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Partitions Digitales
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Concert Band - Digital Download

SKU: AX.00-PC-0015118_WPECBC

(wp) E-flat Contrabass Clarinet. Composed by Robert Sheldon. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015118_wpECBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015118_WPECBC).

UPC: 038081407814.

Metrix is a multi-meter, jazz inspired composition. The infectious rhythms and tuneful melodies are highlighted by the driving percussion riffs that propel the music through a variety of styles, moods, and textures. The title is a play on words combining the word matrix that refers to a mathematical array of numbers, and metric that relates to the variety of meters used in the piece. This title is available in SmartMusic.

Metrix: (wp) E-flat Contrabass Clarinet
Orchestre d'harmonie

$3.00 2.82 € Orchestre d'harmonie PDF SheetMusicPlus

Choral Choir (SA) - Level 1 - Digital Download

SKU: A0.1079571

By Bruno Mars. By Andrew Wyatt, Ari Levine, Bruno Mars, and Philip Lawrence. Arranged by Matt Arnett. Pop. Octavo. 7 pages. Matt Arnett Music #683749. Published by Matt Arnett Music (A0.1079571).

Another solid title from Bruno Mars, Middle School students love this piece! If you've worked with them, you know that they love heartache and broken relationships, so this song definitely delivers. I kept this one very simple and it was just fun. Students really like and find accessible the easy alto harmonies throughout. There's definitely more of an opportunity to learn about dynamics and have a powerful moment in this piece than in most pop music, but make sure you have a big drop before the third verse - students love the feeling it gives them. The piece is also notated in cut time with swung eighths, so there are opportunities to teach some more complicated metric principles as well, though you can also easily ignore those details and keep it simple for a young group. The piano part is kept very simple throughout.

When I Was Your Man
Chorale 2 parties
Bruno Mars
$1.99 1.87 € Chorale 2 parties PDF SheetMusicPlus

Small Ensemble Bass Guitar,Drums - Level 4 - Digital Download

SKU: A0.1008603

Composed by Nathan C. Curtis. Rock. Score and parts. 48 pages. Nathan C. Curtis Music #6141125. Published by Nathan C. Curtis Music (A0.1008603).

Full of fiery chromatic passages, blistering bass lines, and frantic percussion, Pyroclastic Surge is ready to melt faces at your next metal gig. This death metal / grindcore epic is fast and unforgiving, full of pinch harmonics, trills, and bends and will force you to travel all over the finger board to keep up. The drums are unrelenting and full of blasts, and even have a metric modulation or two thrown in for good measure. The 5 against 4 pattern between the kick and the hands will liquefy your brain.
Pyroclastic Surge [Full Score]
Batterie

$5.99 5.64 € Batterie PDF SheetMusicPlus

Small Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download

SKU: A0.612662

Composed by Aaron Lee. 20th Century,Classical,Contemporary. Score and parts. 55 pages. J. Aaron Lee #221852. Published by J. Aaron Lee (A0.612662).

A light-hearted, contemporary work for saxophone quartet. This work is inspired by J. S. Bach and makes use of pastiche, metric modulation, and a healthy dose of humour! Faux Pas de Deux re-imagines a Bach prelude as a modern, yet accessible, work for saxophone quartet. The work references and toys with traditional tonal practices to create a comedic, yet challenging piece for chamber ensemble. More from Aaron Lee can be found at musicoflee.com.

Faux Pas de Deux (for Saxophone Quartet)
Quatuor de Saxophones: 4 saxophones

$19.99 18.81 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Alto Saxophone,Piano - Level 3 - Digital Download

SKU: A0.551997

Composed by Frederic Chopin. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding. Score and part. 6 pages. Jmsgu3 #6050947. Published by jmsgu3 (A0.551997).

Sonata in G Minor for Piano & Cello, Op. 65, Movement III - Largo.
Chopin performed this Sonata on his final recital in 1848.

The Largo from Chopin's Cello Sonata in G minor, Op. 65 is a significant work as it is one of only nine compositions by Chopin published during his lifetime for instruments other than the piano. The Sonata is remarkable for the concentration of its material, with much of the music in the first movement growing out of the opening statement and specific thematic shapes appearing in all its movements. The Largo, in particular, is known for its expressive and lyrical nature, showcasing Chopin's ability to write beautifully for a non-piano instrument. The Sonata was first publicly performed by Chopin and the work's dedicatee, Auguste Franchomme, at the composer's last public concert in 1848. 

The historical context behind Chopin's Largo from Sonata Op. 65 is rooted in the composer's radical stylistic changes during 1845-1846, which included an increasing prevalence of contrapuntal textures and metric flexibility. The Sonata, including the Largo, is filled with doubts and hesitation, reflecting the composer's difficult decisions and arduous labors. The piece is also notable for its thematic references from Schubert's Winterreise, mirroring the circumstances of Chopin's life when he wrote the Sonata, particularly his separation from George Sand.

