Horn,Organ,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1256429 Composed by Louis Bourgeois. Arranged by Todd Marchand. Christian,Easter,Sacred. 24 pages. Con Spirito Music #849848. Published by Con Spirito Music (A0.1256429). Although first associated with Psalm 134 in the Genevan Psalter — a collection of metrical psalms created under the supervision of John Calvin for use by Reformed churches in the 16th century — the “Old Hundredth� tune received its name from its association with a metrical setting of Psalm 100 by William Kethe (d. 1594), published in the Anglo-Genevan Psalter (1591). Kethe’s first stanza, based on Psalm 100, verses 1-2, reads:All people that on earth do dwell,Sing to the Lord with cheerful voice.Him serve with fear, His praise forth tell;Come ye before Him and rejoice.Thus, the “Old Hundredth� is popularly titled, “All People That on Earth Do Dwell.� It is also well-known as the tune for the doxology, “Praise God From Whom All Blessings Flow.� The tune is attributed to the French music theorist and composer Louis Bourgeois (c. 1510-1559), who contributed a number of tunes to the Genevan Psalter.An ideal selection for any celebratory occasion, this festival accompaniment to the “Old 100th� begins with a brass fanfare and statement of the tune, leading into:Verse 1: organ accompaniment (harmonization L. Bourgeois)Verse 2: brass accompaniment (harmonization John Dowland)Verse 3: organ accompaniment (harm. Bourgeois)Verse 4: organ accompaniment (harm. Bourgeois) with trumpet countermelodyInterlude/modulationVerse 5: organ accompaniment (alternate harmonization) with brass fanfares“Amen� endingIncludes full score, parts for Bb trumpets 1-2, F horn, trombone, tuba, and organ, plus reproducible 5.5x8.5 bulletin insert for voices.©Copyright 2023 Todd Marchand / Con Spirito Music. All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com

Flute Choir,Woodwind Ensemble - Level 4 - Digital Download SKU: A0.1449511 Composed by Sy Brandon. 21st Century,Chamber,Contest,Festival. 45 pages. Sy Brandon #1029267. Published by Sy Brandon (A0.1449511). Cascades is a three-movement composition for flute choir that represents both the waterfall definition of the word and the mountain range in the Pacific Northwest. The first movement represents Multnomah Falls, the tallest waterfall in Oregon. It drops 635 feet in two tiers. The music has cascading musical figures as well as sense of power and beauty. Mt. Hood is the inspiration for second movement. Standing at 11,249 feet above sea level, this majestic mountain is dramatically visible from the valley floor and is snow covered most of the year. The music of this movement depicts the rising from the valley floor with its low to high orchestration. The almost symmetrical shape is represented by descending lines after the two climaxes.The third movement is a reminder of the relatively youngness of the Cascade mountain range. In 1980, Mt. St. Helens erupted, causing catastrophic damage to the surrounding area and loss of lives. What remains of this former symmetrical mountain is a large crater as a reminder of the volatile nature of the Cascade Range. The music of this movement is filled with tension, from the seismic tremors of the first part to the eruption itself in the second part. A final cascade, this time depicting lava flow rather than a waterfall, brings both the movement and the composition to a close.

3 or 5 octaves handbells - Level 4 - Digital Download SKU: C7.CGB362 Composed by Cathy Moklebust. General, Easter. Score. 12 pages. Chorister's Guild - Digital #CGB362. Published by Chorister's Guild - Digital (C7.CGB362). UPC: 749193009420.3 or 5 octaves o General or Reformation o Level 4 o Both the rhythmic and metrical versions of the tune EIN FESTE BURG are utilized in this fast, lively, and very unique arrangement. Repeated LV patterns in the upper treble bells accompany the rhythmic version of the tune in the middle and lower range bells. Then the piece switches to a fun, malleted bass line that accompanies the melody in the upper bells. The LV pattern returns in the upper bells, while the middle and lower bells present the metrical version of the tune with large, full chords. The malleted bass line and rhythmic melody in the treble take the arrangement to a surprising close. The techniques included are mallets, thumb damp, and LV.

