Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.787260 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards. Octavo. 8 pages. Burke & Bagley #49723. Published by Burke & Bagley (A0.787260). An Open World, When I Land and And the Wind are three settings for unaccompanied mixed choir (SATB) of poems from Fletcher LaVallee Bartholomew's collection entitled And the Wind: Gnostic Poems 1945 - 1979. And the Wind is duration ca. 4 minutes. Minneapolis native Fletcher Bartholomew spent most of his life in aviation, beginning with a childhood flight in a Curtis Robin in 1929. His work in aviation started with a job as an inspector in an aircraft factory. He went on to become a test pilot in World War II, serving at the South India Air Depot at Bangalore, India. He often spoke later of his experience on the ship to India and the people he met travelling around the subcontinent. He subsequently worked in aviation in Munich, Germany, and in Lima, Peru, before he concluded his career working in airport planning and management.  And the Wind:  There is an awesome beauty found in sailing Through black of night upon the open sea, Your vessel mauled by unseen waves and trailing Her phosphorescent wake, as steadily, She plows into the darkness, And the wind.

Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1140852 By Oscar Peterson. By Harriette Hamilton and Oscar Peterson. Arranged by James Pybus. 20th Century,Blues,Jazz,Praise & Worship,Spiritual. 39 pages. James Pybus #741106. Published by James Pybus (A0.1140852). Recognized as one of Oscar Peterson’s most significant compositions, Hymn to Freedom was written in 1962 and was swiftly embraced by people over the world as the anthem of the Civil Rights Movement. The piece was Peterson’s first major work and was written with encouragement from his producer and dear friend Norman Granz. During those initial recording sessions, Granz urged Peterson to create a tune with a “definitive early-blues feel�. For inspiration, Peterson drew upon various church renderings of Negro spirituals recalled from his childhood in Montreal. He aimed to maintain the unadorned, yet poignant quality of these early Baptist hymns while composing the beginning chorus of Hymn to Freedom. Upon its completion, Peterson and Granz decided that lyrics would complement the music and contacted Malcolm Dodds, composer, arranger and choir director of The Malcolm Dodds Singers, a backup group for many popular artists of the day. Dodds turned to his collaborator Harriette Hamilton, who had been writing lyrics for the choir group’s original compositions for several years. According to Hamilton, “all the lyrics had to do was express in very simple language the hope for unity, peace, and dignity for mankind. It was easy to write.� With Peterson on piano, Ray Brown on bass and Ed Thigpen on drums, the trio recorded the piece on Night Train (Verve 1962), which became one of their most commercially successful albums. Critical acclaim moved Peterson to record Hymn to Freedom on several albums that followed. This arrangement is playable by SATB Saxophone Quartet with optional Bass Saxophone, String Bass and Drums. For performances by SATB Saxophone Quartet without rhythm, the part marked Baritone Saxophone 2 (substitute Bass Saxophone) should be used. Some improvising is allowed for in the soprano, alto and tenor parts. Optional written solos are provided. This arrangement will enhance a wide variety of concert programmes and performance situations. The duration is 4:45. Contact me at james.pybus56@gmail.com.

Small Ensemble Alto Saxophone,Bass Guitar,Drum Set,Organ,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.765115 By Sam And Dave. By David Porter and Isaac Hayes. Arranged by Jim Farley www.arrangementsone.com. Contemporary,Rock. Score and parts. 35 pages. Jim Farley arrangementsone.com #3913509. Published by Jim Farley arrangementsone.com (A0.765115). Arranged for 7 piece horn band. If you would like different instrumentation on this (or any of my) arrangement(s), please contact me at www.arrangementsone.comABOUT THE ARRANGER: Jim Farley has been a professional music arranger, transcriptionist and copyist since the mid 1970’s, and has thousands of works, spanning various genres in his catalogue: musical theater, pep band, orchestra, show choir, cruise ship performers as well as arranging for dozens of classic rock horn bands across the U.S. and Europe. He thrives on creating arrangements and transcriptions that are true to the original versions and strives to produce clean, easy to read music. For questions or more information, please contact the arranger at: jfarley@arrangementsone.com and visit his website at www.arrangementsone.com