Chopin: Largo from Op. 65 for Alto Sax & Piano
Saxophone Alto et Piano

$32.95 31 € Saxophone Alto et Piano PDF SheetMusicPlus

Alto Saxophone Solo - Level 3 - Digital Download

SKU: A0.616175

By Paul Desmond. By Paul Desmond. Arranged by Leo Silva. Jazz,Pop,Standards. Individual part. 1 pages. MP Sheet Music #225331. Published by MP Sheet Music (A0.616175).

Take Five is a jazz composition written by Paul Desmond and performed by The Dave Brubeck Quartet on the 1959 album Time Out. Recorded at 30th Street Studios in New York on June 25, July 1 and August 18 of the same year, the work is a composition, in the name of Joe Morello's composition if famous for its distinct melody from the solo group and for the use of Joe Morello's composition of the 5/4 bar, originates the Although it was not the composition to use this metric, it was reached the first place of jazz in the United States to reach the position of the first chart of the first compact radio in the United States, reaching the position of the great chart of the first compact radio in the country.

Take Five
Saxophone Alto
Paul Desmond
$4.99 4.69 € Saxophone Alto PDF SheetMusicPlus

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 5 - Digital Download

SKU: A0.746229

By The Beatles. By John Lennon and Paul McCartney. Arranged by Michael Pilley. Blues,Jazz. Brass Band. 93 pages. Michael Pilley Music #5302441. Published by Michael Pilley Music (A0.746229).

As performed by Tredegar Town Band at Brass In Concert 2014 in their 3rd place winning program, With A Little Help From My Friends is a transcription/arrangement of the ProBrass version. This arrangement helped Dewi Griffiths secure the Best Principal Cornet prize and requires a soloist that can either improvise, or capable of playing Thomas Gansch style blues licks as in the original solo, which is also included with the parts.

This arrangement begins with a piccolo trumpet duo (also playable on Soprano and Bb Cornet) in a baroque style, then building to a massive 6/8 power ballad entrance, followed by a bluesy solo trumpet feature. More building to a big section requiring the soloist to unleash their inner rock god follows, then back down to a sedate blues where a solo trombonist joins in the antics. The ending is a tricky metric modulation, where the 6/8 turns into a rock 4/4 and brings in the big guns (the bass section) with some hard hitting lines. Feel free to allow your drummer to ad lib. as much of this piece as you dare!

Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. If you're printing on letter size paper, please fit to page when sending to the printer.

More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic

With A Little Help From My Friends The Beatles
$50.00 47.04 € PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download

SKU: A0.1420320

Composed by Travis Patton. Arranged by Travis Patton. Celtic,Chamber,Contemporary,Folk,Instructional,Irish. 25 pages. Travis Patton #1001788. Published by Travis Patton (A0.1420320).

This energetic Celtic jig arranged for string orchestra or string quartet allows students to explore and enjoy fiddling. Even the cello and bass sections are featured on the melody! Students will enjoy learning metric modulation as the jig transforms from 12/8 to 6/4. The chart slows to a beautiful Celtic ballad featuring the low strings, legato playing, and opportunities to explore phrasing. The jig returns with a driving accompaniment to an enjoyable finish.
Composed and Arranged by Travis Patton. Find more at www.travispatton.com.

Eldon
Orchestre à Cordes

$64.99 61.14 € Orchestre à Cordes PDF SheetMusicPlus

Harp - Level 4 - Digital Download

SKU: A0.976446

Composed by Scott Anthony Shell. 20th Century,Contemporary. Score. 8 pages. Tikadori Music #2066815. Published by Tikadori Music (A0.976446).

For Solo Pedal Harp -- Composed in 2015 -- Approx. duration 7:45 --PROGRAM NOTES:Piece for Harp #1 begins abruptly with an invitation to the listener to take an inner journey into a potentially uncomfortable place. The discomfort dissipates into a more celebratory feel, which leads into the final contemplative mood to end. Compositionally, besides trying to challenge the performer, I am interested in exploring the counterpoint that results from overlapping patterns of different durations, as well as opposing rhythms within these patterns, which can be heard throughout the different sections. The final section of the piece introduces a 3rd contrapuntal layer, which further challenges the performer in that each voice is played on a different part of the string. (Harmonics on top, PDLT or close to the table in the middle, and sustained bass on the bottom.) In combination with the complex rhythmic and metric structure, this is probably the most difficult section, especially when trying to express a calm, contemplative soundscape.

Piece for Harp #1
Harpe

$8.00 7.53 € Harpe PDF SheetMusicPlus


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