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Instrumental Duet Instrumental Duet,Vibraphone,Violin - Level 5 - Digital Download SKU: A0.987848 Composed by Robert M. Greenberg. 20th Century,Contemporary. Score and parts. 54 pages. Robert M. Greenberg #90285. Published by Robert M. Greenberg (A0.987848). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 12 minutes Year of composition: 2006 Program Note: The mind searches for the oddest of couples. Felix Unger and Oscar Madison. Julia Roberts and Lyle Lovett. The violin and the vibraphone. Aside from the letter V, the two instruments have almost nothing in common. We consider: the violin is the most aristocratic instrument in the Western musical tradition, the prima donna of the instrumental world, an instrument that has had, lavished upon it, more extraordinary music than any other since its invention roughly 475 years ago. And then there’s the vibraphone, a percussion instrument with pitched metal bars and motor-driven resonators that produce a vibrato. Invented around 1925, it’s an instrument created for dance bands and popular music. Anything You Can Do . . . is a confrontation between these two musical opposites. A sense of contest characterizes the entire piece, as the vibraphone seeks to establish its bona fides side by side with the violin, which in turn attempts to keep the vibraphone in its place by beating it at its own game. The first movement is conceived as a race, in which each instrument acts like the other – the violin explosively and percussively, and the vibraphone with lengthy bowed passages – while seeking to shake off the other. The movement concludes with the violin paying a series of huge, chords and a long, sustained triple-stop that, much to its fury, the vibraphone manages to match with a sustained double-stop of its own. The movement ends in a draw. The second movement begins with the violin doing its best to match the vibrato patterns of the vibraphone’s variable motor. Ultimately, the violin breaks free and plays a broad, arioso-styled melody. The vibraphone tries to match it, but cannot; try as it might, its fixed range cannot reach the stratospheric heights of the violin. Advantage violin. The third movement is constructed in three sections. In the outer sections, rapidly rising and falling lines and counter rhythms pervade as each instrument seeks to gain an advantage over the other. In the middle section, alternating, hocket-like phrases give way to bent notes and glissandi in the vibraphone, which infuriates the violin (how dare this upstart percussion instrument do something ordinarily associated with me?). The movement concludes with the violin once again attempting to lord its greater range over the vibraphone by playing a long sustained F# - the same pitch that conquered the vibraphone at the end of the second movement – only to have the vibraphone top it by playing a harmonic a full seven notes above the F#. Game, set, match: vibraphone. Some respect, please, for the new kid on the block. Anything You Can Do . . . is dedicated, with a thousand-and-one thanks, to Victor Romasevich and Jack van Geem.
Anything You Can Do . . . for violin and vibraphone

$28.00 23.93 € PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1018088 By Josiah Austin. By Josiah Austin. 20th Century,Classical,Contemporary,New Age. Score. 6 pages. Wistful Hands #6433731. Published by Wistful Hands (A0.1018088). The Descent is a dark, emotional, brooding piano piece that confronts the terrible darkness within and brings familiarity to its face; it is beautiful and as much a part of us as anything else. For fans of: Ludovico Einaudi, Nils Frahm, Dustin O'Halloran, Olafur Arnalds, Joep Beving, Yann Tiersen, Max Richter, Library Tapes, Hania Rani solo piano, piano, solo, neoclassical, neo-classical, contemporary, darkwave, ambient, mood, sheet music, pianist, sight reading, relaxing, beautiful, beauty, delicate, intimate, thoughtful, sentimental, reflective, reminiscence, reminiscent, nostalgic, nostalgia, passionate, determined, determination, self-discovery, emotional, emotive, deep, introspective, loneliness, wistful, intriguing, dark, melancholic, melancholy, mysterious, mystery, haunting, brooding, downward, chromatic, chromaticism Composer: Josiah Austin Artist: Josiah Austin Publisher: Wistful Hands © 2022 Josiah Austin.
The Descent
Piano seul
Josiah Austin
$4.99 4.27 € Piano seul PDF SheetMusicPlus