2 or 3 octaves handbells - Level 2+ - Digital Download SKU: C7.CGB356 Composed by Barbara Kinyon. ALL, General. With Keyboard. Score. 8 pages. Chorister's Guild - Digital #CGB356. Published by Chorister's Guild - Digital (C7.CGB356). UPC: 749193009628.3 or 5 octaves.General or Reformation.Level 4.Both the rhythmic and metrical versions of the tune EIN FESTE BURG are utilized in this fast, lively, and very unique arrangement. Repeated LV patterns in the upper treble bells accompany the rhythmic version of the tune in the middle and lower range bells. Then the piece switches to a fun, malleted bass line that accompanies the melody in the upper bells. The LV pattern returns in the upper bells, while the middle and lower bells present the metrical version of the tune with large, full chords. The malleted bass line and rhythmic melody in the treble take the arrangement to a surprising close. The techniques included are mallets, thumb damp, and LV.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.855158 Composed by Latin Christmas Hymn (1710). Arranged by Joseph Pugh. A Cappella,Classical,Concert,Sacred,Standards. Octavo. 14 pages. Joseph Pugh #6321809. Published by Joseph Pugh (A0.855158). O come, O come, Emmanuel (Latin: Veni, veni, Emmanuel) is a Christian hymn for Advent and Christmas. The text was originally written in Latin. It is a metrical paraphrase of the O Antiphons, a series of plainchant antiphons attached to the Magnificat at Vespers over the final days before Christmas. The hymn has its origins over 1,200 years ago in monastic life in the 8th or 9th century. Seven days before Christmas Eve monasteries would sing the O antiphons in anticipation of Christmas Eve when the eighth antiphon, O Virgo virginum (O Virgin of virgins) would be sung before and after Mary’s canticle, the Magnificat (Luke 1:46b-55). The Latin metrical form of the hymn was composed as early as the 12th century.This is the SATB arrangement by, Joseph Pugh for acapella choir.

Woodwind Ensemble,Woodwind Trio Clarinet - Level 4 - Digital Download SKU: A0.963564 Composed by Domenico Scarlatti. Arranged by Cristiano Vecchi. Baroque,Concert,Contemporary,Standards,Wedding. 24 pages. Cristiano Vecchi #6507997. Published by Cristiano Vecchi (A0.963564). A joking, sunny sonata from the genius of Domenico Scarlatti, with an alternating game between the instruments like a baroque chess match, geometric but with asymmetrical phrasing that refreshes the structure anytime.This arrangement is for Flute or Oboe, Cl. in Bb, Bassoon.Parts contain Fl.(Ob. or Vl.), Clar. in Bb, Bsn.(or Vc.) plus extra parts like: 1. Cl. in Eb, Cl. in Bb - 2. Clar. in Eb,  Alto Fl., Ob., Vl. - 3. Bass Cl.Other possible combinations are: 2 Flutes & Bassoon, Clarinet Trio, Double Reed Trio, 2 Violins & Cello.Duration: 2'20.MP3 also available on this website.My entire production on my Youtube Channel: https://www.youtube.com/channel/UCe9Kd87V90fbPsUBU5gaXKw/playlists.

