseLiberty BellLittle Light SwingNobody KnowsSecond Suite in F - MarchShostakovich Waltz No 2Swing LowThree Equali.

Trombone Quartet Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Flugelhorn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1336708 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Classical,Contest,Festival,Folk,Medieval,Traditional. 71 pages. John van Gulik #922484. Published by John van Gulik (A0.1336708). Here is a collection of 51 performance oriented arrangements for Trombone Quartet complete with a cover page and index.  Each part is sold as a separate book that may be printed double sided for convenience.  All of the arrangements are also available for individual purchase.  Note that these arrangements will work with most brass quartets using various instrumentation.All tracks can be heard here : https://www.jvgmusiconline.com/trombone-mp3sPart 1 - Trombone (Bass, Tenor, Treble)Part 2 - Trombone (Bass, Tenor, Treble)Part 3 - Trombone (Bass, Tenor, Treble)Part 4 - Bass Trombone in Bass clefPart 4 - Eb and Bb Bass in Treble clefMany of the arrangements also include optional drum kit parts (available free with any purchase from vangulk.john@gmail.com)For a complete set of books, percussion or alternate parts, alternate keys, accompaniment tracks, or other arrangements, contact me at vangulik.john@gmail.com or visit my website at https://jvgmusiconline.comSingle Page QuartetsAbendfeier in VenedigAch Elselein,  Liebses Elslein meinAdagio for Horn QuartetAir from RinaldoAir on a G StringAmazing GraceAve VerumBeautiful SaviourDer FreischutzEternal FatherFarewell to Nova ScotiaGreensleevesHornpipe from Water MusicHow Beautiful the SkiesHymn of the CherubimJupiterLand of the Silver BirchMy Bonnie LassMy Luve is like a Red Red RoseNearer My God to TheeNessun DormaNimrodO Magnum MysteriumPassion ChoraleSarabandeSecond Suite in F - Song Without WordsShe's Like the SwallowShenandoahThe Leaves of the FallTrisagionUn Canadien errantVa Pensiero from NabuccoWaly, WalyWhen the SaintsDouble Page QuartetsAchieved is the Glorious WorkBeethoven Fifth SymphonyChriste Redemptor OmniumDanny BoyElsa's Procession to the CathedralGoing HomeHall of the Swing KingHallelujah ChorusItalian Anthem Inno di MameliLa ChasseLiberty BellLittle Light SwingNobody KnowsSecond Suite in F - MarchShostakovich Waltz No 2Swing LowThree Equali.