Piano,Trombone - Level 5 - Digital Download SKU: A0.1455537 By Alex Schwarte. By Alex Schwarte. 21st Century,Classical,Contemporary,New Age. Score and part. 26 pages. Alex Schwarte #1034623. Published by Alex Schwarte (A0.1455537). I have been working on To Rise Again for about a year since the passing of several close family members. As with any long-term struggle, some days are easier than others, and some days it is hard to do much of anything at all. Walking through hard days, this piece is about mental health, the struggles that you face, and on the most difficult days, what it takes to rise again. Despair: This movement opens with what I call the despair motif. This motif consists of seven notes and will return throughout the piece, reminding us of uncertainty and darkness. The middle of the movement includes a build-up leading to a complete panic attack, featuring cluster chords in the piano and extreme volumes and articulation in the trombone. Finally, a quasi-march leads us to the end, where we sink to the lowest and angriest point. Support: This tranquil and shimmering movement evokes the other side of grief and depression: the people around you. In the dark moments, these people can become pillars of aid and light. Even with support, there are moments of darkness and uncertainty, but support will always be there. Musically, this movement features numerous color tones and aims to create an emotionally understanding and steady atmosphere. The opening trombone line (the support motif) represents tender support and is used numerous times in the next movement. Overcome: The final movement opens with a haunting atmosphere created by plucked piano strings. The first normal piano entrance is the Rumbling motif: the feeling of the soul exerting its will to be free but not quite making it. Throughout the rest of the movement, the trombone and piano go back and forth, with the piano emphasizing support and the trombone wallowing in despair. Eventually, the trombone begins to come around and rise. Concluding with a triumphant feeling of release, the mind is lifted from despair, free and open to whatever life brings next. Mental health looks different for everyone, and I want to reflect that in this composition. For all future performances, the performers can make significant musical changes to better reflect their own challenges. This could be as small as a different tempo or as large as a completely different style and articulation. To Rise Again is very personal to me, and I want every performance of it to be just as personal.Playlist: https://www.youtube.com/playlist?list=PLDoVD8lbKulOjUbvdKcc9phxPNOgYLDuh.
To Rise Again
Trombone et Piano
Alex Schwarte
$40.00 34.19 € Trombone et Piano PDF SheetMusicPlus

Guitar - Level 3 - Digital Download SKU: A0.1401766 Composed by Jacob Collier. Arranged by Justin Roth. Contemporary,Folk,Pop,Singer/Songwriter. Guitar Tab. 10 pages. Rothirric Music #984951. Published by Rothirric Music (A0.1401766). Summer Rain was written by Jacob Collier and features Madison Cunningham on vocals and Chris Thile on mandolin. It is on Jacobâ??s Djesse vol. 4 album, released on February 29, 2024. This transcription was originally based on two back-to-back live performances at Union Chapel in London on Aug. 31, 2023, and was completed before the album version was released. The videos were not an official release, but the performances were the first time the three of them had ever performed it as a trio in front of an audience. There were slight discrepancies between the two performances, but I chose what was most consistent with the resulting pattern and progression of the album version.Despite the harmonic complexity of parts of the song, learn the easy and repeatable chord shapes that Jacob actually uses to make this song easier to play that you think. This transcription is intended as a chordal and rhythmic guide to the song, making it more accessible, no matter what your level of playing is. Since it is based on a live performance, and because Jacob doesn't play anything exactly the same way twice, this is not a note-for-note fingerstyle arrangement. This frees you up to adapt it to your level of playing, whether you're a strummer or fingerpicker.As a professional fingerstyle guitarist himself, arranger and transcriber, Justin Roth, has been teaching and transcribing Jacob Collier's guitar arrangements with precision and attention to detail unlike no other to date. Supplemental tutorial videos that accompany Justin's transcriptions are available here: https://bit.ly/JCtutorials.
Summer Rain (Ft. Madison Cunningham and Chris Thile)
Guitare notes et tablatures

$5.99 5.12 € Guitare notes et tablatures PDF SheetMusicPlus


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