EUROPE
4099 articles
USA
5106 articles
DIGITAL
8844 articles (à imprimer)
Partitions Digitales
Partitions à imprimer
8844 partitions trouvées


Concert Band - Digital Download SKU: A0.891097 Composed by Felix Bartholdy Mendelssohn. Arranged by Diana L. Appler. Classical,Romantic Period. Score and parts. 161 pages. Diana L. Appler #6689851. Published by Diana L. Appler (A0.891097). Mendelssohn abhorred Victor Hugo’s play Ruy Blas however he deemed worthy the Leipzig Theatrical Pension Fund who were producing the play. He hurriedly composed an overture in standard early romantic sonata form with dark opening chords, two distinct themes, development, restatement, and a final coda. Originally scored for winds, brass and strings, this orchestration contrasts colors between brass and woodwinds where the strings were contrasted between the woodwinds and brass.  This overture is still popular today with audiences and is fun to perform. A lyrical melody contrasts with running scale passages providing excitement and technical challenge. Grade 3+ to 4. Oversize score: Legal size 8 ½ X 14, Sold separately.   
Ruy Blas Overture [Parts only]
Orchestre d'harmonie

$50.00 43.02 € Orchestre d'harmonie PDF SheetMusicPlus

Large Ensemble Choir - Level 2 - Digital Download SKU: A0.1494439 Composed by Felix Bartholdy Mendelssohn. Arranged by R. G. Huff. Children,Christian,Classical,Jewish,Romantic Period. 2 pages. RG Huff #1071032. Published by RG Huff (A0.1494439). CLASSIC MINIATUREThis classic tenor solo from Mendelssohn's ELIJAH is greatly abbreviated for congregational singing. If your congregation is at all familar with the solo, they can pick this up and run with it! Even if they are not, the part presented here is an easy-to-sing melody.The full-score and congregational score are included.Also a possibility for a short introduction to a classic tune for a children's choir.Purchase one download copy and make as many copies as you need for your situation.
"If with All Your Hearts" from ELIJAH (Abbreviated for Congregational Singing)

$8.00 6.88 € PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1512683 By MRK-Studio & Publishers. By F. Mendelssohn, G.F. Händel & S. Adams. Arranged by Mikhail Rimsky-Korsakov. Christian,Praise & Worship,Religious,Sacred,Spiritual. Score. 19 pages. MRK Studio #1087635. Published by MRK Studio (A0.1512683). Comfort Ye, Jerusalem is a three-song medley about God disappointment towards 'Jerusalem's sins', persecuting the prophets. Then there is God's forgiving grace resulting in the Holy City glorifying their God! This medley features these three songs: 'Jerusalem, thou that killest the people' by F. Mendelssohn 'Comfort ye my people' by G.F. Händel 'Holy City (ending)' by S. Adams This is a powerful piece to perform at any church performance.This song was commissioned by a South African Baritone Soloist, Johann Nefdt, to be performed by a Baritone Soloist, Trumpet & Pipe-Organ. All parts are included in the sale. This arrangement was produced using Dorico 5..1 & NotePerformer 4.5My arrangements are custom made for any ensemble required and voiced specifically for their instrumentation. So, feel free to contact me should you require any music arranged for your ensemble. I voice it with the tonal colors of your instrumentation (keeping in mind the strong and weaker musicians) to bring the most out of your performance! The best part is, you get it right here from this music publisher for ease of mind! Enquire here for Arrangements / Composition or Publishing requests.
Comfort Ye, Jerusalem
Piano, Voix et Guitare
MRK-Studio & Publishers
$7.00 6.02 € Piano, Voix et Guitare PDF SheetMusicPlus

Baritone Horn TC,Euphonium,Piano - Level 4 - Digital Download SKU: A0.552854 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497277. Published by jmsgu3 (A0.552854). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.    
Sullivan: The Lost Chord for Baritone Horn & Piano

$26.95 23.19 € PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1477258 By Nigel Williams. By Felix Bartholdy Mendelssohn. Arranged by Nigel Williams. Christmas,Traditional. 15 pages. Nigel Williams #1054681. Published by Nigel Williams (A0.1477258). A hymn concertato arrangement of the last verse of this popular Christmas hymn, for descant sopranos, brass quintet and organ. There is an optional two bar link before the verse begins at bar 3. The fifteen page download includes a one page soprano descant score, five individual brass parts and a two page organ score. The brass quintet parts are more advanced in difficulty level, the soprano descant and organ parts are intermediate in difficulty level. The descant is new and fresh, and the harmonies used to support it are closely related to the familiar harmonization by Mendelssohn. The trumpet parts in particular are fanfare-like while the lower three instruments support the hymn tune and harmony. (See also my arrangement of this hymn verse for soprano descant, trumpet & organ).
Hark! the Herald Angels Sing, (descant verse with brass quintet & organ)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Nigel Williams
$12.99 11.18 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Piano,Trombone - Level 4 - Digital Download SKU: A0.549458 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497267. Published by jmsgu3 (A0.549458). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  
Sullivan: The Lost Chord for Trombone & Piano
Trombone et Piano

$26.95 23.19 € Trombone et Piano PDF SheetMusicPlus

E-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549450 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497161. Published by jmsgu3 (A0.549450). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs.  School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  
Sullivan: The Lost Chord for Alto Clarinet & Piano
Clarinette

$26.95 23.19 € Clarinette PDF SheetMusicPlus






Partitions Gratuites
Acheter des Partitions Musicales
Acheter des Partitions Digitales à Imprimer
Acheter des Instruments de Musique

© 2000 - 2025

Accueil - Version intégrale