Rhythm Section Voice (SATB divisi) - Level 4 - Digital Download SKU: A0.876024 Composed by Harry Connick Jr. and Ramsey McLean. Arranged by Kerry Marsh. Contemporary. Vocal Jazz Ensemble. 23 pages. Kerry Marsh #5191189. Published by Kerry Marsh (A0.876024). Lv 4, SSATBaB with fully notated piano and bass parts, drums. If you have a pretty solid mixed vocal jazz group and a male singer who can channel Harry Connick, Jr., this chart will get your singers swinging like a gate! Emulating the big band sound of the original recording, the singers split their time singing background horn figures and taking over the melodic material. Tons of dynamic contrast are a highlight of the chart, and it works really well as an opener or a closer. This title is part of the Vault Collection at KerryMarsh.com, where you can hear the full-length demo, preview the full score and supplement your SheetMusicPlus order with Part Tracks, Minus-One Tracks and the Rhythm Track for this arrangement. While visiting KerryMarsh.com, you can browse (with helpful filters and search options) over 300 charts featured in the main catalog, comprised of the newest sheet music from Kerry Marsh as well as arrangements by Kelly Kunz (for Groove For Thought), Simon Akesson (for Accent), David von Kampen and other excellent vocal arrangers. Demos, score previews and supplemental rehearsal tracks are available for all main catalog charts.

Choral Choir (3-Part) - Level 3 - Digital Download SKU: A0.922040 Composed by Denny Glasscock and Greg Jenkins (drums). Christian,Latin,Praise & Worship,Sacred. Octavo. 26 pages. Denny Glasscock #6045799. Published by Denny Glasscock (A0.922040). This is the choral SAB version of Why Not Come to Jesus Now, by Denny Glasscock. Also available is a nice instrumental performance/accompaniment digital recording of the song by a string trio (violin, viola and violoncello), accompanied by piano, drums and bass (rhythm trio). The violin, viola and violoncello duplicate the soprano, alto and baritone voices, respectively, of the SAB choral version of the song. Performed along with the rhythm trio, it aids the vocalists in hearing the melody vs. the counter melody at work. The duplications are not obvious, due to the complex back and forth exchanges of melody vs. counter melody, except when the effect is desired with the melody at the beginning of a new section, briefly. At these points, the new melody significantly contrasts the prior one. At the ending, the piece concludes with a layering of tones and a light stop. Click on the publisher's name, Denny Glasscock, above to find the instrumental ensemble (winds and strings) and solo versions of the song, where, also, the accompaniment version is offered.

Acoustic Guitar,Electric Bass Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1422152 By The Candlelight Guitarist feat. Frank Sanchez. By Bradley Powell. Arranged by Brad Powell. Country,Folk,Latin,Pop,Rock. 5 pages. Geofonica Artistworks #1003498. Published by Geofonica Artistworks (A0.1422152). This is the BASS PART (in standard notation) of the GUITAR and BASS DUET recording of Cool Cowboy Glen (tribute to Glen Campbell).  This guitar and bass duet features advanced-intermediate fingerstyle guitar playing, combining country, folk, popular, classical and Spanish styles. The guitar plays most of the melody in the first half, with the Bass playing fills, then bass takes over playing the melody in the second half and the guitar accompanies. Then guitar and bass trade off melody, before returning to guitar melody for the final section. It's got lively parts (like a hoedown), and smooth and beautiful parts.The GUITAR PART is available separately, in standard notation, and also in TABS-plus-standard notation.Glen Campbell (who inspired this piece) was played guitar on many popular hit songs as a member of The Wrecking Crew group of session musicians, incluing hits by The Beach Boys, The Monkees, Frank Sinatra, and many others. He became as singing star with several hit songs, including Gentle On My Mind, By The Time I Get To Phoenix, Witchita Lineman, Galveston, Rhinestone Cowboy and Southern Nights. He co-starred with John Wayne inthe movie True Grit, also singing the hit title song.Brad Powell (The Candlelight Guitarist) and his bandmate friend Frank Sanchez (both 16 years old) were guests of Glen Campbell in a recording session at Capitol Records, in September 1971. This duet song and recording is their tribute to Glen Campbell.  Frank Sanchez was the original bass player for Weird Al Yankovic... Alfred called him Frank (from the bank) Sanchez.ABOUT the composer: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).