Solo Guitar - Level 2 - Digital Download SKU: A0.1504269 Composed by Carlo Calvi. Arranged by Pasquale Di Caro. Baroque,Renaissance. Individual part. 28 pages. Pasquale Di Caro #1079727. Published by Pasquale Di Caro (A0.1504269). Questa pubblicazione contiene tutta la sezione pertinente alla «chitarra a cinque cori in stile pizzicato», trascritta da una parte impiegando il sistema integrale (fedele all’originale), per consentire al lettore un’attenta comparazione, dall’altra il sistema interpretativo, contenente gli interventi adattivi e ricostruttivi. L’obiettivo di questo lavoro didattico-pratico è quello di presentare l’opera ai chitarristi interessati alla cosiddetta musica antica e di adattare le musiche alla chitarra di uso comune.Per le difficoltà sopra descritte e per l’atto stesso del trascrivere da uno strumento ad un altro, non è possibile ottenere con la chitarra moderna gli stessi effetti di quell’antica, per cui ho deciso di trattare queste intavolature cercando le migliori soluzioni per lo strumento di destinazione, evitando la strada filologica che comporterebbe il rischio di ottenere un risultato ambiguo che non riconosca la lezione originaria né tantomeno una moderna chiave di lettura.Le “suonate” sono numerate secondo l’ordine usato nella pubblicazione originaria. Le legature sono state aggiunte e possono essere modificate secondo il proprio gusto. Non ho inserito gli abbellimenti che possono essere usati a piacere come prevedeva la prassi esecutiva del tempo. Mancano gli andamenti che sono intrinsechi della forma e desumibili dal carattere musicale. I segni di ripetizione sono inseriti anche dove non erano previsti, per cui è stato necessario aggiungere alcune battute di raccordo, lasciando libera scelta all’esecutore. In alcuni casi ho preferito omettere e/o inserire delle note di riempimento e portare al basso alcune voci. Tra gli interventi apportati, i più significativi riguardano le modifiche di alcune note, l’uniformazione simmetrica di passaggi melodico-ritmici come nei casi degli incipit e dei valori di durata. Le modifiche sono state effettuate per rendere i brani più omogenei e simmetrici, laddove non era possibile eseguirli senza incorrere in sincopi armoniche o in ambigue riprese di ritornello, a volte modificando addirittura il tempo da 4/4 a 2/4. Per evidenziare il disegno ritmico ho preferito il tempo 3/4 al 3/2; in alcuni casi il 2/4 al 2/2 e così via, con la conseguente riduzione ritmica dei valori. Per tutti coloro che desiderino effettuare uno studio più attento e particolareggiato, consiglio vivamente di comparare la trascrizione integrale con quella interpretativa e di consultare l’intavolatura originale.

SAB choir, congregation, organ, trumpet - Medium to Moderately Difficult - Digital Download SKU: MQ.60-8000-E Composed by Donald Busarow. Reformation. Instrument part. 15 pages. MorningStar Music Publishers - Digital Sheet Music #60-8000-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.60-8000-E). Invigorating setting for SAB on EIN FESTE BURG. Includes extended prelude for Trumpet and Organ. Stanza 1 in isometric and rhythmic forms for congregation and choir. Stanzas 2, 3 have independenttext painting treatment for choir. Cong. joins on stanza 4 (isometric version) with independent choir and trumpet descant. Requires good organist and trumpeter. Trumpet part included.

Piano,Violin - Level 3 - Digital Download SKU: A0.1022755 Composed by Stefano Maria Torchio. Concert,Contemporary,World. 4 pages. Stefano Torchio #3115915. Published by Stefano Torchio (A0.1022755). Stefano Maria Torchio: ScherzinoAs the title says (engl.: little scherzo), it's a small, playful, light and bouncy piece, that features a free atonal style and funny asimmetrical rhythms and metrics. It's not difficult but it could be wise to practice it slower at first, in order to check careful the intonation and the correct smooth and legato articulation between the fingers of left hand of the Violin player. The most careful precision in rhythm and differentiation between the articulations (that in general tends to a light staccato) is required.The piece is also suitable for school pourposes and concerts and also for liturgical ones (for example at the offertory or as final piece) by special festive occasion. Primarily it was composed for a wedding ceremony and it was for Piano and Organ and for Church Bell Carillon.Composer's dataStefano Maria Torchio is an Italian Violinist, Composer and Orchestra and Choir Conductor born in Padova, who builded his education between Italy (Conservatories of Padova and Vicenza, Accademia Chigiana in Siena, Accademia L. Perosi in Biella and R. Romanini Foundation in Brescia) and the University for Music and Performing Arts in Vienna.He's member of S.A.C.E.M. for copyright protection.You can find me on: facebook, instagram (stefano.mus) and twittere-mail: stefanotorchio84@gmail.com 

