Easy Piano - Level 2 - Digital Download SKU: A0.1289789 Composed by Traditional Mexican Folksong. Arranged by Emmanuel González. Folk. Score. 4 pages. Emmanuel González #880486. Published by Emmanuel González (A0.1289789). Easy Piano Solo Arrangement for one of the most famous mexican folksongs.

Piano - Level 4 - Digital Download SKU: A0.1213840 By Emmanuel González. By Traditional Mexican Folksong. Arranged by Emmanuel González. Folk,Traditional. Full Performance. Duration 222. Emmanuel González #811035. Published by Emmanuel González (A0.1213840). Professional Piano Solo Arrangement for one of most famous mexican folk songs. This arrangement preserves the same sound as the original song, but in the color of a piano.

Piano - Level 4 - Digital Download SKU: A0.1213847 By Emmanuel González. By Traditional Mexican Folksong. Arranged by Emmanuel González. Folk,Traditional. Full Performance. Duration 350. Emmanuel González #811045. Published by Emmanuel González (A0.1213847). Professional Piano Solo Arrangement for one of most famous rock songs. This arrangement preserves the same sound as the original song, but in the color of a piano.

Woodwind Ensemble,Woodwind Quartet Clarinet,Flute - Level 2 - Digital Download SKU: A0.979876 Composed by Traditional Mexican Folksong. Arranged by Jope. Folk,Latin. 10 pages. Jope #6871383. Published by Jope (A0.979876).

Small Ensemble Euphonium,Hand Percussion,Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.733086 Composed by Charles Kreeb. Arranged by Ayotte Custom Musical Engravings. Contemporary. Score and parts. 8 pages. Ayotte Custom Musical Engravings #3114957. Published by Ayotte Custom Musical Engravings (A0.733086). This suite, written for brass ensemble with percussion, consists of three well-known Mexican songs: Cielito Lindo by Quirino Mendoza y Cortés, the anonymous Carmen Carmella, and the ever-famous Jarabe Tapatíod (Mexican Hat Dance) by Jesús Golzález Rubio. This colorful arrangement by Chuck Kreeb is sure to be a crowd-pleaser.

Digital Download SKU: A0.1474647 By Arturo Escorza. By José Marín. Arranged by Arturo Escorza. Baroque,Chamber,Early Music,Historic. 5 pages. Arturo Escorza #1052224. Published by Arturo Escorza (A0.1474647). This sheet music features two versions of a 17th-century song composed by the renowned Spanish composer José Marín (1618-1699). Marín, a tenor of the Royal Chapel of King Philip IV, had a tumultuous life that took him to Rome, the New World, and eventually into a ten-year exile. He was praised as the best musician in Madrid and was known both within and outside Spain for his exceptional skill in composition and performance.Interestingly, the famous Mexican song Cielito Lindo shares a small connection with this piece, at least in the opening lines of both the Mexican and the 17th-century Spanish songs: De la Sierra Morena.... This sheet music includes two versions of Marín's song, one from the Libro de tonos de José Miguel de Guerra (also known as Codice Guerra) and the other from the National Library of Spain. The composition is for voice and continuo, encompassing 5 pages.

Piano Solo - Advanced - Digital Download Composed by Traditional Folk Song. Arranged by Timothy Stapay. Movies, TV, Folk, Latin, Pop. 7 pages. Published by Timothy Stapay

Full Orchestra - Level 4 - Digital Download SKU: A0.723122 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score and parts. 48 pages. Joel Jacklich #2075453. Published by Joel Jacklich (A0.723122). NOTE: Full Score is formatted for 11x17. Aires Nacionales Mexicanos, Op. 558, is a potpourri by the nineteenth-century Mexican bandmaster and composer Miguel Rios Toledano. It was written sometime during the presidency of Porfirio Diaz (r. 1876-1911) to whom the work was dedicated. The introduction to the twenty-five minute work (which features more than forty traditional regional songs and dances from Mexico) begins with the Himno Nacional in an instrumental version (Chorus, Stanza, Chorus). By Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained. In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (Secretaría de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes. In the spirit of this law, and for good international relations, it is recommended that when performing the entire work, it would be good form to contact the nearest Mexican Consulate to see about obtaining permission. Should permission not be received, a cut has been indicated in the music from the first beat of measure 2 to the second beat of measure 42 to eliminate the Himno Nacional portion from the performance. At the time the work was written, the Himno Nacional was not quite so closely monitored, hence its inclusion in this work and its common accepted performance a century ago. This arrangement for full orchestra was made from an original piano version by Miguel Rios Toldano. The orchestration was made for a concert in celebration of Cinco de Mayo by the Imperial Valley Symphony on May 5, 2012. The score is formatted for 11x17 paper. The parts (found separately) are in standard letter page format (8-1/2x11).