Acoustic Guitar,Electric Bass Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1422145 By The Candlelight Guitarist feat. Frank Sanchez. By Bradley Powell. Arranged by Brad Powell. Classical,Country,Folk,Latin. 5 pages. Geofonica Artistworks #1003478. Published by Geofonica Artistworks (A0.1422145). This is the GUITAR PART (in standard notation) of the GUITAR and BASS DUET recording of Cool Cowboy Glen (tribute to Glen Campbell).  This guitar and bass duet features advanced-intermediate fingerstyle guitar playing, combining country, folk, popular, classical and Spanish styles. The guitar plays most of the melody in the first half, with the Bass playing fills, then bass takes over playing the melody in the second half and the guitar accompanies. Then guitar and bass trade off melody, before returning to guitar melody for the final section. It's got lively parts (like a hoedown), and smooth and beautiful parts.The BASS PART is available separately. The GUITAR PART in TABS-plus-standard notation is also available separately.Glen Campbell (who inspired this piece) was played guitar on many popular hit songs as a member of The Wrecking Crew group of session musicians, incluing hits by The Beach Boys, The Monkees, Frank Sinatra, and many others. He became as singing star with several hit songs, including Gentle On My Mind, By The Time I Get To Phoenix, Witchita Lineman, Galveston, Rhinestone Cowboy and Southern Nights. He co-starred with John Wayne inthe movie True Grit, also singing the hit title song.Brad Powell (The Candlelight Guitarist) and his bandmate friend Frank Sanchez (both 16 years old) were guests of Glen Campbell in a recording session at Capitol Records, in September 1971. This duet song and recording is their tribute to Glen Campbell.  Frank Sanchez was the original bass player for Weird Al Yankovic... Alfred called him Frank (from the bank) Sanchez.ABOUT the composer: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).

Large Ensemble - Level 5 - Digital Download SKU: A0.553778 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical,Standards,Wedding. Score and parts. 230 pages. RayThompsonMusic #4312367. Published by RayThompsonMusic (A0.553778). The Serenade No. 10 for winds in B-flat major, K. 361/370a, is a serenade by Wolfgang Amadeus Mozart scored for thirteen instruments: twelve winds and string bass. The piece was probably composed in 1781 or 1782 and is often known by the subtitle Gran Partita, though the title is a misspelling and not in Mozart's hand. It consists of seven movements.The serenade is in seven movements as follows:I. Largo. Molto AllegroII. MenuettoIII. AdagioIV. Menuetto. AllegrettoV. Romance. AdagioVI. Tema con variazioniVII. Finale. Molto AllegroThe work is scored for 2 oboes, 2 clarinets, 2 basset horns, 2 bassoons, 4 horns and double bass. The double bass is occasionally replaced by contrabassoon; however, the part is clearly for the former as there are pizzicato markings at points.I have created 2 additional flute parts to cover a dectet group.(who have 2 additional clts playing with them.The horn 1/2 parts have the important 3/4 solos as cues.There are alternative parts provided (for those groups who haven't got the full instrumentation) as follows:Basset Horns 1/2: clarinets Bassoons1/2: Bass ClarinetsHorns 3/4 In Bb: Horns in F.

Instrumental Duet Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU: A0.874495 By Secret Garden. By Rolf Loevland. Arranged by Gavin Koh. Film/TV. Score and parts. 11 pages. Gavin Koh #5214979. Published by Gavin Koh (A0.874495). Here is the duet version of Secret Garden's relaxing Poéme, scored for Piano and Violin. This version stays true to the original as much as possible. I hope you will love it as much as I enjoyed arranging it.You can listen to Poéme on my Soundcloud channel at https://soundcloud.com/gavinkoh/secret-garden-poeme-duetListen to the composer's works and other arrangements at https://soundcloud.com/gavinkoh.

Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1251539 Composed by Arr. Michael Sweeney and Percy Aldridge Grainger. Arranged by Ray Thompson. 20th Century,Folk. 24 pages. RayThompsonMusic #845816. Published by RayThompsonMusic (A0.1251539). Lincolnshire Posy is a musical composition by Percy Grainger for concert band commissioned in 1937 by the American Bandmasters Association. Considered by John Bird, the author of Grainger's biography, to be his masterpiece, the 16-minute-long work has six movements, each adapted from folk songs that Grainger had collected on a 1905–1906 trip to Lincolnshire, England.In a similar fashion to these folk songs, many of the movements are in strophic form.This is my arrangement of No.VI. The Lost Lady FoundArranged symphonic wind dectet (double wind quintet) and bassA lilting 3/4 melody in strophic form. As the tempo is too fast for the conductor to gesture each beat of every measure, the movement is typically conducted in 1 where each gesture given by the conductor indicates a full measure instead of each beat. Every section of the ensemble states the theme at some point in the movement.This movement is based on the ballad of the same name,in which a lady, who while living with her uncle in a village is kidnapped by three Roma. After being missing for a long time, the villagers begin to speculate that the uncle is responsible for her disappearance, later imprisoning him and condemning him to death. At some point, the lady was found in Dublin by a young squire who loved her and was subsequently brought back to the village. Upon return to the village, the villagers, mere moments away from executing the uncle at the gallows, realized their error and set the uncle free, celebrating the lady's return with church bells (which are emulated by the tubular bells in the closing of the movement), music, and frivolity.As this movement was not yet completed at the time of the work's premiere, it was omitted for the performance.For Info:Green Bushes is an English folk song  which is featured in the second movement of Vaughan Williams's English Folk Song Suite, in Percy Grainger's Green Bushes (Passacaglia on an English Folksong), and in George Butterworth's The Banks of Green Willow. The melody is very similar to that of the Lost Lady Found movement.

Guitar - Level 4 - Digital Download SKU: A0.1429493 By The Candlelight Guitarist. By Alfonso Esparza Oteo. Arranged by Bradley Powell. Classical,Folk,Holiday,Latin,Mariachi. Guitar Tab. 5 pages. Geofonica Artistworks #1010189. Published by Geofonica Artistworks (A0.1429493). This is the traditional Mexican birthday song (the short version of the verse commonly sung for birthdays) with an additional verse played in 6/8 time, all arranged for solo guitar, in Spanish-classical fingerstyle. The entire arrangement can be heard and seen in the YouTube video linked below. This arrangement includes melody, bass line, and harmony (and lyrics), as a guitar solo, which can also be used with vocalists singing along.ABOUT the arranger: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso, and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often out hiking with his four dogs. Brad also played as the solo guitarist for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort by Disneyland (March 2019-January 2024), providing music for the Disney Princesses (Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, Cinderella, and their friends and guests).  

