EUROPE
102 articles
USA
188 articles
DIGITAL
336 articles (à imprimer)
Partitions Digitales
Partitions à imprimer
336 partitions trouvées

1 16 31 46 61 ....331

Solo Guitar - Level 2 - Digital Download

SKU: A0.1264429

Composed by Anonymous. Arranged by Pablo Alcázar. Latin,Singer/Songwriter,Traditional. Individual part. 3 pages. Pablo Alcázar #857258. Published by Pablo Alcázar (A0.1264429).

This arrangement for SOLO GUITAR of the famous traditional song La Llorona is for every guitarist that want to get introduced into traditional mexican music with a famous song that everyone loves. It's made for begginners guitarist as a challenge and for intermediate guitarist to be a great song to memorize. This arrangement have the fully essence of the song with a clear harmony, melody and waltz rhythm. Also it has a nicely made fingerpicking style and fingering decision by a professional guitarist with hundred of arrangements made.

La Llorona is a Mexican folk song originated in the Tehuantepec isthmus region of Oaxaca. There is no unique version of the song and its date of creation is unknown. Although it is often associated with the legend of La Llorona, its relationship is uncertain. Many authors have created or derived verses that make it a story of love and pain representative of traditional music.

La llorona - Mexican traditional song for solo Guitar
Guitare

$4.99 4.49 € Guitare PDF SheetMusicPlus

Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.996625

Composed by Martin Jeremy Richardson. Contemporary,World. Score. 44 pages. M J Richardson #5307647. Published by M J Richardson (A0.996625).

This collection of seven songs is inspired by Spanish folk and flamenco music. Each song is representative of a different style or genre, including dances, romances, work, and religious and songs. Spain has a long history of folk music dating back to the Middle Ages; a tradition that is still very much alive today. The music has been influenced by many different cultures over the centuries and has been the inspiration for musicians across the world.

Songs

1.Sevillanas are a type of folk song and associated dance for couples, originating in the nineteenth century. Today they are still very popular, particularly at fiestas and  other social events.

2.Cabaliño is a Galician work song about a young horse, arranged in the style of a flamenco tango.

3. La Petenera is  a combination of two songs in very different styles - a flamenco Petenera from Andalucía and a Mexican son huasteco, a genre that is noteworthy for its flamboyant and virtuoso violin parts.

4. Saetas are religious songs that are performed at Easter (Semana Santa).

5.There are many hundreds of versions of the old folk tale Gerineldo, telling the story of love between a Queen and her page boy. This Spanish/Jewish version is over 500 years old, from the time when the Moors ruled over much of the Iberian Peninsula.

6.Villancico Asturiano is a traditional Christmas carol from Asturias, combined with a setting of a Christmas poem written in the seventeenth century by Robert Herrick for King Charles II of England.

7.The lyrics from La Tarara are drawn from the poem of the same name by the Spanish poet Federico Lorca, who based his poem on a traditional children´s playground song. La Tarara is a mystical woman who dances around the countryside.  The music in this version is in the style of a Tanguillo – a type of flamenco dance from Cadiz.

Seven Spanish Songs
Piano, Voix

$9.99 8.98 € Piano, Voix PDF SheetMusicPlus

Mariachi Band - Level 2 - Digital Download

SKU: A0.1405367

Composed by traditional Mexican Folk Dance. Arranged by Donald Jay Smith. Mariachi. Mariachi Band. 18 pages. Donald Jay Smith Music #988411. Published by Donald Jay Smith Music (A0.1405367).

This is from a collection of pieces I originally arranged for my Middle School Mariachi Band at Curtis Corner Middle School in Wakefield, Rhode Island. Since that time, I have used these arrangements with all ages through college, pros, and especially two families that happened to have the correct instrumentation between the parents and their children. 

