Piano Solo - Level 4 - Digital Download SKU: A0.949201 Composed by William Hobbs. Contemporary,Standards. Score. 4 pages. Sullivan Studios #4412273. Published by Sullivan Studios (A0.949201). From Zodiac.Complex metric notation and syncopation belie a singing melody.  Alternating 4/4 and 3/4 measures with unusual rhythmic divisions.  .

Piano Solo - Level 4 - Digital Download SKU: A0.1128407 By Odette Bilby. By Odette Bilby. Contemporary,Contest,Festival,Holiday,Instructional,Jazz. Score. 3 pages. Partita Music #729027. Published by Partita Music (A0.1128407). Enjoy playing this beautiful and rhythmically interesting solo piano piece, which paints a picture of the rippled colours of sunset. The left hand gets a good workout with a non-metric semiquaver subdivision in a flowing, hypnotic pattern. Perfect for any situation where soothing piano music is required. In F major. 3 pages (approx. 3'20 duration).

Choral Choir (SATB) - Digital Download SKU: A0.921801 Composed by Jonathan F Hellerman. Christian,Contemporary,Romantic Period,Sacred. Octavo. 4 pages. J. F. Hellerman #5719955. Published by J. F. Hellerman (A0.921801). An expressive, lyrical setting of Psalm 23, using Sir Isaac Watts' beautiful metric translation. Three verses are included - the first in unison, the second in four parts (SATB), and the third in unison with descant. The melody is quickly accessible and the organ accompaniment gentle, making this piece appropriate for use in church or concert. Only two minutes in length, it is easily manageable by a small SATB choir.  Ideally accompanied by the organ, it is playable on the piano also.For more information about the composer, visit hellermanmusic.com

Concert Band - Digital Download SKU: AX.00-PC-0017057_TMP Timpani. Composed by Randall D. Standridge. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0017057_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017057_TMP). UPC: 038081498331.Undecim is Latin for eleven, referring both to the eleventh hour (the last opportunity to get something done) and the opening metric feel of the piece (7/8 + 2/4 = 11 eighth notes). This high-energy opener is the perfect way to begin your next concert! (3:15) This title is available in SmartMusic.Concert/Contest; Festival.

Concert Band - Digital Download SKU: AX.00-PC-0015118_WPEH1 (wp) 1st Horn in E-flat. Composed by Robert Sheldon. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015118_wpEH1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015118_WPEH1). UPC: 038081407814.Metrix is a multi-meter, jazz inspired composition. The infectious rhythms and tuneful melodies are highlighted by the driving percussion riffs that propel the music through a variety of styles, moods, and textures. The title is a play on words combining the word matrix that refers to a mathematical array of numbers, and metric that relates to the variety of meters used in the piece. This title is available in SmartMusic.

Piano,Viola - Digital Download SKU: A0.1459247 Composed by Jailton de Oliveira. 21st Century,Chamber,Classical,Contemporary. Score and part. 30 pages. Jailton de Oliveira #1038189. Published by Jailton de Oliveira (A0.1459247). Momentos, for Viola and PianoThe work is divided into five parts: Part 1 is inspired in the sounds produced by the orchestra when tuning before each concert. There is emphasis on note A and the rhythms are out of phase. In Part 2 the viola “pizzicati” sounds are explored, in an atonal language, with intensive rhythmic dialogue between the two instruments. In Part 3 there is a vigorous rhythmic sense, with some metric changes and rhythmic contrasts, which sometimes, let the two instruments almost discordant with each other. In Part 4 is used the idea of an elastic time, that stretches and contracts. This idea is represented by a motif played by the viola. This motif is developed by a process of addition and subtraction of notes. Part 5 represents the idea of monotony, followed by try to break this monotony. This part begins with repeated elements that little by little, get transformed. Other elements appear, while the texture gets denser and the material presented by the viola acquire a degree of more virtuosity. Part 5 concludes with a brief rarefied texture.

Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1016724 Composed by Camille Saint-Saens. Arranged by Henry Godfrey. Jazz,Opera. Score and parts. 174 pages. Henry Godfrey #5822769. Published by Henry Godfrey (A0.1016724). A reimagination of Saint-Saëns' famous dance from Samson et Delilah. Bombastic from beginning to end, this romp of a closer features intricate counterpoint, metric modulation, and modal harmony. A fun challenge!Featuring solos for Trumpet 4 & Tenor 2Tenor 2 also doubles on clarinetFind the score here: https://www.sheetmusicplus.com/title/danse-bacchanale-score-digital-sheet-music/21799743?ac=1.

Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898552 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 9 pages. Matthew Alan Edwards #4266215. Published by Matthew Alan Edwards (A0.898552). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses, printed below: solo chant, even verses: choir). For a complete translation of the six Latin verses, refer to the next page. In the music’s text, I have retained all accent marks as found in the Liber Usualis. These should help inform text stress. The last two verses are suitable as a Communion anthem. This SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in English. SATB Latin/English versions coming soon!

Bb Clarinet, Piano - Grade 3 - Digital Download SKU: FX.FX071386 Composed by Alain Lopez. Classical, Educational. Score and Set of Parts. FLEX Editions - Digital Sheet Music #FX071386. Published by FLEX Editions - Digital Sheet Music (FX.FX071386). During the short ternary intro, the two themes are depicted and then immediatly developped in binary with a mix of Jazz and Jazz Rock styles. The Twinning is exploited to make the most of it: in the title, the metric, the major tone and its relative minor, the themes, the chords, the characters attribute and the repeated notes in the melody. Listen to it !

Euphonium, Piano - Grade 3 - Digital Download SKU: FX.FX071391 Composed by Alain Lopez. Classical, Educational. Score and Set of Parts. FLEX Editions - Digital Sheet Music #FX071391. Published by FLEX Editions - Digital Sheet Music (FX.FX071391). During the short ternary intro, the two themes are depicted and then immediatly developped in binary with a mix of Jazz and Jazz Rock styles. The Twinning is exploited to make the most of it: in the title, the metric, the major tone and its relative minor, the themes, the chords, the characters attribute and the repeated notes in the melody. Listen to it !

Organ - Level 3 - Digital Download SKU: A0.898551 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Score. 6 pages. Matthew Alan Edwards #4266213. Published by Matthew Alan Edwards (A0.898551). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. It may be performed in alternatum with one of the choral versions (SATB English, SATB Latin, SSA/TTB Latin, or SSA/TTB English) or with a soloist(s) on the chant or as an organ solo. I have provided the first line of chant below and all six verses in Latin with translations on the next page. The SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristi Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. Either the two-staff or single-staff version may be performed by solo organ. In the single-staff version, stem direction decisions were made primarily for readability, not to show voice leading. Refer to the four-part, two-staff version for voice leading questions.Also available as SSA/TTB in Latin or English. SATB Latin/English versions coming soon!

Concert Band - Digital Download SKU: AX.00-PC-0017057_F1 Flute. Composed by Randall D. Standridge. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0017057_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017057_F1). UPC: 038081498331.Undecim is Latin for eleven, referring both to the eleventh hour (the last opportunity to get something done) and the opening metric feel of the piece (7/8 + 2/4 = 11 eighth notes). This high-energy opener is the perfect way to begin your next concert! (3:15) This title is available in SmartMusic.Concert/Contest; Festival.

By Howard Shore, Metric, and Twilight: Eclipse (Movie). Film/TV; Pop. Easy Piano. 4 pages. Published by Hal Leonard - Digital Sheet Music

Concert Band - Digital Download SKU: AX.00-PC-0015118_WPTBEBC (wp) E-flat Tuba B.C.. Composed by Robert Sheldon. Instructional. World Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015118_wpTBEBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015118_WPTBEBC). UPC: 038081407814.Metrix is a multi-meter, jazz inspired composition. The infectious rhythms and tuneful melodies are highlighted by the driving percussion riffs that propel the music through a variety of styles, moods, and textures. The title is a play on words combining the word matrix that refers to a mathematical array of numbers, and metric that relates to the variety of meters used in the piece. This title is available in SmartMusic.

Full Orchestra - Digital Download SKU: A0.1008418 Composed by Manuel de Falla. Arranged by Arkady Leytush. 20th Century. Score and parts. 23 pages. Arkady Leytush #6440739. Published by Arkady Leytush (A0.1008418). This remarkably colorful part gives great pleasure with its liberation, colorfulness and originality of the Spanish and Cuban musical traditions.  Written in three-part form, this music in particular is notable for its peculiar rhythms and metric comparisons. If in the 1st and last parts I use quite recognizable percussion instruments such as: Triangle, Snare Drum, Castanets, Cymbals, Gong, which indicates more Spanish traditions in classical music, then in the middle part it is mostly Cuban folk music, colored and emphasized by such percussion as: Claves, Cowbell, Bongo and Conga Drums. Undoubtedly, the percussion instruments in this part of my transcription are a very recognizable element, but not the only one that can be determined with careful listening.