Guitar,Piano,Violin - Level 3 - Digital Download SKU: A0.877806 Composed by Deborah Johnson. Contemporary,Film/TV,New Age,Wedding. 14 pages. Deborah Johnson #33111. Published by Deborah Johnson (A0.877806). Journey instrumental solo, written for a C instrument, presents a captivating and melodious solo, skillfully crafted at a medium intermediate level. This composition is featured in the Wayfarers Journey album, which introduces new classically-inspired piano and instrumental solos by Deborah Johnson. Tailored for special occasions such as weddings and events, Journey instrumental solo score consists of a total of 14 pages, including score, separate parts and cover . Parts include: Instrumental (violin) solo; Piano accompaniment. Piano accompaniment includes guitar chords. The term Journey refers to traveling from one place to another, an excursion or trip. Rooted in Middle English and originating from Anglo-French, it stems from jurnee, which referred to a day's travel. The earliest recorded use dates back to the 13th century. The combination of Wayfarers Journey further emphasizes travel on foot, creating a sense of passage or movement in this musical piece. This instrumental solo evokes a sense of movement and progression, making it an ideal addition to special occasions. Its emotive qualities capture the essence of a journey, adding depth and character to memorable events. Click here to download MP3 on Spotify: https://open.spotify.com/track/3LekEURrNgIuyUijeG0uKc Also available is the piano solo version, for intermediate players, the piano solo score with parts and full book of piano solos from Wayfarers Journey. Signed copies of CDs at https://DJWorksMusic.com/wayfarers-journey/. Also check out the album video playlist at https://www.youtube.com/playlist?list=PLlpGSaEMhOmM2boU572TIUUV8x_yZxZhi (and subscribe!) Music composed by Deborah Johnson. Piano: Deborah Johnson; Vocal Backgrounds: Deborah & David Johnson; Flute: Fred Seldon; Engineer: Michael Ferenci at Ferenci Studios, Silverlake, CA.

Cello and piano - Digital Download SKU: BQ.979-0-50179-179-8 Composed by Ferdinand Ries. Edited by Stephen Begley. This edition: softcover. Bisel Classics. Score. With Text Language: English / German. Opus 21. 58 pages. Published by Bisel Classics - Digital (BQ.979-0-50179-179-8). ISBN 9790501791798.A masterpiece for cello and piano, this sonata in a traditional four movement setting was dedicated to Ries' childhood cello tutor, the prominent virtuoso Bernhard Romberg. Remaining in the classical idiom, the work nevertheless exploits the dawning spirit of romanticism and recalls the bravura influence of Ries' other teacher Beethoven, with sublime accompaniment at the piano which occasionally erupts into the kind of explosive display which came to characterise Ries' style of playing.

String Ensemble,String Trio - Level 2 - Digital Download SKU: A0.515991 By Harry Belafonte. By Irving Burgie and William Attaway. Arranged by Eve C. Mailly. Film/TV,Folk,Multicultural,Pop,World. Score and parts. 13 pages. Zene Strings #6521411. Published by Zene Strings (A0.515991). Day-O (The Banana Boat Song) is a traditional Jamaican folk song, commonly classified as calypso music.  It is a work song sung from the point of view of dock workers who have finished their night shift and are loading bananas onto ships. The lyrics describe how daylight has come, their shift is over, and they want their work to be counted up so that they can go home.This is a fun little song, both to play, and to hear -- perfect for parties, and other events.  This arrangement is for string trio, with the middle part included in both treble and alto clef, giving you the freedom to perform the piece with either two violins and cello, or violin, viola and cello.  From your friends at Zene Strings -- enjoy!To see our other great arrangements visit: Zene Strings.  Questions or comments?  Email us at Music@ZeneSheetMusic.com.  We're here to help!

String Orchestra - Level 3 - Digital Download SKU: A0.1256304 By Michael Blostein. By Ludwig van Beethoven. Arranged by Michael Blostein. Classical,Contest,Festival,Historic,Instructional,Romantic Period. Score and Parts. 28 pages. Michael D. Blostein #849775. Published by Michael D. Blostein (A0.1256304). Beethoven’s Six Ländler for Two Violins and Bass, WoO 15 – the basis for this work - constitute his second and final set of these forms of German dance, written as a commission for the annual dances at the Vienna Redoutensaal. Both sets were apparently intended for actual events of social dancing.This set likely date from early 1802, when Beethoven was working intensely on his second symphony.This arrangement for string orchestra requires shifting into 2nd position for the first violins in one section, and the viola (as well as 3rd violin if used) and 2nd violins are required to go into half position for two sections. Cellos need to extend. The requirements for the bass are minimal, but the bass players can play the cello part (with appropriate fingering and position alterations) and the piece works. The second violins do not need to shift, but some of the string crossing (shared with the first violins) can be a bit tricky.This piece works best at a faster tempo (in 1), but can work at a slower tempo (a fast 3).