At the middle school, the strings were more advanced than the trumpets and I needed to deal with young string players only being familiar playing sharp keys and brass players only being familiar with flat keys. My solution for one of the first arrangements was in â??Mexican Hat Danceâ?. I assigned the violins two simple double stops (their first double stops: one finger in low first position while bowing both the A and E string-the first finger on the E string is an F chord and first finger on the A string is a C7 chord). I split the four songs, two in flat keys two in sharp keys. The trumpets were assigned several unfamiliar pitches in the sharp keys like G#, but with plenty of repetition and not technically challenging figures except in the bridge of â??Mexican Hat Danceâ?. I intended to cover that part of the song on my trumpet, but the trumpets always rose up and nailed it!

The set we usually played included: â??La Cucarachaâ?, â??Cielito Lindoâ?, â??De Coloresâ?, and â??Mexican Hat Danceâ?, all available here.

The Mexican Hat Dance

$12.99 11.68 € PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download

SKU: A0.723122

Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score and parts. 48 pages. Joel Jacklich #2075453. Published by Joel Jacklich (A0.723122).

NOTE: Full Score is formatted for 11x17. Aires Nacionales Mexicanos, Op. 558, is a potpourri by the nineteenth-century Mexican bandmaster and composer Miguel Rios Toledano. It was written sometime during the presidency of Porfirio Diaz (r. 1876-1911) to whom the work was dedicated. The introduction to the twenty-five minute work (which features more than forty traditional regional songs and dances from Mexico) begins with the Himno Nacional in an instrumental version (Chorus, Stanza, Chorus). By Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained. In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (Secretaría de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes. In the spirit of this law, and for good international relations, it is recommended that when performing the entire work, it would be good form to contact the nearest Mexican Consulate to see about obtaining permission. Should permission not be received, a cut has been indicated in the music from the first beat of measure 2 to the second beat of measure 42 to eliminate the Himno Nacional portion from the performance. At the time the work was written, the Himno Nacional was not quite so closely monitored, hence its inclusion in this work and its common accepted performance a century ago. This arrangement for full orchestra was made from an original piano version by Miguel Rios Toldano. The orchestration was made for a concert in celebration of Cinco de Mayo by the Imperial Valley Symphony on May 5, 2012. The score is formatted for 11x17 paper. The parts (found separately) are in standard letter page format (8-1/2x11).

Aires Nacionales Mexicanos, Op. 558 (Potpourri) 11"x17" SCORE ONLY
Orchestre
Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (Secretaría de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes
$25.00 22.47 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download

SKU: A0.723069

Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score and parts. 230 pages. Joel Jacklich #2075457. Published by Joel Jacklich (A0.723069).

ORCHESTRAL PARTS ONLY. (Large format score published separately) Aires Nacionales Mexicanos, Op. 558, is a potpourri by the nineteenth-century Mexican bandmaster and composer Miguel Rios Toledano. It was written sometime during the presidency of Porfirio Diaz (r. 1876-1911) to whom the work was dedicated. The introduction to the twenty-five minute work (which features more than forty traditional regional songs and dances from Mexico) begins with the Himno Nacional in an instrumental version (Chorus, Stanza, Chorus). By Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained. In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (Secretaría de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes. In the spirit of this law, and for good international relations, it is recommended that when performing the entire work, it would be good form to contact the nearest Mexican Consulate to see about obtaining permission. Should permission not be received, a cut has been indicated in the music from the first beat of measure 2 to the second beat of measure 42 to eliminate the Himno Nacional portion from the performance. At the time the work was written, the Himno Nacional was not quite so closely monitored, hence its inclusion in this work and its common accepted performance a century ago. This arrangement for full orchestra was made from an original piano version by Miguel Rios Toldano. The orchestration was made for a concert in celebration of Cinco de Mayo by the Imperial Valley Symphony on May 5, 2012. The parts are in standard letter page format (8-1/2x11) The score (found published separatetely at SheetMusicPlus) is formatted for 11x17 paper.

Aires Nacionales Mexicanos, Op. 558 (Potpourri) - 8-1/2"x11" ORCHESTRAL PARTS ONLY
Orchestre
Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (Secretaría de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes
$65.00 58.43 € Orchestre PDF SheetMusicPlus


1 16 31 46 61 ....331




Partitions Gratuites
Acheter des Partitions Musicales
Acheter des Partitions Digitales à Imprimer
Acheter des Instruments de Musique

© 2000 - 2024

Accueil - Version intégrale