Full Orchestra - Level 4 - Digital Download SKU: A0.723069 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score and parts. 230 pages. Joel Jacklich #2075457. Published by Joel Jacklich (A0.723069). ORCHESTRAL PARTS ONLY. (Large format score published separately) Aires Nacionales Mexicanos, Op. 558, is a potpourri by the nineteenth-century Mexican bandmaster and composer Miguel Rios Toledano. It was written sometime during the presidency of Porfirio Diaz (r. 1876-1911) to whom the work was dedicated. The introduction to the twenty-five minute work (which features more than forty traditional regional songs and dances from Mexico) begins with the Himno Nacional in an instrumental version (Chorus, Stanza, Chorus). By Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained. In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (Secretaría de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes. In the spirit of this law, and for good international relations, it is recommended that when performing the entire work, it would be good form to contact the nearest Mexican Consulate to see about obtaining permission. Should permission not be received, a cut has been indicated in the music from the first beat of measure 2 to the second beat of measure 42 to eliminate the Himno Nacional portion from the performance. At the time the work was written, the Himno Nacional was not quite so closely monitored, hence its inclusion in this work and its common accepted performance a century ago. This arrangement for full orchestra was made from an original piano version by Miguel Rios Toldano. The orchestration was made for a concert in celebration of Cinco de Mayo by the Imperial Valley Symphony on May 5, 2012. The parts are in standard letter page format (8-1/2x11) The score (found published separatetely at SheetMusicPlus) is formatted for 11x17 paper.

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891196 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 5 pages. Dandelion Music Press #3103605. Published by Dandelion Music Press (A0.891196). Movement four of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement.  Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico.  These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I.  The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele.  Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle.  Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891194 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 6 pages. Dandelion Music Press #3103603. Published by Dandelion Music Press (A0.891194). Movement two of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement.  Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico.  These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I.  The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele.  Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle.  Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891193 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 24 pages. Dandelion Music Press #3103597. Published by Dandelion Music Press (A0.891193). This fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement.  Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico.  These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I.  The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele.  Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle.  Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com

Piano,Vocal,Voice - Digital Download SKU: A0.1463451 By Arturo Escorza. By Ángela Peralta. Arranged by Arturo Escorza. 19th Century,Classical,Romantic Period. Score. 8 pages. Arturo Escorza #1042147. Published by Arturo Escorza (A0.1463451). Explore the magnificent concert song El Deseo by the incomparable Mexican soprano and composer Ángela Peralta, renowned as El Ruiseñor Mexicano (The Mexican Nightingale.) Peralta, celebrated primarily as an opera diva during the Mexican Belle Époque, also made significant contributions as a composer.This romanza was composed in 1875 and showcases Peralta's lyrical and expressive musical style. The sheet music edition includes:Full Score (8 pages): Soprano, Piano AccompanimentIdeal for sopranos and music enthusiasts interested in exploring Mexican romantic repertoire, this edition provides a glimpse into Ángela Peralta's artistic legacy.

Solo Guitar - Level 2 - Digital Download SKU: A0.1264429 Composed by Anonymous. Arranged by Pablo Alcázar. Latin,Singer/Songwriter,Traditional. Individual part. 3 pages. Pablo Alcázar #857258. Published by Pablo Alcázar (A0.1264429). This arrangement for SOLO GUITAR of the famous traditional song La Llorona is for every guitarist that want to get introduced into traditional mexican music with a famous song that everyone loves. It's made for begginners guitarist as a challenge and for intermediate guitarist to be a great song to memorize. This arrangement have the fully essence of the song with a clear harmony, melody and waltz rhythm. Also it has a nicely made fingerpicking style and fingering decision by a professional guitarist with hundred of arrangements made.La Llorona is a Mexican folk song originated in the Tehuantepec isthmus region of Oaxaca. There is no unique version of the song and its date of creation is unknown. Although it is often associated with the legend of La Llorona, its relationship is uncertain. Many authors have created or derived verses that make it a story of love and pain representative of traditional music.

Small Ensemble Piano,Violin,Voice - Level 4 - Digital Download SKU: A0.955811 Composed by Manuel M. Ponce. Arranged by Scott S. Stewart. 20th Century,Concert,Holiday,Romantic Period,World. Score and parts. 8 pages. Scott S. Stewart #6088787. Published by Scott S. Stewart (A0.955811). In 1912 Mexican composer Manuel M. Ponce traveled to Aguascalientes on vacation and spent an evening looking at the starry night. This inspired him to compose the words and music for the song, Estrellita (Star of Love/Little Star/Petit Astre/Stellina).  The text ‘Star from far away, you know about my love and my suffering…’ has been speculated by many that these lyrics are Ponce’s sentimental expressions for his beloved Mexico as a little star… ‘Because I cannot live without his love.’ Or, it is widely held that the lovely melody of Estrellita came to Ponce in a moment of inspiration while spending a romantic evening with his wife… either scenario could be true.  In 1923 violinist Jascha Heifetz was in Mexico City and realized he didn’t have any work by a Mexican composer on his program.  While in a café, he heard a local musician sing the popular song Estrellita and noted its title on a napkin. Estrellita became one of his favorite encore songs ever since. Scored for solo violin, tenor and piano this trio runs 2:59.