Concert Band - Level 3 - Digital Download SKU: A0.1423123 Composed by David Ahrens. 21st Century,Classical,Contemporary,Contest,Festival. 45 pages. Baseline Music Publishing #1004456. Published by Baseline Music Publishing (A0.1423123). This energizing piece, Reconfigure Eights, is made up almost entirely of asymmetric time signatures in a way that gives it momentum, levity, and makes it pretty much impossible to dance to. As the piece travels through these varied asymmetric meters, the eighth note pulse is reconfigured over and over!I hope you enjoy!

Bassoon,Clarinet,Flute - Digital Download SKU: A0.1066499 Composed by Domenico Scarlatti. Arranged by Cristiano Vecchi. Baroque,Contemporary,Standards. Full Performance. Duration 143. Cristiano Vecchi #6507999. Published by Cristiano Vecchi (A0.1066499). A joking, sunny sonata from the genius of Domenico Scarlatti, with an alternating game between the instruments like a baroque chess match, geometric but with asymmetrical phrasing that refreshes the structure anytime.This arrangement is for Flute, Cl. in Bb, Bassoon.Duration: 2'20.Score and parts (with extra parts for several combinations) also available on this website.My entire production on my Youtube Channel: https://www.youtube.com/channel/UCe9Kd87V90fbPsUBU5gaXKw/playlists.

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.1156628 By Silo String Quartet. By Haydn Reeder. Chamber,Contemporary. 13 pages. Haydn Brett Reeder #756950. Published by Haydn Brett Reeder (A0.1156628). This is the third of three pieces for string quartet and therefore acts as a finale. Numbers I and II are titled 'Moving Between' and 'Breathing' respectively and all three are available on this site. Any one of these may be performed separately or the three movements can be played as a set. On occasions the textures of 'Drama' hark back to those heard in 'Moving Between', however in the latter there is transitional material between textures, be they melodic or chordal. Here, transitions are absent andcontrasts are starker, being produced by opposites such as slow and fast speeds, symmetrical and asymmetrical harmonies, porous and thick textures and sound and noise.

Piano Solo - Level 4 - Digital Download SKU: A0.862535 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 6 pages. Michael Butkus-Bomier #2033351. Published by Michael Butkus-Bomier (A0.862535). Etude 3.0, the last of the single-interval material. tritones are rather easier to mirror, and otherwise make symmetrical than other intervals. Thus this piece is 100% mirrored, symmetrical, and topographically identical hand-to-hand. There are many structures which are also inversions, played simultaneously. Diminished 7ths, Dom7 b5 chords, even fifths with the tritone sandwiched in between the two halves of the fifths, are in evidence here. There are rhythmic syncopations and shifting accents. All in all a real showpiece of perpetuum mobile dissonance which makes sense even to the listener or player accustomed to Romantic literature. It's a gallop! Approx running time is 4 mins 20 secs. Two-interval pieces are next in line. MBB.

Piano Solo - Level 4 - Digital Download SKU: A0.862538 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 8 pages. Michael Butkus-Bomier #2034191. Published by Michael Butkus-Bomier (A0.862538). Here is the first in the sequence of dual-interval selections. The half-step and the whole-step, close cousins, but, Do They Get Along? Sure! The traditional musical element that uses both these intervals is the octotonic or diminished scale. So, this material figures prominently in the first section, accompanied by alternating major and minor sevenths. The piece uses mirrored and symmetrical passages in 7ths next, followed by the opposite smaller intervals. Rolled mirrored clusters, symmetrical open chords, every possibility is explored here, each aspect showing its own identity. The intervallic unity gives the piece, and ALL the pieces in this series, a continuity that binds the disparate pianistic applications together into unified and identifiable musics. Running time is approx. 3 mins 30 secs. at suggested tempo. Any piece in this series can go slower, if the player needs the time, or faster, if the player feels like gunning it! MBB.